1. Clarice Lispector | 2. Egon Schiele | 3. Dylan Thomas | 4. Joseph Lorusso | 5. Jenny Slate | 6. Ron Hicks | 7. Mary Oliver | 8. Safet Zec | 9. Madeline Miller | 10. Antonio Piatti | 11. Ocean Vuong | 12. Peter Wever | 13. Richard Siken
noise dept.
Today's Document
Lint Roller? I Barely Know Her

Game Changer & Make Some Noise
The Bowery Presents
hello vonnie
"I'm Dorothy Gale from Kansas"
Doug Jones
TMBGareOK. The Official They Might Be Giants tumblr
Sweet Seals For You, Always
tumblr dot com
One Nice Bug Per Day

Jar Jar Binks Fan Club
h
taylor price
art blog(derogatory)
The Bright Sessions
EXPECTATIONS

Jimmy Eat World
KIROKAZE

seen from Germany
seen from United Kingdom
seen from Malaysia
seen from Colombia

seen from Germany
seen from United States
seen from United States
seen from Chile

seen from Russia
seen from Malaysia
seen from Vietnam
seen from Brazil
seen from Kenya
seen from India

seen from United States

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@hotglassofmilk
1. Clarice Lispector | 2. Egon Schiele | 3. Dylan Thomas | 4. Joseph Lorusso | 5. Jenny Slate | 6. Ron Hicks | 7. Mary Oliver | 8. Safet Zec | 9. Madeline Miller | 10. Antonio Piatti | 11. Ocean Vuong | 12. Peter Wever | 13. Richard Siken

Anya is live and ready to show you everything. Watch her strip, dance, and perform exclusive shows just for you. Interact in real-time and make your fantasies come true.
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Gettin’ Religion (1948) and Black Belt (1934), by Archibald Motley Jr. (1891-1981)
“I wanted a perfect ending. Now I’ve learned, the hard way, that some poems don’t rhyme, and some stories don’t have a clear beginning, middle, and end. Life is about not knowing, having to change, taking the moment and making the best of it, without knowing what’s going to happen next.”
— Gilda Radner
That has to be the most humiliating way to describe one of Earth's most terrifyingly effective predators.
Picture of her from the USA Today
I would let her kill me for sport

Anya is live and ready to show you everything. Watch her strip, dance, and perform exclusive shows just for you. Interact in real-time and make your fantasies come true.
Free to watch • No registration required • HD streaming
idk how many more "higher temperature is expected today"s i got left in me
Hannah Waddingham of Ted Lasso fame cast as MILF Mrs Bennet send tweet
dude i recently got a fulltime job and how the fuck do you post so much and so well while being employed. how is is this possible
i'm a horrible employee 🔥
Loving Vincent (2017) dir. Dorota Kobiela & Hugh Welchman
“Subverting” Catholic art? Oh, okay. I see, you think this has nothing to do with you. You log onto the internet and you post about how “Wound of Christ” from Psalter and Prayer Book of Bonne de Luxembourg, attributed to Jean le Noir, c.1349, for instance, looks like a vulva because you're trying to tell the world that you enjoy Catholic art and imagery in an alternative, queer, risqué way that challenges Christian beliefs. But what you don't know is that that stigma isn’t just a vulva. It's not just a mandorla. It's not just yonic. It's actually intentionally erotic. And you're also blithely unaware of the fact that around 1297, Saint Angela of Foligno experienced a vision of Christ himself, who called her to put her mouth to the wound in his side and lick the freshly flowing blood. And then I think it was Saint Catherine of Siena who drank blood and a clear liquid from the wound before receiving a ring made from Christ’s foreskin? And then graphically erotic encounters with the side wound of Christ quickly showed up in the writings of eight different mystics. And then the yonic interpretation of the stigmata filtered down through the illuminated manuscripts and then trickled on down into some pseudo-intellectual corner of the internet…where you, no doubt, fished it out of some Pinterest board. However, that interpretation represents hundreds of years and countless visions of religious ecstasy. And it's sort of comical how you think that you've come up with an idea that exempts you from Christian theology when, in fact…you're posting an image that was sexualized for you by the very Medieval saints you think you’re so different than…from “subverted” Catholic art.

Anya is live and ready to show you everything. Watch her strip, dance, and perform exclusive shows just for you. Interact in real-time and make your fantasies come true.
Free to watch • No registration required • HD streaming
/ René Groebli, The Eye of Love., 1952
oh! the space needle is a cute mascot base for seattle’s MLB team! i wonder how they managed to communicate that in a big foam costume?
oh
oh
All Star but it’s in a minor key so it makes you question life and realize the years start comin and they don’t stop comin
aka, the theme song to Shrek 9: Shrek’s Third Divorce
FEATURING THE AMAZING @allicatttx
i need a full version of this pls
Sis voice tho!
i was NOT expecting to love this as much as i do
THIS GAVE ME SO MANY CHILLS OMFG
i NEED people to realise foreshadowing is. in fact. a literary device. and not a Bad Thing. the audience picking up on your hints is a Good Thing. because. it makes the story and it’s conclusion make sense. and some people will not see those but enjoy seeing them on a second read through. red herrings are one thing but if your novel consists of nothing but red herrings it’s not a coherent story it’s just a collection of paragraphs that don’t actually plausibly link to one another. you're not fighting with the audience you don’t look clever you look like you don’t know how basic fiction works. be vulnerable for once in your goddamn life and don't treat writing like a game to be won where the audience losing is a good thing.
Getting to the end of a story and going "THE CLUES WERE THERE THE WHOLE TIME!" is always joyous for me whether or not I picked up on the clues leading up
If I saw the clues and caught the hints then yes! I am clever and me and the author/creator/artist etc were in on it together the whole time!
If I didn't notice the clues or got fooled but can clearly see them in hindsight then "Ha! You won this time storyteller! I am delighted by this game we play!' and then I enjoy putting the pieces together afterwards and enjoying how clever it was. I feel like the creator respects me as an audience
If there is a "twist" that comes with 0 clues or foreshadowing at all I'm annoyed. I'm pissed off. I feel like I'm being condescended to and patronised. It's not clever or interesting and makes me annoyed I ended up caring about characters and plot points that ended up meaningless.
Because it's not that these stories don't have foreshadowing or plot clues. They just abandon it for a "surprising twist"
A story that pays off the clues is letting me into the fun and makes a participant in the story
A story that just gives me a "shock" but no pay off is telling me not to engage or get attached or care. So why would I watch?
OMG! THIS!
Random plot twists that don't connect to anything in the story are not clever. If we don't see it coming because the writer didn't provide any clues, they aren't clever and it's totally unsatisfying (and I will NEVER read this writer again). These clues need not be lit up in neon with a parade of elephants and showgirls. But they need to be present
I'm a writer and am rarely surprised. Often, if I am surprised it's because the writer was a dumbass and included a "twist" that makes no sense (and therefore isn't really a twist, it's just random bullshit). If a writer genuinely surprises me, without being an absolute dumbass, I am FUCKING DELIGHTED! I will tell everyone I know to read the book/see the movie/watch the show.
Foreshadowing is the reward for paying attention. It's the story letting you in on the secret like a co-conspirator because you're the clever little audience member who has been picking up on the clues the writer has been setting up.
It even makes watching/reading again more worthwhile because if you didn't notice the foreshadowing the first time you have the joy of being able to notice the things you missed!
I've already said that my number one piece of writing advice is to read.
But my number two piece of advice is this: be deliberate.
Honestly this would fix so many pieces of bad writing advice. Don't forbid people from doing something, tell them to be conscious and deliberate about it. This could help stop people from falling into common mistakes without limiting their creativity. Black and white imperatives may stop a few annoying beginner habits, but ultimately they will restrict artistic expression.
Instead of "don't use epithets": "Know the effect epithets have and be deliberate about using them." Because yes, beginners often misuse them, but they can be useful when a character's name isn't known or when you want to reduce them to a particular trait they have.
Instead of "don't use 'said'" or "just use 'said'": "Be deliberate about your use of dialogue tags." Because sometimes you'll want "said" which fades into the background nicely, but sometimes you will need a more descriptive alternative to convey what a character is doing.
Instead of "don't use passive voice": "Be deliberate about when you use passive voice." Because using it when it's not needed can detract from your writing, but sometimes it can be useful to change the emphasis of a sentence or to portray a particular state of mind.
Instead of blindly following or ignorantly neglecting the rules of writing, familiarize yourself with them and their consequences so you can choose when and if breaking them would serve what you're trying to get across.
Your writing is yours. Take control of it.
It probably sounds like I'm preaching to the choir here because most of my mutuals are already great writers. But I'm hoping this will make it to the right people.
Yes. This is true.
But. The reason beginners are told these absolute "writing rules," is because they don't yet have the experience to know when to break them. Knowing when and how to break the rules is something you only learn through experience, both reading and writing. It is, generally speaking, better for beginners to adhere to these rules until they've got the experience to know better. To know what passive voice is and why they want to use it in this instance. To know that said fades into the background and that's why they should usually use it instead of other dialogue tags. To know when to use an epithet, instead of someone's name.
After you've put in the work - in this case, massive amounts of reading and writing - then you'll be at the point where you understand when and how to break all of these "writing rules" that were foisted upon you. Being deliberate about using passive voice or epithets or dialogue tags or whatever when you still don't understand them is just going to result in deliberately bad writing.

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I just think, based on the way Ilya had his hand down his pants for the entirety of the Boston conversation, that after he and Shane are settled in their relationship his relaxation always includes somewhat inappropriate Shane touching. They're watching a movie with Shane resting on his chest? Ilya's hand is on his bare ass, fingers playing along the crease where his butt becomes his thigh, occasionally lifting the cheek and letting it go just to feel it jiggle. Shane's on the couch reading? Ilya's crawling between his legs and resting his head in the crease of his thigh. Shane's cuddled up with his back against Ilya's chest? Ilya's hand is resting on that man's cock. It's not necessarily sexual, it's not consciously possessive (although it is subconsciously possessive in that Shane's body is his to touch in whatever way he wants), that's just how he's most comfortable.
Meanwhile, Shane Oral Fixation Hollander always has some part of Ilya in his mouth. So they're cuddled up, Ilya's right hand on Shane's ass, the left one in his mouth and it's become so normal that neither one of them gives it a second thought. There's definitely a time or two where they accidentally do it around other people, like they're watching a scary movie with the Pikes and don't realise that Shane's had two of Ilya's fingers in his mouth for the past ten minutes until Hyden catches it out of the corner of his eye and goes "dude, what the fuck??" or they're heading back with the Cens after a series of away games and they're cuddled up on the plane, both half asleep, when Ilya's hand just makes its way down Shane's pants to rest in the crease of his groin and when Troy says "Roz, you'll be home in like two hours, can't that wait?" neither one of them realises what he's even referring to.
can i hijack this post with a snippet from something ill likely never finish
Mary Oliver, I Have Just Said Molly Malone Cook and Mary Oliver, from Our World