So you can avoid them stealing things from you, the artist/writer, etc.

Pro GenAI websites/Programs:

Facebook

Instagram

X/Twitter (Remember, Grok gives people cancer)

Threads

Pro Writing Aid

Grammarly

Duolingo

Google Docs

Microsoft Word/all Microsoft products Takes from and will feed their machine.

Youtube (taking advantage of people who are hearing impaired. ==;;)

Adobe Products. All of them. If you HAVE to use them (Some businesses require it), save offline because there is a film of at least some privacy protections there, so if you have to sue, you can say it violates US privacy law. Remember, contracts do not circumvent US law.

Corel won't feed the machines, but still uses AI stolen from other artists. Which sucks since Corel Draw is the second best overall for vector programs. (Plus I love Painter, but I bought the offline version to avoid AI). (Canadian company)

Canva Takes and feeds their machine.

Deviant Art Not only supports AI, but put a tool in and said they are going to steal your work if you like it or not for their machine.

Sketchup went Pro-GenAI. The thing is that you can do the same thing in Blender these days with precise measurements.

Autodesk has stated they are Pro-Gen AI here. It is not clear if they will use your models to feed their machine. But be on guard. They make Maya and 3Dmax. You can replace it with Blender.

Neutral ground:

Tumblr (there is a way to opt out [Link] and they don't have an active AI machine.) https://www.tumblr.com/dookins/743519550598987776/heres-how-to-disable-third-parties-like-ai

Etsy allows GenAI, but still has some (minor) restrictions. I'd still be cautious. (Also be cautious of drop shippers). Complaints about too much AI and AI images+patterns made by Ai still exist on the website. They lean slightly more pro-AI, but still won't let it run completely amok, say like Facebook. They won't feed your work into a machine, but also don't ban it through robots.txt.

Bluesky They don't use an AI algorithm except for in the "Discover" section of their website, but while they are anti-GenAI strongly, they don't seem to block the Gen AI bots from entry, so you'd still have to use Nightshade or Glaze (links below). There is no opt-out because they don't need an opt out. (Leaning towards strong position on AI, but I wish they would block GenAI bots).

Searxng- If you super want to screw over Google, in general, and have some tech savvy, you can set up your own search engine through searxng. It's easier on Windows and Linux than it is on a Mac. (Mac you need Docker), but if you're determined on privacy, Searxng adds a layer of privacy. Some of it sometimes uses bits of AI, but most of it doesn't and you can fuss with the settings so it doesn't spit out AI results. At sheer minimum Google will stop spitting out weird videos on Youtube at you because in your private browsing, you searched for the origin of ball bearings while not logged in for a book and Google likes to break privacy laws.

Strong positions against AI:

Scrivener (Creator vowed against AI) Writing program. There is an active forum, and versions for Mac, Linux and PC. It is paid, but at ~60 USD, it's cheaper than most programs. There is usually a holiday sale around Christmas. It has a learning curve, but with an active forum with the programmer of it there to ask obscure questions it's not a dead zone. They often take suggestions and implement them over time. (Especially if you rank the importance, applications, etc) US company.

LibreOffice Open source and free Spreadsheet and Word processor program that can replace Microsoft Word. Some people might have seen older versions where it was called Neo Office (now extinct) and Open Office. LibreOffice is still populated, plus the forums are super helpful if you get stuck. The UX is pretty intuitive if you've used Microsoft Word. Scrivener, BTW, supports exporting to odt (the native file) as well as .doc, and this can open both. The slight thing is that sometimes it doesn't export to .doc smoothly. And I DO wish more magazines, and agent (big clue here) supported .odt files since it is free. Part of the reason .odt isn't as supported is because Microsoft and Adobe have a deal with the devil with each other, so Adobe's Book formatting program InDesign doesn't support ODT. (BTW, if you have a good open source replacement for InDesign that supports ODT, let me know.)

Dabble (as suggested by SF stories, see reblog) is a writing program. Similar to Scrivener. Has vowed against AI and to resist it. 108 dollars a year for Basic. It is almost twice the price of Scrivener who lets you update for fairly cheap. 29 dollars a month, v. 59 dollars for the whole program (Scrivener) for the same features of Premium. You choose.

yWriter is a free Writing program and like Scrivener, and has vowed against AI Last I looked it had some UX issues, but some people swear by it. The learning curve is higher than Scrivener which is saying something.

Ellipsus is an online writing program and vowed against AI. The main feature I like (which Scrivener doesn't have) is the ability to change spellcheck based on region/language. It is a requested feature of Scrivener, but lower priority. So if you have a Brit, you can get the spelling for the character. They are a British-based company.

Cara.app (The creator of the website sued GenAI there is no chance they'll convert) is an artist website. Cara is trying to institute an auto Glaze/Nightshade into the website if given enough funds. People see it as a soft replacement for deviant art. (which went fully AI) If you believe in human art, please donate if you can. Zhang Jingna, the Creator,is Chinese-Singporean. She lives in Singapore.

Clip Studio Paint added AI, but saw the light and decided to protect artists instead because of protest and removed it. There are tutorials and a good forum if you get super stuck. Based in Japan, so the UI and UX is really clean.

Davinci Resolve Pro is a film editing software that's super good. There is a free version and a paid version. The forums are responsive. The programmers aren't always present. There is a healthy group of tutorials. US company. Clean UX. It does take a little bit of time to remember the shortcuts.

Tahoma2D is anti-AI and open source animation program. Takes a little getting used to, but is good for animations and doesn't crash as often as Animate. Programmers are in the forums and some bugs are fixed within hours. The forums are super responsive and helpful.

Krita open source and free, no AI. I'd rank it secondary to Clip Studio Paint (which is paid) I haven't tried the forums, but it's pretty intuitive and can stand for a lower level replacement for Painter, and do a lot of the basics of Photoshop. It's usually ranked higher than the equally open source Gimp.

Writer P AKA Writer+ (app for when you're on the go) is a simple word processor app for your phone that doesn't use AI. The original programmer stopped updating, so Writer+ person took over and isn't out to make a profit since it's free in the spirit of the original app. It has subfolders you can use. Since it was programmed before GenAI it doesn't have AI. Intuitive, easy to use. Fairly easy to upload the files through three dots->share. The files can save to your card or phone with some settings fussing. Simple word processor.

Inkscape is a free vector program and no AI. It is harder to use than illustrator and has less features. But if you're doing smaller vectors for one-offs with less complexity, it'll do you after some learning curve. Best of the lot. I hate Affinity Designer which is the same thing, only paid. (Neither Affinity program was worth the money paid)

Affinity (Designer, etc) swore to be AI-free and does Vector and Photos. The UX is messy, I dislike the program and regret paying for it. Inkscape and Krita are better UX and do the same thing. The forums aren't as friendly since there has been an onslaught of people seeing it's supposed to be a replacement for Photoshop and Illustrator, but the programmers aren't present. The people on the forums are often on edge about this assertion. And the capabilities of the program don't outshine basically Krita or Inkscape capabilities (both free). What is usually intuitive is not. UK company. If you're going to pay for a program, go for Clip Studio Paint which rivals Corel Painter.

Blender is a 3D art program and does not use GenAI. It can do 2D animation, but Tahoma is easier to use in this regard. It's open source and free. Plus there are plenty of tutorials. The forums can be touch and go sometimes, but there are plenty of sub Blender communities that might be responsive. It can also do animation.

Handmade vowed against AI and promised to never sell itself for stock prices to prevent AI (as a replacement for Etsy.)

Proton (to replace Google Suite) as suggested by SF Stories (see reblog) Vowed against AI. They are missing a spreadsheet, but have online and offline capabilities, plus a built-in VPN.

But you need a pro website...

Look up robots.txt and AI bots: https://www.cyberciti.biz/web-developer/block-openai-bard-bing-ai-crawler-bots-using-robots-txt-file/

Use cloudflare:

Use Nightshade:

https://nightshade.cs.uchicago.edu/whatis.html

which will poison the algorithm

Use Glaze:

Take Away:

The thing is you think you doing it alone will do nothing, but the more AI feeds on itself, AI images, the worse they become, and the less detailed so, denying it the images, adding poison or not being able to read the human text is eventually going to lead to an AI collapse.

And why not help that along?

fig 1.

what a remarkably strange and condescending way to speak to somebody you do not know on the internet! I have read plenty of published academic work, thank you. If you, perhaps, “slow down reading” my post and pay a little more attention to what I am saying, you’ll maybe notice that I am not talking about bullshitting, or denseness, or struggling to understand what an author is arguing. I am talking about writing that locates its case study as the site where some kind of norm or power structure is particularly live, but rather than making an argument about what exactly is happening there instead makes its argument the having-located itself--by saying the case study "troubles" or "destabilizes" or similar verbs that allow one to make a claim that seems emphatic and decisive but sneakily does not describe any real action.

I will concede that this may be more prevalent in my field (lit crit, early modern studies, etc.) than in every single other field but first of all it's my blog, so, lol, and secondly the idea that this doesn't ever happen in published academic writing is frankly wild. I have read a lot of academic writing from PhDs and senior scholars and everyone in between. Everybody is doing the troubling industrial complex. For example:

Gina Bloom, The Voice in Motion: Staging Gender, Shaping Sound in Early Modern England (University of Pennsylvania Press, 2013), 17.

What are Bloom's verbs here? The boy actors' squeaky voices "challenge" the masculine ideal of vocal control, they "destabilize" systems of gender differentiation. What does it mean, materially, literally, actively, for something to challenge or destabilize? Having read Bloom's book a couple times, I can tell you she doesn't really answer that question. The observation here, basically, is that something specific (boy actors' squeaky voices) rubs strangely against something hegemonic (early modern gender norms). We should expect that friction to produce some kind of sparks. But it doesn't--the argument is the presence of the friction, that's all.

Now, let's turn to an example of the Troubling Industrial Complex at work at what I feel to be a much higher level, in the hands of a scholar whose book I liked a lot more than Bloom's. This is the central argument of one of the chapters:

Urvashi Chakravarti, Fictions of Consent: Slavery, Servitude, and Free Service in Early Modern England (University of Pennsylvania Press, 2022), 15.

Here, Chakravarti has identified servants' livery as a site that allows access to early modern concepts of service, power, etc. She goes on to basically argue that livery was both a marker of servitude and also, paradoxically, of freedom. Are you starting to see what I'm getting at here? I am not doing justice to Chakravarti's argument, which is actually very smart and has many constitutive parts that offer really new and interesting and decisive readings of specific aspects of early modern livery--that read, to continue my earlier metaphor, for the spark and not just the friction. But, still, the top-level articulation here, the overall argument that all of this smart and subtle work adds up to is, basically, livery evokes power but also challenges to power. And this is the TIC: it's an argument that at its most basic and broad level is locating a contradiction. And in making that contradiction the thesis, you end up with a claim that basically cancels itself out. In TIC cases the obligatory "I argue" device often cues the least productive sentences in the whole piece.

In other words, the essential thing here is to see clearly, to think clearly-that is, dangerously-and to answer clearly the innocent first question: what, fundamentally, is colonization? To agree on what it is not: neither evangelization, nor a philanthropic enterprise, nor a desire to push back the frontiers of ignorance, disease, and tyranny, nor a project undertaken for the greater glory of God, nor an attempt to extend the rule of law. To admit once and for all without flinching at the consequences, that the decisive actors here are the adventurer and the pirate, the wholesale grocer and the ship owner, the gold digger and the merchant, appetite and force, and behind them, the baleful projected shadow of a form of civilization which, at a certain point in its history, finds itself obliged, for internal reasons, to extend to a world scale the competition of its antagonistic economies.

First we must study how colonization works to decivilize the colonizer, to brutalize him in the true sense of the word […] to awaken him to buried instincts, to covetousness, violence, race hatred, and moral relativism; and we must show that each time a head is cut off or an eye put out in Vietnam and in France they accept the fact, each time a little girl is raped and in France they accept the fact, each time a Madagascan is tortured and in France they accept the fact, civilization acquires another dead weight, a universal regression takes place, a gangrene sets in, a center of infection begins to spread;

the only thing i remember from it was a song about a liopleurodon that riffed on “my bonnie lies over the ocean”. we played it over and over again because we were fascinated by how nuts it was, and our ages were in the single digits at that point.

so the song begins with a woman doing a low-effort interpretation of its opening lines: “liopleurodon lives in the ocean / liopleurodon lives in the sea”

etc etc

when the chorus hits, it switches to a man singing with an intentionally creepy affect: “come back, come back / i’m the meat-eater and you’re the meat / come back, come back / you look like dinner to me”.