fangs, fangs, fangs

Q: One of the most fascinating uses of costuming in the show is with Claudia and how her style evolution stands in for her physical development from child to teen, to young lady. Her fashion choices speak volumes and really highlight the growth of her confidence. How did you map out this journey for Claudia and what were some of your favorite looks of hers this season?  A: I just remembered how many times Anne Rice writes that Claudia’s a doll when we first meet her. A magnificent doll. So of course, the first place I looked for inspiration was Edwardian dolls. I was specifically thinking about the type of doll that Claudia probably never owned, but the type of doll that was definitely in Louis's house and that his sister owned. We first see her in this beautiful nightgown with fine lace and ruffles to the wrist, long to the floor, this beautiful white nightgown. That was one of my faves. Then there’s her sailor suit. It's absolutely iconic children's wear, for both boys and girls. So, I started her in those doll clothes. You could very much tell that it was Louis that was dressing her and that it was his dapper style sense at work. He also was the first one to pull Lestat into current fashion with his makeover and taking him in from menswear. When the 1920's start to hit Claudia’s getting very restless and starting to branch out on her own and get a mind of her own. Like I said, that beautifully coincided with what she was going through as a young woman and her bid for independence.

Your gentle Louis, your gentle Louis who is soft. Your gentle Louis who is soft and loved and cared for. 🥺