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oozey mess
let's talk about Bridgerton tea, my ask is open
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PUT YOUR BEARD IN MY MOUTH

shark vs the universe
RMH
d e v o n

@theartofmadeline

Andulka

祝日 / Permanent Vacation

❣ Chile in a Photography ❣
taylor price
"I'm Dorothy Gale from Kansas"

Origami Around
occasionally subtle

Monterey Bay Aquarium
Alisa U Zemlji Chuda

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@goblindoorgames

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I want you to remember:
The fascists hate you too and they just will pretend otherwise until after they've killed the rest of us, before they turn on you.
Thanks to whoever tried, but I knew they'd never allow it.
Let's do it the old fashioned way. Spread it far and wide.
Reminder: you can't be the whole wall against stopping fascism by yourself. Nobody can. But you damn sure can be a brick.
There's a lot of good comments and tags in the notes, but this one is very important, I feel like it deserves some emphasis.
Part of how authoritarianism works is telling you that you can't stop it. And you can't stop it by yourself. But it wants to stop the train of thought there and let you fall into despair.
You need to remember the next part: you don't have to stop it by yourself.
You're not alone. Take care of your community and let your community take care of you. Supporting each other is so vital.
TIL that the reason lead levels in children’s blood have dropped 85% in the past thirty years is because of an unknown scientist who fought car companies to end leaded gasoline. He also removed it from paint, suggested its removal from pipes, and campaigned for the removal of lead solder from cans.
via ift.tt
Yep. It also correlates extremely strongly with an increasing decrease of violent crime. One of the symptoms of low level constant lead exposure is increased aggression and volatility.Â
“Unknown scientist”? That was Clair Cameron Patterson.
Gas companies are still so mad at him he’s “unknown scientist”, know his name
Daily reminder that health and safety standards like these are what politicians mean when they talk about “deregulation.”
Patterson died 5 December 1995.
Petition to make his date of death a Tumblr holiday celebrated by talking about cool shit the gas and petroleum industries don’t want us to know about, and fighting to continue his work.
Happy Clair Cameron Patterson day!
Oh, hey, it’s almost Clair Cameron Patterson day!
I'm sorry but the RPG reddit community taking their already very strict anti-self promotion and amending it to include any mention of your games in any discussion context is hilarious. I just spent hours scrolling there to see if there's anything worth engaging with that wouldn't get deleted? It's the same repetitive threads over and over. Why have a community about games where people can't...talk about games.
I think this is really worth talking about. Especially as someone who Makes Stuff who is… uncomfortable with the idea of marketing and self-promotion, I’ve really been struggling to find genuine ways to connect with people who might like the things I make without coming off as just shilling my wares.
It’s really hard. And I absolutely get why communities don’t want to be spammed with people promoting their stuff. But banning all talk of your own creations is certainly not the way.
I wonder if creating a space dedicated to such things would be helpful or wanted? Here on Tumblr @/theresattrpgforthat gets plenty of asks for specific game recommendations, and while Mint has an absolutely outstanding knowledge of RPGs, she obviously can't be aware of all of them.
I'm picturing a community space where initial posters ask for game recommendations based on specific criteria (those RPG bingo cards I saw a bunch of people fill out last month would be perfect examples!) and other people respond with games fitting those criteria - their own projects, or other people's. No need to prevent promo spam other than generally making sure recommendations fit the criteria, because everything need to be in direct response to a request.
I know that I'd feel more comfortable promoting somewhere that actively encouraged it - hopefully softening that "shilling your wares" feeling - and I'd be more likely to pay attention to other people's promotion when I'm actively searching for a specific kind of game than when I randomly scroll past an ad post.
This wouldn't solve issues of discussing games in general (not by itself anyway) but it would maybe help part of the problem? I've never tried to moderate any kind of broad community before, so maybe I'm missing some glaring flaw, but it's a kind of place I would appreciate, at least.

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fuck terry pulling no punches in this one
not all transfeminists are prison abolitionists & not all prison abolitionists are transfeminists, but I will say that there are more prison abolitionists among transfeminists & more transfeminists among prison abolitionists than there are in the general public. it’s hard to engage deeply with either analysis without quickly being forced to contend with obvious intersections between the two projects
If you want to quickly understand why we need prison abolition, and why there’s so much overlap with trans women specifically, look up “V-Coding.”
WARNING: Big TW for sexual assault and institutionalized abuse. And this is one of those things that once you know about it, you can never, ever unknow it.
I really like how the scientology speedrunning trend is developing, in this clip we see that the participants are
Not deterred by the closed door
Working as a group
Protecting their identities
Inflicting material costs to the institution via property destruction
Getting away at the end
These ideas were not all here from the beginning. They are genuinely gaining experience that can be applied elsewhere
The church of scientology is on tumblr and they are sending me anon asks telling me that they can't even commit to reporting a post
when thinking about how oppression works, on a structural level, my guiding principle is that I must spend at least as much time looking down as I do looking up.
what do I mean by this? here's an example. when my surgery is delayed multiple times, I spend a little time looking up (there is only one surgeon in the entire area who will perform this surgery on trans people, so every trans person's surgical timeline is bottle-necked and delayed by months every time he goes to a conference or takes a vacation or experiences an injury. in other words, if I was cis, I would not encounter this difficulty in accessing surgery). and then I spend time looking down (due to nonstop harassment and legal threats, this practice now only treats adults and will no longer perform surgeries on minors. in other words, my access to surgery is predicated on adult privilege I have at the direct expense of trans youth's lack of access).
if you do not build a habit around thinking in this way, you will become the person Audre Lorde describes as "so enamored of her own oppression that she cannot see her heelprint upon another woman's face." If we are seeking to dismantle structures of oppression, rather than to simply use and climb them, then we absolutely must make a practice of looking in both directions, especially when we feel like we're on the bottom.
*clap*
Kids
*clap*
Deserve
*clap*
Better
*clap*
Books
*clap*
That don't
*clap*
Talk down
*clap*
To them
*clap*

Anya is live and ready to show you everything. Watch her strip, dance, and perform exclusive shows just for you. Interact in real-time and make your fantasies come true.
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Psychological research is clear: when people procrastinate, there's usually a good reason
good read for teachers.
[…] When a person fails to begin a project that they care about, it’s typically due to either a) anxiety about their attempts not being “good enough” or b) confusion about what the first steps of the task are. Not laziness. In fact, procrastination is more likely when the task is meaningful and the individual cares about doing it well.
I’ve been yelling this for years
Hi yall, author of the piece here. Medium instituted a pay wall so here is a link to access it for free:
But unseen barriers do
i have an educational suggestion
It's really quite bizarre how much work in trans healthcare bases itself on the idea that a patient who deliberately seeks out the Penis Removal Doctor and says "Yes, Penis Removal Doctor, I am certain that I would like to have my penis removed" might be lying to the Penis Removal Doctor, so that they can have their penis removed without actually wanting that.
actually caring about the rights and safety of children is so stressful right now because a large amount of the time I'm sitting there internally screaming "THAT'S WORSE. THAT POLICY IS GOING TO ACTIVELY CAUSE HARM TO CHILDREN YOU ARE MAKING IT WORSE." and nobody cares because it's not actually about protecting children but the thing is children actually do need more protection very badly, just not like that. REALLY not like that. and the things that would actually protect children (education, greater personal autonomy, access to knowledge and resources that don't hinge on their parents being willing/able to provide them) would give adults less absolute power over them and that upsets too many people who see children as status symbols and tools and extensions of themselves.
Truly. This. It’s so infuriating. I work with children, volunteer at a local queer youth center, have taught all ages… and yea, can confirm.
I recently gave opposition testimony against HB 249 here in Ohio: the odious bill that intends to effectively ban drag and gender-nonconforming expression which it labels “obscene” in order to “protect the children.” Note that there is not a single case of a child actually being harmed from any of this.
Oh, and one of the sponsors of the bill had been charged with indecent solicitation of a minor… and still sat on the judiciary committee.
Before that, I was giving testimony against another bill that bars minors from accessing gender affirming healthcare. Again, to “protect” them. Even when all the evidence shows that this kind of legislation drastically increases suicide risks and directly harms the children it’s supposed to “protect.”
It could not be clearer that right-wing lawmakers right now are either using “think of the children!” as a cudgel to beat people they don’t like into submission, or they are actively trying to harm children under the guise of protecting them.
Because they do not care about children. They care about power and control. That is all it has ever been about.
What is this game even about?
How have y'all who are developing games tried to articulate both the themes of your game, the core experience of play, and how they relate to each other?
-- I've done about 20 playtests of Motley and been though maybe forty revisions. And this whole time, I've been trying to articulate more clearly what the game is really about. By which I mean not only the themes I'm trying to explore through the game, but what kind of experience I'm hoping to create space for: how the themes can be expressed through the mechanics, the setting, and everything else. So, what is Motley about? Well, the current "official tagline" still sums it up reasonable well: "a game about messy roommates and the ravenous void." Or, more flippantly, "weird fantasy queer roommate drama." That tells you who and where you are, more and less. But it doesn't really communicate the felt experience of the game. So what is that experience? Well, Motley is largely inspired by my experience living with other humans in various contexts. The ways it's difficult, the ways it's necessary, the ways we can support each other and annoy the absolute piss out of each other. It's also inspired by my experience of being invisibly disabled due to neurodivergence and mental health issues, which often make me seem lazy or uncaring. Which is, of course, the last thing I want to be seen as. And so I try very hard not to come off that way. But sometimes I just... can't. So Motley is also a game about not having the spoons. Both mechanically and thematically, it's about the balance between time, energy, and exhaustion. Exhaustion is a core mechanic. Not general Stress: Exhaustion. Because that's part of the experience I want to communicate: the experience of being Exhausted by life and continuing on anyway. And the experience of play is about balancing those things (Exhaustion and limited time) together with your relationships, the other things that are important to you, and the things that demand your attention. About having to make difficult choices between working on the things that matter to you, caring for those around you, dealing with the problems that continually crop up, and taking time to recover. And it's about how the pressure of that relentless march of time and problems, day after day, puts pressure on the relationships we share with the people around us. It's about how we can crack under that pressure (which is a mechanical thing in the current version of the game) and damage those connections. In Motley, this is metaphorically represented by the fact that you're all living in a ramshackle island-ship-house made of junk and floating in a void that is continually eroding everything you built, and all the problems that causes. But it's really about the strain it puts on the characters and their relationships. An alternate tagline for Motley might be that it's "a game about our broken edges." Because ultimately it's about a group of weird, broken people struggling to live together, to make do, to do what they can for one another even when they're barely scraping by. To fit those broken edges together. And sometimes it doesn't work. Sometimes we cut each other with those edges. But we keep trying. Because we're all we've got, in the end.
“nobody is making you do this” i am driven by unnatural forces you will never even begin to comprehend
The story consumes me.
The visions plague me.
Me possessed by the eldritch spirit of Game Design, wrung out and hollow-eyed, whispering mad insights about resolution mechanics as I walk the ragged edge of waking and dream, until I collapse into unconsciousness, fully clothed, laptop open, lights on.

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Still watching this youtube channel about what I can only describe as "Dark Classical art" and this one absolutely floored me because I was unaware of it and I want to share it because it changes my perspective on this artist completely.
You might be aware of Louis Wain. If not by name then by his art. He's the artist behind that series of cat drawings that slowly became more and more abstract and bizarre.
This series of paintings of cats are often labelled as a visual representation of Wain's deteriorating mental illness and schizophrenia. Even more so often labelled as "a tragic display of a painter's failing battle with schizophrenia."
The paintings look like this and were painted around the very early 1900s.
Ok got all that?
So here's the thing.
Although Wain did suffer from a mental illness that was strong enough for him to be institutionalized, his mental illness was never diagnosed with clear certainty. Although "Schizophrenia" is so heavily applied to him based purely on how his series of paintings LOOK, despite actual specialists widely disputing this. On top of this, although he did paint the kaleidoscope cat portraits during this time, it was not the only things he painted, and he was quite capable of painting "normal" pictures of cats.
The Kaleidoscope Cat portraits are more images of him experimenting with colour and shapes, something the Smithsonian themselves state on their website.
Wain had actually made his entire living painting whimsical images of cats, often for product adverts, before he was incarcerated and was actually a very beloved artist at the time. When his friends learned of his incarceration, they started a collection of donation money to help transfer Wain to the Bethlam Royal Hospital instead, one of the best mental health facilities of the time. Even the Prime Minster of the time donated, and they raised a large amount of money across England to help him.
4 years later, Wain drew this as his final image which he released publicly
I knew all about "the Schizophrenic cat Guy" but he had always been presented to me as some tragic case of an artist going mad and his skills and work unraveling as he went insane.
Which is why I wanted to share this information which was new to me. And because I think it's important.
My kid's recently gotten into making comics and I'm a big fan of how she's depicted Slowly Dawning Horror
(this is how i look every day, btw)