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Truncated text of tweet from MrPitBull, Mar 11, 2026:
She kept finding women in laboratory photographs from the 1800s. Then she read the published papers—and every single woman had vanished. Someone had erased them from history.
Yale University, 1969.
Margaret Rossiter was a graduate student studying the history of science. She was one of very few women in her program.
Every Friday afternoon, students and faculty gathered for beers and informal conversation. One week, Margaret asked a simple question: "Were there ever any women scientists?"
The faculty answered firmly: No.
Someone mentioned Marie Curie. The group dismissed it—her husband Pierre really deserved the credit.
Margaret didn't argue. But she also didn't believe them.
So she started looking.
She found a reference book called "American Men of Science"—essentially a Who's Who of scientific achievement. Despite the title, she was shocked to discover it contained entries about women. Botanists trained at Wellesley. Geologists from Vermont.
There were names. There were credentials. There were careers.
The professors had been wrong.
But Margaret's discovery was just the beginning. Because as she dug deeper into archives across the country, she found something far more disturbing.
Photograph after photograph showed women standing at laboratory benches, working with equipment, listed on research teams.
But when she read the published papers, the award citations, the official histories—those same women had disappeared. Their names were missing. Their contributions erased.
It wasn't random. It was systematic.
Women who designed experiments watched male colleagues publish results without giving them credit. Women whose discoveries were assigned to supervisors. Women listed in acknowledgments instead of as authors. Women passed over for awards that went to male collaborators who contributed far less.
Margaret realized she was witnessing a pattern that stretched across centuries.
Women had always been present in science. The record had simply pushed them aside.
She needed a name for what she was documenting.
In the early 1990s, she found it in the work of Matilda Joslyn Gage—a 19th-century suffragist who had written about this exact phenomenon in 1870.
In 1993, Margaret published a paper formally naming it: The Matilda Effect.
The term captured something that had been hidden in plain sight for generations. Once you knew the term, you saw it everywhere.
Her dissertation became a lifelong mission.
For more than 30 years, Margaret researched and wrote her landmark three-volume series: Women Scientists in America. She examined letters, institutional policies, individual careers. She gathered undeniable evidence that women in science had been consistently under-credited and structurally excluded.
Her work faced resistance. Many dismissed women's history as political rather than academic. Others insisted she was exaggerating.
Margaret didn't argue emotionally. She presented data. Documented cases. Patterns repeated across decades and institutions.
Eventually, the evidence became undeniable.
Her research helped restore recognition to scientists who had been erased:
Rosalind Franklin, whose X-ray work revealed DNA's structure—credit went to Watson and Crick.
Lise Meitner, who explained nuclear fission—omitted from the Nobel Prize.
Nettie Stevens, who discovered sex chromosomes—received little credit.
Cecilia Payne-Gaposchkin, who discovered stars are made of hydrogen—initially dismissed.
And countless others whose names had nearly vanished.
Margaret changed the narrative. Science was no longer just the story of solitary male geniuses. It became a story of collaboration that included women who had been written out.
The Matilda Effect became standard terminology. Scholars used it to examine how credit is assigned, how authors are listed, who receives awards, who gets left out.
November 7th marks the anniversary of the october revolution which resulted in the hardest painting ever made
“Свершилось!”/“Finally!”, Sergey Lukin
“[They]Extinguish the human with work… why? Stealing the life itself from the human - I ask again, Why?! Our owner - I lost my life at Nefedov’s factory - our owner gifted one songstress a golden hygiene set, even a gold champer pot! In this chamber pot is my force, my life itself. This is for what it was needed - a person killed me with work to satiate his lover with my blood - he bought a golden chamber potty with my blood!”
- “Mother”, Maxim Gorky, 1906

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Continue✨ Keep going✨
Thank you, lady 🤗
The Nigerian accent. God. She reminds me of home...
Always grateful when this makes the rounds
[image reads: “geology rocks, but geography is where it’s at”]
Panic! At the White House
#I CHIME IN WITH A HAVENT YOU PEOPLE EVER HEARD OF #DOING YOUR GODDAMN JOBS NO
Meeting the Man: James Baldwin in Paris 1970 – directed by Terence Dixon

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Seems legit
we all hear about kudzu being introduced as "erosion control" in the South but I don't think contemporary people understand on a gut level what that means
these are images from a 1930s pamphlet that endorsed kudzu, entitled "stop gullies: save your farm"
It was Bad.
Invasive plants need to be understood as part of a much larger cycle of incredible violence against the land.
For context: erosion on that scale occurred as a result of our clear-cutting entire states. The land east of the Mississippi used to be covered in old-growth forest to an extent that we literally can’t imagine anymore, because most of us have never seen a forest over 100 years old. It turns out if you remove all vegetation from a landscape, you end up with a bunch of loose soil ready to move downstream. A fast-growing plant that covers everything in dense vegetation sounds like salvation when you’re surrounded by 40-foot deep gullies that get wider with every rainstorm.
A lot of the south too was covered in Canebreaks, basically bamboo forests like a lot of South Asia, I don't know the specifics of the ecology, but bamboo being a grass I assume is rhizomatic like other grasses and forms a big net of roots that prevent erosion. *I assume* (pleez ecologists weigh in)
Yes, the destruction of Canebrakes was a direct cause of this erosion we see here. Canebrakes were destroyed, using slave labor, to make room for cotton plantations. You can read about it here.
Canebrakes built up incredibly rich, fertile soil and are amazing at preventing erosion. They form incredibly strong mats of rhizomes. And their roots are known to go 10 feet deep into the soil.
The erosion we see in these pictures was a result, very much directly, of the Canebrakes being destroyed.
This is a case study in how violence against ecosystems goes so closely hand in hand with violence against people. The violence against the indigenous caretakers of the land, and the violence against the enslaved captives that were forced to clear the Rivercane and work the cotton fields that would degrade the soil into nothing.
Alexandre Hogue, Crucified Land, 1939
This painting was added in another reblog chain, it's good to have it on this thread
Reblog the money spongebob to get coin
older black lesbians 💜
✊🏽Black men deserve peace.
✊🏾Black men deserve respect.
✊🏿Black men deserve to feel safe.
✊🏽Black men deserve to grow.
✊🏾Black men deserve to thrive.
✊🏿Black men deserve to love.
✊🏽Black men deserve to be themselves.
✊🏾Black men deserve to live their lives.
no one is coming to save yo- wrong!! everyone who has ever shown you love and/or care is saving you a little bit.

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