filthy, filthy read
will byers stan first human second

blake kathryn
he wasn't even looking at me and he found me
styofa doing anything
Aqua Utopiaď˝ćľˇăŽĺşă§č¨ćśăç´Ąă
One Nice Bug Per Day
Jules of Nature

ellievsbear

JBB: An Artblog!

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AnasAbdin

Kaledo Art

Kiana Khansmith
Claire Keane
occasionally subtle
todays bird
taylor price

Andulka
dirt enthusiast
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@garnetales
filthy, filthy read

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Grace explaining sheepishly to Eridian linguists that the reason he uses different pronouns for Rocky than for the rest of the population is that he reflexively defaulted to assigning Rocky the same grammatical and social gender that he himself uses, in a way that has historical precedent but in modern English is considered somewhat chauvinistic and backward, and he's not proud of it but also the habit is pretty deeply ingrained now and unless Rocky objects it's probably easier to just keep on as he has been...
and immediately being informed lol. lmao. do not even worry about it. you have no idea what kind of buck wild grammatical constructs Rocky has invented for you. everyone else addresses you as foreigner/scholar. they're somehow managing to refer to you as their sibling, ward, and semidivine culture hero at the same time every time they talk about you.
best cheese
sharp cheddar (correct)
mozzarella
blue
provolone
brie
goat
feta (strong second!)
pepper/colby jack
cheese is cheese
how DARE you not mention...
I don't like cheese/can't eat cheese/results
What category is your last name?
Son of some guy ("Johnson", "O'Brien", etc)
Job ("Smith", "Miller", etc)
Place/town ("Hill", "del Valle", etc)
Nickname/attribute ("Short", "Goodman", etc)
Hyphenated/multiple of the above
Other (describe in the tags!)
Unsure/results
new ebbits! new site!
this is probably my favourite comic of all time jsyk
can someone explain this to me?
Sure thing! For convenience Iâll refer to the guy with his arms in his pockets as SG (shorter guy) and the one on the computer as TG (taller guy).
In the first panel, SG sees TG playing on the computer and is disappointed. SG puts a lot of value in the idea of âmaking things,â specifically âart,â and thinks TG is just wasting their time
So he asks them if they wouldnât rather be âmaking somethingâ instead of just playing games and listening to music, implying that TG isnât doing anything worthwhile or creative with their time
But TG replies that âinterpreting is generative,â meaning that even if they spend their time just doing fun stuff, the mere act of enjoying something is creating an experience and an interpretation. Talking about something, dancing to music or sharing a piece of art with your friends ISÂ âmaking something,â and each of those can be worthwhile and artistic.
SG leaves, complaining he âcanât be an auteur of [interpretation].â Auteur is a movie term that refers to a filmmaker with artistic control and vision enough to be considered essentially the singular creator of the resulting work of art. Turns out, SG doesnât just want to âmake things,â he wants to make things he and others see as âimportant.â He wants to make art not for the sake of art, but for the sake of being recognized and praised for his art.
This comic really speaks to elitism within the artistic community, the idea that art needs to meet certain standards to be considered art. SGâs viewpoint is really traditionalist, that art need to be âapprovedâ and validated in order to be considered âreally art;â while TG recognizes that art can be as little as just talking about what you love.
TLDR: Art is for everyone, not just some sort of social âartistic elite.â
ooh i love the explanation
Rebloging for that in depth and not even a little snarky explanation. 10/10

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The discovery of the statue of Antinous in Delphi, Greece in 1894
Really obsessed with this one like how old cameras worked making everyone blurry against the statue and just makes you realize how long the statue has been right. There.
recently saw ppl discuss whether they put their medicines in a kitchen cabinet or a bathroom cabinet and i was shocked by the fact that many ppl said kitchen cabinet. so now i need you to reblog this and say where you keep yours
doomscrolling tiktok together and I turn to you and ask, "why doesn't your algorithm recommend any videos with Black people?"
doomscrolling tumblr and I turn to you and ask, "why don't you reblog anti-racism when it makes you feel uncomfortable?"
you know why
Making a new post about Dana urging Jack to talk to Robby so as not to distract from that excellent gifset! @idwaitforthelion, in answer to your question about why Jack's reluctant, I think it's because he didn't think it was quite that bad and he doesn't want the fight. That scene is Dana effectively telling Jack, 'It is that bad, go fuckin' fix it.'
Jack says, "He doesn't like to listen," and then we see that he's completely right. In the bike scene, when Jack expresses concern, Robby instantly gets pissed ("Whoa, now you're a shrink?"), snaps at him, and then turns it into a mocking ad hominem attack ("Hooah!"). Any openness about therapy from the S1 finale ("Does it help?") is gone and Robby could not be more overtly hostile. Jack was reluctant because he knew that was coming and didn't want to get into another* fight with his friend unless it was necessary. He'll push Robby, but he doesn't want to push him so far as to alienate him. It's clear he's been worried about Robby's trip ("I looked it up") and behavior ("Knock off this helmetless motorcycle shit"), but it seems like he thought time away would be enough to help Robby come back centered. That scene is Dana stepping in to say that unless Jack handles this, Robby might not come back at all. And we watch Jack reckon with that idea - and the fight this is gonna be - in real time.
That's my read, anyway! Naturally, I defer to @astronomical-light and @artigas, who may have different takes that are surely more correct, as they are the most brilliant and insightful. â¤ď¸
*The intensity of Robby's reaction, and how he goes to the shrink accusation immediately, makes me think the subject of therapy is a sore one between them and something they've fought over before.
i 100% agree with everything my dearly beloved presented above, but one of my favorite things about fandom and character interpretation in general is taking a singular moment and continuing to poke holes in it even when you think you understand it. going, okay, but what if it wasnât exactly that? what else could it be?
so letâs dig deeper into the denial.
what if jack hadnât confronted robby before this because he never even let himself consider the fact that there needed to be a confrontation? what if his hesitance is rooted in him finally facing just how much heâd been pretending he wasnât seeing? that things werenât nearly as under control as he wanted to believe?
because something i always come back to is how this behavior wouldnât be new to jack. suicide rates among veterans have been falling over the past few years, and statistics vary depending on what data you look at, but veterans are nearly twice as likely to commit suicide than the general population. jack, more than likely, has known at least one person who has taken their own life. i wouldnât be surprised if he knew several.
and you could argue that ought to make him hypervigilant about the warning signs, but the thing is, people are messy. feelings are messy. itâs hard to be objective when itâs someone youâre close to, and while jack most definitely knew something was up with robby, admitting to himself that he could be running the risk of losing robby would be fucking terrifying. heâs been through it before, he doesnât want to go through it againâbut itâs okay, because robbyâs different than everyone heâs lost! this is different! it has to be different!
robby most certainly talked the talk to him, at first. after pittfest he probably told jack enough of what he wanted to hear that jack didnât press. pressing would be admitting things were bad, and if robby says heâs doing better and heâs putting in the work, well, thatâs a whole lot easier to swallow than the alternative. who wouldnât want to believe someone they loved was getting better?
but wanting to believe something doesnât make it true, no matter how hard you believe it. so this could be a moment where jack is having that veil pulled off, because if itâs so bad other people are starting to notice it then itâs not something he can keep pretending isnât happening. and then that also starts to tap into SHAME, because fuck, how did he let it get this bad? why did he take robbyâs words at face value? why didnât he push? what if itâs too late?
anyway! tag, @artigas, youâre it ;)
you two really put baby in a corner here, how exactly am I supposed to say anything fresh and half as brilliant than either of ya'll? i love your readings. they build on each other beautifully and their slight differences give us fascinating ways to approach the same scene.
i want to go back to @idwaitforthelion's stellar questions: "Is he afraid of the cost to himself? Why is the cost so big Jack? Is he tired of trying? Is he frustrated at Robby?". I want to float the possibility that there may indeed be some sense of, as you put it, cost here that's fueling his reluctance -- a sense, perhaps, that if Jack doesn't walk this line very carefully with Robby, he really could stand to lose something.
As Alethia says, Jack will often push Robby but no so far that he'll alienate him and, as Astronomical points out, this is likely far from the only time he's dealt with someone for whom suicidality has been an issue. I love the idea that Jack's reluctance when Dana prompts him to reach out to Robby is coming from a place of wanting to avoid an inevitable fight with him if he can help it (like Alethia, I also get the sense this has now become an exhausted sticking point between them -- consider, for instance, how badly the subject of therapy lands between them in the s2 finale versus the s1 finale). I also love the idea that Jack might have also let himself believe Robby hadn't gotten "that bad" under his watch (as Astronomical's reading highlights so beautifully). To his credit, Robby does put up a front to suggest he's jumping through the therapeutic hoops: he tells Caleb, for instance, that he's seen two different therapists already (even if he's almost certainly not giving them a real shot) and I'd be shocked if he hasn't told Jack much the same.
So, what does Jack really stand to lose if he pushes harder, forces the conversation, gets into yet another fight with Robby about therapy and they finally broach the topic of Robby's suicidality? I think the singular nature of their relationship tells us something: yes, of course, Jack is his emergency contact (wow!!). But it's telling that, when all else fails, Dana goes to Jack specifically -- not Noelle, not his favorites amongst the residents, and she certainly doesn't pick up the phone and try to call Heather, Janey, or Jake (that'd be nuts for all parties involved, our girl is too savvy for that). In my reading, the text of the show (and Shawn and Noah's performances) really speak to a long history between them, a singular trust and ease and capacity for vulnerability that they don't demonstrate elsewhere with anyone else. What does it mean to be the only person Robby trusts like that? What does it mean that Robby seemingly lets nobody else in that close (and still holds Jack at a considerable emotional distance all the same)? If Jack were somehow to push their relationship past a breaking point (by, say, forcing a conversation that he knows will likely end in a nasty fight and, btw, canonically it does!), who else could possibly get through to Robby in his stead? Who else would Robby speak to or trust in that way? This is a slightly different can of worms, but Robby's season-long tension with Langdon is proof, I think, that once his trust is lost, it is incredibly difficult to earn back. Why is the cost of speaking so big for Jack? Perhaps because there's some sense that, if he challenges Robby to the point of alienation (at a time where people genuinely think he's going to take his own life, no less!), he stands to lose him entirely in more ways than one. And yet he makes the choice to speak anyway (and, in my reading, to potentially risk the goodwill between them) and the gamble pays off in one of the biggest scenes between them in the series thus far!

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This is so silly but I'm watching a short video essay on sincerity in cinema and the creator is talking about how he watched Lord of the Rings for the first time at 17. He explains that he'd grown so used to the 'ironic' meta style commentary in the movies of the 2010's that as he was watching the opening narration of LotR, he spent the entire time waiting for the joke to come. For someone to take it all back with a zinger line. He listened to Blanchett describe and explain the backstory, and he waited for the other comedic shoe to drop.
And he kept doing it. Scene after scene.
He spent the film expecting someone to make a joke about how unserious things were or to break the fourth wall or do some other self referential type thing.
Now, maybe I'm just at that point in my cycle or maybe I'm too delicate in general, but I literally teared up hearing that. Straight up cried a bit. It is so fucking sad that sincerity and genuineness is being bred out of people.
People say all the time 'this generation can't take anything seriously!' and really, is it any wonder? Younger people have been trained out of it. You are no longer encouraged to be genuine or show emotion or be honest. You are actively punished for it. In fact, you are almost guaranteed to suffer for it.
That is so fucked up. I'm sorry to go on a bit of a random ramble rant but it's so fucking gut wrenching to see younger people lose that element of themselves. You can't express your passion without being told you're 'crashing out' or 'cringe'. You have to live in this neutral state of fear of perception, and god forbid anybody step outside of it!
You're told you should only consume and succumb and be ironic and emotionless and cool.
Listen, if you're following me and you're like.... 25 or under, let's say. Please. I beg of you. Do not fall for this rhetoric. Please, for the love of all things, feel. Feel and create and be honest with yourself. Indulge in things that make you happy. Be sincere. Wear your heart on your sleeve. Do not let this hyper-capitalistic, hyper-consumerist, self-centred, individualist culture take that from you.
Bleed yourself into the work you create. Live. Don't fucking let anyone tell you different.
Tags by @escapaldi:
#*just leaves this here* #like. we need both the sarcasm and the genuine in our media diets but at the same time... the fact it's this bad is horrifying #I hope we can fix this but we've also got a lot of work to do to deprogram people (unfortunately)
ID: A youtube comment with 11 likes by Niceone, it says "I've lived 46 years without knowing this. How nice of life to save some of the best bites for later." End ID.
Normally, people tend to get frustrated, even jokingly, if they miss out on something. This comment was on a song from 1974 and it made me smile quite much. Simply appreciative. Like a dessert after dinner.
It is genuinely mind blowing to me just how many Tumblr posts have changed my life for the better and taught me to be happier. Not all of the thoughts originate on Tumblr, but the way people collect and frame them has literally changed my brain chemistry.
from The Memory Palace, by Nate DiMeo
I thought I might share one of my new tattoos. A couple years ago, a dear friend and I coined the term âfish bag momentâ
A fish bag moment might be sitting all alone in an empty new apartment after coming out and upending your life, or starting a new job in a brand new line of work because itâs closer to your dreams
Itâs what happens when you take a leap of faith or make a hard decision for yourself, when the future is so hard to visualize and everything feels scary. Youâre just a fish in a bag and you canât see where youâre going
But youâre on your way to a bigger aquarium
In honor of a relatively unexpected and sudden transition in my life, I tried my hand at sculpting my beloved fish bag. Letâs hope the kiln is kind â¤ď¸
It didnât just survive the kiln, it thrived â¤ď¸ to anyone out there who needs to hear it right now, rest assured: even if the path forward seems unclear, youâre on your way, and Iâm proud of you

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at some point in your life you will be boiling fruit, water, sugar, and lemon juice in a pot to make a syrup or jam. the instructions will tell you to simmer for a certain amt of time. your timer will go off and you will look at the pot and go, "hm, this doesn't look thick enough. maybe i'll let it go for another 10 minutes." this is the devil speaking. it's only so liquid right now because it is at boiling point. it will thicken when it cools down. learn from the follies of my youth and do not let this happen to you
at some point in your life you will be making a sauce or a stew in which you need to add cornstarch to thicken it. and you will prepare a slurry of starch in cold water and think "this looks like way too little starch to thicken this amount of liquid." this is the devil speaking. cornstarch instantly polymerizes at 95°C and if you add too much it will turn into an impossibly thick goop.
at some point in your life you will be making some sort of cream based dessert that requires gelatin to thicken it. and you will soak some gelatin sheets in water and think "this is too few gelatin sheets for this amount of cream." this is the devil speaking. it will thicken in the fridge and if you add too much you will end up with milk jelly
at some point in your life you will be baking cookies. you will take the sheet out after twelve minutes as the recipe instructs and the cookies will still be glistening and soft. "these don't seem cooked enough," you will think to yourself, "i should place them back into the oven until their edges are nice and golden." this is the devil talking. this is how you get dry, overdone cookies. the cookies will continue to bake on the warm sheet for several more minutes and then harden up after sitting on a rack for a while. trust the process. trust the process.
at some point in your life you will be adding a small pasta to a soup and you will think "that is not enough small pasta." this is the devil talking. the pasta will absorb the stock and expand. this is how you end up with a soup that is a solid mass of soggy ditalini.
At some point in your life you will be adding garlic to a dish and you will think "that is not enough garlic." These are angels speaking. They are correct. Add more garlic.
youâre laughing. i told you a joke and youâre laughing. i love you