what if star trek was called freak trek and there qas a whole episode about vulan mating rituals and spock goes into heat and the only thing that cures it is wrestling kirk in the red sands of vulca hold on .
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what if star trek was called freak trek and there qas a whole episode about vulan mating rituals and spock goes into heat and the only thing that cures it is wrestling kirk in the red sands of vulca hold on .

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*shaking movie directors by the shoulders* NIGHTTIME AND OTHER FORMS OF ENVIRONMENTAL DARKNESS CAN BE IMPLIED WITHOUT MAKING IT IMPOSSIBLE TO SEE THE FUCKING MOVIE
I always think of that conversation on the set of lotr where the cinematographer was asked where all the light was supposed to be coming from in scenes like the battle of helms deep, and he just responded that it comes from the same place as the soundtrack does. sometimes you need to be a little unrealistic to make your work better and actually watchable
This, incidentally, is why "NOPE" had such spectacular and clear night scenes: master cinematographer Hoyte van Hoytema just plain didn't shoot at night.
Instead, they strapped a regular camera and an infrared camera together, coordinated them with lasers...
...combined them, used the naturally black sky created by the infrared as a blank canvas, added a new digital cloud line and various other effects to create a gorgeously lit night scene.
This is a ground-breaking new technique, and Jordan Peele is correct to say it could make movies better.
Good night footage is possible.
You just have to shoot it during the day.
Jordan Peele is expanding on a technique that has been used for over a century - night for day shooting.
Examples that I can remember off-hand are The Mummy (specifically because they used the same shot as a day shot and a night shot and just changed the dialogue dubbed over it)
and Lord of the Rings, which you can recognise because the light and shadow isn't quite right.
This scene especially, you can see the shadows cast by sunlight if you look at the buildings and the landscape.
This comic was inspired by a post that I cannot find [redacted rant about how much tumblr's search function is the closest there is tho pure evil]. So you know, if anyone has that post hand it I will actually make you a silly litltle doodle.

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STAR TREK: THE NEXT GENERATION (1987-1994) “All Good Things…” (7.25/7.26)
me going in the gender neutral bathroom to pee
For the love of god I need to see every single star trek episode Theodore Sturgeon has ever written
It’s Pippin brainrot hours
Gender neutral ways to address a crowd:
❌ Ladies and Gentlemen
❌ Gays, gals and nonbinary pals
✅ Attention Bajoran workers
you guys have no idea how much it tickles me to see ds9 trending on the top 20 of shows of Tumblr this week when ds9 literally aired from 1993 to 1999.
this show is 31 years old. it was the black sheep of the franchise for years, was hated by Rick Berman to the point where its canon was disrespected and ignored for every subsequent star trek, including modern trek.
and yet.
still top 20 on trending shows of 2024.
and i'm so glad the youngins are still watching it, and star trek in general.
it just proves my theory that if you make a show that feels like home, people will not only return to it, but bring their children with them too.
also that if you make a really gay and trans half alien half human crew, your show will be timeless.

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i think that killing a dragon should have catastrophic nuclear-fallout level environmental consequences tbh. their blood should scorch and wither the earth with fire and poison, the toxic fumes released as they decay should choke the land and all nearby living creatures, and the entire landscape where they fell should be transformed into a blighted wasteland where bleached leviathan bones loom upwards out of the ground as a warning that can be seen from miles away, the boundary markers of an exclusion zone.
i also think that it would be wonderfully ironic if those who sought the fame and glory of the title of 'dragonslayer' only ended up with the bitter, enduring reminder of the devastation they're responsible for. this is not a place of honor. no highly esteemed deed is commemorated here.
you wouldn’t last an hour in the asylum where they raised me
The Star Trek: DS9 Wrap Party, April 1999
'Cause here I am, I'm going back on everything I said when I didn't know what I had to lose
popular holotuber spacebomberguy has uploaded a new five hour video essay! it starts as a critique of the new “dress like a senator” fashion line and it’s place in pro-republic clone wars propaganda, before spiraling into a discovery that chancellor palpatine is a sith lord!! reactions on the holonet are mixed, with macewinduofficial declaring the video “necessary viewing for all of coruscant” while anakinskyyyy3534 replied to a link with “TLDW”
…..i wrote it
literally going to think of this 4ever
tag yourself im outerimjob

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spock you did shrooms like at least once
i know that a lot of people take issue with the fact that pakku only agrees to teach katara because he realizes that she’s the granddaughter of the woman he tried to get with a bajillion years ago, but i actually see that moment of him realizing that kanna left to escape their marriage as a moment of self-reflection from him. like, imagine having to contend with the fact that your rancid vibes drove the love of your life away after having just publicly humiliated her fourteen year old granddaughter who was begat on the literal other side of the earth because how that’s far she went to escape him. sokka gets the moment of realizing “oh, men and woman are ontological equal in their capacities, and divisions between genders are socially assigned and arbitrary,” but that isn’t really pakku’s deal at all. pakku’s deal is more like, “oh, my unyielding insistence on adhering to and imposing unjust patriarchal traditions actually makes me deeply unpleasant to be around and drives my loved ones away. maybe I should take a fucking chill pill perhaps.”
like, the fact that katara ultimately loses the fight and nothing she actually says or does persuades him is interesting, because it means that his reflection is internal, his moment of revelation not brought about by didactic moralizing, but through taking a long, hard look in the mirror, and realizing that being kind is more important than being right. and that’s why he seems to make an effort to be friendlier and more helpful, more so than making any effort to become a male feminist and fight for women’s rights. sokka, for example, initially has a narrow view of gender because his worldview is limited and then it expands, but pakku, by contrast, is literally a member of the white lotus; he is old and worldly, so he clearly already understands that their tribe’s traditions are not ontologically necessitated, but he nonetheless supports them because they benefit him. it is only when he learns that the love of his love literally escaped their tribe and left behind everything she ever knew just to avoid him that he decides to reevaluate his staunch insistence on clinging to his patriarchal values. and who wouldn’t. i mean, that’s gotta fucking hurt!
i know that katara’s fight against him does feel like a grand feminist moment as she fights for her ideals and her rights as a girl, and to her (and to us as the audience) it certainly does feel that way, but to pakku, his change of heart is one of realizing that he should probably stop being an asshole to every woman he’s ever met while he still has a few good years left. a core motif of katara’s arc is that she cannot actually preach her ideals and simply enlighten every asshole she meets, as much as she’d certainly like to; enlightenment comes from within. and so it is pakku’s regrets that motivate him to be kinder, because it’s never too late to change for the better. and that’s kind of beautiful actually.