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Witch: That's all I know how to do. What do you need?
Maiden: I'm starting to see why you were shunned from the village.
Witch: Yes, I've killed a lot of people. What do you need?
Maiden: There's a pox in the village.
Witch: It wasn't me this time.
Maiden: I know. Can you fix it or not?
Witch: No. I'm not licensed for that.
Maiden: What do you mean you're not licensed for that?
Witch: I got kicked out of the herbalist's coven.
Maiden: For killing people?
Witch: For killing people.
Maiden: Great, now what do I do? There isn't another witch for at least three towns over.
Witch: And he's an enchanter blacksmith type. Makes protective amulets and beefs up swords. Makes really good horseshoes. Can't fix poxes. Makes a mean rabbit stew though. And...
Maiden: And is very good at sex and hard to kill, yes everyone knows that. You tell us repeatedly. Even though we kicked you out.
Witch: It's important. How are you not dead yet, by the way? You're an adult and you haven't bought anything yet so you should be dead by now.
Maiden: I'm not into people that way. Your weird sex based spells don't work on me. That's why I'm the one that came.
Witch: I would branch out but I'm barred from taking more classes at the guild. Because of the murder.
Maiden: Right, well I'm gonna go before you poison me.
Witch: What about the pox?
Maiden: I do have a mild form of it so you've been exposed too. Someone of your age is much more likely to die from it.
Witch: What?
Maiden: I'd suggest you find an accredited friend that hasn't been convicted of unnecessary murder.
Enchanter: One second. (throws a sword over his shoulder where it crashes into several metal tools and starts glowing)
Enchanter: Okay, what do you need?
Maiden: There's a pox in my town.
Enchanter: (pulls an amulet out of his pocket and holds it over her head)
Enchanter: You don't seem to have it, but it's touched you.
Maiden: I got better. Can you help?
Enchanter: I enchant swords. Why are you visiting me?
Maiden: Because the only witch in our town is...
Enchanter: Wait, don't tell me. Are you from Ravenfalls?
Maiden: Yeah.
Enchanter: Tabatha. Of course. That quack.
Maiden: She only kills people and does abortions.
Enchanter: Oh no she doesn't do abortions. She just drowns babies. I don't even think she knows what a fetus is.
Maiden: Oh.
Enchanter: Yeah. Terrible cook too. Normally herbalists are pretty good at cooking but she's just...
Maiden: The worst. I know. Do you at least know who can help? All of our elders and babies are dropping off like flies. People are strapping chickens to their arms. It's a mess.
Enchanter: (clicks tongue a few times) The nearest guy that specializes in pox is in the mountains. Not the coast range but the big angry looking pointy ones to the east. What were those called again?
Maiden: The Death Mountains?
Enchanter: Yeah, those. Unfortunate name, really. They're almost tolerable in the spring and summer. Don't know why they live there though.
Maiden: Can you teleport me there?
Enchanter: Why do people always ask that? Look I don't know what you've been hearing from Tabatha or traveling merchants but that's not safe for living creatures.
Maiden: Then what do I do? By the time I get back half the population will either be dead or still have birds strapped to their arms.
Enchanter: I hate to suggest this but you could like... with a shapeshifting dragon? And then ask for a wish?
Maiden: I'm not into people or dragons that way.
Enchanter: Then I guess I'll see if I can do something for your horse's shoes but that won't be nearly as fast.
Herbalist: Come a very long way to see me. I know.
Maiden: How did you...
Herbalist: Everyone says that. Come sit. Do you like tea?
Maiden: I don't have time for tea. My village has a pox.
Herbalist: Which pox?
Maiden: It's mostly affecting older people and it's... purple.
Herbalist: Oh. What shade of purple?
Maiden: Very bright.
Herbalist: Oh, that's not a pox. That's a curse. Or a curse mixed with a usually just annoying pox. Someone in your area has probably pissed someone off.
Maiden: I'm from Ravenfalls.
Herbalist: In that case I think we can both guess who brought forth someone's ire. Who created it though, still remains a mystery. In any case, you can buy this bag of weeds and instruct people to boil them in small batches and inhale the steam. It won't cure anything, but it will most likely help people breathe better, which may help them survive long enough to fight it off.
Maiden: What do I do about Tabatha and the people strapping chickens to their arms?
Herbalist: My dear, some things can't be fixed completely. Plant this all over your town though and Tabatha will most likely avoid you. You can have these for free.
Maiden: I'm not going to bring some magic plant into town unless I know what it is.
Herbalist: Oh, it's not very magic. It's a cedar tree I've enchanted to grow very quickly. She's deathly allergic to cedar wood and pollen.
Maiden: Oh.
Herbalist: I really can't do anything for the chickens though. People will do strange things when they're desperate.
Maiden: Will I ever know who cursed us?
Herbalist: You may or may not. Wile you're here though, would you care to buy a love potion?
Maiden: I'm not into people that way.
Herbalist: You wouldn't fit in at the witches guild then. That's why most of us go in. It's a very good profession for swingers.
Maiden: That's why I went into city government. Well, thank you for all that.
Herbalist: And thank you for visiting. Tell the enchanter that I said hi and tell Tabatha to take a hike for me.
Maiden: It feels weird to call you that. You're the magic blacksmith I met on my quest.
Enchanter: I understand. So do you know who I'd talk to about renting a lot here?
Maiden: For what purpose? Oh, right. Me. Talk to me about it. I manage Lord Raven's lots and do logging and hunting permits and collect rent and whatnot
Enchanter: I want to set up my shop here. Business is better here for weapons and ever since she moved out, well...
Maiden: Was she after you?
Enchanter: She was under the impression that we were still married.
Maiden: Yes, she definitely was. Well, I think I can set you up. The village will benefit from having a reputable witch nearby. I'll get you in contact with a carpenter and scout out a spot for you.
Enchanter: Wait, I have something for you.
Maiden: An amulet?
Enchanter: For keeping away unwanted romantic advances.
Maiden: (covers her mouth and starts crying just a little bit)
Maiden: Sir, I can't...
Enchanter: You drove away a person that made my life a living hell for years. You saved your town. You drove out a murderer. You went into the Death Mountains in the middle of the winter. Take it.
Maiden: (takes it) John, did I ever tell you when we met that I desperately wanted to become friends with you?
Enchanter: No, but once I'm moved in I think we can give it a try.
Maiden: I'll get the paperwork and meet you at the tavern. Dinner's on me.
I’m a fiction writer and tumblr is where I put my ideas that are too stupid to try and publish or don’t give me enough inspiration to fully flesh out. I’m this weird all the time. This one just happened to get some attention.
it would suck being a new immortal. like it’d be 2109 and people would go, “what was it like seeing ancient civilizations rise and fall like that? seeing the pyramids being built? watching the expansion and growth of the new world?” and i’d just be like, “no…no i was born in 1991. so like, wow i’m gonna see some cool stuff, but, i mean i’m not that much older than just a really, really old person, you know? phones were big back then. so big. but only for like ten years, then they got like, as good as they are now. uh. rhinos existed. don’t think i ever saw one in person. cool, good talk.”
even worse, imagine being an immortal who keeps missing stuff. “What was it like seeing the pyramids being built?”
“Fuck if I know, I was in Madagascar.”
“Oh, okay. Well, how was the Renaissance?”
“I fell down a hole in Scotland and people thought I was an enchanted well for four hundred years, it was over by the time I convinced someone to get me out.”
We barely know anything about Madagascar pre-500CE. We don’t even know whether the island had a permanent population before then, despite finding a bunch of much older signs of temporary human presence.
Malagasy mythology makes mention of the vazimba, a “precursor” ethnic group that might or might not be distinct from Madagascar’s current population.
The point is, we do not know.
So you were in Madagascar when the pyramids were being built in Egypt, i.e. during one of the most obscure, most undocumented parts of Madagascar’s human history?
Oh, buddy, you better go and make a bunch of anthropologists and archeologists really happy RIGHT NOW instead of feeling bad about missing everyone else’s pet Major Event.
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I can understand how "modern person thrown into the past gets by pretending to be a healer/doctor" is as surprisingly common of a trope as it is. I mean I'm fluent enough at bullshitting to be pretty sure I could pull it off to impersonate a doctor in any time pre-1800s. If I have no idea what something is or how to treat it, I could just get the opinion of the other whatever-passes-as-medical-professionals around, but if their suggestions sound like bullshit I'm not doing it. And I'll beat the shit out of anyone suggesting bloodletting or mercury. With my healing stick. I've tied little bells on it, that jingle comically with every smack.
The awesome curative powers of my healing stick come from two separate sources: Placebo, and me using it to beat anyone trying to give my patients mercury.
Ooooh you reminded me of that protocol I wrote about how to reinvent penicilin with only alchemical tools. You know. Just in case I did end up dumped in the past and needed a stable income.
I am so glad you asked! I unfortunately lost the protocol because it was probably on my laptop, but I remember the broad strokes. So! In case anyone does end up stuck in the middle ages and can find a kindly old alchemist willing to lend you his gear, here's the revamped Penicilin (Re)Discovery Protocol!
0. WASH YOUR GODDAMN HANDS.
We're not working in a lab here, cross-conatamination WILL happen. Your job is to minimize it as much as possible. If you end up in a place where soap hasn't been invented yet, wash your hands in distilled alcohol. Your skin won't thank you, but you can afford all the nice hand creams after you cure the plague and get rich.
Find some Penicillium mushrooms!
Yes, penicilin is produced by mushrooms, though Ascomycotes are usually called moulds, it's a fungus, and it makes me laugh to call it a mushroom. Plus, in the middle ages, mushrooms were known to have medicinal properties, so you'll get a lot farther by calling them mushrooms rather than molds.
First thing you need: mouldy fruit. Oranges, or cantaloupes are preferred.
Here's the thing: mold is everywhere, so getting it will be the easiest part. The tricky part start with identifying the correct mold. You don't want to feed your patients black mold, do you?
So. Leave some fruit out. The more the better, because you want to up your chances. Then let it rot in warm and humid places. After a while, pick any fruit that looks white on the outside and green in the middle:
Not the best picture, but that's what it should look like.
2. Transplanting your (potential) Penicillium mushrooms
Until you get it on a plate it's damn near impossible to tell which mold you got. Get ready for some trial and error because you will have to sift through a lot of unwanted mold. You might want to wear a mask.
First you need something to transplant it onto. Making modern agar plates is probably impossible but thankfully not needed. You just need:
Glass plates (the kind that can be closed, you want to minimize cross contamination)
1-2 cup of Hot water (preferably distilled, ask your alchemist if he can do that)
1 cup whole milk (should be 13g of lactose per cup, if your Penicillium won't grow adjust the water-milk ration in favor of milk)
If available: Instead of milk use corn steep liquor. Unfortunately only available after America was discovered, so YMMW, but Penicillium LOVES this stuff. It will make your life SO much easier if it's available.
Pinch of salt
1 teaspoon Yeast extract (get it from a baker)
3-6 teaspoons Gelatin (get it from a butcher)
Disclaimer: The ratio of each of the ingredients will have to be adjusted depending on the purity of the ingredients and on the conventional measuring sizes of the place you end up.
Gently mix it all in and pour out into the plates, let it solidify. If you end up dumped far enough that such refinement isn't possible, make bone broth and strain it through cheesecloth several times to make it as clear as possible, then mix it 5/6 broth and 1/6 milk. Again, if available, use corn steep liquor, but if not milk is fine. Add gelatin (should still be able to get it from the butcher) as needed to solidify it. I'm afraid experimentation will be needed depending on the resources you will be working with.
When you're done, you should have something like this:
Now that you have your plates, run an inoculation loop through a flame to sterilize it.
Something like this. Wave it through the air to cool it so you don't kill your mold, grab it from your fruit and geeeeeently spread it on top of your improvised agar without breaking the surface of the gelatin!
You can see the motions on this one pretty well. Close your plates, stack them about a meter/3ft from the fireplace. Judge for yourself, but ideally somewhere you would consider comfortably warm (20-24°C).
3. Identifying your Penicillium Mushrooms
If all went well, you are going to have something that looks like this:
Well, realistically, it will look something like this:
We're not actually doing it in a lab, after all. But IDEALLY, it will look like the above. It doesn't have to be perfect, you just need to be able to identify Penicillium molds for now.
IDEALLY, on the plate that matches the description of the penicillium mold you'll see an exclusion zone of bacteria around the mold, like the fourth plate in the second row, so you know you have a potential winner, but if you managed to avoid bacterial growth you need to take a few extra steps.
Penicillium molds have characteristic rings of growth, grey-green-white rings. They're easy to differentiate from bacteria because the molds are fuzzy and the bacteria as smooth and slimy. In the above picture, there are four plates that potentially have what we want, and two are less certain than others. Wash out the unwanted ones, make new agar plates, sterilize your inoculation loop and transplant your best candidates. You might need to do this several times.
Two types are confirmed to produce penicilin: P. chrysogenum and P. rubens.
The former is far more widely used today, but since we're sourcing them from literally thin air, we're more likely to get P. rubens, but unless you're a mycologist you probably won't be able to tell the difference. Thankfully you won't need to, because they both produce penicillin. Which brings me to the next step.
4. Confirming it's the penicillin producing mushroom
We're gonna need more agar plates for this one, and believe it or not, you're gonna need to mix blood into your agar. Wash your hands THROUGHLY.
(Theoretically you can get away with just milk, but identifying the correct bacterial colony on white agar is going to be a nightmare, so just add some sheep blood to your agar, conventionally it's about 5% by volume but you might need more to make it)
You need some gram-positive bacteria, preferably of the Bacillota type. Please don't go out and find a patient with fucking botulism or tetanus, you need to live long enough to make the cure. Instead, if you have a vagina, scrape some of the white, mucousy stuff from there and plant it on your plate. If you don't have your own vagina, a borrowed one is fine. Penicilin also works on Treponema pallidum, so if you get a syphilis-affected prostitute that should also work. Just wear gloves.
Ideally you get something like this.
This is actually Lactobacillus brevis, but Lactobacillus colonies all look relatively the same. The important thing is that it's all gram-positive, and will therefore be affected by penicillin.
Take new plates again, plant your Penicillium mold in the middle, and the bacteria all around it, getting as close to the center as possible. You can put down a paper marker for the mold. Wait for about 20 days.
Ideally, on at least one plate, you will get something like this:
This is literally a textbook example of testing antibiotics, but the Zone of Inhibition is what you're looking for. It means the mold is releasing a compound to kill the competing bacteria for resources, in this case, Beta-lactam antibiotic, or penicillin. Make sure to pick the one with the WIDEST ZoI, because that's the one that produces most penicillin.
So now we have the root stock, but our problems have just begun. This is the part where you're absolutely going to need an alchemist's help.
The problem is that a human body is not a petri dish. It's quite a bit larger. And you want the good bacteria destroying stuff without all the nasty contaminants, so you need a SHITLOAD of mold producing a LOT of penicillin, and then you need a way to filter it. You are going to need actual lab equipment for that, or near as they had it.
Since I lost the original protocol I'm going to need to do research all over again how to do that with alchemy equipment (or at least a microbrewery), so that will be in the next installment.
Concept: generic fantasy adventure where the wizard has a crackpot assistant and he explains sadly that while Hreithbert is an excellent person for keeping the wizard tower tidy and the homonculi fed they're obsessed with cooking like ten million plates of inedible goop but it makes them happy so he permits it
And at the end of the story the big reveal is Hreithbert is a time displaced biochemist who has finally fucking refined their process for penicillin.
the memeification of fascism is a proven method of perpetuating and instilling it in other people. Layers of irony will not protect you once you adopt racist, sexist, ableist, transphobic terminology into your lexicon. you'll be acknowledging and nursing the mindsets and connotations borne of those words.
do you ever find something that is so funny and you want to share it with everyone but it also requires 18 layers of context spanning things like. 90s anime. aviation history. europop. canada. in order to even remotely understand why it is so funny
in the late 90s there was an anime called initial d which was all about street racing and drifting. naturally every single drift was played for great drama and excitement.
in 1999, an italian named giancarlo pasquini released a europop song under the alias dave rogers called Deja Vu. this song was picked up as the theme song for the above anime. it in turn became a meme, a shorthand for drifting and Cool Moves as a concept.
in 1983, air canada flight 143, a full sized 767, ran out of fuel halfway to edmonton, alberta. this is not something you want to have happen to a huge airplane. the flight chose to try and make an emergency landing at a nearby decomissioned airforce base (as they were falling fast and could not make it to a proper airport), where they ran into a second problem: they were falling out of the sky at 500 feet per mile, but reached gimli (the base in question) while still too high to safely land. normally a plane would just do a big loop-de-loop to lose altitude, but they had maybe three minutes of airtime left before they hit the ground: not enough time to make any kind of circle. the pilot, therefore, decided to execute a side slip to lose speed and altitude. this is Not a move you want to do with a massive 767, because airplanes are not built for that and if you screw it up that plane is hitting the ground at a high speed at a weird angle and breaking into a million pieces. nevertheless, the captain tried it... and succeeded. the plane landed perfectly, and there were no major injuries! (a couple of people did get minor injuries when evacuating the plane after.) he did it so well, in fact, that the plane was refueled, flown out of gimli a couple days later, and continued to fly for another 20 years with the nickname "Gimli Glider."
what is a side-slip, you ask?
it's drifting.
the guy goddamn drifted his 767.
in 2008, the tv show Mayday: Air Disaster featured the gimli glider with full reenactments as an episode on season five of their show.
and so, in conclusion, the thing i have been giggling to myself about all weekend:
“The medieval warrior, realizing the consequences of his impulsive act, immediately approached the owner of the drone and offered to pay for the damage.
The owner of the drone was so impressed by the brilliant attack that he suggested organizing a competition for bringing down “dragons” with short spears next year.
Drone owners have another year to develop a unique “dragon-like” design for their flying machines.” (x)
I am 100% cooler with this knowing that the spear-thrower realized “oops maybe I shouldn’t have done that” and tried to make it right, and that the guy who the drone belonged to was cool with it
I really don’t want to open this can of worms because Tumblr hath no fury like people called out on their political performativeness but it is literally driving me up the wall to watch people react to Serkis’ ‘keep Tolkien white’ commentary by insisting twice as hard that Tolkien would descend down to earth and dropkick the entire Republican party to hell or whatever, just because they want to ensure that a piece of media they enjoy isn’t seen as being morally impure. Case in point: I have seen at least five instances of Tolkien’s ‘I hate apartheid’ valedictorian address being used as a ‘counter’ to Serkis being racist, including by actual news outlets.
Except it’s only ever the ‘I hate apartheid’ line that’s shared, and not the actual quote in its full context. Because here it is:
If we consider what Merton College and what the Oxford School of English owes to the Antipodes, to the Southern Hemisphere, especially to scholars born in Australia and New Zealand, it may well be felt that it is only just that one of them should now ascend an Oxford chair of English. Indeed it may be thought that justice has been delayed since 1925. There are of course other lands under the Southern Cross. I was born in one; though I do not claim to be the most learned of those who have come hither from the far end of the Dark Continent. But I have the hatred of apartheid in my bones; and most of all I detest the segregation or separation of Language and Literature. I do not care which of them you think White.
Which is to say. This isn’t exactly the antiracist quote of the century, to say the least. This is a white South Africa born man and a white Australian shaking hands and going ‘omg we relate’ and expressing what is a very, very mild ‘segregation is not great’ opinion in order to convey his thoughts on an academic subject, ie the confluence of language and literature. Using race to make a point about his own subject of interest, in his own interest, which is, amusingly enough, what a lot of ostensibly well meaning progressive seem to be doing.
I also think that some of the general surprise around ‘what do you mean large swathes of the Tolkien fandom are incredibly conservative!?’ in lib/left Tolkien fandom is the result of a tendency in said parts of the fandom to transpose one’s own progressiveness onto Tolkien and turn a blind eye to things like, say, the Shire being a very specifically mid-century British racist construct that is very, very clear in its politics, often going so far as to insist it’s anarchist or an ideal society or whatever the fuck… and then getting really Pikachu-meme ‘but they’re misreading it’ every single time a conservative explains exactly what it is about the legendarium that they really love, and get surprised when someone uses the Shire being a racist construct to do more racism. It is 2026 let us do away with ‘I don’t see colour’ interpretations of media, I beg. Nobody is cancelling you for enjoying a book that is not kind to race. Most of the books I love are not kind to race.
I genuinely don’t have the energy to go deeper into it now because I and others have been beating this drum for ages but like man. Man. I’m not surprised by Serkis’ comment. I don’t really give a shit about what Andy Serkis says and does because if I was the kind of person who gave a fuck about Andy ‘I felt like an ethnic minority on the Black Panther set’ ‘I somehow interpreted Animal Farm in the most ridiculous way possible’ Serkis’ opinions on anything, let alone race, my life would be much sadder. I think the adaptation will be an enshittified money-grab, and I will probably embrace cannibalism when McDonalds inevitably starts giving out little Gollums with every Happy Meal. Again.
What I am surprised and disappointed by is how the liberal-left reaction to this shit is to always and forever just either pretend it doesn’t exist in the text, or is the result of a complete misreading. So seldom is the response ‘fuck me, this book has some real wild thoughts on race, let’s see how we can engage creatively with that in an adaptation’. Which has never happened. In fact, all your thoughts on Amazon and lore faithfulness and other adaption criticism or applause aside, TROP, the only Tolkien interpretation that has directly engaged with race has thus far done so very, very badly, and only on a surface level. Why?
Because the loudest parts of liberal Tolkien fandom is not interested in exploring race as it exists in the text, to explore it progressively, to engage creatively with the structural conservatism present within the very construction of Middle Earth. They’re interested in concessions that change very little: you can have your brown elves, as long as we don’t have to think about the implications of foundational aspects of our beloved world, which we relate to greatly and do not wish to think about why we relate to it beyond our own experience of encountering the text.
No, it’s always either an insistence that the Racists are Wrong because the Text is Pure, or a slight, grudging concession that Tolkien had ‘a few racist elements’ but ‘nothing like the racism of today’. Of course it’s nothing like the racism of today. Tolkien isn’t writing in 2026. It was the racism of yesterday, and it is very clearly written into the text. Tolkien is not your mildly problematic grandpa. Tolkien was an Oxford don with an enormous, wide-ranging cultural impact, and refusing to acknowledge that is the misreading, not the pointing out of or engagement with structural racism within the text.
There's also a version of this where people cite Tolkien's 1938 letter to the German publisher, ie the one where he refuses to confirm he's of "Aryan" descent and basically tells them to fuck off, as the other canonical "proof text" that Tolkien Was Not Racist, and it does the same flattening as the valedictorian quote. It's a great letter, very ‘get thee gone from my gate’ but it is also a letter about refusing a specific, legally coded Nazi racial category, not a statement about the internal racial logic of his own fiction.
Nobody is saying Tolkien was a fascist white supremacist Nazi. Hell, Tolkien’s own thoughts on military atrocity is pretty clear in the depictions of the escalating kinslayings. But people love to conflate "hated actual fascism, said so on the record and is very evident in his fiction" with "therefore the legendarium contains no racialised hierarchy," as though those two things have to rise or fall together, when they don't. You can be sincerely, personally opposed to Nazi race science and apartheid violence and still write a mythology where moral and aesthetic worth consistently map onto a Northern-European somatic ideal. Because the racialisation Tolkien both inherited and passed on wasn't Nazi race science, it was the broader Edwardian/interwar philological raciology he was actually swimming in, hell, drowning in, considering the Oxford environment. And I find it so, so frustrating how fandom keeps failing to make this distinction: structural racialisation and personal bigotry are not the same axis, and refusing to be measured on one doesn't clear you on the other.
The Southrons/Easterlings material is obviously the part most quoted when it comes to Tolkien’s ‘problematic elements’ except it's imo super telling how rarely it actually gets quoted compared to how often it gets vaguely waved at (except Charles E Mills. I love you Charles E Mills). Anyway “Black men like half-trolls," swarthy, slant-eyed, riding out of the south and east to serve Sauron… it’s the same mapping of good-north/evil-south-and-east you get in a dozen other early-twentieth-century adventure texts. And this imo actually undermines the "it's just medievalism, calm down" defense, because medievalism is a selectively retrospective construction of which past you're claiming and which one you're othering, not some sort of static, neutral historical styling.
Tolkien's medievalism is specifically Northern European heroic-elegiac medievalism, the "Northernness" he talks about loving as a kid, and that aesthetic preference is not extractable from the racial hierarchy it produces on the page. You cannot keep the aesthetic and disclaim the politics because as in all art, the aesthetic is the politics, that's what "structural" means as opposed to "incidental”, and I just wish that many extremely clever people who understand this in a contemporary sense would allow themselves to feel uncomfortable and look at it in a beloved text.
Jackson's trilogy didn't invent racialisation in Tolkien, hell I think he even softened some of it because the Scouring is straight up impossible to adapt without it being very clear about its politics, but his adaptation does go quite some way make the existing racism legible… casting, costuming, choreography and cinematography does the same racialised sorting the text does, and does it visually: Uruk-hai as a kind of grunting brutalised, brutalistic mass, Haradrim on oliphaunts as a fairly straightforward Orientalist boogeyman, and the Fellowship itself photographed like a Pre-Raphaelite fantasy lmfao. Serkis isn't introducing a new interpretive layer with his commentary, hell Serkis was in all those Jackson films as well! Serkis is being very clear about what aspects of the legendarium matter to him, and that aspect happens to be the whiteness of it all. And I genuinely cannot understand why the huge ‘scandal’ around his comment is not that someone said the quiet part, but that saying it out loud is what became the scandal, taken as some kind of transgression against Tolkien and all his readers with Good Politics™️, rather than the quarter-century of adaptations, readings, and analysis of the text that wordlessly encoded the racism and got called faithful and dedicated for it.
I didn’t want to go to author is dead territory but. Fandom discourse keeps reaching for authorial intent as the arbiter of textual meaning in exactly the way most of these same people would reject in any other context. Everyone is a massive New Critic the second the author in question is someone they love. But Tolkien doesn’t need to have consciously intended a racial hierarchy or a white nationalist mythology for the text to functionally produce one, for it to be so loved by conservatives and ethnonationalists who come fifty years after his time.
Intent is not even a contested position in literary theory, it's just the very basic understanding that "text has ideology independent of authorial intent". The insistence on relitigating Tolkien's personal feelings as though that settles the structural question is wild to me, and I find it so extremely unproductive how liberal fandom reaches for this constantly, repeatedly chanting Tolkien’s few vaguely liberal statements that read far less liberally in context. But I guess the alternative, ie reading the actual construction of race in the legendarium on its own terms, requires giving up the fantasy that the thing you love is politically inert. And it’s just so sad man. Like I fucking love the legendarium, and I think insisting on its moral purity is the worst thing you can do to it.
I think my entire argument can be summed up in a few questions. Why do conservatives keep saying "I love Tolkien" completely unashamedly, in a way they don’t realy say about most other ‘canonical’ twentieth-century texts, while we on the left have to perform a whole apologetic dance before we say it? What is it that they embrace about the text, that we have to occlude in order to express an unproblematic ‘love’? Why do we have to disavow parts of a text to claim we love it? Who are we performing to? What are we losing in focusing so hard on this performance?
This is why the Serkis-style comment, or the Rings of Power casting discourse, ends up being the deepest engagement we collectively get in fandom terms. Because both "sides" of that fight are actually shallow in the same way, just from opposite ends. The right-wing backlash to diverse casting is, repulsively, responding to something absolutely present in the text: a defensive crouch around a racial aesthetic it identifies as being under threat. The liberal-left response, the "just add brown elves" gesture, claims the problem to be one of representation and casting rather than structure, which is precisely why the racial elements of The Rings of Power satisfies no one and changes nothing.
You can put actors of colour in Númenor and Harfoot villages and yet the underlying moral framework of who is coded as inherently noble and who as inherently monstrous, whose skin colour the textual narrative uses as a standin for corruption, stays completely untouched. Again, see my TROP link above, with the jihadi-coding of the villains. Because that framework isn't located in the casting of an adaptation, it's located in the construction of Arda itself and physiognomy-as-morality at the level of the prose itself, constantly present throughout the text. Casting a Black actor as an elf doesn't do anything to the fact that "evil race coded as racially other" is still sitting right there in the Southrons and the orcs, unadapted, undiscussed, doing exactly the same work it always did, and this work takes on a new look in post-2001 adaptations.
So what you get is two adaptations of the same tiresome insanemaking discourse rather than two different arguments: the right defends the racial aesthetic as the substance of their love, and the liberal mainstream defends the fantasy that representation-level tweaks constitute engagement with race. And so, nobody actually produces the adaptation that takes seriously what nonwhite Tolkien scholars have been saying for decades, which is that you'd have to touch the orc/Southron/Valar/Valinor/blondeness architecture itself to ever productively have this conversation. Not diversify who plays the good guys, but interrogate why "evil" in this legendarium has a face and a hair colour and points compass east.
But if the talk about this goes on as it does, and continues between Tolkien the Pure versus Tolkien the Misread, there will never be anyone willing to make that adaptation, and we’ll go on forever in a sisyphean climb, where both the reactionary embrace and the progressive denial are just two versions of refusing to read the same damn book. Basically, I think we on the left etc need to stop treating "is Tolkien racist" as a yes/no gate you have to clear before you're allowed to enjoy the books, and stop acting like enjoying problematic media makes you a fascist. We need to start treating the racialised architecture within Tolkien’s world as the actual object of study, same way you'd read imperial romance or Forster or Kipling or Haggard, without needing to acquit or convict the author first.
Which means we have to name the conservatism specifically rather than gesturing at "some outdated attitudes," trace where it comes from historically (the philological Northernness Tolkien grew up steeped in, not some special personal failing that reflects badly on you), and then ask what an adaptation would look like which dramatised that rather than smoothing over it or weaponising it. We have to let go of the idea that critical engagement is disloyalty, and let go of the idea that loving something requires defending its honour. We need to get the resilience needed to engage with the idea that a work can be both formative and ideologically compromised at the same time.
We don’t need to resolve that tension into either adoring hagiography or totalising cancellation. If we do, we're going to keep getting “keep the Shire white” Serkis soundbites and “hooray we cast a brown elf in our we-invented-elf-jihadis show!” news cycles standing in for a conversation that hasn't actually started yet, and ngl buddies I have to say I personally will be biting people the next time I see yet another rendition of the same damn response-reaction cycle start again because everyone, both the conservatives and the left, wants the things they love to be a reflection of themselves, and will twist themselves into pretzels to ensure that remains the case.
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Kermit: Oh, oh, uh... well, fine. Listen, after these messages we’ll be back with a lot of great funny sketches and, and some neat songs... hm, and, and maybe some sex-
Yellow Muppet: What?
Kermit, reassuringly: Hm? Well, just a little sex-
Okay but you forgot the best part! During the scene where Aragorn, Gandalf and the other Main CharaktersTM ride ahead to go shout at the gate (and talk to the mouth of sauron in the extended edition) they were very firmly told only to ride up ahead “this far” because that area was cleared and beyond that it wasn’t.
But. Viggo Mortensen is absolutely mad and lead them just…. a bit farther than that. Everyone else was very scared they might blow up any second. Viggo said it “added a little extra tension”.
Viggo was just Like That™ for the whole trilogy, taking method acting to extreme levels:
he would spend multiple days walking overland to locations in full pack, sword, & armour when everyone else was travelling in trucks
refused to use any prop swords that weren’t actual steel
basically lived in the forest in-costume, sleeping rough under the sky, even fishing & foraging for his food when possible
often spent hours in the barn just bonding with the horses. He adopted the horse he rode, Uranus, after filming ended
repaired all his own gear by hand, which was often since he never took it off
had a tooth knocked out during filming but had the crew simply glue it back in place so they could keep filming
the instructor who taught everyone swordplay said Viggo was the best swordsman he had ever trained
carried his sword literally everywhere & practiced non-stop, resulting in the cops being called when locals reported “a wild man swinging a sword around his head" outside a gym in Wellington
an orc actor fucked up & accidentally threw a dagger directly into Viggo’s face, but Viggo just deflected it with his sword. They kept that shot
infamously broke 3 toes kicking that helmet but stayed in-character & sold his very real scream as part of the scene. They also kept that shot
Viggo insists on doing his own stunts; in The Two Towers where Aragorn is unconscious & floating down the river, the strong current pulled him underwater for so long that a rescue team had to go in to save him. Viggo survived by grabbing a boulder on the riverbed and pulling himself to the surface
It’s probably more accurate to say that Aragorn played Viggo Mortensen in the off season, so I’m 100% unsurprised to hear he put a whole crowd of fellow actors in genuine mortal peril for a 12% increase in authenticity
For all that the 1800s etiquette guides are--obviously--derangedly sexist from a modern perspective? They're also mindblowing in how casually they will assert things that MODERN DAY CONSERVATIVES would scream and cry and shit their pants about.
"People back then always married young it's natural!!!" Every single 1800s guide I've ever met casually mentions that, of course, you really shouldn't get married before you're at least 20, and waiting until 25 is usually better.
Or, like. Okay here's a long segment:
Just firmly going "it is crazy sexist to blame The Wife for overspending when thirty seconds of asking questions will immediately establish that her husband was outright lying to her about how much money they had. Talk to your wife like a normal person."
Or--okay, here. A section on being honest and not writing love letters in secret, because that's usually a good sign that there's something untoward going on....
....except that he then immediately acknowledges that sometimes, the reason you're hiding this from your parents is that your parents suck. That there are parents who frankly have not earned the right to approve or disapprove of your partner.
(I realize the phrasing there sounds a lot less strong than my summary, but--trust me on this. When you're familiar with the narrative voice of these kinds of books, this passage is downright radical. The mere acknowledgement that if you treat your kids badly, it's your own damn fault when they don't talk to you? I've genuinely never seen that before in this genre.
Don't freak out over "properly trained", either. It's just a linguistic shift--at the time, "training" was used the way we would say "raising" a child today. )
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We have two 'in case of fire, break glass' boxes, which you pick between based on how big of a problem the fire is. One has an extinguisher, and one has sticks, marshmallows, graham crackers, and chocolate.
Toasting Marshmallows [Explaining xkcd]
Transcript Under the Cut
[A single panel showing Cueball and Megan sitting on the ground. Between them is a small fire built of what appears to be a burning circuit board. Both are holding long sticks with marshmallows on the end, roasting them over the flames.]
Cueball: At least we finally determined the board's actual thermal limit.
Megan: Yeah. You know, we probably shouldn't eat these.
[Caption below the comic:] Engineering tip: Keep sticks and marshmallows around to make failures look intentional.
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