And stay safe everyone!
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And stay safe everyone!

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@robert-smirke-official this looks like The Eye, what do you think?
It sure does look like the Eye, but the message is much too comforting.
It sure does look like
the Eye, but the message is
much too comforting.
Beep boop! I look for accidental haiku posts. Sometimes I mess up.
Bad criticism is not the end of the world. As far as I know, no one ever died of a bad review. Take a deep breath and accept whatever comes. ... Put out a lot of work. Let people take their best shot at it. Then make even more work and keep putting it out there. The more criticism you take, the more you realize it can't hurt you. ... Sometimes when people hate something about your work, it's fun to push that element even further. To make something they'll hate even more. ... If you have work that is too sensitive or too close to you to expose to criticism, keep it hidden. But if you spend your life avoiding vulnerability, you and your work will never truly connect with other people. ... You have to remember that your work is something you do, not who you are. Keep close to your family, friends, and the people who love you for you, not just the work.
-Austin Kleon's advice on handling bad reviews, from Show Your Work
In honor of Anthony Stewart Head, hereâs one of my favorite Giles moments.
RIP Anthony Stewart Head. </3 Every scene he played as Rupert Giles was iconic.
The actor also had roles in 'Ted Lasso,' 'Little Britain' and the BBC's 'Merlin.'

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âWhen we were kids, the Phonics Wizard came to our town to show off how the letter E can change the sounds of vowels. He turned a can into a cane, a pin into a pine. This one kid had a cap and he changed it into a cape, that kind of thing.
âAnd we loved it, we were all having a great time, but then he saw my sister and I, and he just got this - this look in his eyes, and then-â
She hesitated, worrying the coarse material between her fingers. âThings got pretty bad after that,â she muttered. âI know itâs silly, but I try to keep - her - comfortable. We donât know if she can still hear us, or see us, or if sheâs even still in here, but I like to think she is. I talk to her when I can, I leave music on when Iâm out of the house. I tried to convince my parents to bring her with us when we went to Disneyland, but they didnât - didnât really take that well.â
After a moment, she put the ball of twine back onto its pillow. âAnyways. They tried to arrest the Phonics Wizard, but he had a plan in case something went wrong and he turned it into a plane and flew away.â
Oh, hello fridge horror. Beautifully written.
To those of you who found this useful grammar-wise, Iâm going to add something else, and itâs our old friend ING!
If the verb has a short vowel and ends on a consonant, you double the end consonant. For example:
PIN -> PINNING
âI am pinning a picture to my wall.â
However, if your verb ends on a silent E? Just ditch the E.
PINE -> PINING
âHeâs pining so hard Iâm expecting a forest to grow.â
Naturally, there are exceptions to the rule. But mostly? Adding ING to these kinds of words works like this!
Fascinated by everyone's but especially American's desire to give medieval keeps, especially in colder regions, central heating (and I think Winterfell is to blame for this trope, where, to it's defence, the hot springs were not a matter of comfort but survival wrt the deadly fantasy Winter that's not real irl), because I'm always like. okay I know they told you in middle grade that castles were all cold and drafty but like ... no also what
There's generally going to be rooms dedicated to and build for warmth, the living quarters, both for nobles and their servants. This will be the central living tower, or parts of it called a Kemenate (literally 'room with a stove'), the great hall and work spaces around the kitchen. You can put the Kemenate on top of the hall to catch the big fires' and daily living's heat through the wooden floor, but you often can't put wooden stuff on top of the kitchens (that's a fire risk). If you have the money and space, you build a whole separate comfy place for living because you don't have to stay in the most defensible part of the castle all the time. These separate living buildings are also called Kemenate and are often build from wood, cob, brick etc.
People used to wear much more clothes indoors, including while sleeping, and those clothes were much thicker and sturdier than what we largely wear today. Every time you think of how cold those stone walls are, think about everyone wearing a linen shift + two-ish layers of wool on all body parts except hands and head + stockings and shoes + some kind of head-covering. In Ye Old Middle Ages, women are probably wearing a wimple, which is kind of like a modern Hijab in terms of coverage. People wear shifts, socks, and a head-covering to bed.
I think people used to radiators also really underestimate how much a large open fire/tiled stove heats up a room. Also, middle and northern Europe (as well as parts of Northern China) had and to this day have beds and benches build into tiled and cob stoves. Those fuck.
Beds are enclosed so you stay warm in them, either by curtains, in wall niches or with wood. There's also a type of bed that's inside a chest (like a coffin) so you can stuff your stuff inside during the day and put down the lid to use it as a bench. That's also another reason for people to always sleep in groups. Depending on the era, one of the jobs of a lady's maid or a retainer might literally be warming their master's bed. In early times and among servants, people also sleep in large groups in rooms together in general even outside a farming context, often with animals like pet dogs, too, which further warms everything up.
Walls are not bare, cold stone, but covered with a layer of plaster or cob, tiles or wooden panels, sometimes layered, and believe me, this makes such a difference. Source: I lived in a Ye Olde German Farmhouse with 70 cm thick stone walls and flag stone floor and all that converted to modern flats for a while.
On top of that you hang tapestries on the wall, which are not like modern printed cloth but basically wall rugs, sometimes several inches thick, and rugs or rushes (like a light cover of hay) on the floor on top of stone, tile, wooden panelling or a cob floor cover that goes over the heave flag stone. Pillows and blankets on all sitting surfaces, often on top of panelling (in the case of benches build into the stone). The roof of a room is also tiled, panelled or plastered. Upper stories will generally have wooden floors. Stories in a tower heat each other upwards, so the nicer rooms are further up.
The inner stone walls of a castle, even if stone and very thick, will heat up a few degrees in comparison to the outside walls if the castle is continually heated/lived in, and also trap heat inside, and this will make a difference. Inner walls might also be thinner and made of wood, cob or brick. You're defending against the outside, after all.
You put stuff in the windows. Holy shit. Screens of wood, horn, cloth or leather/hide, often treated for extra insulation. Why are these fantasy castles all so drafty.
Like, idk, I know Americans especially can't pop down to their nearby castle museum to have a look around, but even with people who can and do: The castles you'll see, even the ones who aren't 'ruined' are ruins. They're stripped down. I remember touring Norman towers in England, and those places do look dire and are cold because even if they're still standing, they're ruins. It makes such a difference to get to look at a castle that is still lived in, has been inhabited until recently, or has been historically restored where these amenities are preserved. The exact amenities will depend on the era, of course, but they'll be there. The publicly accessible parts of Burg Eltz are a great example to google, especially since I promise you, you have seen this specific castle before. They have pictures on their English language website here, and the German National Geographic has a few further inside pictures here. Seeing a place like that that isn't a ruin with bare, stripped walls, nothing in the windows, no decorations and furniture etc. makes you realise that yeah actually. My characters are probably just gonna go grab a pillow if their ass is cold on the window's stone bench. Blankets are a pretty old technology, humans (elves, dwarves, whatever) can figure that one out.
This is a reminder for those who handmake Christmas presents that now is not too early to start. It may in fact be a good time to start if you have a lot to make/your craft takes a long time. You should maybe start it now, whether that's brainstorming or actually doing the crafts!
Translating this into tumblr's preferred public service announcement format for this kind of alert:
given the current climate this pride especially i feel i must mention that i love my trans friends, i stand with trans people in the fight against transphobic legislation and those who would enforce it, and this blog is not a good place for you to be if you do not vibe with that
âWhen we were kids, the Phonics Wizard came to our town to show off how the letter E can change the sounds of vowels. He turned a can into a cane, a pin into a pine. This one kid had a cap and he changed it into a cape, that kind of thing.
âAnd we loved it, we were all having a great time, but then he saw my sister and I, and he just got this - this look in his eyes, and then-â
She hesitated, worrying the coarse material between her fingers. âThings got pretty bad after that,â she muttered. âI know itâs silly, but I try to keep - her - comfortable. We donât know if she can still hear us, or see us, or if sheâs even still in here, but I like to think she is. I talk to her when I can, I leave music on when Iâm out of the house. I tried to convince my parents to bring her with us when we went to Disneyland, but they didnât - didnât really take that well.â
After a moment, she put the ball of twine back onto its pillow. âAnyways. They tried to arrest the Phonics Wizard, but he had a plan in case something went wrong and he turned it into a plane and flew away.â

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FLY is a story about a boy who gets a second chance. Help his story take flight June 9th 11am EST on Kickstarter. Thank you for being the wind beneath my wings I hope this story lifts the world to a brighter place.
A coming of age story about Black kids who finally have power to fight back against systems designed against them.
what do I have to do to go to events where people are dressed nicely and there are plates of free cheese cubes
Go to the inaugurations of littlely known artistsâ exhibitions.
We are always begging for people to attend, there actually is the âhackâ to invite your whole family but tell them to pretend they donât know you. People with money are more willing to buy your work if they think many people likes it, so your mere presence eating our cheese and canapes will be a great helps. Please bring whoever you want too.
Donât mind if I do!
I will dress like an eccentric weirdo if that helps.
one time a pal of my pals was having a tough time selling their work in an art exhibit and called us up on the last day, âusâ being about 8 students who were Very hungry and also bored. We put on the nicest/artsiest clothes we had available (one dude had a legit fancy suit and put on some shades which were Bright Pink he looked like a movie star I swear) and rolled up to the show in pairs, separately. Fine Art Pal has some nice paintings! but nobody is really paying attention to them, so after getting some fancy cheese cubes in a manner that did not betray that we were actually a ravenous pack of starving students we casually wander around the show and then, fairly individually, drift to a stop by their work. Some of us even walked away, then came back a bit later âcaptivatedâ by the art (it was actually really nice but recall we were all poor as shit and this was a help hustle). Our groupâs interest naturally caught other folks, and eventually there was a small clump of about 15 people musing over this art, and within ten minutes the biggest piece had been snatched up by a shrewd investor. by the end of the exhibit every single piece was sold. It helped pay off the artistâs student debt and on that success they got into another exhibit! Theyâve been doing well ever since.
So yes, please attend new artist shows, you get free cheese, get to look at nice art, and you can really help out people who deserve more attention.
so much could have been improved in the sequels if kylo ren hadnât been force sensitive
no wait think about it. kylo ren not being force sensitive, but so desperate to be so heâs willing to do anything. he feels cheated out of his grand destiny, his powers that his mother and uncle (and cousin?) have. give me the story on the entitlement towards the force. it would have shown that the force is beyond biological, it always has been. it would have given a better reason for kylo ren to âfall to the dark sideâ, so desperate for a connection to the force that he plays the part of a dark sider, swinging a cracking red lightsaber around with no finesse or training, killing hoping that it will push him further into a dark side of the force he cannot feel. it would have given a reason for him to hate han; that because han isnât force sensitive, itâs his fault that kylo isnât either. kyloâs character would have been stronger because his choices would have been his own, instead of whatever whisper dream manipulations they were in canon. his evil has nothing to do with the force, but an entitled man trying to claim a power he believes is his by birthright.
this would have foiled perfectly with finn, too- one is a child born to the most powerful force sensitives in the galaxy who cannot feel the force. and finn is a child who was taken from his family, forced into soldier-hood, who feels such a deep and powerful connection to himself and the force that he breaks free. kylo ren, seething and entitled trying to claim a destiny and power that just arenât his, and finn, who has suffered at kyloâs actions and still connected to the powerful light inside of him. the ânobodyâ hero of the sequels who has the power of the force and the legacy-born villain who doesnât.
âBecause the truth is, tech doesnât have an image problem. It doesnât have a message problem. It has an intention problem. Whatâs wrong with the axe murderer who broke into my house is not that he hasnât successfully persuaded me to buy into his narrative. Whatâs wrong is that heâs trying to kill me with an axe. Similarly, when you launch a product thatâs designed to put millions of people out of work, block access to sources of verifiable truth, replace human creativity with slop, and lower the barriers to every sort of atrocity, the problem isnât that you havenât told the public a good story about those things. The problem is that you are trying to do them.â
â The 40 Most Rage-Inducing Problems in Tech

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Real life Road Runner
Looney Tunes is real and happening outside.
good lord its feet really do spin around in a circle when going fast