Harris do his best as always

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@fantasaria
Harris do his best as always

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I completely forgot I did this! I must have done it earlier this year but my mind completely deleted it from my memory.
.
rewatched cql in 2026 and im right back in my ayao feelings
Cnetizens: Why the thousand-year-old stone statues at the Northern Song Mausoleums arenât covered with glass enclosures.
The director of the Cultural Relics Bureau replies: "Theyâve stood here largely intact for over a millennium. Why add extra barriers?"
Visitors worry wind, rain and sunlight in the farmland will wear them down. The director explains:
Glass covers speed up decayâitâs like locking the statues in a sauna. Trapped heat and moisture create sharp temperature shifts. Salt crystals inside the stone expand and crack the carvings far faster than open-air exposure.
These statues blend naturally with the farmland landscape. Glass barriers would destroy the sense of scale and historical atmosphere.
When first built, the mausoleum complex was a restricted royal compound ringed by walls, palaces and pine treesâno farmland at all. After the Song fell, protection systems collapsed. Wars and weather destroyed buildings. Local residents gradually dismantled the abandoned structures, reusing timber and bricks in nearby villages.
By the Ming and Qing dynasties, villagers turned the empty grounds into farmland, leaving stone figures scattered amid crops.
Few people damaged the statues for three reasons: each weighs several tons and is impossible to move; folk belief held that anyone who damaged the guardian statues would be cursed with misfortune; every later dynasty passed laws punishing those who vandalized former imperial mausoleums.
Once an exclusive imperial burial ground, now ordinary farmlandâthis shift tells the story of history. Glass covers would only be unnecessary. As an old Chinese poem puts it: æ§æ¶çè°ąć ćçïŒéŁć „毻枞çŸć§ćź¶
The swallows that were wont to grace the halls of Wang and Xie, Now seek the humble roofs of common men.
(cr 性éč ćeyaeyaeyaïŒéćžfotochenïŒæèČđžïŒè Ÿè Ÿć ć đ°)

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if an archaeologist says an artifact was probably for âritual purposesâ it means âi have no fuckin clueâ
but if they say it was for âfertility ritualsâ they mean âi know exactly what it was for but i dont want to say âancient dildoââ
Back in the day I worked at a certain very famous and very high caste art museum in the US as a junior curator. Part of my job was to catalog the objects in the museum database. This includes details like provenance, measurements, and a visual description of what the object looked like.
Like I said, the museum was a pretty snotty institution. Itâs got a LOT of objects itâs way famous for possessing, but nobody knew about the absolutely massive collection of Moche erotic pottery it had because the curators were totally embarrassed by this stuff.
Some examples:
Pretty hot shit, right? They never, ever put any of this stuff on public view or published it in any catalogues but - we legit had like several hundred pieces of Moche ceramics in the âdirty potsâ category. Anyway, I was left alone to just do my job with regard to the database for several years, ok? And I figured, well, theseâre accessioned objects in the museumâs collection - better get down to bidness.Â
I catalogued every goddamn bestiality, necrophiliac, cocksucking, buttfucking, detached penis, and giant vulva drinking cup in that collection. Iâd be like,Â
A drinking vessel in form of a standing man wearing a tunic and cap. He holds an oversized erection in his hands and stares into the distance (note I did not say âlike heâs hella-constipatedâ). The vessel has a hole at both the tip of the penis as well as around the rim of the figureâs head, thus forcing the drinker to drink only from the penis or risk spilling wine all over themselves from the top of the vessel. Red and orange slip covers the surface of the piece.
Pretty straightforward, right? Apparently the deep seated fear of these objects that the curators exhibited was meant to spread to me as well, but - no one ever gave me that memo, because I guess Midwesterners reproduce asexually. When the curators understood that I had catalogued all of these objects in addition to the other, non-sexy pieces in the collection, they were apparently livid, but knew they had no legs to stand on in terms of getting pissed at me for it.Â
I visited the museumâs online public access database a few years back and - every single description I wrote of these pieces has been totally neutered to say something like Male figural vase.Â
Long story short? Just call a dildo a fucking dildo. Itâs all gonna be ok, I swear.
This is absolutely the MOST unusual reblog I have ever tagged with what is probably my second-favorite tag, âtalk to me about your work.â
Plus itâs hilarious.
I love ancient art history !!!!!
@lowercasetrashwriter
Museums should have sections dedicated to artifacts like these with a warning that says âThereâs a lot of private parts in here but weâre dedicated to displaying history so we wonât censor these. Enter at your own riskâ or something. Itâs prudish to deliberately hide history because of some ding dongs.
Fucking Puritanism.
Unpopular opinion: Sex exists. Making body parts taboo is both psychologically bad for us and kinda stupid.
oh this phrase is not going to leave my mind for a solid week at least. obsessed with this collection of words
le doohickie in question btw:
i bite off anything that i can chew. iâm chasing cars up and down the avenue. but thatâs okay
lyrics from jerk it out by the caesers
I was inspired by the black-out poems made by @playing-with-colors and decided to apply it to the locked tomb series!
Palamedes my beloved
fixed it

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I think the "pre" and "post" parts in "preposterous" should cancel each other out but everyone else seems to find my idea completely erous
baby photos
Assassinâs Fate:
âI carved his face Fitz.â
âWhy my face?â
Ship of Destiny:
âGive me a face you could love,â
I keep trying to like red wine like a grown-up but like ⊠itâs rotten grapes, guys. You can drink things that donât taste like rotten grapes. Why
Okay I donât know when this post is from (I came across it stalking multiple blogs). But in case this might help, here is a brief science/wine lesson.
To start off, some facts:
-White wine is made from sweet pulp inside of the grape (minus the seeds).
-Red wine is made from both the skin and the grape (and the seeds and stemsâŠsometimes? Canât remember).
-Tannin is the substance found in red wines, coffee, dark chocolate. Tannins are responsible for the bitter taste in those foods.
-Tannins are found in the skin of the grape, as well as the seeds and the stems. Therefore, most red wines will have tannins, versus most whites will not have tannins.
-Red wines vary in level of tannins, depending on variety of grape, climate, and fermentation process. Pinot noir tends to be very low tannin. Shiraz/Syrah, choice of poison for our beloved brunette surgeon, is very heavy on the tannins.
-Some white wines (most commonly Chardonnay) are aged in oak barrels instead of metal containers. Oak barrels have tannins, which seeps into the wine during the fermentation process. Thatâs why Chardonnays tend to be âdrierâ aka it has tannins.
-White wines like Sauvingnon Blancs are usually fermented in steel barrels (aka no tannins. Aka usually very fruity and light and sweet).
Your ability to taste tannins is genetic.
There is a genetic marker determining whether your taste cells are sensitive to tannins.
Basically two people can drink the exact same wine and have wildly different reactions because: 1. Person A canât taste tannins, so they taste the actual wine flavor. 2. Person B can taste tannins, and that tends to overpower ALL the other flavors in the wine. Basically all they taste is tannins and none of the wine.
I am super tannin sensitive, so if I drink a wine like Cabernet Sauvignon (very tannin heavy, aka âvery dryâ, it tastes like bitter ethanol alcohol to me, whereas my best friend canât taste tannins so the same wine is maybe a little bitter but they can actually taste the grape and different flavors. To her, a wine like Sauv Blanc is too sweet, tastes like sugar water. But to me it tastes good.
So unless itâs the taste of the alcohol or all wines you hate, chances are you might hate the taste of red wine, especially the heavier red wines, because taste the tannin overpowers everything else. And all you taste is bitter bitter ethanol bitter more ethanol.Â
More tannin info: -Tannins bind to fat.
-This is why tannin heavy wines are recommended with fatty foods (Shiraz and steak). Whenever you eat food with high fat content, the fat builds up on your tongue. A sip of red wine will bind with the fat on your tongue and clear it away. Thatâs why the sip of wine between bites of fat heavy foods is considered a palate cleanser.
-By that logic, this is why white wines are recommended with low fat foods, like fish. Salmon is fattier than most fish, which is why Chardonnay (tannin heavy white wine) or Pinot Noir (low tannin red wine) is recommended with salmon.
-People who are sensitive to tannins can drink tannin heavy red wines with fatty food and generally the wine wonât taste gross. The fat on your tongue (from that steak) will bind with the tannin and neutralize the tannin taste. Aka the only time I ever drink Cabernet Sauvignon or Shiraz is with a steak or heavy, creamy pasta. Aka never bc I donât often eat either.
-The reason dairy helps coffee taste better is because the fat in milk/creams binds with the tannins in coffee and neutralizes the bitter taste. This is why people who canât taste tannins can generally drink coffee black without milk (sugar is a different story). Itâs also why almond milk in coffee is the worst idea (almond milk is already bitter and has no fat).
More wine facts: -90% of the âaromasâ of wine are marketing BS
-You know the labels that say like âcherry with a hint of blackberry?â Thereâs no real way to infuse cherry or blackberry into grape wine without screwing with the fermentation process. Itâs all created by the wine marketing industry to sell you win. Sometimes if you smell cherry before you drink the wine, you might taste it in the wine (because majority of flavor comes from smell). Or if you think there is cherry flavor in the wine, your brain can trick your taste buds into tasting it.
-The only true flavors found in real grape wine are grapes (obviously), oak/earthy flavor (the barrels), vanilla (barrels, oak sticks), tannins. (There are a few others but canât remember. I think maybe cinnamon?).
-Peopleâs perception of wine often affect how good it tastes to them. Social psychology studies show that people will rate the exact same wine differently if theyâre told the wines are different in price. (They rated the more expensive wine as tastier).
tl;dr Whether you can taste tannins is genetic. Exact same wines taste different for different people depending on your genetic makeup. If youâre sensitive to tannins, red wines wonât taste like anything other than bitter alcohol. Genetics/tannins are why people generally have preferences for red or whites.
this is extremely informative and i have learned a thing about myself, which is that i CLEARLY inherited the tannin-tasting genes from my teatotaling mother and not from my dad who subsists entirely on espresso and cabernet sauvignon.
I suddenly understand why my goddad can drink black coffee and those wretched tasting dry wines and think they taste good.
Black tea also has tannins, so if you - like me - need to drink it with cream and donât brew it nearly as long as tea aficionados say in scandalized tones you ought to, because otherwise itâs too bitter, you uh. might be sensitive to tannins.
I think that dark roast coffee has more tannins than light roast; I know for certain it requires a good deal more cream/milk to balance out the bitter/burnt taste.
@thatbitchfae
Ooh, did not know that

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a thing that was so interesting about the vampires in Sinners is genuinely what huge losers they are. get bit and immediately start talking like the most annoying youth pastor you know.
which is a really cool choice because it emphasizes how deeply Off they are. there are obviously the big tells in their behavior, like Bo not reacting to a man getting mauled five feet away or Cornbread getting weird at the door, but the way they speak is also really off with the cadence of the movie the audience has gotten accustomed to. the characters are friends, family, they know each other enough to make jokes, trade barbs, argue, swear. they talk in an informal, natural way with each other. one bite later and it's "excuse me my brothers and sisters in the one race, the human race, won't you pretty please let me come inside to rejoice in your company đ„ș"
the kkkouple that remmick turns first are a really effective storytelling shorthand. we know basically nothing about them pre-vampening except that they're trigger happy racists, so when you see them turn up all smiles at a Black juke joint parroting everything remmick says you immediately get a pretty solid grasp of what getting bit does to a motherfucker
obviously I'm arriving to this party really late and I've already seen almost every bit of this movie dissected down to the minutia, but I've not seen anyone talk about klanwife's line about how the vampires are "starting a new klan, built on love." crazy good line, made me figuratively need to take a seat. really cuts right to the heart of the dissonance between what mr. o'vampire says he believes and the nightmare bullshit that he's actually doing.
I keep thinking about the big vampire group song because it's like. god this scene is good. it circles back to my point about remmick being a loser, because getting a couple dozen new vampire thralls and using them to do an elaborately choreographed song and dance is peak loser shit.
but it's also horrifying, absolutely horrifying, for the living characters who are looking on because a.) they're watching their dead family and friends and neighbors, most of whom are covered in blood and visibly injured, get danced around like puppets and b.) it's the first time the characters are really getting a taste of the hivemind bullshit the audience has already been clued in on and c.) sure, they're just dancing for now, but they're realizing just how many hungry vampires are waiting outside to kill them at the first opportunity and take Sammie. so that's a nightmare for them.
so you could read that as a deliberate intimidation tactic on remmick's part, trying to overwhelm the survivors into giving up, but then you're like, okay, maybe in his mind this is a display of how good it is to be a vampire. isn't it good? doesn't it look fun? look how much fun we're having! you could come have fun too if you want! just let me in :3 I don't think that's impossible, that he'd be totally oblivious to how he comes across. the newly-turned vampires seem pretty bad at faking their interpersonal skills; all memory of how to act human beyond the most superficial level seems to really go out the window pretty immediately. remmick seems a little cannier than that, since we see him try to play on people's emotions more than once--appealing to the kkkouple's fear of the Choctaw to gain their shelter when he realizes they're klan, trying to lower Mary's guard by sympathizing with her over her dead mother, pressuring Grace by threatening her daughter. obviously some of those efforts are more successful than others, but he at least seems to have an ability to read the room that other vampires lack.
but it's also not a stretch at all to think he might sincerely be that clueless, because that whole song and dance number is remmick's whole thesis statement, which is that when he says he believes in "equality" he means that he'll kill anyone and turn them into one of his tools regardless of who they are. like sure, whatever, I'm willing to believe that he does sincerely find the klan objectionable, but he's also just packed full of shit. his version of equality is one where everyone's equal under him, acting out his own culture and history for his pleasure. thinks he's not racist because he doesn't care that Sammie's Black but still wants to take away everything that makes Sammie an individual and just keep the musical talent to perform a crude facsimile of being Irish.
and this is getting so long but that scene of all the vampires dancing in step in the dark, cold and washed out, is contrasted so well with the earlier scene inside the juke where everyone is warmly lit, revolving around Sammie but not beholden to him, dancing in their own styles side by side with spirits of the past and future blending different styles and cultures. that scene is such a gorgeous visualization of musical traditions persisting through time and place, connecting people across generations, growing and changing fluidly as people take inspiration from the past, while all of remmick's songs show people being very forcibly trapped in the past, unable to grow or move on. when he encounters something beautiful in the present all he can think to do is own it, destroy it, bend it into the shape of history. pathetic!
Look at my birthday cake...