Alecto // Annabel Lee
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Alecto // Annabel Lee
timelapse under the cut

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I was inspired by the black-out poems made by @playing-with-colors and decided to apply it to the locked tomb series!
Palamedes my beloved
GRIDDLEHARK AND CAMPAL ARE OPPOSITES BUT ALSO PARALLEL TO EACH OTHER AND IT MAKES ME SO INSANE
6th House is on mercury and 9th House is on pluto so they're on the opposite ends of the dominicus system
9 is 6 uspide down and 6 is 9 upside down
the Ninth House and the Sixth House are religion vs science
Gideon and Harrow are (were) childhood enemies, Camilla and Palamedes are (were) childhood friends. Gideon and Harrow had a hard time trusting each other, Camilla and Palamedes trusted each other with everything.
Gideon and Harrow are all about forgetting ("But I donât even remember about you most of the time", the whole lobotomy situation), Camilla and Palamedes are all about remembering ("Iâve carried you, Warden. And Iâve carried your memory ⌠Iâd rather carry you", "Palamedes remembers everything: That was his problem. I always remember him. Thatâs mine")
Gideon and Harrow are water (the Pool Scene, Gideon being in the "well" in Harrow's mind, Harrow deciding to stay in the River and Gideon "dying" in the River), Camilla and Palamedes are fire (Palamedes's first death, Palamedes and Camilla's lyctoral ascention)
in griddlehark's case the necromancer carried their cavalier's soul, in campal's case the cavalier carried their necromancer's soul
Gideon and Palamedes sacrificed themselves, Harrow then carried Gideon's sword even though it was killing her and Camilla carried Palamedes's bones even though boe electrocuted her for it
Gideon and Camilla are both "devotion's casualties"
Harrow and Camilla risked permanent brain damage to save the souls they carried
Gideon barely had any training for her position and Camilla trained her whole life, but they both didn't normally use their rapiers and were both set on fighting rather than on traditional duelling
the 6th and the 9th are both poor, underestimated, dying houses. Harrow and Palamedes have been leading them since they were very young and they do anything to try to improve the situation
Harrow fell in love with the Body when she was 10, Palamedes began writing to Dulcinea when he was 8. both into old dead chicks (as Gideon phrased it) while also loving their cavaliers
Camilla watched Gideon impale herself to force Harrow's ascention, Gideon watched Camilla light herself on fire during her and Palamedes's ascention
"This was your shell but it was all filled up with me" & "It's not you. It's me wearing you"
"I keep turning around to find you, and thereâs nobody there." "I know the feeling." & "Youâd touched that letter, and Iâyou know it was killing me twice that you werenât there, right? You must know it was destroying me to be there in your body, trying to keep your thumbs on, and I couldnât even hear your damn voice?"
"Kiriona Gaia was staring politely at the side of the truck, as though there were something really interesting on the paintwork" & "Even Camilla, who had turned away to politely investigate something on the opposite wall, wasnât there"
"It was just her and Harrow and Harrowâs bitter, high-boned, stupid little face" & "Palamedes said, and now Nona knew he wasnât speaking to anyone else in the universe"
AND
AND
AND
AND
there's probably more, that's just from the top of my head. but yeah, they make me insane and i'm foaming at the mouth.
the locked tomb is so relatable

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I think something people are really missing when analyzing the Backrooms film is that like... Mary was a terrible therapist for Clark lmao. Clark very clearly struggles with rumination (OCD legend tbh) and Mary facilitates this behavior by making him repeatedly RP his lowest moment. And even before Clark loses it she doesn't challenge him on his behavior, telling him that his reaction was "normal" during their first scene. She unwittingly drove Clark deeper into his self-destructive thought loops. The table scene is her realizing how fucked up it was to make him RP that moment, and how out of her depth she is when it comes to other people. She did not understand Clark, and does not have the ability to help him. Mary's scenes are surreal and temporally confused because she's already stuck in the Backrooms. Her trauma has completely colored her life and her perception of others. Her self-help book is very specifically about her own experiences. And I'm not saying she was a bad person or anything, I'm sure she had a lot of good insight for people who had similar traumas to hers. But she is also very much stuck in her own loop that prevents her from helping people regardless of how much she might want to. Her methods were disastrous for Clark. There is definitely a gendered element to Mary and Clark's dynamic but we gotta remember that she is his therapist. She could have him institutionalized if he acts out of line or even just says something too concerning, Clark expresses this fear directly when he tells her about the Backrooms. (Which is especially relevant given the racial dynamics at play.) Like yes ultimately Clark made the choice to give up on being a better person, but he did so partially because Mary, as a medical authority in his life, failed to provide the correct kind of care. As much as Mary appears to have her life together she is also ultimately alone, stuck in a loop, just like Clark.
A scorpion, not knowing how to swim, asked a frog to carry it across the river. âDo I look like a fool?â said the frog. âYouâd sting me if I let you on my back!â
âBe logical,â said the scorpion. âIf I stung you Iâd certainly drown myself.â
âThatâs true,â the frog acknowledged. âClimb aboard, then!â But no sooner than they were halfway across the river, the scorpion stung the frog, and they both began to thrash and drown. âWhy on earth did you do that?â the frog said morosely. âNow weâre both going to die.âÂ
âI canât help it,â said the scorpion. âItâs my nature.â
___
âŚBut no sooner than they were halfway across the river, the frog felt a subtle motion on its back, and in a panic dived deep beneath the rushing waters, leaving the scorpion to drown.
âIt was going to sting me anyway,â muttered the frog, emerging on the other side of the river. âIt was inevitable. You all knew it. Everyone knows what those scorpions are like. It was self-defense.â
___
âŚBut no sooner had they cast off from the bank, the frog felt the tip of a stinger pressed lightly against the back of its neck. âWhat do you think youâre doing?â said the frog.
âJust a precaution,â said the scorpion. âI cannot sting you without drowning. And now, you cannot drown me without being stung. Fairâs fair, isnât it?â
They swam in silence to the other end of the river, where the scorpion climbed off, leaving the frog fuming.
âAfter the kindness I showed you!â said the frog. âAnd you threatened to kill me in return?â
âKindness?â said the scorpion. âTo only invite me on your back after you knew I was defenseless, unable to use my tail without killing myself? My dear frog, I only treated you as I was treated. Your kindness was as poisoned as a scorpionâs sting.â
___
âŚâJust a precaution,â said the scorpion. âI cannot sting you without drowning. And now, you cannot drown me without being stung. Fairâs fair, isnât it?â
âYou have a point,â the frog acknowledged. âBut once we get to dry land, couldnât you sting me then without repercussion?â
âAll I want is to cross the river safely,â said the scorpion. âOnce Iâm on the other side I would gladly let you be.â
âBut I would have to trust you on that,â said the frog. âWhile youâre pressing a stinger to my neck. By ferrying you to land Iâd be be giving up the one deterrent I hold over you.â
âBut by the same logic, I canât possibly withdraw my stinger while weâre still over water,â the scorpion protested.
The frog paused in the middle of the river, treading water. âSo, I suppose weâre at an impasse.â
The river rushed around them. The scorpionâs stinger twitched against the frogâs unbroken skin. âI suppose so,â the scorpion said.
___
A scorpion, not knowing how to swim, asked a frog to carry it across the river. âAbsolutely not!â said the frog, and dived beneath the waters, and so none of them learned anything.
___
A scorpion, being unable to swim, asked a turtle (as in the original Persian version of the fable) to carry it across the river. The turtle readily agreed, and allowed the scorpion aboard its shell. Halfway across, the scorpion gave in to its nature and stung, but failed to penetrate the turtleâs thick shell. The turtle, swimming placidly, failed to notice.
They reached the other side of the river, and parted ways as friends.
___
âŚHalfway across, the scorpion gave in to its nature and stung, but failed to penetrate the turtleâs thick shell.
The turtle, hearing the tap of the scorpionâs sting, was offended at the scorpionâs ungratefulness. Thankfully, having been granted the powers to both defend itself and to punish evil, the turtle sank beneath the waters and drowned the scorpion out of principle.
___
A scorpion, not knowing how to swim, asked a frog to carry it across the river. âDo I look like a fool?â sneered the frog. âYouâd sting me if I let you on my back.â
The scorpion pleaded earnestly. âDo you think so little of me? Please, I must cross the river. What would I gain from stinging you? I would only end up drowning myself!â
âThatâs true,â the frog acknowledged. âEven a scorpion knows to look out for its own skin. Climb aboard, then!â
But as they forged through the rushing waters, the scorpion grew worried. This frog thinks me a ruthless killer, it thought. Would it not be justified in throwing me off now and ridding the world of me? Why else would it agree to this? Every jostle made the scorpion more and more anxious, until the frog surged forward with a particularly large splash, and in panic the scorpion lashed out with its stinger.
âI knew it,â snarled the frog, as they both thrashed and drowned. âA scorpion cannot change its nature.â
___
A scorpion, not knowing how to swim, asked a frog to carry it across the river. The frog agreed, but no sooner than they were halfway across the scorpion stung the frog, and they both began to thrash and drown.
âIâve only myself to blame,â sighed the frog, as they both sank beneath the waters. âYou, youâre a scorpion, I couldnât have expected anything better. But I knew better, and yet I went against my judgement! And now Iâve doomed us both!â
âYou couldnât help it,â said the scorpion mildly. âItâs your nature.âÂ
___
âŚâWhy on earth did you do that?â the frog said morosely. âNow weâre both going to die.â
âAlas, I was of two natures,â said the scorpion. âOne said to gratefully ride your back across the river, and the other said to sting you where you stood. And so both fought, and neither won.â It smiled wistfully. âAh, it would be nice to be just one thing, wouldnât it? Unadulterated in nature. Without the capacity for conflict or regret.â
___
âBy the way,â said the frog, as they swam, âIâve been meaning to ask: Whatâs on the other side of the river?â
âItâs the journey,â said the scorpion. âNot the destination.â
___
âŚâWhatâs on the other side of anything?â said the scorpion. âA new beginning.â
___
âŚâAnother scorpion to mate with,â said the scorpion. âAnd more prey to kill, and more living bodies to poison, and a forthcoming lineage of cruelties that you will be culpable in.â
___
âŚâNothing we will live to see, I fear,â said the scorpion. âAlready the currents are growing stronger, and the river seems like it shall swallow us both. We surge forward, and the shoreline recedes. But does that mean our striving was in vain?â
___
âI love you,â said the scorpion.
The frog glanced upward. âDo you?â
âAbsolutely. Can you imagine the fear of drowning? Of course not. Youâre a frog. Might as well be scared of breathing air. And yet here I am, clinging to your back, as the waters rage around us. Isnât that love? Isnât that trust? Isnât that necessity? I could not kill you without killing myself. Are we not inseparable in this?â
The frog swam on, the both of them silent.
___
âIâm so tired,â murmured the frog eventually. âHow much further to the other side? I donât know how long weâve been swimming. Iâve been treading water. And itâs getting so very dark.â
âShh,â the scorpion said. âDonât be afraid.â
The frogâs legs kicked out weakly. âHow long has it been? Weâre lost. Weâre lost! Weâre doomed to be cast about the waters forever. There is no land. Thereâs nothing on the other side, donât you see!â
âShh, shh,â said the scorpion. âMy venom is a hallucinogenic. Beneath its surface, the river is endlessly deep, its currents carrying many things.âÂ
âYou - Youâve killed us both,â said the frog, and began to laugh deliriously. âIs this - is this what itâs like to drown?âÂ
âWeâve killed each other,â said the scorpion soothingly. âMy venom in my glands now pulsing through your veins, the waters of your birthing pool suffusing my lungs. We are engulfing each other now, drowning in each other. I am breathless. Do you feel it? Do you feel my sting pierced through your heart?â
âWhat a foolish thing to do,â murmured the frog. âNo logic. No logic to it at all.â
âWe couldnât help it,â whispered the scorpion. âItâs our natures. Why else does anything in the world happen? Because we were made for this from birth, darling, every moment inexplicable and inevitable. What a crazy thing it is to fall in love, and yet - Itâs all our fault! We are both blameless. Weâre together now, darling. It couldnât have happened any other way.â
___
âItâs funny,â said the frog. âI canât say that I trust you, really. Or that I even think very much of you and that nasty little stinger of yours to begin with. But Iâm doing this for you regardless. Itâs strange, isnât it? Itâs strange. Why would I do this? I want to help you, want to go out of my way to help you. I let you climb right onto my back! Now, whyever would I go and do a foolish thing like that?â
___
A scorpion, not knowing how to swim, asked a frog to carry it across the river. âDo I look like a fool?â said the frog. âYouâd sting me if I let you on my back!â
âBe logical,â said the scorpion. âIf I stung you Iâd certainly drown myself.â Â
âThatâs true,â the frog acknowledged. âCome aboard, then!â But no sooner had the scorpion mounted the frogâs back than it began to sting, repeatedly, while still safely on the riverâs bank.
The frog groaned, thrashing weakly as the venom coursed through its veins, beginning to liquefy its flesh. âAh,â it muttered. âFor some reason I never considered this possibility.â
âBecause you were never scared of me,â the scorpion whispered in its ear. âYou were never scared of dying. In a past life you wore a shell and sat in judgement. And then you were reborn: soft-skinned, swift, unburdened, as new and vulnerable as a child, moving anew through a world of children. How could anyone ever be cruel, you thought, seeing the precariousness of it all?â The scorpion bowed its head and drank. âHow could anyone kill you without killing themselves?â
btw it's so fucking stupid you can be anxious physically in your body even after you've decided mentally you don't care. I'm supposed to be in charge here
We were never supposed to see Clark's wife. The film is about Clark and how he describes what happened that led him to her divorcing him and how he views her. It wouldn't matter if we saw her POV because Clark just wanted to go back to those simplier times when he had control and was able to "understand" her through his distorted lens
And thus we as an audience don't completely understand and so have to just go off of Clark and Mary's conversations (describing a dog to a person who has never seen one before)
She is not a person, she is a memory

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Everyone in Mary's life was trying to keep her stagnant and obeying. Her mother wouldn't let her leave the house by her own strict rules, Clark wouldn't let her leave the kitchen until she said what he wanted her to, the async scientists wouldn't let her go because of the information she could provide. Her whole life was basically just being stuck in the backrooms of everyone else's creation.
a handprint made in concrete is just the image of a hand, itâs not the real thing. or, itâs the absence of a hand, more than anything, the negative space. the casing around where it should be. itâs an indent that was made from something real - that could not have existed without something real - but itâs not the real thing, itâs just trying to be. maybe itâs not even trying. you put your hand there with your mother and the concrete remembers, and the handprint doesnât even know why it exists, it just does. if we can make copies and not-things from real things in the world, whoâs the say the world couldnât do that itself? does it even need to know why?
reading reviews and tags of backrooms (2026) makes me so fucking angry omfg. did the message go over everyoneâs head????? cycles of abuse????? the immorality of the psychiatric and medical systems???? the horrors of being a woman in patriarchal society???? the horrors of being an abuse victim trying to navigate the world?????? the consequences of trying to âfix peopleâ, especially men as a woman, and especially abusers as a survivor????? how trying to fix the abusive system you live under using the tools of that same system doesnât work??????? how destructive enabling abusive behaviour, even as part of healing to âfixâ an abuser, can be????? is anyone listening or do you only care about the random white man!???!?!!!?????
âyou donât even have a dogâ is probably the most haunting line to me because a lot of times society determines worth by romantic relationships and kids (and by extension, a dog). it doesnât matter how smart and talented you are, or how much of an impact on the community you have, or how much you love the fog and the sand and the forests and the cliffs. you donât even have a dog, so what would you be leaving behind? asking who is going to miss you? instead of what are you going to miss?
vs rocky who cared for and trusted the manâs intelligence enough to risk his own planet to go outside his enclosure to save grace. who loved him enough to give him a home full of things he didnât always understand and colors he could never see and an ocean the human missed with real, working waves, and a classroom of kids so grace could do one of his favorite things every day. who knocked on graceâs door early in the mornings so theyâd have time to sit on the beach
i'm going to lose my fucking mind

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totally forgot to torture you with another video locked tomblr! đ¤
Something something Gideon becoming Drearburh and opening her doors to it at the end of GtN and Harrow hearing the sound of Drearburh's doors slamming in her head in HtN as she rejects memories of Gideon - interesting detail I didn't catch the first read!
She mentally found herself all of a sudden in front of the doors of Drearburhâfour years old again, and screamingâand all her fear and hate of them went away. Drearburh was empty. Instead, she was Drearburh. She was Gideon Nav, and Nav was a Niner name. She took the whole putrid, quiet, filth-strewn madness of the place, and she opened her doors to it. - GtN
You said, âWhich indelible sin?â
"The one you committed when you became a Lyctor,â said the Emperor.
You heard, dimly, the doors of Drearburh close. You perceived the grind of their mechanism and their indelible clang, the echo of their shutting ringing throughout the bottom atrium and upward into the tunnel shaft. Then your memories of it muddied and disappeared, back with the rest of your unsorted collection. - HtN