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I've seen a bunch of "fandom etiquette" posts on my dash today and I'm going to say something that is maybe going to be unpopular but;
The absolutely pervasive mentality that unwanted criticism or critique shouldn't be given and should be ignored is why fans of color don't stay in fan spaces.
And I am not going to mince words here:
A lot of you are racist. A lot of your fan works are racist.
That might have been difficult to hear. And if it was, you should probably reflect on why that was.
"Fandom etiquette" has created a space where fans of color either bite our tongues and eventually leave or say something, get dogged on, and then eventually leave.
So much of "fandom etiquette" seems to be about insulating creatives from Feeling Bad and hostility to any kind of negative feedback is a pretty big contributor to why bigotry festers in these spaces.
a thing that was so interesting about the vampires in Sinners is genuinely what huge losers they are. get bit and immediately start talking like the most annoying youth pastor you know.
which is a really cool choice because it emphasizes how deeply Off they are. there are obviously the big tells in their behavior, like Bo not reacting to a man getting mauled five feet away or Cornbread getting weird at the door, but the way they speak is also really off with the cadence of the movie the audience has gotten accustomed to. the characters are friends, family, they know each other enough to make jokes, trade barbs, argue, swear. they talk in an informal, natural way with each other. one bite later and it's "excuse me my brothers and sisters in the one race, the human race, won't you pretty please let me come inside to rejoice in your company 🥺"
the kkkouple that remmick turns first are a really effective storytelling shorthand. we know basically nothing about them pre-vampening except that they're trigger happy racists, so when you see them turn up all smiles at a Black juke joint parroting everything remmick says you immediately get a pretty solid grasp of what getting bit does to a motherfucker
obviously I'm arriving to this party really late and I've already seen almost every bit of this movie dissected down to the minutia, but I've not seen anyone talk about klanwife's line about how the vampires are "starting a new klan, built on love." crazy good line, made me figuratively need to take a seat. really cuts right to the heart of the dissonance between what mr. o'vampire says he believes and the nightmare bullshit that he's actually doing.
I keep thinking about the big vampire group song because it's like. god this scene is good. it circles back to my point about remmick being a loser, because getting a couple dozen new vampire thralls and using them to do an elaborately choreographed song and dance is peak loser shit.
but it's also horrifying, absolutely horrifying, for the living characters who are looking on because a.) they're watching their dead family and friends and neighbors, most of whom are covered in blood and visibly injured, get danced around like puppets and b.) it's the first time the characters are really getting a taste of the hivemind bullshit the audience has already been clued in on and c.) sure, they're just dancing for now, but they're realizing just how many hungry vampires are waiting outside to kill them at the first opportunity and take Sammie. so that's a nightmare for them.
so you could read that as a deliberate intimidation tactic on remmick's part, trying to overwhelm the survivors into giving up, but then you're like, okay, maybe in his mind this is a display of how good it is to be a vampire. isn't it good? doesn't it look fun? look how much fun we're having! you could come have fun too if you want! just let me in :3 I don't think that's impossible, that he'd be totally oblivious to how he comes across. the newly-turned vampires seem pretty bad at faking their interpersonal skills; all memory of how to act human beyond the most superficial level seems to really go out the window pretty immediately. remmick seems a little cannier than that, since we see him try to play on people's emotions more than once--appealing to the kkkouple's fear of the Choctaw to gain their shelter when he realizes they're klan, trying to lower Mary's guard by sympathizing with her over her dead mother, pressuring Grace by threatening her daughter. obviously some of those efforts are more successful than others, but he at least seems to have an ability to read the room that other vampires lack.
but it's also not a stretch at all to think he might sincerely be that clueless, because that whole song and dance number is remmick's whole thesis statement, which is that when he says he believes in "equality" he means that he'll kill anyone and turn them into one of his tools regardless of who they are. like sure, whatever, I'm willing to believe that he does sincerely find the klan objectionable, but he's also just packed full of shit. his version of equality is one where everyone's equal under him, acting out his own culture and history for his pleasure. thinks he's not racist because he doesn't care that Sammie's Black but still wants to take away everything that makes Sammie an individual and just keep the musical talent to perform a crude facsimile of being Irish.
and this is getting so long but that scene of all the vampires dancing in step in the dark, cold and washed out, is contrasted so well with the earlier scene inside the juke where everyone is warmly lit, revolving around Sammie but not beholden to him, dancing in their own styles side by side with spirits of the past and future blending different styles and cultures. that scene is such a gorgeous visualization of musical traditions persisting through time and place, connecting people across generations, growing and changing fluidly as people take inspiration from the past, while all of remmick's songs show people being very forcibly trapped in the past, unable to grow or move on. when he encounters something beautiful in the present all he can think to do is own it, destroy it, bend it into the shape of history. pathetic!
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Bolaire gained sufficient free will to want and choose his own path about 14 years ago. While he clearly possessed at least an average understanding of the world at that time, he’s only really dealt with emotions and a sense of self for that long.
A lot of Bolaire’s petulant behavior through episode 31 makes a lot more sense if viewed as what a 14-year-old’s perspective would be:
Theater is the best thing in the world because it woke me up and freed me.
A lot of People deserve to die, and I’m gonna stoop just as low when I murder them because they deserve that too.
I work at a museum collecting Things that no one deserves to have, and I’m a Thing, so I deserve to be in charge of the rarest Things.
Thjazi is mean to me because he hates Things and hates me. He ruins Things. He’s trying to ruin me. He taught me what hate is.
It’s a long shot that Thjazi’s actually gonna die because he’s totally got a plan like he always does, but there’s st— oh, shit. LOL
At least the funeral is an excuse to visit my best friend and his awesome family. They’ll get over it.
Thjazi broke a bunch of Things to make an empty freezer with a portal to the underworld. He’s awful.
My friend joked that she’d push me into the freezer to the underworld, and I told her I’d have killed her. We laughed because we’re cool.
I’d totally do it, though.
She and the rest don’t know that I fight tyranny because I’m a living weapon, and no one can know or else they’d lock me up, that’s why I have a secret identity and a secret lair full of cool Things.
Okay, you can know my secret identity and see my secret lair full of cool Things because we’re friends.
Also, Thjazi sucked guys. He totally did.
I’m gonna stop People from taking Things and talking because what if they’re bad. Power Word: shut up.
A Person that became a Thing? Come back to town so we can be best friends I can show you the ropes.
All this bad stuff happening is Thjazi’s fault.
Give me some teenagers to help make a mess in my museum because someone is trying to take Things away from me it.
I’m gonna 1v1 this Big Bad in the sewers because I’m worse than them and also awesome.
My best friend is gonna kill this host and put me on a new host just like in a play he would write, omg, we’re so cool. (He doesn’t need to know that was unnecessary, he’s down for it because he’s cool.)
This is the best magician ever and the best imaginary friend ever. Oh, hell, stop messing with my room I love what you’ve done with the place.
Don’t forget that Thjazi sucked so much.
My best friend and I are gonna steal Things from my museum at night by ourselves because that’s cooler than just doing paperwork to give the Things back to their owners.
I’m gonna 1v1 this Big Bad sorcerer in my museum because I’m worse than them and also— oh, shit.
Big Sis is alive and that’s terrifying because I’ve been doing other stuff, but it’s not my fault because I’m clever and didn’t figure it out, so it must have been impossible. I did not forget to take the chicken out of the freezer, it wasn’t there when I looked, I swear.
Thjazi sucks guys, of course he had bad ideas and bad plans, I’m tired of keeping quiet. Fine, ignore me, whatever.
Fine, break a mask and be rude to me. I don’t need to see your stupid play. I bet it’s about Thjazi, so I wouldn’t like it anyway. Whatever.
I’m gonna go on a secret spy mission with Team Spy because I’m super cool and can fight the bad guys with them, just stick me o— who the fuck is this. Ew.
Oh, no, Big Sis got out of the freezer. Fuck. Oh, good, she didn’t see me.
WAIT, DON’T LEAVE.
Big Sis is terrifying, but she saved me because she loves me, and I can tell her the truth about everything because she loves m— oh no.
Do you love your brother? THEN CRY ABOUT IT.
MY MIND PLAYS AREN’T RIGHT.
Big Sis is mean to me because she hates me and I don’t have a family.
My best friend is mean to me because he hates me and my life is over.
Everyone is mean to me because they hate me and everything sucks now.
Whatever. Stick me in a box, I don’t care.
No one understands me except my living doodles of the best imaginary friend ever and myself.
I think people's issue with Bolaire comes down to the fact that Bolaire is in many ways the most powerful of them by virtue of being a god killing weapon but he's also as this post rightly points out, the youngest from a sentience perspective next to, arguably, Tyranny. And perhaps, aside from Taliesin and Whitney's obvious long-term friendship, that's why Bolaire becomes quick friends with Tyranny. I think he recognizes something in her that's a youthful vigor for life as well as the lack of self-assuredness that such youth has.
I saw a different post accusing Taliesin of trying to undermine Brennan as a DM by not trusting him but I don't think that's Taliesin acting in that way outside of how that's genuinely how Bolaire would act. Bolaire is an extremely anti-authoritarian character who's extremely independently minded largely because he thinks his family is gone. I think Brennan set up the confrontation with Termina after Lady Cormoray got stuck with her A. Because it's fascinating to have any character be turned upon by a loved one, and B. Because it forces Bolaire to reckon with his single-mindedness and grave independence. Brennan isn't by nature a punishing DM but I think everyone can agree, even and especially Taliesin (he literally described Bolaire as a cunt in the original introduction videos) that Bolaire needed a wake up call. Bolaire has a certain amount of lived wisdom, that's completely true, and he has earned some of his right to be assured of some subjects, but his inherent power I think blinds him to a lot of his own limitations and his arc in this first Book has been largely a cautionary fable about the dangers of mistrusting everyone and arrogant belief that you're right all the time.
Bolaire's last few scenes in 31 are evidence of how he has by the end of it swung hard in the opposite direction. He fully dehumanizes himself and seems to think he has no purpose because all the agency he worked to build for himself has been taken away by someone who leveraged his own family against him. Twice, from his perspective. Thjazi blackmailed him and poisoned his friendship with Hal and the familiarity he had with Hal's family, and Lady Cormoray stole everything else after almost killing himself and Hal and turning his sister against him, forcing him to abandon his apparently beloved coworkers, his safe spaces, and his home. This is his rock bottom moment. I'm really excited and curious to see what he does next Book because he's in the middle of an extremely ragtag bunch with extremely volatile and wildly different opinions on subjects Bolaire feels very strongly about although often in different directions (Julien hates Thjazi but also demons and really anything intellectual or supernatural, Vaelus almost certainly appreciates art and the joys of life, but I imagine she's not particularly trusting of Bolaire, even with her evolving feelings on the gods). I think the new Seekers table is going to be largely about finding community when you mostly just feel alone because they're all a bunch of outcasts for different reasons (Julien is effectively the last of his House, Occtis is the only truly sentient undead, Thimble is about the only fairy who has strong relationships with humans and who's not content to stay in one place forever, Vaelus is the only Sister of Sylandri who kind of hates her now, and Kattigan has been a self-imposed exile for years. And of course Bolaire is Bolaire.) The dynamics are going to be so juicy and I'm excited to see exactly how they come together and under what circumstances besides hatred for the Tachonises. Hatred can't bind a community. What's gonna happen if they manage to intercept and destroy Primus at minimum? I'm so curious.
There's a different species of barnacle, Sacculina, that parasitizes crabs in a similar way to this. It has a very cursed lifecycle and I assume the crab is also having a weird time.
I just looked it up—it injects itself into the crab's body and replaces the crab's genitals with itself, grows roots into the crab's organs (including its brain), and controls the crab's behaviors so the crab will take care of the Sacculina larvae as a female crab would its own babies—if the crab is male, the Sacculina parasite will make the crab's body produce female hormones to basically change it to female.
This is so cool...how did this even develop? How did the parasite evolve to do that? How ancient would this relationship have to be for something so complex to form?
So I have a lot of elaborate opinions on the different PCs and I want to give a sort of summary/ frame of reference for all of them in one post as their individual character rather than in relation to the character or relationship I'm discussing because I see those as inherently different and I therefore might seem all over the place post to post. So... ER's the PCs In Summary? In billing order.
Ideal vs Flaw is just the way I'm choosing to frame these because this is how they're divided on character sheets, not because I think the ideal is an ideal and vice versa per se. More of a Trait to grow with vs trait to grow from
Thimble
Major Ideal: Political Awareness | Major Flaw: Hypocrisy
Thimble is a champion of political causes and has not spoken to her family or returned home since she and Thjazi left together after the war. She cut off her own family and shirked all comforts for her ideals and when the doors to Faerie closed, she stepped up in ways that led even the faeries she abandoned to ask Julien Davinos of all people if he would ask her to help them. But she doesn't recognize when she herself is complicit in the things she takes umbrage with, and at the end of the day she's going to have to address that. I've done posts on this specifically so leaving it at that.
Azune
Major Ideal: Self Sacrifice | Major Flaw: Lack of foresight
Azune will 100 times out of 10 put himself up on the chopping block for his ideals and I'm 1000000% confident that there is not a command Azune would give that he himself would not follow into death. It's just that if you are constantly walking into death, some day you're not gonna be able to get back, just like Thjazi and his plans to repeatedly travel into the Underworld. And we can see the fact that constant self sacrifice leads to burn out, and that metaphor is ever more poignant with him being a draconic sorcerer. And I like that he's taking sorcerer levels and not Paladin while Azune is unable to further dedicate himself to his cause because the fire is building in Azune and it's gonna use up all the oxygen soon and Azune's gonna crash and dedicate himself to something deeper. The memory of what makes Azune a person, his family and his love of interpersonal connection and his culture and his free will, and honouring each person's individual relationship with their version of those things.
Kattigan
Major Ideal: Understanding | Major Flaw: dependency
Kattigan consistently has been a character that pushes for people to be understood and it's often clear that comes from his own experiences with not being understood and being misrepresented, and there's very little flaw to his character that is not just him struggling with things out of his control, but what he can learn to do is make his psyche less dependent on alcohol and less dependent on the people around him to believe in him and his suffering to validate it for himself and make peace with what happened, even if there's not justice or healing to be had. Forcing himself to live in agony to prove they were killed and get vengeance is unnecessary, he can take care of himself and let himself grieve and not blame himself for accepting the trail was cold when he started looking and why it was even cold in the first place. No one was ever going to help him, and that is what his character ultimately has to come to terms and move forward with. And it is dependency as a flaw because Kattigan explicitly is incredibly self sufficient. Kattigan is not dependent in the way Bolaire is to exist, Kattigan almost solely afflicted by it in an unhealthy way that he can and must grow from to live a healthy independent life.
Thaisha
Major Ideal: Conviction | Major Flaw: Lack of doubt
I have a very almost contradictory opinion of her character in her high wisdom, and I'm fighting everything in me to not just make this about her being a double edged sword and making puns about being a Lloy Blade. Like, Thaisha is absolutely going to fall on the right side of history... if someone gives her all the information without leaving anything out before she's formed her opinion or with enough time to change it. When she sees something to give her a new conviction it holds and the idealistic perspective wants to see that only as a boon, but when Thaisha has acted out of self assurance and thought she was untouchable because she's a Lloy druid and no one will touch her, she has in fact in cases left paper trails for the people hunting her very much in danger party to followed without a second thought to whether that was a mistake. And her entire arc so far has kinda been realizing that she worked intuitively and it saved the world but if she had acted under her tenets that she hadn't doubted before, the world would've been destroyed, that's very explicitly her original flaw and in embracing anathema she is being encouraged to doubt her own way of thinking.
Bolaire
Major Ideal: Self Advocacy | Major Flaw: Self depreciation
So we all know how I feel about Bolaire, but in this format? As a weapon Bolaire is also funnily enough a double edged sword. Bolaire has a very base understanding of things like the golden rule of treat others how you would want to be treated, and through story and his creation he's always had a priority in freedom and autonomy, but in so passionately not believing himself capable of being more than a thing because of the abuses he's endured, he doesn't ask himself to examine his humanity or question himself when he kills out of what he feels is necessity. He's a weapon, not a person, so how can you judge him for killing to stay alive and not regretting it? You want him to be ashamed of the thing most out of his control and most in the control of his creators? Except Bolaire for 14 years has lived counterintuitive to the designs his creators had for him, and he doesn't realize that he's a person too. If he could imagine a greater future for himself with himself as a person, and I don't think that simply not being self deprecating anymore will fix it but, I genuinely think he would ask himself the list of questions I asked earlier in my ranting and find himself internally driven to address his morality in a different light and that itself would be the arc that leads to him changing his perspective on the host body situation he's been in and that he will then have to figure out how to live with the fact that he wasn't in a position to figure things out sooner and just do better for the rest of his probably immortal life, so self advocacy must remain and self degradation has to go away, because he can't literally punish himself forever for doing what he thought was his only option because of the abuses he faced.
Vaelus
Major Ideal: Remembrance | Major Flaw: Traditionalism
This feels like one would think of Azune first, but I think rememberance and traditionalism are neither and both ideals and flaws in Azune, but Vaelus in her remembrance of her family and the souls that have been lost in the time since the shapers fell has dedicated herself to punishing wrongdoings mercilessly and fight injustice and aid those who were harmed by injustice. But because of her reliance on the traditions of her family to feel close to them instead of these memories she has of her family's little acts of rebellious nature, and her actual mom's appreciation for those moment as well, she's set herself up to remain isolated in her grief. The second she speaks to an elf with another opinion a total of 3 times, she breaks and she admits she doesn't feel loved by Sylandri but she's going through the motions because she relies on traditions to keep her going. It's very much bringing to mind Fiddler on the Roof, and like Papa, she's gotta let go of the traditions that mean she judges people for not following her own beliefs that she doesn't have a real reason to even believe in in the first place.
(Link is to opening song which is 7m 35s but worth it. My grandma showed me the full movie when I was 14 and it was great. Haven't seen the full since but from memory would recommend)
Julien
Major Ideal: Duty | Major Flaw: Refusal to explain himself
I almost went distrust here but the thing that I find most interesting about his character is that he isn't actually the type to look down on or distrust you because of your station and it's not like you can't earn his trust, he simply will not explain himself to people who are not truly solely seeking to understand him and who have proven such. He will marry for duty, and he will put his life on the line for his family and even new friends because he is a knight and he is a knight because he defied his family to defend them as he thought he had to because no one else would step up, meanwhile he was a child. And for that he thinks he shouldn't have to explain himself. He should get to cope how he wants with who he wants and fuck everyone who judges him for it. They don't get to know him. He will go cry alone in his room instead of reaching out if it means explaining his inner thoughts after so long of being punished for upholding his family's honour as a child soldier because no one else would. And because no one will get to hear his explanations, he refuses to hear theirs, because why should he hear them out when they wouldn't hear him out even if he gave them a chance? And it doesn't matter that they would until they prove it, but he never gives them opportunities to prove it. He's gotta learn to choose to trust more.
Tyranny
Major Ideal: There are reasons for pain to exist | Major Flaw: A full and broad lack of morals
Now this one I read and I'm like "wow okay make sure we don't sound insane after this" because Tyranny is kinda clearly one of my higher ranking pcs in terms of how much I defend her but please bear in mind I have a chronic nerve issue that will literally and has tried to *make me puke to death from sheer pain if untreated* when I say this. Look at Occtis and what Brennan said about Occtis not resting? Pain is an indicator of damage. Of harm. That people feel pain is not a bad thing, even though it is always an indication of some form of destruction, whether that be of ideals or relationships or organic material. Pain must exist and punishment psychologically can be both positive and negative, and postive punishments can be negative conditioning and negative punishments can be positive conditioning. Like Tyranny knife's now explicitly stated purpose is to positively punish wrongdoers as to negatively condition the world of Aramán to not hurt the people they love by killing people who are irredeemable, and Tyranny's kindness and understanding is clearly there to negatively punish those who make amends and positively condition them into rehabilitation by not having Tyranny be a ruthless killer who sees forgiveness as worth jack shit. But my gods she's been alive for 6 months and has been raised by the church, and literally what are morals when you're definitionally a being made to represent contradiction and destruction? She's receptive to instruction though so give my girl Tyranny a metaethics crash course STAT.
Hal
Major Ideal: Knowledge should be shared | Major Flaw: Complacency
Murray
Hal is very much the type of person who will say "those who do not know history are doomed to repeat it" and then not wait for anyone before he repeats it anyway. His life's work is about story and sharing history and studying the history to make sure the source is accurately represented, and he had dedicated himself entirely to never forgetting what the orcs won for themselves and the world when Azgra fell. Hal's biggest problem is that he thinks the fight should've already been over when in fact his civilian calling is continuing the fight but non violently, like a sword turned ploughshare himself. He thinks there is a point to hang up his sword because he's put in enough effort, and now it's on to civilian life and recording the history. And so when something in his life isn't what it seemed to be, including if that's a person with their own right to not disclose their past, it angers him. He feels suddenly unsafe. He was happy with the very comfortable life he had and even with Bolaire being different than he thought because Bolaire was being threatened, Hal still blames Bolaire for not risking his life to tell him anyway. And maybe a degree of betrayal in Hal comes from the fact that Hal and Bolaire have discussed things like this and were in agreement that they were content with their lives as is, but is that fair? Is the issue he's actually taking that Hal doesn't like Bolaire's inherent nature or is it that he didn't get told and so was unknowingly complacent in it? and is that anger at unknowing complacency really a problem because of his brother indulging Hal's wishes to stay out of the Falconers Rebellion? or is it what I think, and it's really ultimately at himself that the people in his life told all these lies because Hal asked to be kept out of it so he could keep being complacent in the political situation around him, even as an artist who is now thrown into it because of the weight of propaganda and subversive art in the face of censorship? Hal has to face that he literally asked to be left out until now and that he knew the kinds of things his brother would do to ensure he stayed out of things, and yet never wanted Thjazi or the people involved with Thjazi cut out from his life, or Thjazi wouldn't have let Bolaire stay in Hal's life at all.
Major Ideal: Vision for the future | Major Flaw: reluctance to compromise
Now I don't think there's a repeat Brennan story here because CCOD went reaaaaally into this concept but there's a very common pitfall that a lot of activists, especially young activists, fall into wherein they refuse to do coalition work with any organization that is less than perfect in their eyes, and so divide and conquer keeps minorities out of power and keeps the kinds of politicians they would want to vote for out of office. There has to be some sort of compromise and rehabilitation allowance re the oppressors for any oppressed minority to no longer be oppressed, that's just how the numbers of it break down in a democracy. Murray is very much not averse to getting her hands dirty for skulls for her magic, but one of her first real personality exemplifying scenes is the boiling frogs scene. She doesn't want Azune manipulating the Houses because that's their game, but Azune is doing it anyway, and that is both confusing and immediately concerning to her. Not that it shouldn't ever be, she's right that distrust keeps people alive, but it also keeps them isolated and weak. Brennan has said before something along the lines of "Don't question why we started when we did once things are moving, question when they're not moving" and there was extended context about people saying "'we should've done this 10 years ago' but we didn't", and that sentence is something I think Murray needs to internalize as the basis of the necessary compromises she'll have to make. Questioning why parts get left behind will always remain important, but if the sum total of why things aren't moving is she isn't willing to do things one step at a time, she's gonna have to compromise.
Wick
Major Ideal: Idealism | Major Flaw: Entitlement
Occtis
Wick is very interesting because he's very much blatantly the "good Christian" archetype, and there are Christians in my life that have made me defend the basis of Christianity to hell and back. I have scripture lists in my google keep notes so that I can use the bible against bigoted Christians, and I feel like this is the vibe Wick was created to have, but also there remains the very obvious stopping block of 'there is still a basic level of entitlement to privilege and power in Wick' that can't be ignored, and the Creed was specifically created to give Wick and his family power. Can Wick actually use the Creed in a subversive way if that's true? I don't think so. Definitely not with the basis of "well this is the tool my family created for me to wield and so I'm going to use it how I see fit". I think he can do something more akin to the hospitals and have a net positive impact, but I don't see that as a subversion and I want it to be a subversion of the Creed not just a new cult of it, and I think Wick wants that too as he literally said he didn't want it to be a cult.
Major Ideal: Examining Hypocrisy | Major Flaw: Ignorance
Teor
Occtis is a big thinker. He's got a lot of stopping blocks though that make him sorta give up on a line of thinking. Could or Would is a big example of this. If you could, would you? is two questions to Occtis because he is so focused on what he can and can't do and whether what he does choose to do because of that aligns with his personal morals, because he's never been allowed to have the same opinion of himself as his family and that has always been because of what is essentially disability, and so he has had to be able to recognize what the concept family means to him vs his dad and brothers vs Thimble, Thaisha and Hal and co. He has to examine the idea that truth isn't necessarily universal in the sense that contradictions and coincidence exist naturally within the world without necessarily having meaning to them, and he's almost nihilistic in the way that he lives under the understanding that meaning is ascribed to action and concept based on opinion and experience that differ from person to person, and so he accepts when he doesn't have the perspective or experience to know something. Except that acceptance doesn't always come with self education. He just doesn't think he needs to know or understand everything to be kind, and he doesn't, but that drive of accepting that which you cannot change coming from growing up in the Tachonis household as an outlier leaves Occtis with a lot of implicit biases that he still needs to correct.
Major Ideal: Consistency in foundation | Major Flaw: Self Sacrifice
I almost left Teor off because he's dead but I felt bad so Teor too, and Teor maybe longer even. Teor is the strong dependable leader, one of the original members of the Torn Banner, and what he'd been doing up until the show started was travel around to make sure his people were still doing okay during times of peace. He was one of the ones who first heard the Falcons Cry when Mara Weaver was arrested because he knew that was the foundation crumbling and everything else would come down with it. And everyone will know to listen when Teor says the time is now. And even in death, a death he walked into because he constantly put others before himself, and a death that might not have befallen his brother if he hadn't put being with Cyd above maintaining the ritual at the theatre, he lifted the Banner and put it into Raimonds chest, Raimond who Teor knew carried its ideals in his heart, and Thimble saw it and freed Raimond to reclaim it, like I'm sure Teor would've hoped someone would do. And in the end, I think Teor is honestly the one whose death would mean the most as a sacrifice because of how foundational he was for the cause in Thjazi's absence of corporeal form and Loza's retirement. He was the one who the people would follow, and before any of them could hear about it, he died raising the Banner once again. And when people hear that? Now THAT is a martyr if I've ever heard of one. Thjazi is too complicated even without Bolaire, Teor spent 20+ years fighting for freedom in and out of war and checking on his compatriots during times of peace, Thjazi was a schemer and crook. Also Teor's light motifs help subvert the monopoly on Light that the Creed has had as opposed to Thjazi the Shadow. Like, Thjazi's death was painful because he was a brother. Teor's death is especially painful because he died trying to rescue the three daughters of the man who put him and his friends up over night while they were chasing the person who betrayed Thjazi and kidnapped Teor's brother, who was also killed trying to save those girls and was kidnapped because he too was working against the people who killed Thjazi. Instead of hearing the falcon's cry, maybe this time we can still hear the lions roar and something about fighting for pride? Very on the nose gay pride wise, but I also like it for the parallel to the Churchill quote of "I was not the lion, but it fell to me to give the lion's roar"
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I don’t think I’ve seen anyone point this out yet but occtis’ little satisfied smile when julien was absolutely anguished learning that he was cursed by thjazi’s shadow. really beautiful to me
The tragedy of Thjazi is that he had a vision for a fairer world, but he felt he had to fake a great deal of intelligence, including emotional intelligence, to get support in his efforts to realize it. Charisma and luck were crutches, and they eventually failed. He wasn't an amazing leader, but he had to pretend to be in order to get people to pick up their rocks and share in his hope.
Both fans and characters within the game assumed that Thjazi Houdini'd himself into Julien's shadow as part of a contingency plan. "That wily piece of shit." "Stupid, clever bitch." "You crazy fuck." But Julien was apparently right, based on the cooldown transcript: he's not that smart, not that good. Thjazi had the scar, he knew of the Drowned Men, he died on purpose...and he had no clue why he was stuck to Julien. He tried to kill Julien in the hopes of freeing himself (I'm most offended on Aranessa's, Raimond's, Alogar's, and Thaisha's behalf for that particular move.) Succeeding would have sent Thjazi straight to Nullus for worse than nothing. When he realized Julien had saved him, he was shocked.
Thjazi Fang can't cook. All he knows is yahrgraz, rack up charges, sacrilege, be straight for one (1) woman, leap of faith, and lie.
He was never a genius. He's fucking up even from beyond the grave, strategically and interpersonally. But like Vokjan, he was needed. Our heroes can't and shouldn't rely on him, but they needed him in order to come together and give both each other and the greater cause what he lacks.
… Okay. Leaving aside the ritual for a second. Just looking at the play. At the intention of the play, before all the magic and Thjazi’s manipulations were added on top. Looking at Hal’s intentions for the play.
Brennan: You see that Lash, as Vokjan, calls out: “You will see! All of you will see! One day you will look to the top of the hill, and no longer will Azgra be there. No more will his visage tower over us! You cannot see it, but I can!” He calls, with his eyes cut out of his head. “Look, and tell me. Do your eyes not see a free world, breaking, just beyond the horizon? Look! Look!”
And he points out, and everyone seems to turn to look to see where he’s pointing, knowing that, at the top of the city of Dol Makjar, is where Azgra used to sit, and there’s a moment where this is going to be kind of like an enjoyable moment of being, like, ‘oh yeah, Azgra doesn’t sit there anymore’. And they turn and look up into the city, and see the lights of the Villa Aurora, so bright, and the Grey Tower, its lights dimmed, and bright lights celebrating the Photarch’s resurrection, meaning that, at the very top of Dol Makjar, the brightest thing they see are the flags of the Sundered Houses.
The feeling that settles over the crowd in this moment is a deep, stomach-turning confusion, that settles into something more like rage. What is sitting at the top of this city?
As they turn, Lash’s last line. “You’ll see. One day.”
So, uh? So that was a bit …
I’m now shocked that Yanessa didn’t try to get this play shut down a lot sooner. Even before Hal decides fuck subtlety at the end and openly puts not only the Falcon’s Cry over the end, but also a direct verbal attack on the Creed. But. Even before that. Like, they’ve been monitoring the progress of this play. The only reason it’s not openly seditious is because the Sundered Houses do not technically rule the city, and thus it’s not technically sedition.
But. But I guess …
See, the thing is? Without the specific context of the Hallowed Round, it’s physical position and symbolism within the city …
The play on its own, while dangerous, can still be glossed as a historical work. The choice of what history to present is still dangerous, and still rather specifically pro-rungjani and anti-religious, but that also … This is the birthing place of the Shapers War, barely 70 years out. The Candescent Creed can’t really say not to do it. It’s Rungjani history, and religion has been dramatically out of vogue for seven decades now. Owing to, you know. The global decision to kill the gods.
It's the Hallowed Round itself that makes the difference. That visual symbolism, set up by Azgra, that finally frames the Sundered Houses within Azgra’s seat for its audience. It’s a very specific location and cultural context that allows that visual correlation. It’s a very Rungjani context.
And I’m wondering if Yanessa, Halovar, the Sundered Houses, just didn’t have that context in time to realise the true danger?
Because they are, after all, a foreign power. A colonial invader. They went to the top of the city, because of course they went to the top. They’re nobles. Power rises. To an extent, that’s the image they genuinely wanted to portray.
It’s just. Viewed from the Hallowed Round. The Dithyramb of Azgra itself. That image takes on a different meaning in context. One that I’m not sure the Sundered Houses actually understood.
Also, just. Sidenote. Look at Liam’s face during Lash’s speech as Vokjan:
There’s a man full of wild, giddy emotion at his work coming to life, and at the same time an underlying dead seriousness. This is a work that was done on purpose.
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Tv shows: Wow! Omg! A stoic man is being destructive and misogynistic! He's so complicated and troubled! That's so profound! This is how you can tell that you're watching prestige television!
Tv if it was good: Wow! Omg! A middle aged woman is anally fisting a young twink! She's so complicated and troubled! That's so profound! This is how you can tell that you're watching prestige television!
Idk if anyone else has brought this up, but the Thjazi of Norse mythology kidnapped Idun, and without her apples the Norse pantheon started aging. If Thjazi caused the doors to Faerie to close and the fey to start aging, that might tie into the choice to name him "Thjazi".
Loki was the one to lure Idun out for Thjazi in the myth, and he turned into a falcon to retrieve her when the gods found out. Mara inspo perhaps?
Also: Halandil/Heimdall has to guard the colorful bridge now, which is fun.