the life i have definitely never longed for, fuck you for even implying that
with apologies to anna haifisch creator of the original image

izzy's playlists!

Discoholic 🪩
sheepfilms

shark vs the universe

Show & Tell
NASA
Misplaced Lens Cap
he wasn't even looking at me and he found me
Mike Driver
Jules of Nature
Cosimo Galluzzi
The Bowery Presents
Monterey Bay Aquarium

roma★
let's talk about Bridgerton tea, my ask is open
hello vonnie

#extradirty
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@eshinix
the life i have definitely never longed for, fuck you for even implying that
with apologies to anna haifisch creator of the original image

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"You hear that? They're saying The Odyssey doesn't even have nobody!"
"They've got nobody in the Odyssey?"
"No I'm saying they don't got nobody."
"Nobody's there?"
"Nobody's not there!"
"So everyone's there?"
"Everybody but nobody!"
my kindness luigi fanart
ALOK VAID-MENON Getting Curious with Jonathan Van Ness 1x03 (2022)
Alok’s book report of The Biopolitics of Feeling: Race, Sex, and Science in the Nineteenth Century by Dr. Kyla Schuller
In the club
I think I’m literally never gonna be sick of this masterpiece. I think watching it on a loop for eight hours could fix me. Dancing’s what clears my soul. Dancing’s what makes me whole.
I just love that this very video is an accumulation of thousands of years worth of art made by people who have never met each other. The concept of this video was so completely unfathomable to every single artist who made the sculptures and yet they’ve all put something toward the creation of it.
ITS BACK ON MY TIMELINE

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It is actually a huge red flag when people list their goldstone or opalite pieces as "natural." These are glass gemstones, completely man-made, and anyone trying to sell them as a "natural" stone is either lying to customers or doesn't know enough about how their own products are being sourced and produced.
I was once in a tourist trap adjacent rock shop and spotted some little pieces of very pretty blue aventurine (goldstone) glass. (There is also a natural rock called aventurine. That's an entirely different thing.) By sheer coincidence I had been reading about the history and production of aventurine recently, so I excitedly picked up a piece and started telling my friend about it. It's cool stuff! Metal oxides are mixed into the glass at extremely high temperatures, then kept in a low oxygen environment, allowing tiny crystals of metal to precipitate out throughout the glass. The type of oxide determines the color. Copper makes the golden-reddish classic goldstone, while cobalt, manganese, and chromium make blue, purple, and green. (The latter three are all typically extremely dark, and "blue" aventurine often looks like an incredibly deep black.) Though the process we know was invented in Venice in the 17th century, examples of aventurine dating back as far as the 13th or 12th have been found in Persia, where it was apparently used to make Islamic prayer/protection amulets.
Anyway I'm in the middle of yammering about this when I realize the woman at the checkout counter, who I believe also owns the place, is glaring daggers at me. I am autistic. I am not good at noticing or correctly identifying death glares. This was obvious enough for me to pick up. I falter to an awkward stop, midsentence, and there is a moment of dead silence.
Then she snaps, "well the copper is natural. It has the natural properties of copper."
(Again, it was blue, so it actually had "the natural properties" of cobalt, whatever that means. Mostly it is glass, and has the properties of glass.)
I wasn't insulting the aventurine! I was being very enthusiastic about it! If anything I was doing an impromptu sales pitch, pointing out how the irregularly distributed glittering crystals in the blue-black glass created a sense of depth that made it look like stars in a low-light night sky, talking about how difficult it is to make and what an interesting history it has! But she was so mad.
Aside from being kinda scummy, it's just sad. Aventurine glass is such a cool material, and it's beautiful. People should be able to appreciate it for what it is.
loz twitter was briefly trying to decide if the hero of time can read. i genuinely think the answer is no
"the hero of time doesnt know what doors are" is good. but allow me to present a second, funnier option,
Kriwhed Banthor Submission by WillWeaverRVA
Kriwhed Banthor Submission by WillWeaverRVA

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smash bros is just kind of a funny concept for a game in general. you've got all kinds of game mechanics and characters flying at each other, and they've all gotta collide and Do Something
what's steve minecraft doing against captain falcon? they had to ask how a falcon punch would interact with minecraft blocks. what if the persona 5 protag fought solid snake? they had to answer what would happen if joker could beat box
"A marriage ending isn't a failure at all. I spent eleven years with her. We were so in love that we couldn't image life apart from each other. We got our own place, adopted a dog, and supported each other through school. I thought if tow people loved each other enough the rest would fall into place, except... love isn't everything.
And I didn't want to believe that, but we were sitting in counseling one day, talking about our future and I realized we were describing two completely different lives. Where we'd live, what kind of life we wanted, what made us happy. And it hit me that- I love this woman and this woman loved me. And after eleven years of loss, grief, career changes, we were so deeply in love... but we weren't aligned. And I kept thinking 'We just need to try harder. We can find some compromise to make this work,' because that's what you're supposed to do when you love someone, right?
But the reality was, we had just become different people. Her trade school took her in one direction, my graduate degree in another and trying to force us back into who we were five years ago wasn't coming from a place of love. It was coming from a place of fear. Fear that, if this ended, it meant we wasted eleven years. But sitting there across from her, I realized: That's not how love works.
Those eleven years happened. They were real. The dog, our home, showing up for each other through grad school and trade school. I wouldn't change a single thing because loving someone doesn't mean you're meant to stay with them forever. And letting go doesn't erase what you had. We measure marriage by whether it lasts forever or not, but what if we measured it by whether it mattered?
What if we measured it by the love we gave, the life we built, and the people we became? Because love's job isn't to last forever, it's to help you become fully completely yourself, and sometimes the most loving thing you can do is give each other permission to be yourselves, separately. But the dog doesn't know were' divorced. He just gets two Christmases now."
Pulled this from this guy Preston Rakovsky's Instagram (@prestonrack) because it is a beautiful perspective on love, marriage, and relationships in general.
you are now a cat in the warrior cats universe! Spin these wheels for your name!
Do you like it?
YES!!!
yes
eh it's okay
no.
IM MOON MOON
results/other
note: I (the owner of this blog and maker of wheels) am not into warrior cats! I just thought this would be fun to make
(prefixes and suffixes from @yarrowleef)
HELP HELP HELP HELP HELP
Ordered a cat tree thing for baby man and this image is making me laugh so hard I’m going to throw up. Play with pompom. Think about it. :3
Its think about play with pompom Thursday
basketball dracula isn't real dude he can't-- *sudden squeaking noises from the shadows*
*two pool toys having sex tumble by in the wind* oh thank god
*thunderous slam dunk noise*
audio: [ˈbæ.skɪʔbal ˈd̠͡ɹæ.kʲʰʊlə ɪzn̩ʔ ɹiˑlˑ dud̯, hi ˈkʰænʔ (quiet) hʊ̥̌ hʊ̥̂ hɪ̥̌ˑ hʊ̥̂ˑ hɪ̥̌ hʊ̥̂ː (end quiet) hːô θæŋ‿ˈɡɑdʰ]

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read too much about southern italian & italian american history alongside anti-racist theory and now im cursed with awareness
like its kind of frustrating to me how people will talk about italians history of being racialized in america as if it was like. this quirky oddity we stumbled into. how strange! how unnatural! that WASP americans wouldn't consider europeans white! its used as proof that whiteness is a construct, and it is proof of that, but when the takeaway is more "old timey racism was so absurd people were racist towards europeans, instead of only the obviously nonwhite people!" you end up decontextualizing everything in a way i. do not like.
like racist criminology was fathered by a northern italian who specifically applied his theories to southern italians. if you read the shit people wrote during the unification of italy, it was straight up racist imperialism, with the explicit goal of "civilizing" the "primitive" southerners:
As the northern bourgeoisie crafted a national identity from its history of medieval city-states, the Renaissance, and the “glory” of the Roman Empire, it sought to discipline the insurrectionary and “barbarous” South. Many of the government officials who traveled throughout the South following national unification commented on southern Italians’ supposed racial inferiority. The senator Eugenio Faina, for example, noted that Sicily was unlike other regions in that it was “inhabited by rough people with primitive instincts.” As a result, the Italian state confronted southern resistance movements with martial law, violence, and by stigmatizing peasants “as criminal members of a racially inferior people who preferred the superstitions of religion to civiltà italiana.” As one government official wrote in 1861, “What barbarism! Some Italy! This is Africa: the Bedouin are the flower of civil virtue compared to these peasants.” Civilization, northern officials believed, would have to be imposed on southern peasants at gunpoint— “otherwise the tumour represented by the Southerners’ behavior would grow and infect the rest of the nation.” Government officials found support for these views from the new school of positivist anthropologists, including Cesare Lombroso (1841–1936), Guglielmo Ferrero (1871–1942), Alfredo Niceforo (1876–1960), Giuseppe Sergi (1841–1936), and Enrico Ferri (1856–1929). Together these men founded the field of criminology, providing “scientific proof” to support the ruling elite’s beliefs in biological evolution and racial determinism. In particular, they advanced an argument that supported what many northern political leaders suspected: the darker “Mediterranean” southerners were not only racially distinct from the lighter “Aryan” northerners; they possessed “inferior African blood” and demonstrated “a moral and social structure reminiscent of primitive and even quasibarbarian times, a civilization quite inferior.” Southern Italy’s history of Greek, Roman, Norman, African, and Arab invasions, and its location as a crossroads between Africa, Europe, and the East, they argued, had given shape to “a region that is a priori condemned to perpetual inferiority.” [...]
By the late nineteenth century, Lombroso and his colleagues in Italy produced hundreds of studies to support this ideology, arguing that the pathology of the “savage woman” was located in her anatomy. Their publications often included elaborate drawings that compared the “sexual anomalies” in the “primitive genitalia” of Italian prostitutes to African women. In popular culture, these connections were often extended to all southern Italian peasant women. Travel writers routinely argued, for example, that southern Italian women “seem to favour that ideal of the Hottentot Venus which you may study in the Jardin des Plantes; they are decidedly centripetal.” The Italian ruling classes also drew these kinds of connections between Africans and southern Italians to justify two simultaneous military invasions—one in southern Italy and the other in Africa. In 1890, the same year that the North launched a brutal campaign to suppress antinationalist sentiment among peasants, Italy prepared to conquer Eritrea and join Europe in the colonization of Africa. One contemporary observer noted, “They [southern Italian rebels] kill and rape like beasts thirsty for blood and booty and not men created in the image of God.” Similarly, a government official conducting an inquiry into the southern resistance movement noted that, “in short, this is a country which ought to be destroyed or at least depopulated and its inhabitants sent to Africa to get themselves civilized!”
The elite considered the anarchist movement, in Italy and abroad, to be the most dangerous form of political rebellion. This fear developed not only in response to the willingness of some anarchists to utilize assassination and bombing as political tools but also because adherents sought to overthrow the state and capitalism and thus attracted “a sizeable and militant following among the Italian working classes until the late 1920s.” The anarchist movement took hold in Naples and Sicily in the 1860s as a result of government repression and spread quickly because of its compatibility with peasant resistance traditions. Once the island was placed under martial law after the uprisings in the 1890s, those anarchists who did not languish in prison went underground and into exile. Most went to the Americas to nurture a transnational movement in Buenos Aires, São Paulo, New York City, and Paterson, New Jersey, among other locales. To the criminologists, like most of the Italian elite, anarchism was merely a form of brigandage. Thus, they considered the popularity of anarchism as indicative of the inherent criminality and primitive nature of the southern peasantry. In this way, they helped “to formulate the definition of the political subject by elaborating ever more closely the criteria for political exclusion.” Enrico Ferri, for example, declared that it was possible “to delineate good idealist revolutionaries and sick rebels”—one struggled for the nation, the other against it. Lombroso linked the Sicilian peasant rebellions of the 1890s with race, explaining that the epicenter of the movement was in the towns surrounding Palermo, because it was here that “the rapacious Berber and Semite tribes had their earliest and longest-lasting settlements and where anatomical types, customs, politics, and morality retain a clear Arab imprint.” He pointed out that “the Arabs are a race of greedy conquerors who are hospitable but cruel, intelligent but superstitious, and always restlessly in movement. Their blood must play a role in fomenting spontaneous and implacable insurrections and perpetuating brigandage.” Consistent with his overall ideas about female criminals, Lombroso viewed southern Italian women rebels as the most abhorrent, noting “everyone agrees that the few violent women far exceed men in their ferocity and cruelty.” In this way, the Italian criminologists used political radicals as a “foil for defining the boundaries of nationhood and the shared characteristics of ‘normal’ citizens.” Moreover, they offered “a scientific way to understand the failures of unification and a blueprint for disciplining groups that resisted integration into the new national culture.”
(from Living the Revolution: Italian Womens Resistance and Radicalism in New York City, 1880-1945 by Jennifer Guglielmo)
and Italy shipped its homegrown racism right over to the US and Canada. & i think something similar can be said for how people act the same way with racism against the Irish in the US, as if its not directly connected to the colonization of Ireland and the oppression of the Irish people in their homelands.
and this is just scratching the surface of this topic, but it feels like the result of internalizing the specifically USAmerican white supremacist worldview, that the natural state for European people is imperial colonial whiteness before any ethnic identity, to the extent that the idea of Europeans being conquered / colonized / racialized feels unnatural - separate from whether or not you think blatantly racist ideas are good, you still think its natural for Europeans to be the conquerors even if its bad. you still think there is a fundamental whiteness that really exists, its just that its been poorly defined by avowed racists.
that sense that people you are taught to see as white were once blatantly racialized & that being unnatural may be used to introduce people to the construction of whiteness, but if that feeling isn't ever used to radicalize people further on resisting white supremacy, then what good is it actually doing? how can we discuss the racialization of italians in the US without discussing the imperial violence and racist ideology constructed in italy against southern italians, and in europe more broadly? how can we discuss the assimilation into whiteness of italian-americans without the broader context of escape from poverty and oppression, the anti-social(ist) violence of the First Red Scare and how it targeted anti-racist leftist Italian organizers including many women? how the bloody pursuit of whiteness and imperial dominance is an intergenerational cycle of violence, one southern italians on both sides of the atlantic have participated in?
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