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@drunkonimagination

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Fancy seeing you here your Highness
Heâs just so * sobs uncontrollably *
romants
little guys in ghibli movies

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Albert Square, Manchester (1910) by Adolphe Valette | Contemporary Art (2015) by Emily Allchurch
the top is an original, from 1910, the bottom is a new version painted in 2015
THE BOTTOM IS A PAINTING????
also does a really good job reminding the view just how much air quality has improved since we stopped burning coal in every building lol
i just feel strongly that work shouldnt be the Main Activity of five days out of the week
my favorite thing about this moment
is that crowley kisses his fingers back
softly
barely there
but he smiles so bright afterwards
he's made the right decision, he can feel it
This is my Roman Empire tbh
Good Omens
thatâs the only way I can describe the way this show makes me feel
7 years later and I still feel the same :â)

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Honest (SPOILER) thoughts regarding the GO finale, I think a valuable piece of writing people are kinda overlooking is the INCREDIBLE subversion of their main motivations
Like we as the audience are lead to believe from the start that Crowley is this jaded, cynical little fucker whoâs fond of one person and one person only. The typical ânothing in this world matters except youâ grumpy who doesnât give a shit about a universe that rejected him. Aziraphale, likewise, is pretty easily seen as the bigger picture guy, itâs obvious he loves Crowley deeply but itâs the mission of the larger world, the good of the people, that draws his time and energy- he chooses that responsibility more than Crowley. These are the roles weâve seen them play and the archetypes weâve kinda locked them in to. It matches with their grumpy vs sunshine attitudes, their aesthetics etc
Then in s2 we started noticing some cracks in it. Weâve met Angel Crowley who is a beautiful sunshiny dreamer who cares so deeply about the gorgeous world around him. Aziraphale starts to get a bit wrapped up in his own self interest from time to time, caring more about his bookshop or Crowley or even Jim than his larger mission. These little moments added depth to their characters, but ultimately didnât shake our ideas of them. But THEN-
When they were asked by God what they would save, everything in the world has been stripped from them. The universe is lost- all that remains is each other and the final question of âwhat in the whole of existence matters to you most?â And we think we know what theyâll say, we think the way weâve been taught all this time- Crowley is the selfish lover and Aziraphale is the heartbroken rejector.
But instead we meet their cores. We meet the truest stripped down versions of themselves and we learn the truth. Aziraphale picks Crowley. His lover, his life, the being that completes him. He makes the selfish, or loving, choice, no matter what it means to the world. And Crowley- Crowley is crying for the world. He is so utterly helplessly desperate for humanity to have their chance that heâs willing to throw away everything out of his sheer love for them. Weâve met the old part of him again, the artist and the lover, the selfless one heâs had within him all along. And for Aziraphale weâve finally met the lover in him too, the one whoâs finally willing to put his love for Crowley above all else.
I donât know but I think itâs absolutely beautiful to get to know characters that you thought had these black and white motivations, only to discover that when it all comes down to it, they are capable of throwing everything we assumed about them out the window. Thereâs no black and white or even grey, but a whole world of mixed up colours and choices that make them whole. The sinful Angel and the selfless demon to the last.
Something about queer people refusing to let institutionalised Christian morality the world determine their story for them
I mean look at them
They are such parents to her lmao
whatâs genuinely stopping us from making funky, whimsical, maximalist cakes more often tho?? make colorful happy sweets!!! please, for the love of all that is pure on this planet!!!!!
In every time and place, in every lifetime and universeđ«

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The first gif is what we saw in the show. The second gif is Michael and David out of character in between takes (Michael is wearing his orange jacket, which Aziraphale/Asa is not wearing in the show).
Michael and David are holding hands in between takes and I am dying...
#slowly having my soul crushed frame by frame