Just remembered how when Witch From Mercury was airing, a bunch of people were like "don't get too excited now newcomers, this franchise isn't known for happy endings" as if Zeta, War in the Pocket, and Iron-Blooded Orphans were the rule rather than the exception.
Some of us watched War in the Pocket when it came out and were so affected by the ending that we didn’t watch another Gundam series until Witch From Mercury.
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The real impact of AI at university level that I've watched in real time is how so many students come onto courses now - including Masters level - who straight up don't know how to analyse/evaluate things anymore. They just accept whatever they first read/hear completely uncritically. Every time you point it out you have to coax them into Actually Thinking.
I've spotted a huge decline over the last two years. What's upsetting is how so many of our current third years have declined since their first year. I did a seminar with them the other day, on the topic of the environmental impacts of different diets. One guy told me confidently that there would be no additional agricultural lands if we all went vegetarian.
"Cool," I said. "What's your source for that?"
"I'm sure I read it," he said.
"Fair," said I, "go and look it up. Find an academic source, let's assess it to see if it's robust."
The first thing he did was go to Google, and then read the AI summary.
"That's not a source," I said. "Find me a source."
Five minutes later, he happily tells me that a Guardian article says so, and mentions the World Economic Forum.
"Okay," I said. "Neither of those are academic sources, and the WEF is secondary anyway. Go to Google Scholar, and find a journal article."
Ten minutes later, he tells me he can only find articles that say it's a very complex issue in spite of pop cultural received wisdom, and we don't actually know.
A THIRD YEAR. This man has a dissertation due in THREE MONTHS. This is a skill we taught him in first year, and it's all dribbled out of his ears in the quest for easy summaries from an autocomplete algorithm. And I dearly wish I could say he's an exception, but Jesus Christ, that would be a lie.
I'm currently writing a lecture for the second years for their research methods module, and I normally wouldn't need to do this. But I'm having to re-introduce them to the basic concepts of how to actually analyse findings rather than lazily take whatever they seem to say at face value. I'm trying to find a good paper that had Surprising findings, because I want to show them a research question and a set of results and then get them to speculate and research on why they found something so different, but that's a difficult thing to search for.
Ngh. Yelling at the choir here, I know, but NNNNGH
I was supposed to be going out and doing fun things like bouldering tonight, but it's pouring with rain, so instead I'm staying in and looking at Blake's 7 screengrabs.
Screengrabs from here (they prefer their images copied, not linked) and record of what Servalan wears when from here.
As seen in Seek-Locate-Destroy.
We begin the list with what is - delightfully, amazingly - a relatively understated costume by Servalan standards. I guess it's the shorter sleeves over longer sleeves (a consistent Blake's 7 design choice, I guess that's just what fashion is like in the Grim Future) that gives the sense that this might be Dress Down Friday in the offices of the Federation. Almost dowdy in comparison with what's to come. Let's keep our powder dry for now. 5/10.
As seen in Project Avalon.
What amazes me about this costume is how silly it looks in screengrab form - seriously, take a moment to really look at Servalan's tiny head emerging turtle-like from the enormous quantity of furs - and yet, in motion, Jacqueline Pearce completely pulls it off. It's ridiculous, of course it is, but not for one moment do you doubt that this is the kind of thing that Servalan would choose to wear and feel comfortable in. It also gets an extra point or two for how the opening of the coat is tailored to the collar of the dress she wears underneath. 6/10.
As seen in Project Avalon and Deliverance.
There's a fun process that happens when you look at lots of Servalan's costumes (bearing in mind that I've preloaded all the images!) where you start to look at something like this and think, yeah, that looks normal enough, I could wear something like that to the office. And then you step back and go, no the fuck I couldn't, and you admire everyone involved in the process that brought us here. Love the beading and ruching, love the way that big collar actually looks quite comfortable, love the way that Jacqueline Pearce is lounging in it. 9/10.
As seen in Orac.
Trousers? On Servalan? Not sure how I feel about that, and I get the impression nor is she. On anyone else the coordination of white gloves and shiny white knee-high boots would be noteworthy, on Servalan it's just a Tuesday. Bit bland to be honest. 4/10.
As seen in Weapon.
There's an image limit to deal with, so I'm sacrificing at least one further fluffy overcoat thing in order to show more photos of this magnificent costume, and I make no apologies for that. Look at this swan-queen spun-sugar exposed-midriff confection of delight. Just when you think you've absorbed it all you notice the fishnet sleeves and the floor-length cape. Maybe it would be worth submitting to just a little bit of remorselessly evil oppression for the opportunity to float around all day dressed like this. 100/10.
As seen in Pressure Point.
It takes quite an outfit for you not to really notice the Sexy Stormtrooper vibe of the Mutoids in the background. And so Servalan is delivering quite an outfit here. What a jacket, what a hat. Ladies Day at Ascot never looked so good. 9/10.
As also seen in Pressure Point.
This is one of those beaded lizards that we all made when we were eight, right? I feel like I should like this: it's flattering, it's a bit weird, it's a nice dress with 25cm or more of a sparkly gecko giving it jazz hands across Servalan's chest, but somehow it's just not coming together for me. Maybe it's the lack of a massive collar. 5/10.
As seen in Trial and Voice from the Past.
No. Absolutely not. The nadir of Servalan outfits, from the weird double-breasted bodice, which I can only describe as military meets straitjacket, to the terrible combination of off-grey stockings and shiny silver shoes. Even Jacqueline Pearce is struggling to make this look good. 0/10.
As seen in Gambit.
From the nadir to very nearly the zenith. This is only one of two times that Servalan wears an outfit that isn't black or white and wow, does she make it count. The red! The glitter! The big frill thing that looks like the kind of adaptation a lizard might use to warn off predators! Also, not to get too pervy, but I think this has to get extra points for whatever machinations are preventing her boobs from making a bid from freedom from the astonishingly low neckline. 12/10.
As seen in The Keeper.
It's another big fluffy robe! But a different one from the previous big fluffy robe! I like to think she might be hiding snacks under there. 7/10.
As seen in Star One and Aftermath.
This is... a normal dress. Could be an understated bridal gown, plausibly a cocktail dress, but I could imagine both having this in my wardrobe and actually wearing it, and I'm not sure how I feel about that. It's just not what Servalan's costumes are for, you know? Obviously she looks great but where's the pizzazz, where's the oomph, where's the collar that could take someone's eye out? 6/10.
As seen in Aftermath and Powerplay.
This is technically Dayna's dress, but Servalan wears it for two whole episodes, so it counts. Which is a pity because it's just so drab. It shouldn't be! It has a funky triangle neckline, only one sleeve, and a ribbon arm wrap on the sleeveless side like she's heading off to a festival with hippies. Unfortunately the colour scheme brings to mind nothing so much as a faded bus seat and the smock-like cut is deeply unflattering. 2/10.
As seen in Volcano.
Things I like about this: for once Servalan gets to cover both shoulders, her arms and her cleavage. Jacqueline Pearce must have been so warm! It looks comfortable and practical. And dull, but I suppose it must be a lot of pressure on a Supreme Commander to look fabulous all the time. 4/10.
As seen in The Harvest of Kairos.
Fun fact, of all of Servalan's outfits this is actually the closest to something that I used to have in my wardrobe. Mine was navy blue on one side and stripey on the other, and the stripey side emerged into a similar enormous... sleeve... thing?? I never wore it to my day job, but you know, perhaps I should have done. These are the kinds of things that Servalan inspires us towards. 8/10.
As seen in Children of Auron.
And just like that, Servalan changes her colour scheme. Black, of course, looks just as good on her as white did, and I can't decide which I like better. What makes this outfit is the detailing: the collar, the little decorative slashes like a Tudor nobleman would use to show off his undershirt. 6/10.
As seen in Rumours of Death.
I just spent ages scrolling through red carpet photos to try to find the celebrity who I swear recently wore almost this exact outfit. And I can't find them. But never mind! This ticks so many boxes for me: it looks everso pretty, it seems wearable, and the floofy sleeve feels like it reflects plausible fashion trends of the Blake's 7 universe. 9/10.
As seen in Moloch.
Whereas this is not working for me. This is, thank goodness, Servalan's only foray into full-on 80s shoulders (unlike poor Avon, whose costumes suffered from this for the whole of series D) and I do not like it. The wide shoulders, made to look wider by the silver detailing, just serve to make the rest of her look small. And no one should make Servalan look small. 3/10.
As seen in Death-Watch.
Just a normal LBD, innit. 5/10.
As also seen in Death-Watch.
This is the same dress underneath with a semitransparent beaded cardi over the top. It should be fun and vaguely goth, but instead it reminds me of nothing so much as the kind of thing you throw on when you're worried you're showing too much skin for a funeral. Amazing how it makes her look about 10 years older too. I miss the days of the massive collars. 2/10.
As seen in Terminal.
For someone who is confidently writing a series of posts about costume design choices, I know exceptionally little about costume, and as a result I don't actually know what this is made of. Is it leather? Some kind of matt-looking PVC? It's a solid costume choice, anyway; I'm starting to think that the mark of a good Servalan outfit is how much difficulty I have with the image description. In this instance, I have no idea what the thing on her shoulder is and I love it. I also love that this is the 80s and therefore she's allowed to be on TV with a normal human belly. 8/10.
As seen in Traitor.
MAGNIFICENT SHOWSTOPPING ICONIC. She looks like a sexy raven and she's having such a great time. The way the points of her eyeliner match the points of her hair! This is the kind of thing that drives people to cosplay. I don't think I would get a buzzcut and dye my hair solely to get this look just right, but I'm also not ruling it out. 20/10
As seen in Animals.
It's so disappointing when you get an outfit spot on and then it's in the wash, and all you can manage from what's available in your wardrobe is an half-hearted replica. That seems to be what's happened to Servalan here. Sorry, Supreme Commander, but sexy raven lightning doesn't strike twice. 6/10.
As seen in Assassin.
Later on she wears a sort of lacy cardi over it, but I have an image limit and I'd only be repeating what I said for Death-Watch, so we're going to skip that one.
This is another normal dress. It's a perfectly fine normal dress; it's hard to see from the photo, but I like the fabric belt, and those are undeniably good earrings. Still, it's not exactly strange enough for a Servalan costume, and I feel for Jacqueline Pearce having to do this whole episode without a bra. 7/10
As seen in Games.
Just as I am running out of ideas for commentary, I feel like the Blake's 7 costume designers were running out of ideas for outfits. This feels like it has a bunch of disparate ideas thrown at it - polka dots! fluff! peephole thing! - but the vibe is of a reality TV show fashion challenge where they have a box of stuff and 20 mins to turn it into a dress. 4/10.
As seen in Sand.
This is a floor-length dress, but it's best in close-ups: it's the detail that matters. It looks pretty, comfortable, and quite soft. It's a nice costume, but is it really a Servalan costume? It doesn't scream command like some of the others on this list. 5/10.
As seen in Orbit.
Don't worry about what I cut to be able to include two photos again, because this is worth it. From the front it's good but not great (though I'm glad she gets a bit more boob support in this one!) but from the back? Superb. She's wearing the splendid earrings from Assassin again, but here they also reflect the detailing on the back of the dress - oh, it's just a delight. A very creditable note to end on. 9/10.
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“Unless you are following the dialogue with an action and not a dialogue tag.” He took a deep breath and sat back down after making the clarifying statement.
“And–” she waved a pen as though to underline her statement–“if you’re interrupting a sentence with an action, you need to type two hyphens to make an en-dash.”
“The speech tag is still part of the previous sentence,” she explained, ‘so it isn’t capitalised.“
“What do you mean?” he asked. “But there’s a full stop as part of the question mark!”
She nodded gravely. “I know!” she said. “A lot of people find this confusing. But the speech tag belongs to the line of dialogue, it’s still part of the sentence, so it’s wrong to capitalise it.”
She reblogged the post again, because she had recently read far too many potentially enjoyable stories marred by poor dialogue punctuation.
“There are two more ways"—she pointed to the blackboard—“to punctuate interruptions. One is with the em dashes outside the quotations marks to indicate continuous speech. The action occurs at the same time as speech. The other—” she sipped from a glass of water “—is em dashes within the quotation marks to indicate interrupted speech.”
Thank you, because having more than one way to interrupt dialogue is not confusing at all lol (I’ve only seen em dashes inside quotations, the other way hurts my brain—I prefer commas).
if anyone is wondering why this is, it's because they stopped teaching American children (and many British) the rules (which exist, and have been standardized and written down for centuries) sometime at the turn of the 21st century. if you are gen x or older, have English degree-holding parents, and/or had any really old teachers who were still teaching into the "fuck grammar" era of public schooling, you unlock a special level of English comprehension where you can pronounce 99% of words perfectly without ever hearing them at all, as well as the ability to code switch to a higher-"class" dialect of English at will, which is extremely important for any social interaction where you have to deal with people who are judging you for such a thing, which happens a lot more often than you're aware of unless someone has already told you about it. usually no one tells you about it unless they're teaching it.
there were a lot of reasons for the shift, most of them can be blamed on Reagan and Thatcher (like everything else). it was pushed through to school curriculums and popular culture as a "de-snobbification" of english education where everyone's regional and ethnic accents would be normalized and accepted, what actually happened is that language gaps between rich and poor kids was crowbarred farther apart as you could no longer learn to talk, write, or read fancy in a free public school, leaving only the wealthy kids who got tutors and private schools and educated parents with a formal English education able to choose to code switch or to struggle considerably less in college when professors usually start expecting you to know grammar and etymology already and don't think it's their job to fix your high school teacher's fuckups. (it is, but that's a different post)
this is why almost everyone on YouTube is speaking only approximate English (see the #youtube grammar tag) a lot of the time and one of the big reasons people with average hearing and reading and processing function have started needing subtitles a lot more in the past ten years, when they didn't before
this gets brought up on Tumblr a lot, see prior discourse about cursive not being taught anymore (not actually a good thing, prevents you from reading anything handwritten before 1990, bad for handwriting ergonomics especially for hypermobile people [see: why do so many hypermobile and autistic people get into fountain pens]) and the new yorker article about "vibes based literacy".
anyway the lesson here is every time the education establishment announces they are about to make education "less formal" and that this will benefit "everyone", because hooray we all thought learning cursive and sentence diagramming and Greek word roots was boring, right? what they are actually announcing is that you will still be judged for not being able to use those formal skills, but now only rich people will be able to learn them from tutors as basic education becomes increasingly privatized.
specifically on the topic of pronouncing words, a conlang nerd sat down and brute-force compiled a numbered list of rules for correctly pronouncing english words that gets it right for nearly every word 23 years ago (the date explains why his phonetic transcription is so weird, sorry)
I've just completed a run at the Edinburgh Fringe Festival, performing my debut comedy hour. On other social media, I'm talking about my accolades - my brilliant reviews, the award I won, being featured in national newspapers.
But I don't think that's what Tumblr's for.
When I joined Tumblr in 2012, I'd been doing standup comedy as a hobby for less than a year. I'd performed maybe 20 gigs, if that. Only one of them was paid, and that was a kind local comedian who wanted to support a new act.
Now I'm a full-time comedian, and all my other social media platforms have to put self-promotion first. But Tumblr is still Tumblr.
I'm not just saying this because of Gaiman, but I've never thought Tumblr's a good place to try being a celebrity. You can't show off how many followers you have, you can only get verification ticks as a prank against Musk, and we bully people who boost their posts to aid their careers.
I like it here, because we're just talking openly and shamelessly about our lives. Our celebrities aren't entertainers, they're nerds who love frogs or whatever.
So while I reinvent myself as a celebrity everywhere else, here I'll do something different: I'm going to try and explain how I feel, as a Tumblr goblin whose been mistaken by the mainstream press for a comedian worthy of success.
Standup comedy's weird. Jokes only work if the majority of your audience find them funny. But jokes that are utterly foolproof are boring.
So you want to live in the in-between space, where your jokes work consistently, but also seem like weird things to say.
The most efficient way of doing this is by taking advantage of common conceptions. Most people think dogs are lovely idiots and cats are evil geniuses. Therefore those work as punchlines.
But you see where I'm going, right? If standup works best when capitalising on stereotypes, this makes it prone to normativity. Even ostensibly "nice" comedians will make sexist jokes, or capitalise on racial stereotypes, or play with homosexuality in an ugly way to get a laugh.
I never wanted to do that. So my first few years doing standup were ... odd. In my first year, I wrote about:
The Great Deku Tree from Zelda 64;
When you ask for Coke but they only have Pepsi;
Big Brother except it's heaven;
The X Factor except it's hell;
Acting out weddings with 80s action figures;
Magnets (10 whole minutes on this topic);
The women of GoldenEye 64;
Buzzfeed quizzes;
Spreadsheets (10 whole minutes on this topic);
Spelling;
Poverty in history;
Making a rainbow out of Lucozade bottles.
And yeah yeah, I know what you're going to say - these would make great Tumblr posts. But it's not really what a mainstream comedy audience wanted.
Welsh language comedy was more accepting - I performed Lucozade Rainbow on TV in 2013. As a result, I was booked to perform at Machynlleth Comedy Festival later that year.
This was such a big deal for me. It's a festival that celebrates the oddballs, and I got to see proper comedians approaching comedy strangely and beautifully. Very few of them were famous at the time, though loads of them have been on Taskmaster since.
Crucially, they'd worked out how to split the difference between the weird stuff they wanted to talk about, and the kind of thing audiences would enjoy.
I also met vibrant and enthusiastic comedy fans at the festival - people who loved comedy as much as I did. Including my Tumblr mutual Josie, still one of my favourite comedy friends!
The realisation I made was that you could talk about anything you wanted as long as there was humanity in the story. So I started writing about social awkwardness. I ended up with a set strong enough to be able to make money from it:
Not knowing what "cashback" was but asking for some anyway;
Going clubbing with no friends and styling it out;
Inviting Jehova's witnesses into my house and making them pancakes;
Turning up a year late to a vegan film night;
Trying to protest against the EDL and ending up on the wrong side.
This was wonderful! I was still in weirdo territory, but now it was relatable.
In 2015, I spent my first full month at the Edinburgh Festival. Another comic asked me to split an hour with him - i.e. we'd both perform 25-30 minutes of comedy each, every day for a month. I loved it so much, I knew I wanted to be back the following year.
The first time you perform a solo hour for a full run at the festival, you become eligible for Best Newcomer. It's the narrowest category for the major awards, so a lot of comedians put it off for a year.
I put it off. I didn't have the money, the resources or the confidence to "debut", so I kept my show to 45 minutes, and had another comedian perform at the start to fill the hour slot.
The festival is wild. You meet incredible people - hard-working and creative. The rich ones tend to become pretty successful - but sometimes the less-rich ones get lucky too. One of the acts who opened for me in 2016 is now a BAFTA winner who's written for the MCU TV shows!
I'd planned to debut the following year - that is, perform a full hour in 2017. Then I met an agent three months before the festival, who told me I was an idiot for debuting without a better plan than "go to Edinburgh and hope for the best". This was my first real conversation with an agent, and I hated it. I felt very small, and patronised. Her advice was good, but I didn't like the way she gave it.
Nonetheless, I decided to perform another 45-minute show. And I had a wonderful time.
I can't remember when I decided to perform 45-minute shows forever. But at some point, I did.
By 2018, I'd publicly come out as bisexual, and my third 45-minute show was my best ever. It was the year after Hannah Gadsby's Nanette had won Best Show, and I felt I had a different perspective on queerness that felt like a response. Gadsby's thesis, after all, is that standup comedy cannot truly represent queerness because the dark side of our experience must be hidden for the comedy to work.
I felt differently at the time. Although sometimes, I find myself wavering on this subject.
In any case, I'd produced three solo shows - one about Welshness, one about relationships and marriage, one about bisexuality. My fourth in 2019 was about many things, but I think at heart it's about neurodivergence. I liked that I was producing shows to contain the things that make me feel like an outsider.
My fifth show would've been about addiction, and would've run in 2020. Instead, it ran in 2022, and was about the pandemic. 2023's was about disability, and I finally wrote about addiction in 2024.
Something else was happening, though. Every year, more people came to my show. By 2024, I was sometimes having to turn people away. It was a 45-seater room, and it frequently hosted 58 people - the most who could fit, requiring 8 to sit behind me on the stage itself.
Because I was doing these shows in Free Fringe rooms - gigs in pubs, basically, an alternative to paying thousands of pounds for the paid venues.
I'd learnt a lot by this point. I knew I loved Edinburgh. I knew I loved producing shows. But I also knew I got depressed without a challenge. I need it to be hard or it isn't fun.
On my other socials, this is where I often START the story. At Christmas, a comedian I admire (and count as a good friend) told me he wanted to start producing other comedians' shows. He asked if I'd have him as my producer. This would mean increasing my normal budget by around £7000 - money I'd need to raise from gigs the rest of the year. It would mean doing the festival properly, not in the weird sideways way I'd loved doing it for the better part of a decade.
It would mean having a PR manager, and massive posters of myself across the city, and inviting reviewers and awards and producers and press.
Something else I want to do. I want to join the FIGHT. The news terrifies me. We all think this, right? Why don't more people speak out for trans people? Why aren't people SCREAMING as the monsters come for the rest of us? Why aren't people using the platforms they've got?
It's hard to say this without feeling deeply embarrassed. But I wanted to step up in my career so I could have a louder megaphone. If my community's going to be attacked by the extreme right, I'm going to fight.
And hey, not physically, I'm rubbish at that. I'm a rubbish activist. But I'm good at comedy now, and people listen to comedians. I dunno. Maybe I can help.
And maybe that's nonsense. But I'm trying to be honest about how I felt at the start of the year, so I think I have to admit the cringe parts too.
In any case. I took a show up to the festival. A show about queerness, and Welshness, and marriage, and nerdiness and neurodivergence and disability and the fact that standup CAN represent these things, and maybe it can't tell the dark, sad stories, but it can tell small stupid stories that might be the first time someone in the audience has ever heard of some of this stuff - the stuff that's so familiar to anyone who's spent the last decade on Tumblr.
So now I'm doing my best impression of a Proper Comedian, doing my jokes and plugging my website and showing the media how well-behaved I am and how they should invite me to talk about serious stuff as well.
It feels so weird. It was a hugely successful month. I feel like I faked a debut! With my sneaky tricks and my brilliant producer and my great PR and with £7000 ... but, thing is, the reviews are real. On each day I got a positive review (and that happened on 9 different days), it felt so surreal. Having my jokes printed in national newspapers was so strange. Hearing my name at an awards ceremony was dreamlike in a way I can't describe.
Oh, and some of you saw my show. You came and told me you follow me here. Others follow my wife, of course. And that felt like the best thing ever. Because you know the real me. Standing on stage in my comedy outfit, my shoes tied with the president's laces. You'll have spotted the jokes that sprouted from the compost heap of this ridiculous webiste.
There's so much work for me to do now.
My producer tells me it's important to post on social media everyday.
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I think a lot about how, if the glorious violent revolution happens, every kid with significant medical needs in a hospital where power gets cut will die.
You can decide you're willing to sacrifice your own life, but you don't get to tell everybody else on the planet that they're acceptable collateral damage.
This gets notes every time it drifts into leftist circles. But here’s the thing: I am a doctor. I have cared for children in hospitals. Vast, intricate supply chains that rely on functioning world governments with trade agreements are necessary to the provision of modern medical care. There is no way to work it so those kids can win if electricity, water, food, or medical supplies like sterile intravenous fluid bags or EKG stickers get interrupted. Forget even permanent disruption, a temporary disruption of the sterile tubing necessary for surgery would mean a lot of kids die of appendicitis. The generators we have as back-up are meant to last minutes, not weeks. And you can say “under my new system, the total violence done would ultimately be less than the violence done by the state,” but it’s easier to say that about a hypothetical kid than one lying on a gurney in front of you. When you’ve been responsible for a life—when you’ve lost a patient, when you’ve been through a Code Blue for a one-year-old—there is nothing you would not do in order to protect that life. I think all the time about what Devil’s bargains I would make for various situations; it’s one of the fucked up things I do. I can tell you that I would kill anyone who tried to cut power to my hospital, or I would die trying. There is no alternative.
The world is too interconnected to allow one part of it to go down. When Puerto Rico got slammed by hurricanes and the US did fuck all about it, we had a nationwide shortage of bagged IV fluids. I was working in hospitals through that. Things we normally do as part of routine medical care, like giving the puking kid with the migraine IV Zofran and Reglan, got a whole lot harder. I was working inpatient during COVID, when there were sudden shortages of pain and anxiety medications we relied on, like opioids and benzodiazepines. There was a nationwide shortage of lidocaine last year and we had to save it for biopsies of suspect cancers. Surgery requires not only a surgeon but an entire team of people and complex equipment to safely sterilize tools, most of which are now based around laparoscopic surgery that requires camera tools instead of the old-school open surgeries. You could not even say “but the surgeons can still operate” because no. They can’t. Not safely. Not with ether instead of succinate and fentanyl. I could deliver your baby after the apocalypse, but who’s staffing the blood banks when you have a post-partum hemorrhage and I don’t have three trained nurses with a kit of specialty meds to slow the bleeding? I still remember the time during the worst of COVID when I couldn’t fly a patient from our rural hospital to an urban hospital that could have done the operation he needed, because the hospitals were completely full. I had to buy time with heavy-duty IV antibiotics (the one and only time I’ve been allowed to use a -penem) while he lay there in agony for 12 hours until a bed came open and we could transfer him. If we couldn’t treat the pain and keep the infection from killing him long enough to operate, he would have died then and there, in front of us, while we stood there helplessly.
So how many kids are you OK with watching die from a ruptured appendix? That’s what comes in to the ED at two in the morning and within half an hour if you’re lucky has an ultrasound proving the diagnosis and a surgeon getting scrubbed in. If there isn’t ultrasound, ultrasound techs, pain medication, anesthesiologists, ventilation machine for when you’re under, light-up scopes with blades to allow for intubation bc then there’s direct visualization of the vocal cords, paralytic medications to keep you still, medications to keep you asleep, monitoring machines that read your blood pressure ans CO2 levels and pulse oximetry while you’re under, computer scheduling for OR time, post-op recovery nurses, gurneys, autoclaves, specialized small metal tools for the surgery—if there are interruptions in training or production of any of these and a whole lot more, anyone could die of a surgical problem, but it hurts worse when it’s a kid. Watch breast cancer come back into vogue, as we lose mammograms. You ever treated a woman who’s ignored breast cancer so long it’s now a fungating mass? Go Google what that looks like. Two cases have walked into my office and they are both dead now. One was schizophrenic. Without modern global supply chains, we don’t have lorazepam or morphine for humane death, let alone psych meds. How many people would deteriorate? Get specific. Which friends would you be willing to watch die? Which of their kids are expendable?
What kind of violent revolution are you planning where you are able to look a patient in the eye and tell them, “Your death is necessary to my vision,” and not understand that you are the villain?
You get to decide whether you want to end your own life for this glorious future. You do not get to decide to end my life or my patients’ lives or anyone else’s. You are not God and you do not get to make plans as if you are, as if you have the One Correct Vision and the rest of us just need to fall in line and follow the prophet. Fuck you. You think the Black kid whose treatment team I was on while he writhed in pain on a hospital bed because he had a kidney transplant and it was rejecting wouldn’t tell you to go fuck yourself about your violent revolution? Our society is no longer able to tolerate large-scale disruptions. We have built too much and we would lose too much. We are too big to fail, and although it’s easy to see that as a bad thing, what I keep seeing, over and over, is that transplant team. How the nephrologist and the resident and the nurses and techs and pharmacists and therapists were working together to keep that kid alive. The scientists who did the research, relying on impossibly complex systems that have taken hundreds of years to build. Collaboration is how we survive.
We cannot allow the vulnerable to die and call that progress. We cannot turn the lights out on any hospitals, because the people in the ICU on ventilators will stop breathing and die within minutes. Would you want that to happen if it’s your mother in that ICU? Would you tell your mother the answer to that? What if it was your child? What about your favorite sibling? How many of other people’s families are you willing to sacrifice for the sake of something that stands a virtually 100% chance of going up in flames immediately, when we look at prior attempts at creating a new government out of war and chaos? The massive impacts of even “small” shortages on patients is not theoretical and has killed patients since I’ve been an attending, starting three years ago.
You do not own the right to anyone else’s life.
And if you think you want a violent revolution, see how you do with your next toothache without pain meds, lidocaine, dental expertise, and composite that lets you keep the tooth and keep chewing. How long would you have to suffer to crack?
”What kind of violent revolution are you planning where you are able to look a patient in the eye and tell them, “Your death is necessary to my vision,” and not understand that you are the villain?”
Fucking hate watching children go “um Actually UwU” about AO3.
saw someone say that fixing a bug with bookmarks isn’t a good reason to close a site down for a couple hours and they’re all lying about what they spend money on
meanwhile this very week my actual day job shut down the internal programmes for idk how many hours to fix a minor bug that popped up out of nowhere. I mean??? I don’t know shit about IT but “shut down all functions while we fix a problem” is so damn common. And “oh this took longer than we said” as well.
AO3 is impressively transparent about their bug fixes and downtime. They communicate fast, mention the reason why they're doing things and actually keep their promises.
Meanwhile my workplace regularly shuts down entire applications for maintenance with minimal warning or explication and often keeps them offline way longer than initially communicated.
Also it was not just 'oh we need to fix a tiny bug with bookmarks'.
It was 'there are more bookmarks than a normal database can handle'
Source
Migrating over 2 billion of *anything* is gonna take a while and I imagine having people using the site and adding more bookmarks while that is happening would be kind of a risk!
Doing it without losing any data is impressive as hell. I've seen commercial vendors shrug and say, sorry. You're losing 24 hours worth of transactions. Just re-enter them.
It would have been simple for AO3 to 'lose' a million or so bookmarks to buy some time. They're just bookmarks, who cares? It's not like anyone's paying for this.
I have a lot of things I could say about this (for context, I just retired a month ago as chair of the AO3 support committee so I have insight, but I am speaking only on my own behalf and not as an official representative).
First: this particular type of data migration (moving from INT to BIG INT) has happened twice in AO3's past already (for history, and for kudos) and it was the same each time - a large table with hundreds of millions of items being moved is time-consuming and you need to be cautious doing it, and it WILL require a few hours of downtime to be safe. It is not "fixing a bug". It is moving the content of all bookmarks on the site. It will have to happen again for other types of data in the future, because AO3 just keeps growing.
Second: They can't know exactly how long a migration like that will take, so they make their best estimate. They can't test it before-hand on the test archive and have it reproduce exactly what will happen on the live archive, because the live archive has so much more data. Estimating "how long will it take to move 700 million items" is a matter of experience and luck. (Yes, 700 million is more the actual number of bookmarks involved, I know people keep citing the 2 billion number but each bookmark is assigned an ID number, and bookmark numbers iterate by 3. The highest ID number available under the old system was the slightly over 2.1 billion number, so the actual total is about 1/3 that. It's still a lot.)
Third: In general, AO3 tries not to have downtime, and it does very well. My observation is that the process in this case was usually like "Ok, let's start doing this and see how it goes. *waits to see if things start to get painfully slow and a lot of errors start happening* Ok, there are lots of errors happening and the site is getting slow to use, let's block all bot traffic and see if that helps. *that helps for a while and then things start to pile up again* Ok, let's try flipping the site into maintenance mode (i.e. take it down) just for a minute or two and see if that lets it catch up. *that helps for a bit and then things start to get slow and not catch up with just a few minutes of downtime* Ok, we do need to actually take it down and just let the process run until it finishes. " My point is that they first try various options that, if they work, will not require taking the site down all the way, before resorting to downtime. If they left it up, the process would take a lot longer, and people would experience a lot more problems while using the site. Taking it down is safer and more efficient in that kind of case.
Fourth: The same people doing the work need to communicate it to the people who do the tweets/tumblr posts/status updates. So not just doing complicated database stuff, but also telling communications "hey we are about to do X and Y and it will take approximately Z hours". (Fortunately we have mostly moved on from the times when it was literally the SAME people trying to do both things, and have dedicated communications folks to help.) Sometimes when they are trying to do a lot of things at once, the technical volunteers might not communicate as quickly or clearly as would be ideal, or a comms person might not immediately be available to make a post, so a status update is a bit later than we prefer, but we try to always communicate to users before doing something big like taking the site down. In a normal situation with planned downtime, the ideal is to make a post a couple of days before, then an hour before, and then at the time the downtime happens, and then when it's done. Sometimes there isn't time for as much advance warning, when something is either unexpected or doesn't go as planned.
Fifth: Also the people doing this are doing it in their spare time, around real jobs, and often on their evenings, weekends, in the middle of the night, while they're trying to cook dinner, etc. and they're doing it better than many sites with paid employees and larger staff. So cordially, anyone saying that they're lying or not doing a good enough job can go to hell.
The other night husband and I were watching a documentary about the yeti where they were doing DNA analysis of samples of supposed yeti fur, and every one of them came back as bears.
Anyway, the next night we watched a thing about some pig man who is supposed to live in Vermont. People said it had claws and a pig nose but walked upright like a man. Now, I happen to know that sideshows used to shave bears and present them as pig men. So every piece of evidence they gave of this monster sounds to me like a bear with mange.
So now the running joke in our house is that everything is bears. Aliens? Bears. Loch Ness monster? Bear. Every cryptozoological mystery is just a very crafty bear.
Bears. They’re everywhere. Be wary. Anyone or anything could be a bear.
As the OP of this post, I’m going to threaten that if this gets to one million notes by the 10 year anniversary on 1 June 2026, one year from today, I will get a lower back tattoo of the loch ness bear monster.
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I am so sorry to have to tell you all about this. None of you, I suspect, will ever have any idea how sorry.
I am in utter shock and terrible pain to have to inform everyone that our friend, my dear husband and creative partner of nearly forty years, Peter Morwood, passed away suddenly early this morning after a brief illness that as late as yesterday (when his doctor saw him) had seemed to be on the mend.
I'm not in any position to say much more about this situation now, as you'll understand my current mental state is not up to the task. (I keep expecting to wake up from a bad dream, but it shows no sign of breaking.) I will let people know more about this in coming days.
There will be a postmortem shortly to determine the exact cause of his death. I'll share what details of this are appropriate as they become clear.
Meanwhile in the short term I'm very much going to need assistance with the expenses that in the days that follow will inevitably surround what's happened. For those people who want to assist, please feel free to use the Ko-Fi account here, and simply tag the associated messages, etc, "P expenses".
My love will wait for me, I know, however long it takes. He's never minded waiting. (the saddest smile) My job now is to make sure he's not forgotten while I go on.
Meanwhile, can I just say to all of of you: I thank you all ahead of time for all the support and fondness for Peter that I know so many of you will express. He'd blush over it, I know. (He always did.) Please forgive me for being unable to do much in the way of answering messages, just now, in the wake of having to get to grips with this sudden and awful change in my world.
But also let me say, so urgently: Hug your loved ones now, while you can. Eventually a day will come when, expected or not, your opportunities end.