Singer of the Unsung

Today we found our answer:

The short, simple version is this:

There’s a splinter group of ultra conservative (religiously and politically) “Catholics” who have for several decades claimed that the Church has strayed from the true Catholicism since the Vatican II reforms of the mid 20th century. They have been warned about their actions by multiple popes at this point.

The breaking point this week was that they consecrated bishops within their sect after being expressly forbidden to do so by Pope Leo. Essentially this group is denying that the current pope is truly part of the succession of St Peter — more or less they’re saying the pope isn’t Catholic enough.

This may not seem like a huge deal from the outside, but it is essentially treasonous in terms of severity. So they have been kicked out of the Catholic church.

If I tell you this is a horror dance number it still won't prepare you. That last move was so terrifying even the judge was like "Let go! Let go!" If you told me they're actually possessed I'd believe you.

The music is a remix of the song Mere Dholna from the Bollywood movie Bhool Bhulaiyya, a remake of the classic Malayalam horror-comedy Manichitrathazhu. It's about a young bride that seemingly becomes possessed of Manjulika, a dancer of the ancient royal court whose tragic death has turned her into a vengeful spirit, one who evokes the wrath of the goddess Durga Kali. In the iconic scene that is repeated across remakes, the groom and his family discover his bride dancing in the dead of night in a manic, disassociative fugue, wearing a moth-eaten dancer's costume and a face smeared in kohl, ash and vermilion. She's hallucinating that she's Manjulika dancing carefree for the court with her lover. The upbeat music is deliberately incongruous with the pathos and creepiness of the scene in reality, especially as it crescendos in the bride's head to the moment when the king decapitates Manjulika's beloved in a fit of jealous rage.

This specific number is by the all-male troupe B Unique, performed for the Indian reality talent contest Hunabaarz. It's a modern fusion based on Bharatnatyam that turns up the creep factor by 200% and is basically a showcase of contortionism and synchronicity. One of the most perfectly choreographed and executed dances I have ever seen. Truly incredible!

This is a form of backdoor bigotry from both normative facts (there are more straight than gay relationships) and well represented bigoted beliefs (men are superior to women).