always on hiatus. (Everything is almost always from the queue except it's not always tagged as queue or tagged in general) Always wondering & very inquisitive. Nice to meet you. Catholic and I'm a fan of too many things to list here (Disney; Superheroes; MCU/DC; LotR, HP;DW; Star Wars and more). still trying to figure out what to do when I grow up. As Saint Therese said, "my vocation is to love", I'm working on it. formerly known as Loverlyundecidedmusicalmuggle
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When Wallace Shawn first read the script for "The Princess Bride," he paused over a single word that would later define his character, Vizzini. The line simply read: “Inconceivable!” with no instruction on delivery or emphasis. In an interview with "Entertainment Weekly," Shawn recalled sitting alone in his apartment, repeating the word again and again into a tape recorder. He felt that a straightforward reading would flatten Vizzini’s absurd confidence. He wanted to infuse the exclamation with a rhythm that matched the character’s inflated sense of superiority.
He began experimenting with dozens of pronunciations, from a drawn-out lament to a quick bark. Finally, he settled on a clipped, high-pitched version that turned the word into a sneering challenge. He explained that he aimed to create the impression Vizzini believed he was the only intelligent person in any conversation. Shawn described this process as a kind of “private laboratory,” where he tried to craft something that sounded musical and sharp without losing the comedic edge.
During the filming of "The Princess Bride" in 1987, he quickly learned his instincts had struck a chord. Mandy Patinkin and Cary Elwes often repeated “Inconceivable!” in the same singsong tone during breaks. At first, Shawn worried they were mocking him. He admitted in a conversation with the "New York Times" that he would return to his trailer feeling uneasy about whether the cast respected his performance. However, Patinkin later assured him they repeated the word because it had become an instant favorite.
Shawn also revealed that the director, Rob Reiner, encouraged him to keep pushing the exaggeration further. Reiner wanted Vizzini to feel like a man so certain of his brilliance that even obvious contradictions never shook his faith in his own conclusions. Shawn credited this encouragement for giving him the freedom to take the line to its most ridiculous extreme.
During one of the early table reads, Reiner had asked Shawn to deliver the line in as many different ways as possible, just to hear how far they could stretch its comedic potential. Shawn later shared with "Variety" that this exercise led to some hilariously overblown attempts, including one where he nearly lost his voice from shouting “Inconceivable!” across the rehearsal hall. Though many of these takes never made it to set, they helped him discover the precise delivery that would define Vizzini’s character.
Cast members were not the only ones fascinated by Shawn’s performance. Crew members began joking that no one could pronounce the word the same way twice once they had heard his version. During an interview with "The A.V. Club," Cary Elwes remembered that whenever Shawn stepped into a scene, everyone braced themselves for the moment he would declare something “Inconceivable!” and break the tension with laughter.
Shawn found the attention both flattering and bewildering. He said he never imagined a single word could eclipse everything else he had done in the film. Yet over time, he accepted that it was this very fixation that proved how effective the choice had been.
He also shared that he kept a small notebook from that period where he wrote different ways to say the word, each one labeled with a description like “arrogant,” “smug,” or “singing.” That notebook remains one of his favorite mementos from the production, a record of the painstaking, almost obsessive process of turning a simple line into a cultural phenomenon.
He explained that even decades later, strangers would approach him with wide grins and deliver their own interpretations of “Inconceivable!” Some would lean in close, lowering their voices to a conspiratorial whisper, while others would shout it across a crowded street. Shawn often responded by nodding appreciatively and thinking back to those early days in his apartment, alone with his tape recorder, determined to find the version that would sound just right.
Shawn’s careful crafting of Vizzini’s signature cry proves that even a single word can become unforgettable when an actor is willing to explore every possibility until the perfect sound emerges.
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I remember when 2D faded out, the reason studios kept giving was "it's because 2D is a lot more expensive to produce". I was a child back then so I didn't think too much about it, assuming it was about the process itself, but as I grew up and learned more about art as an artist, and gained friends who were professional 3D artists themselves, I started to question it. Because 3D is very different from 2D, but it's definitely not easier or faster to make. Also, both European and Asian studios kept producing 2D animated movies
The answer was unions. The answer wasn't "this kind of art is cheaper because it's easier to make", it was "this kind of art is cheaper because these artists can't force us to pay them correctly"
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