Everyone shut up and look at this carving of a whale from the 1200-600 CE Chumash culture
ohhhhhh my godddddd
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@deargodsno
Everyone shut up and look at this carving of a whale from the 1200-600 CE Chumash culture
ohhhhhh my godddddd

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the African wild cat (from which house cats are descended) looks like a normal house cat but with uncomfortably longer legs
Ugly Duckling sequel where the swan is like hey it's nobody's fault and I don't think anyone did anything wrong per se but nonetheless I did feel really alienated and depressed for most of my youth and those years do continue to affect me in the present day and their mom is like, so what you're saying is that you think I'm a failure and a bad duck.
My personal experience with being asked this question and then given that line, is that the neurotypical person expected you to feel shame. I have some slightly less anecdotal evidence to back up this anecdotal experience. I took substitute teacher training once, and we were told that the best thing to do with middle schoolers "acting up," was to shame them, to figure out how to draw attention to them and this negative attention in front of their peers would shame them into good behaviour, or at least silence. I raised my hand, having already distinguished myself as the "weirdo" of the group, and said, "Is this the reason I spent a lot of time in the principal's office for truthfully, loudly, and clearly answering questions like, 'would you care to share your thoughts with the class?'" And was told yes, that was a perfect example, but I was the rare case where it backfires.
Since then, I have responded to that type of question with, "Do you want an explanation, or was your intent simply to indicate that I need to feel inferior, right now?" and it does tend to turn the tables a little bit.
Problem with that response is that if it is a person who has any power over you, that is going to escalate the conflict. And they are going to use that power against you.
Yes.
But the alternative is not escalating the conflict. And they are going to use that power against you.

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i don't know how to say this without being all 'kids these days' BUT kids do seem more sheltered nowadays regarding reading. all the kids' chapter books are called something like 'sir poops-a-lot and the massive fart' and people are absolutely vehement that a teenager can't read wicked because of its (nonexistent) smut and on threads right now people are seriously having a debate about whether 12 year olds can read ya books. when i was in year seven reading flowers in the attic was a rite of passage and now people are afraid of preteens knowing about the existence of sex.
Martha Wells is pretty cool.
I like how she encourages people to just keep on creating. Doesn’t matter if you’re good or bad, what your goal is, what you’re writing. Just write.
Don’t let them take the joy away.
Don’t stop.
Baby Face (1933) Dir. Alfred E. Green
help some Racist Nonsense someone came at me with has sent me down the rabbit hole of trying to figure out how common enslaved dressmakers were in the antebellum southern US, but the continued lack of understanding even among historians that Seamstress and Dressmaker were two different things in the 19th century is making it REALLY difficult
(the Nonsense being "well of course it's realistic in Gone With the Wind that Scarlett makes the curtain dress herself with patterns her mother formerly used to make clothing! plantation mistresses had to know how to make adult clothing from scratch so they could direct the enslaved women who made their clothes!")
(like. yes, enslaved clothing-makers were AI clothes generators who had no skills of their own and had to be given very precise instructions to produce the desired output. of course. sounds legit. </s>)
Also just speaking of the book in question, genuinely, it is so 1930s to be like "oh yes, we make clothing ourselves now, so in the olden days before modern technology, they must've made their own clothes even harder!!!!!"
Filtered through a heaping dose of the classic "well, women of the past could do everything and women of the present are spoiled and incapable!" Which in the US you see all the way back to the 19th century fiction of the totally self sustaining colonial household where the wife did absolutely every domestic task somehow 
Like just in case you had any suspicions that Margaret Mitchell did a lick of research when writing this. Please throw those suspicions in the trash 
(really the period when it was at all a money saving endeavor to make your own clothing at home from scratch was so small in western history, and the practice was geared at such a specific subset of the population, that it's not at all what people today imagine it was. Like for most women, making your family's own clothing at home being a thrifty or even just viable proposition was more likely to happen in the 1950s than in the 1850s. I'm not saying that nobody in the 19th century was in that position, but far fewer people than anyone imagines in the present)
I recently read a book* on British women dressmakers in the 18th and 19th centuries.
There was a whole invisible, disregarded and mostly unrecorded economy of independent self-supporting businesswomen making clothes for sale. (The author had to pore over local records all over the UK just to pull together the information. Working women were not given much visibility or mention in those centuries.)
One thing that's really clear is most women did not make their own clothes.
Rich people had servants and professionals to make their garments, and later on couture houses. Many of them used enslaved labor which would have had to have been highly skilled.
Middling sorts had local dressmakers, sometimes professionals, sometimes a local woman or neighbor who would do it for pay. There were itinerant dressmakers too, who would come into houses and make up the family's wardrobe. And there were shops of readymade garments far earlier than most people realize.
Poorer people bought their clothes secondhand. There was a huge secondhand garment trade.
American pioneers in homespun is pure modern-day fantasy. Women in the territories had mail-order catalogues from which they could have clothes delivered by trains or by ship.
As far as I can tell, the idea of self-sufficient women doing a constant round of spinning, weaving, and sewing is a fantasy of the post-industrial age projected onto women. But spinning, weaving and clothing-making has long been a professional industry.
*The book is Busks, Basques and Brush-Braid: British Dressmaking in the 18th and 19th Centuries, by Pam Inder, Bloomsbury Visual Arts 2020.
Book recommendation! Thank you! And such a good breakdown too
(worth noting that slavery was in something of a legal gray area in the UK during the 18th and early-mid 19th century when it was legal in other parts of the Anglosphere; it was never technically legal in the UK itself, but of course it was legal and commonly practiced in their colonies, and many enslaved people who were brought to the UK Were treated as though they were still de facto enslaved until they were taken back home again. And of course you don't have to rely on chattel slavery to make a business off of unfair labor practices, which was extremely common even after slavery was outlawed and/or fell by the wayside)
it's interesting also that some dressmakers offered a sliding scale of services, from making up entire outfits on the high end, to cutting and fitting and basting the pieces together in the middle, to cutting and fitting but leaving the women of the household to do the physical sewing themselves as the Budget Option. I find that fascinating
Authors, agents, publishers: every part of the industry is seeing the strain of five years of escalating anti-LGBTQ censorship.
if you'd like to show support, here are some upcoming queer books:
When Life Gives You Corpses is a brilliant YA about a cursed praying mantis who falls for a young witch. Yield Under Great Persuasion is a raunchy, but surprisingly sweet story about two men repairing their relationship. Fabulous Bodies is a horror story about a queer rockstar rising from the dead.
This is Where the Future Bleeds is a fantasy set in a vividly imagined land, where two women (who happen to kiss) are the key to healing the broken sky. You're No Better is a story about a teen struggling in the shadow of his murderous parent. Oil on Canvas is about a woman who finds disturbing paintings in the home of her dead mother.
and then here's a list of 26 queer books by Black authors set to publish this year, and a 10 upcoming books by trans authors. if you want to fight back against queer censorship, use your wallet! or (if that's not an option) you can contact your local library and ask them to stock a copy.
In addition: looking for indie publishers and queer bookshops is a great way to find and support queer authors and stories of so many infinite varieties! (The following suggestions are based on my UK-centric knowledge)
(Some) Queer Presses:
Lurid Editions are "a publishing project committed to intentional and conscientious acts of archival repair". They are "attentive to how marginalised histories are forgotten and remembered, [and] hungry to rediscover overlooked queer books". They've just received funding from Arts Council England to engage queer readers in a project to contribute to the archive!
Cipher Press "We’re really keen on the idea that queer and minority stories are for everybody, and we want to make our books – and the stories they tell - accessible to all" (what an amazing mission statement!)
Anamot Press "Anamot [Անամոթ] means shameless in Armenian. Anamot Press publishes poetry and prose on intersecting experiences of gender, sexuality, race, migration, class, belonging and loss - with no shame."
(Some) Queer Bookshops
Queer Lit Oh man, I remember when this was just a tiny little shop, and now they're the biggest LGBT+ bookshop in Europe! They do amazing work in donating books about being trans to schools and parliament! They have a pay-it-forward board that will make you sob with its notes of love and support. (You can tell I wish I still lived nearby)
Lighthouse For Scottish friends - "a queer-owned and woman led independent community bookshop. We are an unapologetically activist, intersectional, feminist, antiracist, lgbtq+ community space"
Gay's The Word The OG Queer bookshop in the UK. One day I will make my pilgrimage!!
This really is just a tiny snapshot of all the amazing work of celebration and resistance that's being done for Queer literature at the moment. We live in frightening times, but I promise there is still lots of love and joy and hope out there in spaces like these. Support them in whatever way you can!!

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Isle of Skye, Scotland
Farrell's Fallacy
One of the most common forms of antifeminist arguments is something I'm now going to call Farrell's Fallacy. I've discussed it before in this essay, but now I have a snappy name for it and what I said bears repeating. Farrell's fallacy goes like this.
"Feminists say we live in a patriarchy and men have male privilege. But look at this group of men undeniably experiencing marginalization and oppression. Where is their male privilege? Checkmate, feminists!"
It's named after Warren Farrell, "father of the men's rights movement." This is admittedly partly for alliterative reasons, but also because he used an early version of it in his 1993 book The Myth of Male Power, where he used the fact that working class men are exploited by capitalism and are drafted to die in wars to argue that, well, male power is a myth and in fact "men are the disposable sex."
Yet you can substitute any group of marginalized men in the argument, and the argument is pretty much the same. The "group of men undeniably experiencing marginalization and oppression" can be non-white men, disabled men, gay men, trans men, and so on, sometimes all of them at once. It's therefore very popular here on tumblr as a way to sell antifeminism to social justice people who have a poor grasp of feminist theory, because it appeals to their understandable desire to support marginalized groups.
And it is a fallacy, because it relies on a strawman. It presumes feminists are doing the most simplistic analysis possible of patriarchy and male privilege, where only gender is taken into account and complicating factors like class and race are ignored. In reality intersectionality has been an important part of feminist analysis for over 30 years.
And while Farrell's Fallacy uses real oppression as part of its argument, it dishonestly contextualizes that oppression. It ignores that the oppression is not on the basis of these men's gender, but on other factors. These men are oppressed, yes, but it's because of systemic injustices based on class, race, disability and queerness and so on.
This often means their male privilege is severely curtailed, but it doesn't remove it. Women also suffer from these forms of oppression and they are often worse for women because they often intersect with the misogyny of patriarchal society, which is why we have terms like misogynynoir, lesbophobia and transmisogyny. It is in comparison with similarly marginalized women that we can see the male privilege of marginalized men.
This is one of the most common antifeminist arguments, especially here on tumblr. And i hope this post helps you recognize it for the nonsese it is.

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so today a group of 8-9 year old kiddos approaches my desk and goes “hey. we want to go to the downstairs part of the library.”
i’m like “you can totally go downstairs, but just so you know, right now the only thing down there is the genealogy department. that’s like the history of this area and the people who lived here a long time ago.”
i’m expecting them to lose interest, but to my surprise, they go “we want to see the genealogy department!!!!!!”
so i’m like “alright let’s do it!!!!” and lead this group of maybe six elementary school kids across the library make way for ducklings style and downstairs to our extremely not kid friendly genealogy room. our genealogy librarian is super cool, though, and he pulls out a few interesting things for them to look at & they ask a lot of questions and try to find where they live on maps from the 1800s
after about fifteen minutes, their curiosity has been sated, so we go back upstairs and over to the children’s department in that same duckling parade style
truly wish i could render this little scene artistically for you all it was a delight
It's not about the genealogy department
It's about kids learning that they can go where they want to go, it's about kids seeing what the world (library) has to offer and expanding the range of options in their minds
I love this so much