Batman & Robin - Year One #7

if i look back, i am lost
Sade Olutola
DEAR READER

JBB: An Artblog!
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Janaina Medeiros
YOU ARE THE REASON
he wasn't even looking at me and he found me
Xuebing Du
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@dangerousyako
Batman & Robin - Year One #7

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panel redraw outsiders (2003) #47
You’ve come a long way, Batgirl
Just an ordinary sunset hour 🌆

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Boobchat Slug AU prompt is: Steampunk
I gotta be honest I’m very hit or miss on steampunk but I’ll give Bruce an airship idc
the bad thing about having unhealthy habits due to mental illness, is when you DO do something healthy style you can't brag about about it because then people will then know you've been doing it yucky style all along. Like you can't brag you changed your sheets or brushed your teeth because then ppl will be like oh did you not brush your teeth regularly before? Thats yucky disgusting! So you just gotta keep it to yourself. And be proud alone, I suppose.
Heads up; If you haven't changed your sheets or brushed your teeth or showered or done laundry in a while, and you have now and you're proud of it, I am proud of you 💜
Batman and Robin (2009) #17
ive said it before and i’ll say it again not enough historical romance focuses on technicalities
really for this kind of thing it’s no use going to published trad romance and i should know that. the really good shit is 400k on fanfiction dot net for a heterosexual pairing you’ve never considered from a piece of media you havent thought about in years written by a bored doctoral candidate who’s read a lot of primary sources from the long 18th century
recently rediscovered my absolute favorite entry in the genre: customs and duties by tortoiseshells, which is an insane technicalityromance set in 1738 boston, ft the stuffy british navy guy from pirates of the caribbean/ofc, smuggling, puritanism in the john calvin sense, the legal realities of widowhood, several real historical governors of massachusetts, debts, accounts, and of course customs regulations
I would also like to nominate and psyche's lamp shall darkling be, a story based on the 2025 Frankenstein movie that gets into the intricacies of 1850s convent school life, the process of Catholic ecclesiastical courts verifying miracles, multiple points of mid 19th century marriage and inheritance laws pertaining to property, and also spells the word connection with an X so you know the author has been in the 19th century literature trenches 
It is a truth universally acknowledged that I’ll never miss a chance to rec Town and Country by @charminglygrouped! Pride and Prejudice is already set historically but T&C engages with some of the contemporary issues the source material doesn’t touch by exploring what might change if, say, the Bennet family were South Asian. The intersection of class and racial privileges, alienation from parents’ cultures, how racism and orientalism mirrored each other in the fashions of the day (and how that is present in p&p’s use of plain vs opulent attire to signal virtue), with relevant boilerplates on every chapter, fantastic dialogue, citations to make your head spin, and a genuinely compelling relationship at the heart of it.
Feanor every Wednesday.

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I think the marketing failure around Jennifer's Body is an enormous part of what makes it such a brilliant master class film. You market this film with these male gazey shots of the current Hollywood sex symbol, you make it seem like a pseudo lesbian soft core porno, you then bring all these men who just want to goon to Megan Fox into the theatre. You sit them down. They're ready to watch the extended cut of her scene in bad boys. And instead you subject them to what rape feels like for women. You force these misogynistic straight men who came to the theater to get their rocks off to watch Megan Fox get shoved into the back of a van, taken to a remote location, and ritualistically sacrificed in a way where any idiot can tell it's a metaphor for sexual assault but which no one would find sexy, and then you make them watch her go to her best friend's house and throw up black bile all over the place. You make her gross and unsexy and in pain. And then you make it gay for real in a way that straight men have a hard time comprehending let alone fetishizing.
If you're a capitalist it's a terrible marketing decision but if you're a feminist and a troll it's the most brilliant move anyone has ever made.
tl;dr: all "algorithmically" pushed stuff on a newsfeed is mostly ads. nothing that's really surprising form this vulture article, but it is dismal and makes me grateful for one website where you only see things from people you follow WITHOUT horrible short-form video content
What if every viral song, movie, meme, influencer, and celebrity drama in recent memory was the result of a stealth marketing campaign?
https://web.archive.org/web/20260515113210/https://www.vulture.com/article/social-media-feeds-chaotic-good-projects-clipping.html
Have a paywall free link to the source!
mcmodernslopcore
Howdy, howdy, folks.
For many years (ten now, about which, more soon) McMansion Hell has featured many prominent and diverse atrocities from all over these great United States and sometimes beyond them. However, most of these posts have consisted of houses built during the McMansion Era proper -- from the 80s up through around the early 2010s.
This is for a number of reasons. First of all: I like these houses because they are insane. Second of all, they are indeed quite different from one another -- they represent the owner's idiosyncratic if poorly rendered desires and fantasies. They are heavily psychologically loaded buildings. One family dreams endlessly of Tuscany, another wants to recreate the mall. All interiorize previously exterior forms of consumption.
These houses were also very expensive to build compared to their contemporary iterations: all real, solid wood cabinetry and trim, wrought iron railings, marble floors, elaborate murals - none of this is cheap. This is not to say that I'm nostalgic for the classical McMansion (though many are) only that it, like, most other facets of architectural and everyday life, have become progressively cheaper and more bland.
The McMansion never truly goes away. It merely changes shape over time. One of the shapes it currently takes is a particularly loathsome imitation of contemporary high architecture (specifically the kind of houses architects love to build for celebrities in California) executed in the most wretchedly parsimonious manner possible. It feels cheap to use the word 'slop' but their indiscriminate nature - the way they have no regard for why or how the things they imitate even work - allows it. Of all the building forms that could be generated with AI, this is the most likely. At any rate, behold:
Yes this is a real house. Yes you can buy it for $6 million in, yet again, Barrington, IL. It has 5 bedrooms and 5.5 bathrooms totaling 11,600 square feet. But most importantly, it looks like dogshit, and that's with ten layers of Photoshop have been used to gussy it up which, by the way, also makes it appear entirely not of this world. Were it not for the photos of the empty interiors, I myself would have trouble trusting my own eyes. Part of the reason it looks so unreal is because the design itself is absurd, as though someone created four equally ugly vessels and threw them up one by one.
In 2017, in a now-deleted essay for Curbed (RIP - they destroyed the archive) I called these types of houses McModerns, simply because they were McMansions dressed up in modernist garb, which they wore no differently than they would Neo-Tudor or Mediterranean (broadly construed.) These houses don't warrant a new neologism, but they do feel like a degraded or perhaps even gonzo version of even that old concept. Slop works fine too, especially because half of what's in these images isn't real.
Much fascinates me about these houses, however one of the most unique elements vis a vis the last 30 years of building is how overtly and almost hostilely masculine they are. Anything that can be construed as feminized - color, softness, ornament - has been ruthlessly purged. They also rip off tech industry minimalism which only ads to their bro-ey nature. While previous iterations of McModernism (think new builds in Colorado with fake wood exteriors) scream dads with IPAs, these houses scream Reddit to me. They are Elon Musk-adjacent in sentiment.
By the way, this is what that room looks like without the fake furniture. It's basically a sunroom.
Whole Foods would like to call in a robbery.
Because these houses are designed by men, for men, no one involved has learned how a kitchen works. Many are calling this setup the "grindset tiktok video kitchen." This is the kitchen you see in those day in the life of an AI startup founder videos your algorithm forces you to watch against your will.
Virtual staging is actual literal slop. In fact, one can say that it was an early harbinger of the ontological crisis we now face, one of the first instances where one is forced against one's will to question reality, what one sees with one's own eyes. Beyond that, I think virtual staging is literally a form of lying. You can use it to make a space look bigger or smaller than it is. In this -- lying to impress -- it also has a lot in common with AI. This dining room has nothing to do with the world I'm living in. These chairs are not my problem.
It's actually AMAZING how much of what's in this house, beyond the furniture, is fake. Every single material is fake. The stone is aluminum paneling. The plants are plastic. The concrete is printed on some kind of surface (as evidenced through its repetitive pattern), though it's hard to say from just pictures. I don't even trust the floors!!
Ok if you haven't read Kelly Pendergrast's amazing essay "Merchandizing the Void" about how houses are all like stores now, HERE IS THE LINK. Some ideas never die, they just evolve, king. Like you.
Please, I'm very cold.
Unfortunately there are no pictures of the rear exterior of this house, so this is where we will have to conclude for today. That being said, these houses and their antecedents are developing a design language all their own that will, in time, be as culturally rich to us as the houses of yore. The problem is they are less visually interesting. They are houses made to scroll in and scroll right by. Expect to see more of them here, but only if they have something, anything to say.
If you like this post and want more like it, support McMansion Hell on Patreon for as little as $1/month for access to great bonus content including a discord server, extra posts, and livestreams. (Don’t worry! This doesn’t adjust for inflation! Now’s the perfect time to join!) By the way: new subscribers can buy a year of McMansion Hell for just $12!
Not into recurring payments? Try the tip jar! (I would seriously appreciate any and all tips because I am in the process of moving house!)
Aldis Hodge 👑😍
I saw a lot of comments saying this is AI or it's a 3D render with a real video background but it is actually real! The artist's name is Damien Benetu and there are progress photos of this being made on his instagram! It's a huge assembly that rotates the wires around 6 meters above it. Its name is "Variations in duality" and it looks even cooler in the dark.
#in fact the noise it makes every time it goes through is the wires shifting around above and not it touching the box

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LOVE, LAURA starts June 29, with weekly episodes dropping on Patreon!
Told in micro episodes, the story follows Laura, a college Freshman stuck at home during Covid. It seems like she's going to be quarantined without any friends — until a distant relative Carmilla shows up needing a place to stay. They quickly become friends, and maybe something more, even though Laura is definitely straight. But what if Carmilla's strange nature isn't just hot and mysterious, but a sign of something ominous just below the surface?
This microfiction audio drama is written by Jamieson Ridenhour and Wil Williams, with audio editing by Tal Minear. LOVE, LAURA is inspired by the teen movies of the 90's and 2000's, from 10 Things I Hate About You to Ginger Snaps. It's a coming of age/coming of rage/coming of gay story for everyone who knows how Jennifer's Body really should have ended.
Not a paid Patreon member? Fear not! Once the show is complete we'll have a supercut in our Patreon store!
I find Gary Mitchell morbidly interesting because he's such a deeply mediocre person, but a kind of great character for illuminating a lot about the people around him.
Some significant details that remain relevant throughout TOS that we find out in the first pilot of TOS as we know it, because of Gary Mitchell:
Kirk has been known for years as a bookish nerd; those, like Gary, who know him more personally know that Kirk particularly likes "longhair" writers.
People whom Kirk has a personal relationship with call him Jim.
Women in Federation cultures do still have to navigate institutional misogyny and it informs their motives, something we'll see many times again.
Humans can have natural telepathic abilities to varying degrees (though most don't), enough to be measured and recorded in medical records and family histories. (TOS follows this up in S3 with one of the greatest women of the week of TOS, Miranda Jones, and a really intriguing expansion of the world building around human telepaths.)
Kirk and Gary were not fellow cadets; Gary (against then-upperclassmen's advice) took Kirk's notorious "think or sink" class when Kirk was a lieutenant known as a strict and demanding Academy teacher, and Gary was a cadet, likely in his first year. Gary was a fairly poor student, to the point that Kirk is unflatteringly suspicious of Gary now being able to read someone like Spinoza that he couldn't as Kirk's student (this is the first of many implications that behind all the sci-fi paraphernalia, Kirk's core specialty is philosophy).
The show is deeply hostile towards pretenses to divinity, even backed by real power, all the more if the power is not accompanied by ethics and compassion (the nature of this kind of power is that it generally won't be).
Spock has served on the Enterprise for years alongside people like Gary.
Behind whatever front Kirk puts up, his overriding priority within the privacy of his mind is his mama bear fixation on protecting his crew/ship.
Figures in Kirk's life tend to be a bit creepily obsessed with him below the surface or to find him fundamentally off-putting and cold; Gary is very much one of the former.
Dehner is flawed and can be impulsively reactive in the way of many human characters, but she's basically governed by highly cerebral professional ethics in a way that's fundamentally more similar to Kirk than Gary's manly physical heroism without thought. That fundamental rapport (the first of many instances of it between Kirk and various women, from young to ancient) is what allows Kirk to reach her in a way he has never been able to reach Gary, his former student turned friend and protégé he's tried to guide onto more thoughtful paths.
Spock is coolly analytical in his judgment and will accept the deaths of his own colleagues for the common good (though not Kirk's, really) and is full-on Team Murder at times.
The Enterprise is not Kirk's first command, brilliant prodigy though he is; he requested Gary for the crew of his first command, Gary nearly died for him, and Gary served for years on the Enterprise while Kirk's star was rising.
Despite his charm and ready use of it, Kirk is in reality much less libido-driven and hedonistic about sex and pursuing women than more typical men of the future like Gary; where Gary favors casual (even if unwise) shore leave flings and hitting on his co-workers, Kirk strongly prefers serious romantic relationships and has been increasingly alarmed about Gary's habits including the shore leave flings. Back at the Academy, Gary had to plot with a technician who had a crush on Kirk to get him (Kirk) to notice her, though she was enough his type that they had a very serious relationship and nearly got married (the relationship was happy enough that this had the intended secondary benefit of Kirk slightly lightening up as a teacher, though he retained his stack of books with legs reputation, and he feels somewhat betrayed by discovering Gary's involvement even after the fact).
Kirk is determined to exhaust other alternatives before simply assuming someone is lost and there's no option but accepting death; however, while he'll try and buy time and figure out alternatives, he will accept loss and death that are truly inevitable, even if it means personally sacrificing someone he cares about.