Hi. You probably found me though Hellcheer, Critical Role, Lady Sif or one of my friends. I am Pixy. I am a woman in my thirties and not your mom.
Things you will find here: all of the above mentioned things plus cute animals, writing, some politics, fandom nonsense, and dumb text posts. You are welcome to follow or to say hello, I don't bite, and I like making friends. Internet friends are the best part of the internet.
I write fanfic under the name Theoreticalpixy on AO3 and post about my writing a lot.
I talk about mental health struggles and eating disorders sometimes. I also talk about using drugs (marijuana) and alcohol occasionally. Weed is legal in my state.
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Learning about more gdocs alternatives but nothing seems to have all my needs except gdocs. 1. Mobile and desktop easy transitioning. 2. Editor comments not in a stupid way. 3. Offline editing.
one of my favorite this american life segments of late is about the people who played orchestra pit for phantom of the opera on broadway and how, like, a sizeable majority of them had literally been playing the show since it opened in 1988 (on broadway. I know it opened in 86 on the west end, you random pedants, but I am specifically talking about broadway musicians) because their contracts stipulated that they'd have jobs throughout the show's entire run... but nobody anticipated that phantom would become the longest-running broadway show of all time.
and none of these people wanted to walk away from a guaranteed job, so very few of them ever quit. they just kept doing the same show eight nights a week... for twenty or thirty years... and by the time it finally closed last year most of these musicians (who had been working together for DECADES) hated each other and really really fucking loathed phantom. I can't stop thinking about it. it's indescribably hellish to imagine but also the funniest thing I've ever heard in my life.
[ID: excerpt from an article reading: One of my favorite stories, which should drive anyone who has every played in a band crazy-- there’s this bassoon player who has sat next to the same clarinet player since 1988. She’s convinced he plays half a note4 flat on every note he’s every played. He denies this. /]
it took me way too long to figure out but i got murdered by yurgir's ambush in bg3 because the dialogue never triggered (the wiki says this can happen if you approach from a different way but from what i can tell after looking it up i was approaching from the correct way??????????????) anyway i closed before the fight finished and ended up reading up a bunch and googling things I realize i probably should have done a run at moonrise towers first before the gauntlet so i have all sorts of things to redo
unfortunately i dont think its queerbaiting if the creator is just so terminally heterosexual that they never remotely considered the same gender relationship their show is centered around could be read as romantic. it is deeply painful however.
By definition you can't accidentally queerbait. Queerbaiting is specifically using a same sex pair from the show to market the show to queer audiences with no intention of ever following through on a romantic relationship.
There is officially licensed Destiel merch signed off on by Kripke. Teen Wolf had a commercial with the actors for Derek and Stiles draped over each other talking about being "on a ship." Both shows actively used scenes between them as marketing while actively mocking fans for wanting them together. Sherlock has multiple characters refer to Johnlock as a couple, including characters we're supposed to believe are never wrong about human behavior and pushed those scenes in marketing. Then they acted insulted when fans saw them as a couple.
That's queerbaiting.
Done on accident it would just be queer subtext. Done because they had no other choice due to censorship is queer coding.
The specific meaning of the word is really starting to get lost and it's a pretty important one to keep accurate. It describes a very specific phenomenon that was done repeatedly and maliciously for decades and is meant to examine that specifically.
Doing it on accident sucks, but it isn't a tactic of capitalism intentionally intended to suppress queer representation while making money from queer fans.
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any time i copy paste a message to send to 2 different chats i feel like such a fake ass bitch but im choosing to look at it as the digital equivalent of standing in a doorway hollering so people in both rooms can hear me
Indian Education Minister Dharmendra Pradhan resigned on Saturday in response to rising pressure from student-led protests.
‘Cockroach Movement’ Forces Out India’s Education Minister
"Indian Education Minister Dharmendra Pradhan resigned on Saturday amid mounting pressure from the “Cockroach Movement,” which demanded major government reforms—starting with his departure. Student activists accused Pradhan of failing to safeguard a competitive medical school exam, the National Eligibility-cum-Entrance Test (NEET), after authorities concluded that its contents had been leaked online. ...
Without accepting fault, [Education Minister Pradhan] explained that he had agreed to step down in order to prevent “anti-national forces” from exploiting the upheaval.
Abhijeet Dipke, the founder of the CJP, celebrated the resignation with fellow protesters in New Delhi on Saturday.
“It's a victory for the people of India,” Dipke said to the crowd. He later posted an image of India’s Constitution on social media, with the caption: “Thank you.” ...
On the advice of Prime Minister Narendra Modi, Indian President Droupadi Murmu appointed Pralhad Joshi—who already oversees the ministries of Consumer Affairs, Food and Public Distribution, along with New and Renewable Energy—to oversee the Ministry of Education “in addition to his existing portfolio,” which is a typical arrangement in India following a Cabinet vacancy and does not preclude a later permanent appointment...
CJP Spokesperson Saurav Das said in an interview with local media ANI following the president’s announcement that the party members will be meeting the new education minister “very soon.” ...
What Comes Next for the CJP?
The CJP established its list of demands on May 16. In addition to calling for Pradhan’s resignation, the CJP asked for compensation of 10 million rupees ($104,000) for each student who died by suicide following the leak.
They also sought greater legislative oversight of the educational system, gender equity in government roles, a fully independent media, and certain reforms to the electoral and political system—such as creating a 20-year ban on politicians switching parties before seeking election.
Adding to those mandates, the CJP last week asked that the central government drop any potential charges against protesters, after claiming that several had been “illegally detained” by police.
Following Pradhan’s resignation, representatives from the CJP met with officials from the Indian government to discuss the rest of the party’s demands. In a press conference following the meeting, Das said on Saturday that the negotiations had been successful.
"All our demands have been accepted,” he said, without elaboration. “We request the protesters to withdraw immediately and return home peacefully."
The CJP added during the press conference on Saturday that representatives from the movement would meet with officials again in four weeks to work on broader reforms. Its spokesperson told local media that the fight for a transparent educational system is far from over.
He said that members of the CJP conveyed to officials that if the issues are not addressed, the protesters will reconvene “and demand accountability.”
-via TIME, July 25, 2026. Non-paywall version here via MSN, July 25, 2026
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someone tried to correct me on my stroke post and i'm just sitting here like. 'here have a page from THE AMERICAN STROKE ASSOCIATION supporting how i said it'
Drug arrives years after pandemic’s peak, but could still offer protection to vulnerable populations.
An antiviral pill has, for the first time, been shown to prevent COVID-19 in people exposed to the SARS-CoV-2 virus at home, according to trial results published today in the New England Journal of Medicine1.
The drug could be a lifeline for those who still face real danger from the virus, such as care-home residents or transplant recipients on immune-suppressing medication.
Households exposed to COVID-19 now have an oral drug specifically cleared to prevent infection after contact with a sick person. The FDA listed Xocova, the brand name for ensitrelvir, as a 2026 novel drug approval for post-exposure prophylaxis of COVID-19 following contact with an infected individual. The decision fills a gap that has persisted since the pandemic’s early years: until now, no oral antiviral carried an FDA-approved indication for prevention rather than treatment.
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"The thing is only acting in self defense because it gets attacked first"
The very first experience it has with the base crew is that they save it from people shooting at it, give it warm hugs, and kill the people trying to deatroy it. After that it attacks and impersonates an unknown (at the time) member of the crew. After that it gets surrounded by dogs who are angry but too scared to approach, then it changes, then it attacks the huskies, and only then does anyone in the base camp treat it with hostility.
You can imagine anything you want for the unknowns (before the movie starts, whether it can tell animals apart, etc), but you are fully wrong if you characterize its reception as being preemptively attacked. You can interpret things lots of ways, but saying the humans at the camp attack it first is factually wrong.
"None of the men know each other enough to recognize an impersonation."
The entire first act of the movie is devoted to establishing that they know each other with an Intimacy so deep they can anticipate one another's actions and attitudes. They have been in an isolated arctic base for months and months where they can barely leave the same building. They are in one another's personal space throughout the movie. It's a vital plot point that the Thing can immitate people down to memories and personality traits. It's a vital metaphorical point as well. It's so deeply and fundamentally superficial and factually incorrect to call them unfamiliar with each other that it implies total inattention to what is happening on screen.
There are so, so many completely reasonable ways to read ideas of social disaffectation, queerness, and more into the text of the movie without misrepresenting the factual text. I'm screaming and crying and throwing up blood, what else would everyone like to propose about horror movies that sounds great aside from being entirely spurious? Someone told me psychological thrillers are the only good horror movies an hour and a half ago, we could start there. I want people to think in these ways about horror but also talking about it in a way that depends on the the text of the film does require a certain amount of knowing the actual text of the film.
Actually I think this is important tags that speak to a larger idea about horror conversation:
The Thing is, at heart, not a movie about any singular decision or behavior creating a bad outcome. Baked into the 1982 movie is failure, death, entropy, inevitable loss. It's not a movie that's meant to have a right solution, or a right decision - but when someone comes at this very bleak story without a good grounding in horror, there's a kind of urge to treat it like a puzzle. If only they were closer. If only they communicated.
That's not meeting it where it's at, because it rests on a situation where none of those elements really exist. People acted the best they could in the circumstances with the tools and information they had - and it simply was not enough. Nearly everyone dies. Even with the ambiguous ending, whoever is human is going to die, because it's winter in Antarctica and he is hundreds of miles from anywhere with no shelter and no food and no transportation. That's the sort of horror it is, the idea that when faced with extinction humanity's best efforts won't succeed. Creating an interpretation where if we had "just" this or that is shying away from the bleakness. But at the same time, not facing up to the idea that some things really might not be solvable, that the worst can happen in spite of it all, is a necessary skill. Not one we need to indulge in constantly, but we should have that knowledge.
And in a greater capacity, this is where I see things go very wrong when someone unfamiliar with or disdainful of horror tries to expound on the genre. It comes from a place of not wanting bad things to happen - not rose colored glasses or naivete - but not wanting the animal to die, not wanting the house to burn, not wanting the parents to lose a child. Not wanting to feel sick or hurt, a normal and human response to a genre which constantly steps over those lines, and quite often does so artlessly and with nothing but puerile shock at heart. That makes it difficult to examine in good faith, and wanting to see horror as something good for oneself leads most people to look for the places where horror doesn't stray close to the boundaries. Solving the problem of "bad horror" by presenting horror comedy or psychological thrillers as better side of horror, for example. But that's just another case of wanting to solve something that doesn't exist to have a solution. Part of getting the genre is recognizing not only that bad things happen in horror, but the ugly and awful and transgressive side is not a mistaken choice, not an error. It's part of what horror is, like a person, you can't understand it without understanding what you dislike along with what you like. Horror can't be corrected out of a set of flaws, those have to be accepted as part of seeing the genre as a whole.
Also, this isn't meant to suggest all horror is hopeless, mean, and cruel. Plent of horror is actually about having made one bad decision, having acted out of hubris, could have been solved by just talking reasonably and so forth. Those are all their own kind of horror plus loads of others. It's more that you can't fix the genre by decoding a right or wrong horror anymore than you can support an interpretation of The Thing where the base crew would have survived or mediated or so on. It's not a genre where a good version exists, because there's too much in it already which is either awful as a matter of fact like pain and death, or which is morally repugnant like racism and homophobia. It's useless to look for a way all of those things can somehow be retroactively solved. It's necessary to face all those things as a part of life. In horror, we have to acknowledge how much of it sucks (artistically) and was made by awful people and had deeply flawed examples of systemic oppression to actually like see the genre in a clear light. And similarly we also have to recognize how much of it is also necessarily transgressive in a way that cannot be anything except unpleasant, because that's part of things people find horrific. You can't have a respectable horror genre, is kinda the thing. There's too much going on, and trying to solve a flaw in like "too much gore" or "animal death" just ends up cutting off a necessary thing to the whole genre. The absolutely most bloodless zero death zero problematic element in the present day zero conflict good ending horror is still going to be uncomfortable because that's the point. Or it might suck. But lots of horror sucks, also, and sometimes that's also interesting.
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