not all those who wander are lost

Sean: .....yes. absolutely

Elijah: 100 percent.

The Shire is excellent farming country, with consistently good weather, and only one tough winter in living memory; hobbits like to produce large families; they’re resistant to disease, rarely violent, and encounter few dangers. It is usual for hobbits to produce many children, so that (for example) Bilbo and Frodo are unusual in both being only children, with no siblings, and not having children of their own. All of this should point to a population that increases every generation if not doubling outright. Young people (and their ideologies!) should rapidly outnumber the old with an ever-increasing effect and impact on society. However, the Shire has a surprisingly stable history; it never seems to increase or decrease greatly in population, and the bell curve of age seems… demographically balanced? There certainly isn’t a conflict from rising young bloods challenging the middle-aged reactionaries; there’s no unemployment; there are no housing crises or waves of emigration, or even a tendency for young people leaving home to marry. Meanwhile, not only does the Shire not suffer from internal pressures, but it remains obscure and hardly noticed in global politics.

What makes sense here is that adult hobbits form a loose group. Four parents in a polycule, between them all, may produce four children. All four parents claim to have four children. An outsider would assume this meant the adults had eight children.

Hobbits therefore are not especially fertile or fecund. They simply have large families. Much of their interest in genealogy is due to the complex relationships of blood-kin, hearth-kin, love-kin and pledge-kin, who must all be carefully tracked and measured - not just because you need to make sure that you don’t climb into bed with an un-permitted degree of blood-kin, but to track family alliances and carefully quantify the precise level of thoughtfulness to put into the proper present to gift your father’s lover’s lover (too much implies a degree of intimacy that might upset the polycule.)

Thus, while a hobbit matron may tell a startled dwarf that she has seven sons, she might only have borne five of them herself, and have one hearth-son by her wife, and a pledge-son of her first husband’s. There are between three and four fathers involved at various stages of production, from conception to pledge-duty, but there is debate about the precise number of fathers, as one child was festival-conceived and therefore provisionally pledged to the Brandybucks until more distinctive paternal traits should materialise. It’s expected that four of the sons will be uninterested in women, and their contribution to family life will be in raising hearth-children and pledge-duty. However, this level of detail is normally negotiated later in conversation, as a mutual overture of friendship. So she’s just clear and simple: yes, certainly, she has seven sons. Yes, they’re all hers. Yes, that’s fairly normal - yes, hobbits like big families. How big? That’s really hard to say! Well, about thirteen hobbits live in her house… er, she has forty-three nieces and nephews. Yes! She has nine siblings, that’s correct, but some of them are still babies themselves..

In this way, a bewildered dwarf might assume that hobbits are absurdly fertile, producing an average of seven children per couple, at an absurd pace.

When in fact, with about half of hobbits never bearing biological children, the population of hobbits is pretty much always the same.

Tl:dr, hobbit population works perfectly well, both internally and in the perceptions of outsiders, if the majority of the Shire is gay, they’re all polyamorous, and they all firmly claim to be parents of high numbers of children. Of course Frodo fathered Sam’s kids - he named them! They were pledge-kin but not hearth-kin, as Frodo needed a lot of quiet and stability in the home.

This makes so much sense in the worldbuilding, actually???

Like, consider: Elves don't understand hobbit families, but hobbits are also baffled by elf families. You have exactly one partner ever? And it's considered wildly inappropriate to take another even if that partner straight up dies? And they only raise their own children, usually three maximum? Most hobbits would be convinced that elves were cold, unfeeling and anti-social.

Bilbo is percieved as oddly elf-ish when he comes back from his adventure at least in part because he only takes on one hearth-child, and even then quite late in his life. Like sure dude, you don't have to have romantic or sexual partners but no children????? Very strange. Here. Take a Frodo. Maybe he'll fix whatever is wrong with your brain.

And this also explains why hobbits get on better with Elrond than most other elves. Because Elrond has a weird af family by elf standards and takes in foster children all the time. He seems much warmer by comparison. Basically, when Bilbo comes to stay at the Last Homely House and he's doing his writing Elrond would be thrown by how comfortable Bilbo is with his family.

Elrond: My apologies, I know this must be quite confusing for you.

Bilbo: No no I understand perfectly. You have two blood-parents (Elwing and Earendil), two hearth-parents (Maglor and Maedhros), one blood-brother (Elros), and one pledge-brother (Gil-galad). Certainly a bit unconventional due to the kinslaying and all, and a bit on the small side, but other than that...

Some favourite tags on my Merlin gifsets part 9 (x)

"jesus christ" "who's that"

"this is just like (tv show/movie)" "that's my favorite play"

referring to famous musicians or actors from the real world as "bards"

adding the word "fantasy" in front of modern things (i pull out my Fantasy iPhone and open Fantasy Tinder)

"how hurt are you" "on a scale of one to twenty-eight i'd say i'm at about a nine."

But she didn't change. Veth Brenatto is Nott the Brave and Nott the Brave is Veth Brenatto. This was always the point. That's why it's an anagram. It's just that when she's Veth Brenatto again, she is much more focused on the why of what she's doing. Why am I still with the Nein? Why am I still adventuring? Why do I have this reticence to return home to my family? Why don't I long for that quiet, domestic life the way I once did? Her emotional journey becomes intensely personal, sometimes subtly/quietly told, and wholly about what kind of future she wants for herself and how her choice could affect those around her. Her two families become anchor points pulling her in different directions and she has to deal with that. Which is a different story than what she was telling when she was still Nott the Brave. Nott's story was much simpler--I am a goblin and I hate it and I would like to be a halfling again. I would like to be able to be with my family again. It's straightforward and it's achieved! But that's not where it ends, because she still needs to figure out a real, functional future for herself once her goal has been achieved.

"Local King Realises He Has Zero Useful Skills"

"Gay Bar Anthem About Undressing An Oblivious Straight Guy"

"The Ruling Class Sucks, How About We Poison All Of Them"

"The Most Scathing Critique Of Representative Democracy You Will Ever Come Across"

"Yelling About How You're Going To Very Sneakily Kill Your Brother"

"Pirate Shanty: Run Aground Edition"

"Disney Princess Love Interest Duet Except The Lyrics Are About How You Barely Tolerate Each Other" (twice)

and of course

"A New Season AKA Suck It Cancellation Bear" which is the actual real title of that song and cannot be improved upon through humorous description