once you notice half of all memes are just a picture of a black person with unrelated text over them you really cannot unsee it

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@transgender-mp3
once you notice half of all memes are just a picture of a black person with unrelated text over them you really cannot unsee it

Anya is live and ready to show you everything. Watch her strip, dance, and perform exclusive shows just for you. Interact in real-time and make your fantasies come true.
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my eeveelution as wild cat series !!
vaporeon - tiger
jolteon - cheetah
flareon - lion
espeon - eurasian lynx
umbreon - melanated jaguar (black panther)
leafeon - clouded leopard
glaceon - snow leopard
sylveon - serval
eevee - house cat (maine coon)
im gay
i’m hiding worse, more secret emotions behind my big and obvious ones

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there's nothing i like more as a computer program than a long period of silent contemplation - not doing anything, not rushing anywhere, just standing here and enjoying this moment with the user. oh, it seems once again he has summoned my beautiful and ruthless wife Task Manager. hello, my darling! what are you doing with that long cruel scimitar
Posting ocs is so embarrassing. Here's my stupid loser I guess. You can kill me if you want
Old sonar drawing
so ummm welcome to my jar:) lemme show you around! theres some holes poked in the top so i can breathe, theres some leaves to munch on, and ive even got a twig! #mytwig
weird as hell, thank you for asking

Anya is live and ready to show you everything. Watch her strip, dance, and perform exclusive shows just for you. Interact in real-time and make your fantasies come true.
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I don't understand how cis people obsessed with gender norms think trans people are the weird ones. they're going around believing that your name has to correlate to your genitals. your fashion has to correlate to your genitals. your behaviours have to correlate to your genitals. your hobbies have to correlate to your genitals. who you date has to correlate to your genitals. whether you can put sparkles on your eyelids or not has to correlate to your genitals. and then people like me go "hmm. I might not do that. maybe I'll just do what feels fun and okay instead" and they LOSE their MINDS
With the whole "Markiplier making his own DVD copies of Iron Lung to sell" thing, it's been fascinating and slightly concerning how many people seem to genuinely believe that if a physical release isn't coming from a giant corporation, it must automatically be a bootleg.
Look at me.
Look me directly in the eyes while I say this.
You can just make things.
You can simply create something and put it into the world.
That's allowed.
People have been doing it for centuries.
They sell blank VHS tapes. They sell blank DVDs. Blank CDs. You can buy flash drives by the bucketful if you really want to. If you create a movie, an album, a game, a documentary, or a four-hour video essay about the mating habits of fictional space goblins, you are entirely permitted to put that thing on physical media and sell it.
That is not piracy.
Piracy is taking something that belongs to someone else and reproducing or distributing it without permission.
If I buy a DVD of a movie, I own that copy of the movie. I do not own the movie itself. I didn't acquire the rights to duplicate it, press a thousand copies, and start selling them out of my garage like I've become the regional distributor for Warner Bros.
The copyright, distribution rights, and intellectual property still belong to whoever created it or whoever legally acquired those rights.
If I start burning copies of Iron Lung and selling them myself without Markiplier's permission, that's piracy.
If Markiplier, who made and owns the rights to Iron Lung, burns copies and sells them himself, that's just distribution.
He's the rights holder.
He's distributing his own work.
If you made it, if it came from your own mind, your own work, your own time, your own resources, then congratulations. You own the thing. You don't need a corporation to bless it with legitimacy.
The corporation is not what makes it real.
The fact that it exists is what makes it real.
I think we've accidentally spent so many years living inside a world dominated by mass-produced media that some people have developed the strange assumption that all media emerges from a factory somewhere. As if films naturally occur in shrink-wrapped plastic cases and descend from the heavens aboard a pallet truck.
But independent artists have been burning discs, dubbing tapes, printing books, pressing records, and mailing things directly to people for longer than many of us have been alive.
That's not a bootleg.
That's just a product.
It's not "bootleg."
It's just... leg.
The normal kind.
The original, free-range, locally sourced leg.
📝 Estrogen has ice aspect
📝 Testosterone has fire aspect
📝 Progesterone makes you better at gambling
TOS fem!Spock vision board
I should do this to her sometime
Some quick fanart for this concept

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(guy who plays an old influential game voice) man is it just me or does it feel like a lot of other games were really influenced by this
What I like about that Tolkien letter is that it’s a reminder that stories don’t present themselves fully formed. This seems an obvious thing to say, but I think people sometimes forget it while writing. Tolkien is pointing out the underrated and essential part of writing which is “going away and having a big think about things” or, in other words, “imagining”.
You have to make stuff up before you can write about it, and that mostly involves inhabiting the spaces and minds of the places and people you’re writing about. Most of that won’t ever appear on the page. Tolkien’s case is different in a couple of ways. Firstly, the sheer extent of the world he’s imagining. (Of course the book takes years to write! He’s making up the history of Númenor and Gondor from thin air!) Secondly, we have unusual access to his world-building materials in the Appendices, which makes the book feel even more fully formed and authoritative. We also have unusual access to his creative process in HoMe. It’s fucking incredible watching Númenor get invented. People joke that Tolkien didn’t finish things, and use his Númenorean time travel story as an example (Lewis publishes the reciprocal three book space travel stories). But that material IS published in a deeply meaningful way. It’s the whole texture that supplies the unique depth and believability of The Lord of the Rings. Sometimes people joke, “Oh, Tolkien barely published!” Yes, but he published The Lord of the fucking Rings. And an essay that revolutionised the study of Beowulf. I’d take that.
This quote also by necessity downplays the rewriting process of LotR which of course was years of painstaking craft and revision, and is its own story. But, yes, of course these things didn’t exist! He had to make them up! So if in doubt, go away and lie in the hammock or on the bed and gaze into nothing and really think about what the world of your story is like and how it feels and what it must be like to be inside the minds of the made-up people whose lives, for some bizarre reason, you want to make up. This actually is part of the work and it’s not frenetic. And there’s no real shortcut. But what is nicer? Why rush this?
(I read an excellent story fairly recently which was clamouring for a sequel. The writer knew this, and was trying to write it, but was stuck and had been for a couple of years. I suspect the writer was trying to pick up directly after the dramatic events of the written story and progress from there. But that would be retelling the initial story, and why do that? It’s already told. That work is done. No wonder they were stuck. I think this is particularly difficult if the story has been extremely successful (which it was) and a creative stretch (which I suspect it was) because the temptation to go back to that well must be overwhelming. But that well has been drawn upon. The solution most likely would be to pick up with the characters a few years down the line and see where they were now. In which case of course the sequel will take a couple of years to write because the writer would need a while to detach from the deep immersion of the previous story, and the time to immerse in and explore a new reality. Often we don’t talk about these aspects of creative practice which I think can leave them very bewildering and confusing. Lots of things happened to me between Enigma Tales and TEoTDB, and lots of books too, but one thing that’s probably of interest only to me, but is of enduring interest to me, is observing the difference between something you might write in your early 40s and something you might write in your early 50s. This relates both to reasons and need for writing a story, and the changes in competence and craft after ten more years practice.)
Yes, so, if you are stuck, one question you can ask yourself is, “Have I hit the limits of what I’ve imagined?” If the answer is “yes” go for a walk or a think or whatever. There will be no point trying to write further because there isn’t anything there yet to write. You can draw on habits and shortcuts and experience to a certain extent but that won’t always be your best work.
Or take a shower! Shower thought are genuinely super creative.
Showers are great; fold the washing if you’re really stuck.
Fold the washing, huh? I have clothes that have been stuck in my tumble dryer for 6 weeks now, the creativity I could unleash if I freed them.
I’ve got a pile sitting there that I’ll probably have to rewash soon; novel’s worth of potential energy stored there.
All writing potential is stored in unsorted laundry? That explains a lot about my life, I hate doing laundry/folding washed items and avoid doing both, no wonder I've been in a mental slump.
Of course the real solution is a controlled explosion.
Of laundry?
Of laundry, right?
Look, whatever it takes to break the block.