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Thinking a lot recently about the constant comparison of Oblivion to Skyrim, particularly claims that Oblivion is superior in every way strictly by virtue of quest length and the greater grandiosity of the organizations in Oblivion, and I think there's been a fundamental misunderstanding of what's actually going on with Tamriel during the time period of Skyrim. Even though it's like...one of the core concepts of the main storyline.
Putting most of this under a cut for length, but I just...I think people misunderstand what's going on here. This is not a "One Game Good Other Game Bad" post, it's an analysis of a major, key difference in story basis between the two that I think gets lost in the (frankly asinine) argument about which is superior.
See, everything in Skyrim sucks. Every organization you can align yourself with is falling apart. Literally every single one.
That's the point.
To summarize:
The Companions (equivalent to the Fighters' Guild) are about a dozen strong, literally cursed, and their most beloved leader gets murdered very early in the storyline.
The College of Winterhold (equivalent to the Mages' Guild, not to the Arcane University) has seemingly only been saved from collapsing into the sea because a master of Restoration fused himself with the structure itself when the Sea of Ghosts tried to tear it down a little under a century ago and his presence is constantly physically "healing" the foundation.
The Thieves' Guild has lost the favor of every possible patron deity, having been outright cursed by Nocturnal after one of her Nightingales murdered another and stole the gift she offers her champion, while the boon that the organization's founder claimed from her in ages past (the cowl) is missing.
The Dark Brotherhood has been all but completely dismantled, the Night Mother's tomb in Bravil having been raided and struggling to persist without a Listener for over a decade; the bodies of the Night Mother's children have been lost and she's essentially being smuggled from region to region in an attempt to find a safe place to continue operations.
The Empire itself has been kneecapped, forced into a traumatic treaty by a fascist regime determined to strike the beliefs and culture of anyone not Altmer off the face of the planet; the Thalmor have gone so far as to torture and radicalize the figurehead leader of the Nords in order to use their own nationalism and superiority against the Empire, sparking a civil war that will further weaken the Empire and allow the Aldmerri Dominion to destroy it wholecloth.
This extends out into the rest of the world, too! We have confirmed existence of Hist-deaf Argonians. The Dunmer are floundering to recover after the quadruple-whammy that is the fall of the Triumverate, the destruction of Vivec City when Baar Dau finally made impact, the Red Year, and the Argonian uprising. The Bosmer are literally endangered due to habitat loss following a super-isolationist cultural shift due to wars with the Khajiit and Altmer. The Void Nights were devastating to Khajiit culture and population in ways that have yet to be fully explained.
The world is falling apart. Everything is dying.
And then Alduin shows up.
We all kind of talk about Alduin carrying on as World-Eater through the course of the Skyrim storyline like it's him being a piece of shit, since he'd started it ages ago and was just displaced in time to land on the Last Dragonborn's head in the Fourth Era, but I don't think that's the case.
Based on the state of things, I think Alduin arrived right on time. I think it's the end of the world. The only reason he "should" be stopped is because the Last Dragonborn has the capacity to stop the world from ending in a more down-to-earth sense than just defeating Alduin: they can't save everyone, but they can "fix" every single organization that's holding "the world" together.
They can align with the Imperials and keep the civil war from further crippling them, keeping the Empire from being too weak to push back against the Aldmerri Dominion.
They can save the College of Winterhold, the only group in the right place at the right time to stop the Eye of Magnus from opening, and in doing so make sure that the Psijics are able to put it somewhere nobody else can find it.
They can lead the Companions, cure the curse for those members who don't want to run with Hircine after death, which bolsters their spirits enough to keep doing what they can even when everyone else is trying to kill each other. A single neutral martial force in the middle of a civil war.
They can regain Nocturnal's trust for the Thieves' Guild, restore the Nightingales, and in doing so they can return the luck that was stolen from them as punishment for Mercer Frey's transgression. They can even reclaim the Crown of Barenziah and award the guild with a paragon to increase their newly-regained luck.
They can hear the Night Mother, becoming Listener for the Dark Brotherhood to restore the balancing force of Sithis in the world, purify the most broken Sanctuary the Brotherhood has ever had, and finish a story set into motion way back in the Third EraāEmperor Titus Mede II is murdered under the order of a Motierre, a descendant of a mark the Brotherhood specifically kept from dying during the Oblivion Crisis.
The Last Dragonborn can't do anything outside Skyrimāthere's nothing they can do for the Argonians or the Bosmer or the Khajiit, and they can only do very little for the Dunmer via work in Solstheimābut they can work with every single guild or guild-adjacent group, strengthening the Empire to stand against the biggest threat to Tamrielic culture since the First Era, and in doing so they can make it so the world isn't ready for Alduin to eat it.
The Hero of Kvatch exists when Tamriel, and presumably Nirn as a whole is in the prime of its life, that's what makes the Oblivion Crisis such a big deal. This is a world that isn't ready to give up, it still has the strength to fight, it just needs someone standing at the head to direct it. The Last Dragonborn comes into the story when everything is falling apart and nothing really feels worthwhile, when it's hard to see why the world is worth saving. They have the chance to prove that there's still some life left here, that the world isn't too far gone to saveāAlduin arrived right on time, it's the Last Dragonborn's job to change that.
I can see how coming from Oblivion to Skyrim would feel disappointing and hollow, but I'm pretty sure that's literally the point of the story.
Oblivion tells you the world is worth saving because it's got so much left to live for, even with the odds stacked so high against it. Skyrim asks you whether a world that's dying is still a world worth saving, and it's up to you to prove that it is.
As you may know, there was recently a DC Comics boycott as a part of the DCSoWhite movement since DC has not had a mainline ongoing solo with a Black lead for over 1200 days. You can read more about this here, here, here, and here. The boycott has been cancelled (link), but that doesn't mean we can't still show support for Black comic creators!
One of the things the movement called for fans to do was to "[Support] Black creators through independent and creator-owned projects." So this post is meant to provide tips on how to do this.
Check out other works of Black creators you're already familiar with
The Black comic creators you're already a fan of who have made comics for DC or Marvel have likely also made comics for other publishers too. You can usually find out about other comics they've worked on through their Wikipedia page, social media pages, and their own website if they have one. And it's a good idea to follow their social media to learn about any of their projects in the future!
Look through indie publisher websites
A great way to find out about indie comics is to check out indie publishers' websites. There will almost always be a page on their websites with all their comics so you can easily look through them and the creators will be listed so you can look into the creators too. This is one way to find out about Black comic creators who you might not already be familiar with.
The publishers that are listed as examples in the webpages linked above are Image Comics, BOOM! Studios, Vault Comics, Ignition Press, and Stranger Comics.
Check out existing lists
There are already lists online that specifically recommend Black creators to check out and comics by Black creators. You can also find recommendations and lists on social media. This is another great way to find out about Black comic creators you're not yet familiar with.
Speaking of lists, I would like to point you to this post by @bimboopo which includes a list of many Black webtoon creators which you can go check out!
Hopefully this guide will help people find out about more comics by Black creators. Support these creators by reading, buying, and talking about their comics. And even if the boycott is over, still make sure to sign the petition.
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the āfuck canon everything is made up do whatever you want foreverā approach to fandom can be fun in small doses but i find that subscribing a little too hard to that attitude can lead to this belief that serious engagement with and analysis of a text is an act of no fun self-flagellation when that couldnāt be further from the truth. analysis is literally fun
āDC stands for Disregard Canonā hits harder when it's the conclusion finally reached by a comic reader who has engaged with the original texts and beaten their head against the inconsistencies caused by decades of rotating writers/artists, many of whom see characterization as something to be thrown out when convenient
it means fucking nothing when invoked by someone as an excuse to cover for the fact that they've never read an actual comic in their lives and only knows the fanonized versions of characters from Tumblr AO3 and TikTok
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