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PUT YOUR BEARD IN MY MOUTH

Janaina Medeiros
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will byers stan first human second
I'd rather be in outer space 🛸
i don't do bad sauce passes

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taylor price
Lint Roller? I Barely Know Her
Cosimo Galluzzi

oozey mess
trying on a metaphor
Sweet Seals For You, Always
NASA
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@badwasabi

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Curious pond greets butterflies
Demoiselle et demoiselle.
Wait, no, that's papillion.
She got the idea for the study while walking with her advisor at Stanford to discuss her thesis topic, and the paper she eventually published in the Journal of Experimental Psychology in 2014 is sharp enough that it should have ended the seated meeting on the day it came out.
She ran 4 experiments on 176 people. Same person tested twice. Once sitting, once walking. The creativity tasks were the standard ones psychologists have used for decades to measure how good a brain is at generating novel useful ideas.
81% of participants in the first experiment produced more creative ideas while walking than while sitting. In the second experiment, 88%. In the third, 100%. Every single person walked into a more creative version of themselves. On average, people generated 60% more novel useful ideas the moment their legs started moving.
The skeptical question is the obvious one. Maybe it was the fresh air. Maybe it was the scenery passing by. Maybe it was the change of environment doing the work, not the walking itself.
Oppezzo killed every one of those explanations with one experimental decision. She put people on a treadmill facing a blank wall. No scenery. No fresh air. No environmental change. Just legs moving in place while staring at white drywall. The 60% boost held.
Then she ran the experiment that closed the case completely. She took participants outside in two conditions. Half of them walked through a Stanford courtyard. The other half were pushed through the exact same courtyard in a wheelchair. Same outdoor stimulation. Same scenery passing at the same speed. The only difference was whether the legs were moving.
The walkers produced dramatically more novel high-quality ideas than the wheelchair group. The outdoors did almost nothing on its own. The walking did everything.
She also tested the opposite kind of thinking. Convergent thinking. The kind where there is one right answer and you have to narrow down to it. Word puzzles where 3 words share a hidden fourth word that connects them. The seated participants did slightly better on these. Walkers got slightly worse.
Walking is not a general intelligence enhancer. It does one specific thing. It opens up the divergent search inside your brain. The part that generates options. The part that produces unexpected connections. The part that takes a problem and finds five ways into it instead of one.
When you need to converge on the single right answer, sit down. When you need to find the answer in the first place, get up.
The mechanism is now well understood. Walking selectively activates what neuroscientists call the default mode network, the system inside your brain that runs when you are not consciously focused on anything. The DMN is where mind-wandering happens. Where memories cross-reference each other. Where ideas that have been sitting in separate folders inside your head finally bump into each other.
When you sit at a desk and force yourself to concentrate, you suppress the DMN. When you walk at a natural pace, the executive part of your brain gets just busy enough handling the walking that the DMN comes online and starts doing the work that focus was blocking.
The most useful finding in the entire paper is the one almost nobody quotes. The boost did not turn off the moment people stopped walking. Participants who walked first and then sat back down stayed elevated. Their next round of seated creativity work was still significantly better than people who had been sitting the whole time. The rest lingered for at least several minutes after the legs stopped moving.
You do not need to do creative work while walking. You need to walk before the creative work. The brain holds the state.
Edited down a long tweet. (x)
If I were to invent an evopsych reason, I'd guess that it's more useful to have your mind problem-solving when you're walking, for threat detection purposes.
Or because we're persistence hunters.
bad media will piss you off good media will heal your soul bad media that couldve been good will ruin your life forever

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萩原 卓哉/Hagihara Takuya
Archive
I think this Magic Eye pic is broken.
~ Our Deportment or the Manners and Customs of Polite Society, Maud C. Cooke, 1902
Don't make eye contact with the help, ladies
this doesn't mean quite what it sounds like in the present day
informality is seen as polite and egalitarian now, but in 1902, you weren't even supposed to use someone's first name until they asked you to. and that's if you KNEW them. it's saying not to make eye contact with the waiter, not because you're better than him, but for the waiter's privacy
you know how customers using your name feels weird, when you work somewhere with nametags? like they haven't earned the closeness of the interaction? "familiarity" here basically means that, but in a society that's like 10 degrees more formal
was it an extremely classist society? yes. were many people in it dehumanizing to service workers? also yes. but that's not what this is saying. it's more like, "you don't know the waiter. don't act like you're his friend"
(also it's an etiquette manual, so probably there were differences of opinion in practice)
This answers a question I had where after a solid page of praising how Princess Mary Adelaide, Duchess of Teck, was extremely good with people and beloved for her kindness and sympathy, her biographer Clement Kinloch Cooke then says that "her manner never approached familiarity". It felt like a contradiction of terms so it's good to know that what he was saying was "she was universally kind, but did not take liberties or assume closeness with strangers."
Thank you!
she has been pickled for her crimes
I like when someone invents a new and disturbing way to Decorate Wrong

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Spring/autumn supremacy
Spring is the best.
This is a beautiful graphic but it doesn’t explain the pros and cons of each fire type.
The Swedish torch is good for an efficient and contained fire, it’s controlled and good for cooking over and produces less light and heat than other fires. It can be difficult to keep going once you burn through the original log
The teepee is your traditional campfire. Good for heat and light not great for cooking, burns through fuel fairly quickly
The star fire is one of the slowest burning and not well protected but provides an even heat good for slow cooking and is excellent if you have limited fuel and need the protection a fire can provide
The lean to is a compact and efficient fire that evolves into a dense and hot bed of coals. The structure creates a good source of air flow which can help damp wood burn. A slightly better cooking fire that isn’t as bright. It also provides protection from wind on one side
The platform fire is incredibly hot and will create a very thick bed of coals but it doesn’t have a lot of air flow and is a little harder to get started.
The log cabin is big and bright and has lots of air flow which again is good for damp logs. You can also use this structure to start a smaller fire in the middle while drying out bigger logs. This fire will crumble into a messier bed of coals that don’t produce particularly even heat for cooking.
The modified leanto is excellent if you need it to perform multiple functions. The side with more fuel will burn bright and hot and the side with less fuel will burn less hot but more evenly and controlled, this gives you different cooking options.
reblogging for writing purposes. the exact reason will come soon enough.
For starting a fire, the Log Cabin is probably one of, if not the, most consistent and reliable kindling setups. It’s tighter packed and has more protection against wind than a teepee, but still has sufficient airflow to get a good ignition, and enough structural stability to prop up the bigger logs long enough to get them burning consistently.
19th-century vis-à-vis conversation chair from France. Two back-to-back seats angled face to face so people could talk close up without turning their bodies or messing up their posture. A Victorian-era favorite for fancy parlors. Let bourgeois folks chat, flirt a little, all while staying proper on those stiff sofas. Solid wood frame, deep cushions, carved details. Total parlor game-changer back then. Still looks sharp today.
I am reblogging this chair because it shows up on my dash approximately three times a day. I don’t know why Tumblr thinks I need to see this chair when it rarely shows me posts from my mutuals, and maybe by giving in, I will now only see chairs.
Rainy Day Driving around LA

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bull in a china shop
"Can I help you?"
Also, blender?
When your crusty brother shows up on your mother’s deathbed 20 years after he inexplicably disappeared and forced you to step up for your struggling family when you were still just a child