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Cosmic Funnies


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Tags to find things you're seeking! Drabble Fiction Prompt Writing Audio Video Crafts

Anya is live and ready to show you everything. Watch her strip, dance, and perform exclusive shows just for you. Interact in real-time and make your fantasies come true.
Free to watch • No registration required • HD streaming
Did you do a writing challenge in November? How did it go for you?
Writing Prompt: Three Things
the werewolf landlord, paprika sausage, unfounded assumptions
Signed paperback of my re-debut novel: Blood from Stone!If you'd like a custom note written inside, send it through the Note box on the cart
Shrink my stack of signed paperbacks! Only 10+SH on my site, which is cheaper than the Big River's price! Lots of other goodies to grab!
Hit 10k words on my vampire novel sequel!

Anya is live and ready to show you everything. Watch her strip, dance, and perform exclusive shows just for you. Interact in real-time and make your fantasies come true.
Free to watch • No registration required • HD streaming
You, a normal human, try out a dating app you've never heard of and soon find out it's a dating app for supernatural entities. Every date you go on, your date is always surprised you're not repulsed by their non-human features. But your latest date just can't believe you're not joking…
Seen, heard, and felt.
Things Real People Do in Dialogue (For Your Next Story)
Okay, let’s be real—dialogue can make or break a scene. You want your characters to sound natural, like actual humans talking, not robots reading a script. So, how do you write dialogue that feels real without it turning into a mess of awkward pauses and “ums”? Here’s a little cheat sheet of what real people actually do when they talk (and you can totally steal these for your next story):
1. People Interrupt Each Other All the Time In real conversations, nobody waits for the perfect moment to speak. We interrupt, cut each other off, and finish each other's sentences. Throw in some overlaps or interruptions in your dialogue to make it feel more dynamic and less like a rehearsed play.
2. They Don’t Always Say What They Mean Real people are masters of dodging. They’ll say one thing but mean something totally different (hello, passive-aggressive banter). Or they’ll just avoid the question entirely. Let your characters be vague, sarcastic, or just plain evasive sometimes—it makes their conversations feel more layered.
3. People Trail Off... We don’t always finish our sentences. Sometimes we just... stop talking because we assume the other person gets what we’re trying to say. Use that in your dialogue! Let a sentence trail off into nothing. It adds realism and shows the comfort (or awkwardness) between characters.
4. Repeating Words Is Normal In real life, people repeat words when they’re excited, nervous, or trying to make a point. It’s not a sign of bad writing—it’s how we talk. Let your characters get a little repetitive now and then. It adds a rhythm to their speech that feels more genuine.
5. Fillers Are Your Friends People say "um," "uh," "like," "you know," all the time. Not every character needs to sound polished or poetic. Sprinkle in some filler words where it makes sense, especially if the character is nervous or thinking on their feet.
6. Not Everyone Speaks in Complete Sentences Sometimes, people just throw out fragments instead of complete sentences, especially when emotions are high. Short, choppy dialogue can convey tension or excitement. Instead of saying “I really think we need to talk about this,” try “We need to talk. Now.”
7. Body Language Is Part of the Conversation Real people don’t just communicate with words; they use facial expressions, gestures, and body language. When your characters are talking, think about what they’re doing—are they fidgeting? Smiling? Crossing their arms? Those little actions can add a lot of subtext to the dialogue without needing extra words.
8. Awkward Silences Are Golden People don’t talk non-stop. Sometimes, they stop mid-conversation to think, or because things just got weird. Don’t be afraid to add a beat of awkward silence, a long pause, or a meaningful look between characters. It can say more than words.
9. People Talk Over Themselves When They're Nervous When we’re anxious, we tend to talk too fast, go back to rephrase what we just said, or add unnecessary details. If your character’s nervous, let them ramble a bit or correct themselves. It’s a great way to show their internal state through dialogue.
10. Inside Jokes and Shared History Real people have history. Sometimes they reference something that happened off-page, or they share an inside joke only they get. This makes your dialogue feel lived-in and shows that your characters have a life beyond the scene. Throw in a callback to something earlier, or a joke only two characters understand.
11. No One Explains Everything People leave stuff out. We assume the person we’re talking to knows what we’re talking about, so we skip over background details. Instead of having your character explain everything for the reader’s benefit, let some things go unsaid. It’ll feel more natural—and trust your reader to keep up!
12. Characters Have Different Voices Real people don’t all talk the same way. Your characters shouldn’t either! Pay attention to their unique quirks—does one character use slang? Does another speak more formally? Maybe someone’s always cutting people off while another is super polite. Give them different voices and patterns of speech so their dialogue feels authentic to them.
13. People Change the Subject In real life, conversations don’t always stay on track. People get sidetracked, jump to random topics, or avoid certain subjects altogether. If your characters are uncomfortable or trying to dodge a question, let them awkwardly change the subject or ramble to fill the space.
14. Reactions Aren’t Always Immediate People don’t always respond right away. They pause, they think, they hesitate. Sometimes they don’t know what to say, and that delay can speak volumes. Give your characters a moment to process before they respond—it’ll make the conversation feel more natural.
Important note: Please don’t use all of these tips in one dialogue at once.
genuinely fucked up that if i want to interact with someone online i have to say words and have a conversation instead of just mashing my face against them like a cat
reblog to mash your face against your mutuals like a cat
The shackles have broken, the cage has come undone. The creator has broken loose and their insanity takes hold of reality. However you are in the middle of eating the best damned ice cream you have ever eaten and you won’t let anything ruin that for you.

Anya is live and ready to show you everything. Watch her strip, dance, and perform exclusive shows just for you. Interact in real-time and make your fantasies come true.
Free to watch • No registration required • HD streaming
The hero, normally jovial and humorous in their interactions, steps into a watering hole for villains, shaking with rage, tears running down their face, and with as much patience and calm as they can muster, simply asks "Who did it?"
Ooooh. dundundun
Reactions to... a love confession
"Oh."
"Thank you."
"I love you too."
"I don't know what to say."
"Not the right time, not the right place."
"I never thought you could love me."
"You're as stupid as you look if you think I don't feel the same!"
"What do you want me to say now?"
"I've waited so long to hear this."
"Can you please repeat that?"
"You were quite obvious."
"I've always known this."
"Can I get some time before I answer?"
"Why did you decide to tell me now?"
"I guess I have always been in love with you too."
"This is not a prank, right? Because then I would have to punch you and I actually really want to kiss you."
"You're not the only one who feels like that."
More: Love Confessions Masterpost
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Writing Intimacy
i often see writers sharing a sentiment of struggling with writing kiss scenes which honestly bleeds into other portrayals of physical intimacy. i see it a lot in modernized styles of writing popularized by the recent trend in publishing to encourage short, choppy sentences and few adverbs, even less descriptive language. this makes intimacy come across awkward, like someone writing a script or clumsy recounting of events rather than a beautiful paragraph of human connection.
or just plane horniness. but hey, horny doesn't have to be mutually exclusive with poetic or sensual.
shallow example: they kissed desperately, tongues swirling and she moaned. it made her feel warm inside.
in depth example: she reached for the other woman slowly and with a small measure of uncertainty. the moment her fingers brushed the sharp, soft jaw of her companion, eliza's hesitance slid away. the first kiss was gentle when she finally closed the distance between them. she pressed her lips lightly to gabriella's in silent exploration. a tender question. gabriella answered by meeting her kiss with a firmer one of her own. eliza felt the woman's fingers curling into her umber hair, fingernails scraping along her scalp. everything inside eliza relaxed and the nervousness uncoiled from her gut. a warm buzz of energy sunk through her flesh down to the very core of her soul. this was right. this was always where she needed to be.
the first complaint i see regards discomfort in writing a kiss, feeling like one is intruding on the characters. the only way to get around this is to practice. anything that makes you uncomfortable in writing is something you should explore. writing is at its best when we are pushing the envelope of our own comfort zones. if it feels cringy, if it feels too intimate, too weird, too intrusive, good. do it anyway! try different styles, practice it, think about which parts of it make you balk the most and then explore that, dissect it and dive into getting comfortable with the portrayal of human connection.
of course the biggest part comes to not knowing what to say other than "they kissed" or, of course, the tried and true "their lips crashed and their tongues battled for dominance" 😐. so this is my best advice: think beyond the mouth. okay, we know their mouths are mashing. but what are their hands doing? are they touching one another's hair? are they scratching or gripping desperately at one another? are they gliding their hands along each other's body or are they wrapping their arms tightly to hold each other close? do they sigh? do they groan? do they relax? do they tense? are they comfortable with each other or giddy and uncertain? is it a relief, or is it bringing more questions? is it building tension or finally breaking it?
get descriptive with the emotions. how is it making the main character/pov holder feel? how are they carrying those emotions in their body? how do they feel the desire in their body? desire is not just felt below the belt. it's in the gut, it's in the chest, it's in the flushing of cheeks, the chills beneath the skin, the goosebumps over the surface of the flesh. everyone has different pleasure zones. a kiss might not always lead desire for overtly sexual touches. a kiss might lead to the desire for an embrace. a kiss might lead to the impulse to bite or lick at other areas. a kiss could awaken desire to be caressed or caress the neck, the shoulder, the back, the arms etc. describe that desire, show those impulses of pleasure and affection.
of course there is the tactile. what does the love interest taste like? what do they smell like? how do they kiss? rough and greedy? slow and sensual? explorative and hesitant? expertly or clumsily? how does it feel to be kissed by them? how does it feel to kiss them?
i.e. examine who these individuals are, what their motives and feelings are within that moment, who they are together, what it looks like when these two individuals come together. a kiss is not about the mouth. it's about opening the door to vulnerability and desire in one's entire body and soul.
Seriously: that short, choppy, low-to-no description advice about writing fiction can die in a fire. If you can't feel it, based on the words you chose, tweak it until it makes your pulse speed and you get butterflies in your stomach. Then you know you're on track.
His dark hair was tossed over one shoulder in a thick braid, but the bare skin of his neck and shoulders shot fear into my heart with the precision of a cherub's arrow.
Writing Prompt: Three Things
fake it like you mean it, dreaming of autumn skies, when we meet again

Anya is live and ready to show you everything. Watch her strip, dance, and perform exclusive shows just for you. Interact in real-time and make your fantasies come true.
Free to watch • No registration required • HD streaming
reblog if you believe fanfics are as valid as books that were published and sold by authors who write as their main careers. I'm trying to prove a point
Not only are they valid, sometimes they're written better.
Word Lists
will update this every few weeks/months. alternatively, here are all my tagged word lists.
Blood ⚜ Blush ⚜ Book ⚜ Eye ⚜ Flower ⚜ Fly ⚜ Glow
Gold ⚜ Honey ⚜ Moon ⚜ Sun ⚜ Sick ⚜ Time ⚜ Water
Collections
"Beautiful" Words: Part 1 2 3 4 5 6 7
"Poetic" Words: Part 1 2 ⚜ "Ugly" Words
Animals ⚜ Dance ⚜ Garden ⚜ Kill ⚜ Personality Traits
Food: Part 1 2 3 4 5 ⚜ Aphrodisiacs ⚜ Drinking
Love: Part 1 2 ⚜ Sex Scenes
Palindromes ⚜ Shapes ⚜ Voice ⚜ 1930s Slang
Months: August ⚜ September ⚜ October
Seasons: Autumn ⚜ Spring ⚜ Summer
Uncommon Words: Body ⚜ Emotions
Characters
Achilles ⚜ Patrolcus ⚜ Amy Dunne ⚜ Aphrodite
Aragorn ⚜ Arwen ⚜ Hannibal ⚜ Will Graham
Giorno ⚜ Josuke ⚜ Katniss ⚜ Morticia
Languages
Ancient Greek ⚜ Greek Words for Love ⚜ French ⚜ Italian
Japanese ⚜ Latin ⚜ Romanian ⚜ Russian ⚜ Spanish
Literature
Sylvia Plath ⚜ The Secret History
all posts are queued. send questions/requests here.