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@audiodramatist
need to beam this tweet directly into everyone's minds right now

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young old person tip for you all. go get some photos printed (pauses so someone can say bogos binted) and fill out a physical album
and annotate them with who is in the photos and when and where the photos were taken!!! your extended family 50 years from now will be grateful, and so will you if you end up forgetting any details
(sprints into room late, looking harried and frantic as fuck) bogos binted. did I miss it
you don’t realize how important lunch is until you’re wandering around thinking about how unloveable and untalented and uniquely cursed you are and then it’s 4pm and you finally eat lunch and you go Oh. oh right.
lot of people commenting on this post like "who eats lunch at 4pm that's a terrible time to eat lunch" yes. that is the point. 4pm lunch is inadvisable. 4pm lunch is not the ideal. 4pm lunch makes the mind demons real.
happy turnabout serenade week (guilty love musical sting)
Discworld: Wyrd Sisters Director: Jean Flynn | Studio: Cosgrove Hall | UK, 1997
It genuinely upsets me that there are people who call this animation and voice acting bad, there’s so much heart and soul on display in just this clip alone
At first glance: ‘lol this is going to be one of those hilariously cheap animations’
30 seconds in: ‘…Oh my god this is fantastic’
“WHO DARES TO INVOKE WXRTHLTL-JWLPKLZ?” “Where were you when the vowels were bein’ handed out, behind the door??”

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the nountain goats <- what if the mountain goats were on sesame street
gideon's lesbian-o-vision rendering all men kinda yuck except palamedes is a strong argument in favor of she's just preordering
she’s just like me fr
“i have to listen to my body’s needs” secret boss fight written by person who has chronic and disabling wrist pain which has fundamentally changed his relationship to his hobbies and his job <- i care it as someone who has also had chronic pain in my wrist/hand for 5 years
another thing i tend to think about with this. i also just think in chapter 5 there's a theme of care and dependency. the flowers have extreme guilt over being taken care of by asgore. flowery conceptualizes himself as weak and useless. in the dark world, his fantasy, he tries to return the care given to him to asgore to "make up for" asgore taking care of him when he should've died decades ago. it's an extreme example, but i also resonate with his feeling.
when your body or mind puts you in a situation where your reliance on other people becomes really explicit, you're trained by the world to see that as shameful or to see yourself as deficient. your efforts to ignore your needs just to avoid "being a burden," will leave you worse off. you punish yourself because of deeply internalized ableism.
regardless, even by virtue of being a living thing on this planet, you are already designed to need others. you have to listen to your body's needs even against a society that teaches you you shouldn't. you have to be okay with the fact that you have needs. sometimes your needs are different or are greater than the person next to you, and all you can do is listen to your body and turn to others when you need them. you're still a person when you need people.
when toby says this:
it's interesting to me how much he uses the language of deltarune to express this feeling. your hopes and dreams slipping away, and bitterness growing is literally the explanation we get for shadow crystals (and so wept the fallen star, making rivers with its tears. then, slowly, from the bitter water, something grew. it looked like glass). this is also the crushing feeling when you lose a sense of control when you're in pain, when you can't do things the way you want, the way you used to. but when you find yourself still able to fly, you do so because you've adapted. you've listened to your body. you've learned that listening to your body means changing the pace, letting yourself be cared for, letting yourself be helped.
as far as toby's said it, having to expand his team has made deltarune a better game. chapter 5 is so expansive because so many people helped to make it. Pink's fight has sprite work from guest artists, music with Camellia, bullets programmed by Toby's team. She is, to me, a love letter to Deltarune's development process as a whole and how it has shaped Toby, and a reflection of the kinds of thoughts Toby has shared with us about developing Deltarune alongside pain. I also think it's a beautiful follow-up to Gerson's themes of storytelling and authorship (letting go of "perfection" + accepting the contributions of others = both about rescinding control and embracing perseverance). Pink is also so much more than this, but I've been thinking about this a lot.

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The winners of our episode, Siobhan Thompson and Grant O'Brien!
Game Changer Season 8 Episode 3 "Night Shift"
every purpee citizen that meets darkness man:
this is one of, if not the best screenshot i've ever gotten from a game changer episode in my entire fucking life
im obsessed with whatever the hell demi is doing this episode
everybody do the weenus
(-.-) (-.-) (-.-) (-.-)
[ \ \ \ \ / / ] / /
| \ | | / | | |
the weenus is a dance
<(-.-)> <(-.-)> <(-.-)> <(-.-)>
[ ] [ ] [ ] [ ]
/ | / \ | \ | |
everybody is a genius
(-.-) (-.-) (-.-) (-.-)
– • • • • – – –
| | | | | | | |
who knows it in advance
(-.-) (-.-) (-.-) (-.-)
[ ] [ ] [ ] [ ]
| | — | | | | — 📹

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There are FIFTY on-camera cast members credited for that episode by the way.
Fifty-one if you include Elaine in VO