heart broken. world broken. what's even the point.
AnasAbdin
Misplaced Lens Cap
art blog(derogatory)
styofa doing anything
Claire Keane

JBB: An Artblog!
TVSTRANGERTHINGS
YOU ARE THE REASON

Sade Olutola
wallacepolsom
Not today Justin
will byers stan first human second

tannertan36

Andulka

Kiana Khansmith

izzy's playlists!
seen from Israel
seen from TΓΌrkiye
seen from Germany
seen from Israel
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seen from United States
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seen from TΓΌrkiye
seen from Algeria

seen from Germany

seen from France
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seen from Chile

seen from Netherlands

seen from India
@amagnificentobsession
heart broken. world broken. what's even the point.

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I swear Iβm trying my best to write these damn disaster professors in the wake of post-finale writerβs blockβ their first alternative rendezvous:
Sluts π
π π β€οΈβπ₯
Good Omens Fandom Events - Mid-June 2026
Quite a few new (or new to the calendar) events this month! There are so many new events popping up that I'm posting a mid-month calendar update to add a pretty big batch of them.
This calendar includes events inspired by Good Omens, across all eras, interpretations, and continuities. Whether you're a creator, participant, or enthusiastic cheerleader, there are plenty of ways to get involved.
Events in green have been newly added! Take a look! β° indicates a submission deadline within the next month
βββββββββββββββββββββββββββββββββββ
Creative Events, Challenges, & Prompts: (Events where you make, write, draw, or create)
June 2026
β’Time After Time β β° 1st-30th June 2026 (Creation Period), 1st-31st July 2026 (Posting Period) A Good Omens AU-focused event celebrating the many worlds, timelines, and alternate lives imagined for Crowley and Aziraphale after S3.
β°β’Good Omens 3, Fan Reactions ProjectβSubmission Deadline 21st June 2026 Fan Reactions to S3 Compilation Video Submissions are open for a compilation of fan reactions to Season 3. Information, rules & instructions can be found on the project page.
β’Summer of Ineffable Pride Bingoβ Posting runs June-1st September 2026 A low-pressure Pride-inspired Good Omens challenge for writers and artists, encouraging seasonal queer-themed fanworks. This event is designed to be flexible and welcoming, allowing participants to join in whenever they like. See link for full details
β°β’The Mischiefβ Deadline: 30th June 2026 A call to contribute to the Book of Pride (to be displayed at TIC) featuring one-page submissions including writing, artwork, or other content printable on one A5 page (with margins). Contributions should be inspired by the Good Omens universe and Pride. See link above for details.
β’The Ineffable Rewrite ChallengeβA GOAD challenge encouraging fans to reimagine the finale. Stories should include the events of S1 and S2, Jesus, pizza, and the Book of Life. Beyond those elements, participants are free to take the story in any direction, length, rating, or style. See the link above for details.
July 2026
β’The Ineffable Con Vid ShowβSubmission Deadline 26th July 2026 Video submissions are now open for the convention. Songvids, video essays, crack vids, fan trailers, animatics, dubbed comics, and more are welcome. Both new and existing works may be submitted. Convention attendance is not required.
β’JulyciousβSummer prompt challenge. Odd-numbered days 1st-31st July 2026 A summer-inspired creative challenge featuring prompts on every odd-numbered day throughout July. Join in with writing, art, or other fanworks whenever inspiration strikes and add your creations to the collection.
β’Monsters and Myths Collaborationβ Coming Soon Announcements are expected in early July, with sign-ups open for approximately two weeks. The event is scheduled to begin in mid-to-late July, with posting dates starting in October.
β’Alternative Good Omens Finale Projectβ A fan-led animation project imagining an alternative ending is seeking artists, writers, and other contributors. See the link above for information and sign-up form.
August 2026
β’Rare Omens Each week prompts you to create for different Good Omens canon and feature rare characters/pairs in your fan art and fanfic! August 2 - 8: TV Omens finale August 9 - 15: TV Omens series 2 August 16 - 22: TV Omens series 1 August 23 - 29: Book Omens
September 2026
β’Good Omens Got True Talents Show 2026βSubmission Deadline 27th September 2026 Submissions are open in a variety of categories, including Musical Performance, Non-Musical Performance, Arts and Crafts, Memes and Comics, Cosplay. The showcase video will premiere on 9th October 2026 through Sendarya: Exploring Visual Media Through Analysis
Ongoing/No Fixed Date
β’Good-Omens-Gallery Monthly Header Project βOngoing To highlight and celebrate Good Omens artists, the Good Omens Gallery is seeking artists to create a monthly header for the blog. Artists will be credited on the blog. Sign up anytime. Go check out this month's fabulous Pride banner!
β’Good Omens Britpicking LibraryβA community-built resource for Good Omens creators, aimed at gathering accessible guidance on British cultural details. The initiative will also maintain a companion blog for updates, questions, and a list of available britpickers.
β’Bildadzine 2βBildad-themed zine volume 2 is in the very earliest stages of development. Watch for upcoming announcements and participation details.
βββββββββββββββββββββββββββββββββββ
Community Events & Meetups: (Events you attend, join, or show up for at a specific time or place)
August 2026
β’Good Omens Tour of Londonβ19th August 2026 A wheelchair-accessible walking tour of Good Omens London filming locations in the run up to TIC7. You donβt need to be attending the convention to join the tour.
β’The Small Back Roomβ 21st - 23rd August 2026 A fan-organized weekend at Alton House Hotel, Alton, Hampshire, UK. Where attendees can gather to stream The Ineffable Con 7 together. Tickets are available for full weekend or single day attendance. Cosplay is welcome! For more information, contact @lintilla72
β’The Ineffable Con 2026 21st - 23rd August 2026 Cookam, UK (but also virtual attendance options available).
October 2026
β’The Ineffable Society Meetup 2026 24th October 2026 Philadelphia, USA. This looks like a great opportunity to meet fellow fans in person.
Ongoing/No Fixed Date
β’Sendarya: Exploring Visual Media Through Analysis Following Season 3, Sendarya will continue Good Omens discussions while expanding coverage to additional fandoms.
If you have or know of an event to share, please submit it here or DM the calendar: Event Submission Form
Tag your posts #ineffablegoevents so we can find them and include them in the monthly roundup.
*(This list focuses on events currently open to participants and may not include events that are already closed to new sign-ups.) A huge shout-out to @naturallyteal, our agent-in-the-field. Like a particularly dedicated cryptid, he appears whenever a new Good Omens event is announced. ππ©΅
If you find this calendar useful, reblogs are always appreciated. It helps more GO fans discover events and create community within the fandom π
Tagging list under the cut.
Let me know if you'd like to be added to or removed from the tagging list.
After decades out of sight, the rare Channel 4 short film survives thanks to a recovered 16mm print, and the generosity of the people who ma
Even at this young age, Davidβs aptitude for physical comedy is so evident. π€£β₯οΈβ¨
I love his laugh, that cheeky fucking grin, and the chucks! β₯οΈβ¨
This is just a fucking gem! β¨
for my fellow psychotics who struggle with thinking someone is in their house, a method Iβve found that really works are these guys:
i put them on my front door and anytime it opens they ring. that way if i think someone has broken in or i see someone who isnβt there i can think back to if the bells have rung, and if they havenβt i can assure myself itβs not real. obviously itβs not fool proof, like if you are prone to auditory hallucinations, but it has really helped me calm down in time to avoid major psychotic breaks. itβs a real lifesaver
nonpsychotics encouraged to rb
To add, when you are going through a divorce and terrified of what your ex could possibly do, these allowed me to sleepβ¦β¦β¦β¦
Until my fucking dog decided to ring them when he wanted to go out to the bathroom.
That was 30 years ago. My dogs all through the years have learned to ring the bells to go potty. β₯οΈβ¨

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companion piece to my earlier Crowley portrait π₯²
#goodomens #GoodOmensFanArt #goodomensspoilers #aziraphale #crowleytx
Oh my heart π
So a friend and I had some thoughts...
I think thats all of them... π π
These are fantasticπππΌ
Darling, darling Michael, we ALL understand. β₯οΈπβ¨
I have now watched the finale of Good Omens aka GO3, 7 times.
Yeah, I know, God likes 7βs.
I also know, God is a bitch.
Writers of the finale of Good Omens in ANY capacity, this goes out to you;
Do you hate us that much? Do you completely despise us to the detriment even of profit?
David admitted he wasnβt happy because Crowley was βevaporatedβ. Michael used the phrase βannihilatedβ.
And we, WE are devastated.
We know NG stalked this site, so to think that he isnβt still doing that, I believe, is a wrong assumption.
If we have learned one thing about Neil, itβs all about control. (Call me Master) Control of the narrative. Itβs his decisions, actions, words that hold the weight.
What follows isnβt by chance.
It isnβt foretold.
It isnβt fate.
Itβs because he has decided on how things will be.
When you look at what we know about his youth, being raised in Scientology, it isnβt hard to imagine how this has shaped his world. His ideals. His beliefs in right and wrong.
I never thought much about his writings as more than just fiction until I truly began to drill down into them. It was then i realized that these stories were an insight into the way Neil thought, and reacted to his world.
The Ocean at the End of the Lane - βMy favorite response to this book is when people say βMy childhood was nothing like this- and it was as if I was reading about me.β
If you have read this book you realize the trama the boy went through.
Sandman - βBut where shall wisdom be found? And where is the place of understanding? Man knoweth not the price thereof; neither is it found in the land of the livingβ¦for the price of wisdom is above rubies.β Book of Job - Chapter 28, verses 12, 13, 18
The connection to Job in Neilβs work is interesting also. Who are you Neil? God or Job?
Corraline - The inference in this book are so sublime, but still there. A child that hates their life and their parents enough to wish for and receive change. Believing that change is good, only to find out you have walked into the wolves den.
As Garth told us long ago, βsome of Gods greatest gifts are unanswered prayers.β
Scientology has formed the misogynistic rhetoric that Neil lives, writes, and believes deeply in.
Do I think Good Omens 3 would have ended the same way if the accusations had not occurred? If the pedestal remained upright, spit-polished, and revered?
Absolutely. Fucking. Not.
Why? You ask?
Because a cliffhanger ending on S3 (after a full 6 episodes) would have led to S4. There is no way Neil would have walked away from that.
Iβm not talking about Neil wanting to please his βfans.β Iβm talking about the millions, possibly billions of dollars in revenue he and major corporations have lost because of his actions. The possibilities were endless for merchandising this.
Asa and Anthony, Iβm sure are lovely people that we all wish we could have in our livesβ¦..but we donβt.
We have Our Ineffables. Our love for them is the messiest, silliest, most predictable thing in the Universe. And oh, how it makes Us smile.
But I digress.
These two would NEVER have voluntarily ended the others existence. Love always finds a way.
I have decided to channel my inner Aziraphale:
I forgive you.
Why? Because Iβm too old to carry a grudge. Iβm too old to dwell on something I have absolutely no control over.
Serenity - Courage - Wisdom
They are Ours. They always were. They always will be.
Youβre Not Their Dad.
Fantastic documentary β₯οΈπ«

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Free to watch β’ No registration required β’ HD streaming
πHi!
This is my canon ending. I decided so.
π Bye!
I accept this and raise youβ¦β¦β¦
They lived happily ever after β€οΈβπ₯π«
βYou did that?β
βYesβ
βYou did not!β
βI did!β
βFuck off!β
π€£
This was posted in the Facebook Good Omens group I'm in.
half agony, half hope by depraveddame
A Good Omens 3 Fix-It/Scene Rewrite: The Alley, or: Aziraphale helps Crowley up off of the ground instead of walking away from him.
Aziraphale doesn't know what to expect when he returns to Earth after three years, and he's shaken to his core when he finds Crowley lying in a filthy alleyway, shattered and alone. There is much he wants to say and even more he wants to fix, but the first step is helping a stubborn demon up off of the ground.
| tags |
season 3 fix-it, scene rewrite, protective, caring, anxious Aziraphale, depressed Crowley, references to alcohol use, emotional, light angst, holding hands, hopeful ending
| excerpt |
The inside of Aziraphaleβs nose tingles as it recognises the faint but unmistakableβ familiar, second natureβ scent of the last electrically-charged moment before a sudden rainstorm splits the skyβ
I know what you smell like.
β but that sharp, crackling shower of sparks is deadened by something far more overpowering, something heavy and oppressive and bleak that chokes the atmospheric fragrance: despair.
An Archive of Our Own, a project of the Organization for Transformative Works
Helping to heal our π
Do not go gentle into that good night
Written by Dylan Thomas
Performed by Michael Sheen
This expresses (some of) my (many and varied) feelings for the Good Omens Finale
Do not go gentle into that good night,
Old age should burn and rave at close of day;
Rage, rage against the dying of the light.
Though wise men at their end know dark is right,
Because their words had forked no lightning they
Do not go gentle into that good night.
Good men, the last wave by, crying how bright
Their frail deeds might have danced in a green bay,
Rage, rage against the dying of the light.
Wild men who caught and sang the sun in flight,
And learn, too late, they grieved it on its way,
Do not go gentle into that good night.
Grave men, near death, who see with blinding sight
Blind eyes could blaze like meteors and be gay,
Rage, rage against the dying of the light.
And you, my father, there on the sad height,
Curse, bless, me now with your fierce tears, I pray.
Do not go gentle into that good night.
Rage, rage against the dying of the light.
πππ
CW: the text in the link βsourceβ was written by NG, the article contains a picture (caricature drawing) of him and Sir Terry
Wanted to add the source this post is referring to. It is a The Guardian article printing the foreword NG wrote to one of Pterryβs short story collections, refers back to the poem above, and has this central quote:
>> Terry looked at me. He said: βDo not underestimate this anger. This anger was the engine that powered Good Omens.β<<
And to add: this is why we know Terry didnβt write, nor would he have written this ending to GO3.
βHe will rage, as he leaves, against so many things: stupidity, injustice, human foolishness and shortsightedness, not just the dying of the light. And, hand in hand with the anger, like an angel and a demon walking into the sunset, there is love: for human beings, in all our fallibility; for treasured objects; for stories; and ultimately and in all things, love for human dignity.β

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How I expected until the last second the sacrifice of Aziraphale and Crowley to go. You czechs are the best. This is 1000x better
Bonus : they're in love you're honor
Wahoo for AndΔl PΓ‘nΔ 2! :) β€
Hello, it's me again...Complaining about Good Omens season 3... again.
I still cannot really grasp who thought it was a good idea to make Aziraphale say that Crowley was the best angel. I understand the sentiment, and I appreciate that his speech gives us some semblance of acknowledgement that Crowley's fall was unfair.
HOWEVER!!!!!!
Crowley isn't an angel. I even dare to argue Aziraphale isn't really an angel either. They aren't on heaven or hell's side, in Crowley's words: "we are on our side." Meaning, their identities don't align with heaven or hell's ideologies.
Both characters are on a grey area. Crowley just some guy who disagrees with heaven annihilating Earth as much as he disagrees with hell's innate heinous plans. Aziraphale is just some guy who happens to share the same ideals of perserving humanity, even if he has to lie his way around heaven in order to do so.
And this isn't even a subtle thing, like, it's quite literally the basis on the characters and they even verbally acknowledge this.
In season one, Aziraphale makes emphasis on Crowley being a good person deep down, Crowley responds that Aziraphale on the other hand, is just enough of a bastard worth knowing.
In season 2, both of them toast in the name of "shades of grey." and this season also establishes Aziraphale and Crowley both funcitioning outside of heaven and hell, defying it in their own ways. (hiding gabriel, lying to angels and demons, etc.)
So for Aziraphale to call Crowley "the best angel" just falls flat for lots of viewers. This isn't season one or two, where Aziraphale is still unlearning Heaven's worldview and struggling to separate goodness from obedience.
By this point, he has spent millennia watching Crowley be compassionate, self-sacrificing, and deeply human despite no longer identifying as an angel. If anything, Crowley's rebellion is what makes him...well the Crowley that Aziraphale grew to love and care about.
Why is this dialouge framing Crowley's highest virtue to his connection to Heaven, even though so much of his story has been about rejecting the labels and roles that Heaven imposed on him in the first place?
Heaven isn't the absolute definition of good, it never had been. Aziraphale knows this. The reason he decided to go back to heaven wasn't because he genuienly believed heaven was good, but because he wanted to protect Crowley and the humans on earth.
Associating Crowley with his angel status and presenting it as an emotional payoff feels disconnected from the journey both characters have actually been on.
To add on, Aziraphale saying: "angels aren't killers" in go3 is insane because yes they are??
The audience has watched Heaven repeatedly endorse or attempt mass destruction. The angels were prepared to support Armageddon in season one, they treated humanity as expendable, and characters such as the archangels have never shown much concern for the lives that would be lost in pursuit of "the plan."
More importantly, Aziraphale himself knows this !! He's the one who spent millennia becoming disillusioned with Heaven. He's witnessed its cruelty firsthand. One of his defining traits is that he often has to wrestle with the gap between Heaven's rhetoric and Heaven's actions.
In one moment, you have him say things like, "I chose Heaven because of you," which aligns with the interpretation that he returned to Heaven not because he suddenly believed in the institution again, but because he wanted to protect Crowley and prevent the Second Coming.
But then the story turns around and gives him lines that seem to frame Heaven and angels as inherently "good," and that's where I lose the thread.
It's not like the finale is exploring some grand emotional conflict with Aziraphale's relationship to Heaven either, which is why this repeated association of "angels = good" and "Heaven = good" feels so strange.
If the story wanted to examine Aziraphale relapsing into old beliefs, struggling with internalized loyalty to Heaven, or wrestling with the fact that part of him still wants to believe the institution can be redeemed, that could be a compelling conflict. But the finale doesn't really spend much time interrogating those ideas.
Instead, it often feels as though the narrative itself is speaking through Aziraphale and expecting the audience to accept these statements at face value.
The problem is that Good Omens spent years teaching the exact opposite lesson.
The series repeatedly showed that moral worth is not determined by whether someone is an angel or a demon. The entire story is built around the idea that people are more than the labels imposed on them.
So when the finale suddenly treats "angel" as a meaningful shorthand for goodness again, it doesn't feel like a culmination of the themes.
Especially if you have Aziraphale refer to Crowley as an angel, to me it seems like a softer version of the whole "I forgive you" bit in season 2. It suggests that Crowley's worth is tied to the part of him that Heaven once approved of. It feels like Aziraphale is still, however unintentionally, evaluating Crowley through Heaven's lens rather than his own.
Like, even if that wasn't the intention, the dialouge still ends up falling flat. Crowley being Aziraphale's best angel shouldn't have been the cathartic realization. Aziraphale loves Crowley because he's kind, because he cares too much, because he's brave and inpires Aziraphale to be brave too.
As Crowley once said in season 2: "we don't need heaven or hell, they're toxic."
We were waiting for Aziraphale to fully articulate what he has been demonstrating for three seasons: that Crowley's value has nothing to do with Heaven's approval. That he is good because of the choices he makes. That he is worthy of love exactly as he is.
And just as disappointing as Aziraphale's admission about Crowley being "the best angel" was, Crowley doesn't really get a moment to express what Aziraphale means to him.
There's no heartfelt acknowledgment. No moment where Crowley looks at Aziraphale and recognizes the immense courage and selflessness that have defined him for six thousand years.
Which is especially frustrating because Aziraphale's journey is every bit as remarkable as Crowley's.
We are talking about the first angel who lied to God, giving away his swoard in order to protect humans. The person who, despite being terrified of losing everything, kept finding the courage to do what he believed was right. Aziraphale was someone who stood against Heaven when it mattered.
Yet the finale doesn't really allow Crowley to acknowledge any of that. He doesn't tell Aziraphale that he's brave or that he's proud of him. He doesn't even tell him that he's the reason Crowley never completely gave up on goodness.
That leaves the impression that the story spent more time telling us what Crowley means to Aziraphale than what Aziraphale means to Crowley, even though the relationship has always been built by both of them.
And that's strange because Crowley, perhaps more than anyone else, understands exactly how difficult Aziraphale's journey has been.
While i'm not a fan of Aziraphale's whole "you were the best angel" speech, Crowley's side of the emotional conversation feels comparatively absent.
So not only do we get an inaccurate framing of why Aziraphale loves Crowley, we don't really get a meaningful articulation of why Crowley loves Aziraphale either.
One half of the relationship gets a declaration that many viewers find thematically questionable, while the other half barely gets a declaration at all.
It seemed like Aziraphale was doing most of the emotional heavy lifting for the relationship in Go3, when Aziraphale says "why give me Crowley? Why make me complete and then take it away?" it pulls at my heartstrings. He's saying that Crowley changed him, fulfilled him, and became an essential part of who he is.
But then Crowley's response is essentially, "You know you won't get an answer."
Which is a practical response. It's in character in some ways. But it isn't an emotional response.
For most of the series, Crowley is arguably the more emotionally expressive of the two when it comes to their relationship. He's the one who suggests running away together. He's the one who confesses in season 2. He's often the one pushing for honesty about what they mean to each other.
So when the finale arrives and Aziraphale ends up carrying the bulk of the explicit emotional dialogue, it can feel like their dynamic has unexpectedly flipped.
The result is that Aziraphale spends much of the finale explaining why Crowley matters, while Crowley rarely gets an equivalent opportunity to explain why Aziraphale matters.
And duh, Crowley loves Aziraphale, we know this. The problem, though, is that in a high-stakes emotional climax, knowing something and hearing it are not the same thing.
The audience has spent years watching Crowley demonstrate his love through actions. We aren't missing that, we are missing is the payoff.
This was the culmination of a relationship that had been developing for six thousand years. If there was ever a time for Crowley to tell Aziraphale that he's brave, that he's kind, that he's the best thing that ever happened to him, that time was now.
Not because the audience didn't already understand those feelings, but because Aziraphale deserved to hear them.
After everything Aziraphale had sacrificed, trying to do the right thing in a system that punished him for it, many viewers expected at least one moment where Crowley looked at him and said, in whatever words Crowley would use: "I see you. I know how hard this has been. I know who you are. And I love you because of it."
Instead, much of that affirmation remains implied rather than spoken. And while implication can be powerful, it's frustrating when the story is simultaneously asking the audience to invest in explicit emotional declarations from the other side of the relationship.
For a relationship that has always been built on mutual devotion, that asymmetry can feel surprisingly noticeable in what was supposed to be their final chapter.
Both characters have always been equally important in this series, and while Crowley gets more praise (albiet, the dialouge was not it.), Aziraphale literally gets paid dust.
The finale seems oddly uninterested in articulating why they love each other in a way that reflects the journey we've actually watched them take.
I didn't need Aziraphale to call Crowley the best angel. I needed him to recognize that Crowley is good because he chooses to be.
I didn't need Crowley to give a grand romantic speech. I needed him to look at Aziraphale and acknowledge the courage, kindness, and selflessness that defined his entire journey.
Both characters are extraordinary because of who they chose to become, not because of what Heaven or Hell once called them. And that's the emotional payoff I never quite felt the finale delivered.