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@adizzyninja

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My memory of The Birdcage (1996) is always that it's more dated and more difficult to watch than it actually is. You hear "drag-themed comedy from the 90s based on a musical from the 80s based on a play from the 70s" and you brace yourself just a little, right? But the film has a strong gay perspective, so the fruity fag jokes mostly come off as warmly affectionate. There is a surprising amount of poignancy in Robin Williams' portrayal of Armand, grudgingly agreeing to his beloved son's request that he go back into the closet for an evening ("do me a favor and don't talk to me for a while"). The drag club's staff attempting to redecorate the apartment with stuff straight people might like (a taxidermy moose head, an enormous crucifix, and Playboy magazine) is extremely funny. Albert's histrionics are a point of tension because he does often come off as a stereotypically pathetic/comic figure, but towards the end of the movie he makes it very clear that he's aware of how people see him, and asserts that trying to copy a stoic masculinity he doesn't possess for the sake of social approval would be more pathetic. In the 1983 musical adaptation, they give "Albert" (Albin) the only good song in the whole show, "I Am What I Am", which Gloria Gaynor covered to the delight of gays everywhere. Apparently Nathan Lane wasn't (publicly) out yet in 1996, which is amazing because it means that at one point in this movie you're watching a gay man playing a straight man playing a gay man playing a straight man, in a movie about how it's important to be yourself, an absurdity that does seem to encapsulate the state of gay America in the 90s.
I'm seeing a couple of posts circulating about the gay 90s and this movie. The above is a very good summary, and I think it's worth adding a few other points.
This movie got made because Robin Williams said yes to it (and it's important that Gene Hackman did as well). Williams in the 90s was a mega-star of a type that's not present in the current media environment (maybe Tom Cruise, but I personally think that's echo from his salad days). Even his flops made money on the back end in the video rental market, which also doesn't exist anymore (streaming is different). Hackman was on the other side of his A-list career but still Hollywood nobility if not full royalty.
Playing gay was considered career suicide in the 90s. There had been a number of actors who put lie to that belief stretching back decades, but this was Williams and Hackman (yes, being on screen next to a gay character was enough to get you blacklisted) saying "screw that" and doing it anyway.
Being gay and out was career suicide in the 90s.
Nathan Lane had a really nice gig going for himself. The Lion King put him into the Disney rep company with people like Williams, Bette Midler, and Whoopie Goldberg (check their IMBD list from the 90s--they were making bank at Disney).
Lane didn't come out until several years later (nice summary: https://deadline.com/2024/06/nathan-lane-robin-williams-advice-coming-out-birdcage-1235975010/).
I don't want to imply that this was a Sorkinized moment where everything changed because of one thing, but this was a very important movie that caused real movement in the needle on queer acceptance.
It also proved that there was a market for films with gay characters, which had the knock-on effect of gay filmmakers being able to find distributors of their gay-themed films. Which meant that more people than ever (queer and non-queer) got to see representation on-screen.
sometimes being a fan of something means not wanting them to make any more of it
rijuuuuu
fake Goncharov fans don’t even realize that Scorsese did NOT direct the 1973 cult classic. he was executive producer. 🤦♀️
The actual director is Natted JWHJ0715, and they deserve credit!!!
It's Matteo JWHJ0715!!!!! Very talented director (italian mother, license plate father)

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computer angel
apparently this piece is starting to be accused of being ai generated, so here's some breakdowns of the work i put into computer angel:
first: the initial thumbnail, the lineart layers, grayscale blocking, wire layers, and misc. details.
aaand here's all 30+ layers:
this is one of my favorite pieces of artwork i've ever made, and i continue to be proud of it! i'm very inspired by the relationship between mechanical and divine themes, which i really wanted to explore in this piece. however, i actually think the biggest inspiration for this was my digital art setup at the time i made this. when i was drawing after getting surgery in 2024, i was constantly surrounded by the wires from my drawing tablet and laptop in my bed. the mechanical clutter around me provided a sort of comfort as i went through a major change in my life.
usually i wouldn't feel the need to go to this extent to show my process, but this is a piece that i sell at conventions that have a strong anti-ai policy, which is a great thing more cons are doing! with that in mind, if i'm accused of using ai to create my work, it could threaten my ability to sell at conventions in the future and make a living off of my work. as someone who is also incredibly anti-ai, i want to make sure people put those efforts where it's actually relevant instead of putting other artists at risk.
hey so i dont think im ever gonna be normal about adam feeling constantly pressurized to submit gender norms - becoming obsessed with the idea of becoming someone else aka a "true man" like he thinks his father wanted, feeling ashamed for being weak and small as a child yet still trying to talk his way through conflict rather than fight despite being told multiple times it wont work. i dont think im ever gonna be normal about them having boys dont cry, a song where a boy is unable to escape those internalized societal pressures as well as toxic masculinity - play twice during the highly emotional points of his story. im not ever gonna be normal about adams father telling him he never wanted him to be someone different, how he was a sweet boy and he only wanted him to be strong and prepared for the world around him. i am never, ever going to be normal again actually
i thought we were getting skeletor in a dress for that one scene from the movie
2026 Adam/He-Man has officially stolen my heart and it’s wild that tumblr isn’t talking abt this guy. He’s a loser. He infodumps about his home planet on a first date and gets dumped immediately. He works in HR. He can’t drive. He gets mesmerized by his own abs. He’s convinced he can talk things out with the bad guys despite this never working once the entire film. He goes to the gym in a pink kitten sweater that says “alpha male.” He’s been arrested. He sneaks away to transform into he-man as if it’s a secret but literally everyone knows. He brought his earth roommate to eternia to prove he wasn’t crazy. He even killed Jared Leto. What a guy.

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miss olivia that was the CRAZIEST vibe shift from less to expectations i was thoroughly shocked
anyways the album might be one of the best things to ever have blessed my ears in my whole life
sometimes trying to be more social and talk to people u know are already in an established friend group feels like
(via @usamirenko)
revisiting an album u didn’t like on first listen and seeing the error of ur ways
just heard about doctor who. I don't know what to say. every interaction I had with him, he was a veritable ray of sunshine. I still remember sitting by the lake, tracing reeds across the water's surface and promising that those beautiful days of summer would last forever

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I just had to draw them