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he wasn't even looking at me and he found me

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anonymous asks are disabled until morale improves

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graffiti by suitswon
The three tiers of queer sff:
Broke: what is worldbuilding? Made in a lab to be as blandly inoffensive as possible. Time to randomly namedrope terms like 'nonbinary' and 'ace' while doing zero work actually incorporating them into the world or characters and have someone give a speech about how valid they are. Lines like 'I'm too ace for this' while never exploring the concept of asexuality or aromanticism and still having very central romance plotlines is common. I hate it here learn how to write realistic dialogue and fully realized characters I'm begging.
Woke: more ore less typical sci-fi and fantasy but It’s Queer Now. Might include in-universe queerphobia to be struggled against or may have queer identities be fully normalized. Can be done bad or well depending on the skill of the writer. A good way to explore our contemporary ideas of gender and sexuality or to have a bit of a power fantasy with lesbian princesses and trans knights. There will probably be a bisexual love triangle.
Bespoke: what is a gender. What is monogamy. What is polyamory. What is romance. What is platonic. Time to show you the most fucked up uncategorizable relationship you’ve ever seen. There may be weird ass metaphorical sex
fuck it
Book recs: tier three queer sff
AKA books that tackle gender, sexuality and relationships in ways that come off as deeply alien and non normative to our present day culture, frequently featuring actual aliens.
For details on the books, check under the readmore! My personal favorites are marked with an *
A note: as I'm generally more into sci-fi than fantasy, this list skews heavily toward the former. Feel free to make your own recommendations in the notes if you know of more titles!
If you want more book recs, check out my masterpost of rec lists!
[images: photo collages of the covers of all the named books, first all of the books in one image and then in groups of three before the descriptions.]
Yao manuscripts are traditional ritual and cultural texts used by Yao shamans and communities. They often contain religious instructions, ceremonial rites, genealogies, astrological knowledge, and local lore.
"Welcome to Genocide Nation. Land Back"
Seen in the Northern Territory of so-called Australia where protesters from around the continent are converging to demand the closure of Pine Gap, a US spy base which has operated since 1966.

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useful framework
Break time
“We are not,” Jacques Rancière remarks, “in front of the images; we are in the middle of them, just as they are in the middle of us. The question is to know how to circulate among them, and how to get them to circulate as well.” Jacob Lund. 2022. The Changing Constitution of the Present: Essays on the Work of Art in Times of Contemporaneity. London: Sternberg Press.
"Behold a square!"
Afyiidhaiduidfssdjh
Erm actually
Aren't they also polygons which cannot have curves?
not to get all euclidian, but what IS a polygon? what IS a curve?
NO DON'T BRING BACK NER-
A polygon is a shape with no curves whatsoever
Curves are if you took a straight line and bent it
Straight line is this: |
Bending is that act of taking the two ends of something and rotating them in opposing directions resulting in the middle section being forced to move while the ends stay in the same spot
Is a polygon a closed curve? what about the Takagi curve?
Wtf is a takagi curve
you take a Takagi line and bend it 🤷

Anya is live and ready to show you everything. Watch her strip, dance, and perform exclusive shows just for you. Interact in real-time and make your fantasies come true.
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"Behold a square!"
Afyiidhaiduidfssdjh
Erm actually
Aren't they also polygons which cannot have curves?
not to get all euclidian, but what IS a polygon? what IS a curve?
NO DON'T BRING BACK NER-
A polygon is a shape with no curves whatsoever
Curves are if you took a straight line and bent it
Straight line is this: |
Bending is that act of taking the two ends of something and rotating them in opposing directions resulting in the middle section being forced to move while the ends stay in the same spot
Is a polygon a closed curve? what about the Takagi curve?
Wing geometry of flying vertebrates
A diagram of the wing shape of flying vertebrates, including birds (black), pterosaurs (blue), and a bat (red). Based on JMV Rayner (1988), "Form and Function in Avian Flight", fig. 14D & 16D (link) and MP Witton (2008), "A new approach to determining pterosaur body mass and its implications for pterosaur flight", table 4 (link). The two axes represent wing loading (body weight divided by wing surface) and aspect (length-to-width ratio), independent from overall size. While the distribution of species is mostly continuous, there are "regions" corresponding to particular wing shapes and flight styles. Starting in the lower-right region of high loading and low aspect (small, short wings and heavy bodies) we find saltuary flyers like gamefowl (e.g. pheasants, turkeys) and, presumably, the pterosaur Dimorphodon. These species only fly in short bursts to escape ground-based predators. This is not a primitive trait: both gamefowls and Dimorphodon have ancestors that were better flyers. If we keep wing loading high and increase wing aspect, we move upward into the divers: birds like ducks, grebes, puffins, and auks that dive into water to feed and so have relatively heavy bodies. Narrow wings help them acquire speed as they plunge into water. The highest wing aspect is found among marine soarers, of hich the purest example is the albatross (and the pterosaur Nyctosaurus, who has the highest wing aspect ever recorded). At the edges of this cluster, gulls transition between marine soarers and aerial predators, and gannets between marine soarers and divers. Aerial predators, who hunt in mid-flight, have low loading and mid-to-high aspect to be as fast as possible. Insectivores like swifts and swallows have narrow, swept-back wings, whereas bird-eaters like harriers and falcons have broader wings. Here we also find the tiny insectivorous pterosaur Anurognathus. Beneath, with the lowest wing aspect, we find thermal soarers, who fly long distances over land exploiting rising thermal currents. They tend to have broad wings with slotted ends, like storks and vultures. Here we also find the largest bats and giant azhdarchid pterosaurs such as Quetzalcoatlus. Finally, near the center we find versatile, unspecialized terrestrial flyers like parrots and pigeons. Hummingbirds, with a unique hovering flight, appear near the divers, though for rather different reasons.
(see deviantArt page for picture references)
"Behold a square!"
Afyiidhaiduidfssdjh
Erm actually
Aren't they also polygons which cannot have curves?
not to get all euclidian, but what IS a polygon? what IS a curve?
It's Spiders Georg! I've translated it into Angkorian Khmer, the language of Cambodia from 802-1351 AD. Because I like doing stuff like that ;)
You read the black consonants first, then the blue consonants, than the purple vowels. If there's no written vowel, use an 'a'. Magenta is punctuation - a dingbat marking the start, periods, and then a stronger period that tells you the paragraph/section is finished.
Here's what it says!
The original:
reallyreallytrying Jan 8, 2013 “average person eats 3 spiders a year” factoid actualy just statistical error. average person eats 0 spiders per year. Spiders Georg, who lives in cave & eats over 10,000 each day, is an outlier adn should not have been counted
Transliterated into Latin characters:
1935¹ śaka, ekādaśi roc mārggaśira, 'aṅgāravāra, nu rilirilitroyiṅ kathā: Neḥh ’ālakṣaṇa kathā: ’nak cya pīṅ pi pratisaṃvatsara, toy vyat vakra saṃkhyā. ’Nak cya pīṅ śūnya pratisaṃvatsara. Nau ru Jaṃrau Pīṅ, ’nau guhā cya daśasahasra pratidina, ga te krau daṃnuk ta caṅvāt ti mān ban dāṃ ta kāñ.
More detail under the cut!
kastrakomnenes this may be one of the most interesting posts I've ever seen. What got you into Angkorian Khmer specifically?
Thank you!
I'm interested in cultural history and I love the First Millenium AD/Early Medieval period. I got really into Heian Japanese fashion, and then was looking at other cultures that existed around the world during the same period. Sometimes it was the fashion that grabbed me. Sometimes the architecture. And sometimes it was the script or language. Angkor has all three!
I find the script (characters used to write) to be gorgeous, and the grammar is similar enough to English that I can wrap my head around it. (Very little inflection!) I am endlessly fascinated by how people take scripts that do NOT work for their language, and smash them with hammers until they do - the way the Irish use Latin to communicate consonantal sounds, how English uses it to communicate vowel sounds, how Angkorian Khmer uses Braḥmi to communicate consonant clusters, etc.
There's a large enough surviving corpus (enough things with writing on them), and enough of it's online (even if the scan quality can be unbelievably bad) that I can really sink my teeth into it. There are enough grammars from India during the same period that we've got a good understanding of how Sanskrit/Pali works, and studying the differences between Indian and Khmer Sanskrit/Pali is really, really neat! Plus, Angkorian Khmer works COMPLETELY differently, so seeing how they incorporated all the Sanskrit loanwords into non-Sanskrit texts is even MORE interesting!
But mostly, I love the curves. I love how the characters stack. I love how the 'e' diacritic comes before the main letter and I always forget to leave space for it and then want to have a tantrum. I love that the last black character on that text I wrote becomes a spiral later on in history. Becomes half as wide, loses all those weird bits that look like diacritics but aren't, and just becomes a spiral.
It's a REALLY satisfying script and language!
Climate scientists have confirmed that El Niño conditions are now present in the tropical Pacific and the event is expected to strengthen th

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Fragments of a vessel which are to be glued together must match one another in the smallest details, although they need not be like one another. In the same way a translation, instead of resembling the meaning of the original, must lovingly and in detail incorporate the original's mode of signification, thus making both the original and the translation recognizable as fragments of a greater language, just as fragments are part of a vessel.
— Walter Benjamin, The Task of the Translator (1923)
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