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Bill Watterson – Calvin and Hobbes (1986)

Hergé – Tintin (1947, Tintin Magazine)

Jeff Smith – Bone (1993, Bone Holiday Special)

Walt Kelly – Pogo (1950, Maclean's Magazine)

And a bonus:

We know vaccines painful, and by comparing horses at rest with horses getting vaccinated, we've been able to determine how they express pain visually. By looking at horses with disorders like colic, broken bones, wounds, and so on, we can determine their facial expressions during more severe pain.

At zookeeper school we were drilled through the pain faces of the most common lab animals and livestock. Nowadays I believe this has become a routine lesson in all animal related fields, but the general public still doesn't know that this is a thing that exists.

Here are all the pain face/grimace scales I've been able to find. Please study them if you interact with any of these animals on a regular basis:

I don't think it's a silly question, in fact I think it's one of the Ultimate Art Questions haha

Yes I 100% struggled with that in the past; i'm happy to try my best, sharing some personal tips in journaling, specifically! :D

TECHNICAL SIDE:

>> Small simple sketchbook = less intimidating to fill the pages. (Also, easy to carry around)

5x7in Moleskin, and a pilot pen

>> My journal ISN'T a place to prove that I can make pretty pictures. I have separate sketchbooks for that. I use journals to jot down ideas and notes of things I like. (yes i shared a few pages that happened to look nice, but there were 100+ other pages after all d: )

Spontaneous observation is messy and imprecise. But not in a bad way.

Rather than seeing the messiness as "bad/unworthy imperfection," try to see it as a miraculous insight to how you, a unique human being with your unique thoughts and art experience, sees the things you like

My journal process (in general): doodle a pretty cake I ate, a funny bird I saw, some weird dialogue I overheard, stickers, stamps, a character in a book that I want to draw as a dragon,......... scatter them all over the page, then look at the random blocks of empty paper remaining. Fill those up next with another lil quote, or words about the week, or some pretty vines/flowers :) etc. It's like making a collage.

Draw what you actually LIKE + what actually sounds FUN to draw. u can always take photos/save pics of other stuff if it's overwhelming.

>> Find your comfort tools. I love ink. how it looks, feels, etc; I hardly ever use pencil. A sketch that I need to ink over is usually too much work for my journal. I'm just trying to get down ideas before I get bored or get inspired by another thing LOL

[But yeah: pencils can be the perfect tool for someone else. Regular pencils, colored pencils, watercolor pencils... play around with a bunch of basic tools to find your fav.]

EMOTIONAL SIDE:

I highly recommend Lynda Barry's book "Making Comics." She has some lovely, and deeply empathetic things to say about overcoming fear of making "bad" art.

My journal scribblings/therapeutic studies --- someone with 10x the skill could do it better, sure, but they probs wouldn't focus on the same details, or be interested in the same monsters, or be thinking the same thoughts as me.

They won't have the same things to say about their day, won't see the same spindly tree growing from a crumbling brick wall on their walk. etc!

Also! imo this POV isn't an excuse to feel like I don't need to improve my technical skill, but it keeps me happy, fulfilled, and motivated as I'm on that road of improvement. AND it makes me appreciate others' incredible art as their own reflection of the things they love/their own experiences, rather than view it competitively/jealously.