Free Palestine and all oppressed nations!

straw animals design (etsy store) plushies and accessories, including some knitted patterns. beginner friendly!

green frog crochet (website store). mostly doll patterns, very pretty and totally worth the time and effort. they also sell full kits for some of the patterns, that include all supplies except for crochet hooks and fiberfill. also, youtube channel with tutorials.

moonlight crochet (etsy store). mostly doll patterns, lots of clothes you can adapt to dolls of similar sizes

yan schenkel (website store for individual patterns) has several books out that i really love. it took a bit of digging to figure out if this online store selling the pdf versions is legit and i found that the publisher sells directly through them. there are three pattern books (1, 2, 3) with animal plushies.

natura crochet (website store) has colorful animal and holiday themed patterns, plus two books of aquatic themed patterns. same publisher/seller as above.

hanichan (website store) has a distinct and minimalist style that i think is very beginner friendly. there are also useful general tutorials for amigurumi.

aquariwool crochet (etsy store). a lot of colorful and fun animal patterns. i haven't bought anything from them yet but i have a few saved and honestly just looking through the patterns makes me happy.

make me roar (website store). one of the more unique styles i've seen out there, especially these.

jo handmade design (etsy store). both plushies and more realistic toys, the patterns are very well written and illustrated.

The founder of GoImagine refuses to go public or sell the platform: NO SHARE HOLDERS TO APPEASE!!

They have a STRICT vetting process for sellers: NO BOTS, NO AI, NO DROP SHIPPING, HAND MADE CRAFTS ONLY!!

You can narrow down stores you're shopping from by STATE! EASILY SUPPORT YOUR LOCAL BUSINESSES!!

2% of every sale transaction is donated to charity!!!

This is baked into the platform. Right now they're partnered with four different charities to fight childhood hunger, provide relief childcare for families dealing with domestic violence, end childhood homelessness, and fund art accessablity. HELPING KIDS!!!!

I have a shop there that I will be stocking soon! If you're a creator, their basic ship front is FREE and you get 12 listing slots! The next size up is only $5 a month and you get 200 listings, and the topn you're at $15 gives you 1,000 product listings and a whole ass customizable store front website. That's cheaper than anything else on the market rn.

Current downsides that will not remain downsides: they're only available in the USA but they're planning on expanding into Canada soon. And they've been mostly focused on growing their seller side, so not a lot of buyers know about them yet. But!!! That why I tell everyone I can! Shop with them! List your products with them! Use a platform that has a dedicated mission for community good and is there to support sustainable creator markets, not create endless bloated corporate growth!!!!

Liac/Web - A Muse For Her Violent Art

Chimps are much admired for their tool use and for their problem-solving relationship with things as they find them...the orang is, let us say, not so replete with enterprise. Give an orangutan the hexagonal peg and the several shapes of hole, and then hide behind the two-way mirror and watch how he engages with the problem.

And watch and watch and watch--because he does not engage with the problem. He uses the peg to scratch his back, has a look-see at his right wrist, makes a half-hearted and soon abandoned attempt to use his fur as a macramé project, stares dreamily out the window if there is one and at nothing in particular if not, and the sun begins to set. (The sun will also set if you are observing a chimp, but the chimp is more amusing, so you are less likely to mark the moment in your notes. An orang observer has plenty of time to be a student of the vanities of sunset.)

You watch, and the orang dreams...when casually and as if thinking of something else, the orang slips the hexagonal peg into the hexagonal hole. And continues staring off dreamily."

Not only was I not freezing anymore, I was not sweating and overheating either. The horrible sensory nightmare of winter clothes disappeared.

In particular, I bought a pair of wool pants. They were a thrifted pair of fancy dress pants like you would wear at an important office job, and they were easily the most comfortable pair of winter-appropriate pants i'd ever worn. I wore them Every Single Day.

From that point on I realized a lot of my clothes were making me feel bad, and the common thread was polyester. Especially polyester blends.

It's a trap because the polyester clothes are the ones that always feel sooooo silky soft when they are in the store, whereas cotton, linen and wool can feel comparatively rough and scratchy. But when actually wearing them for hours throughout the day, it's the natural fibers that feel more comfortable.

Maybe the secret to sensory comfort is not about the presence of softness, but the absence of overloading sensations. Or maybe the sensory stress and agony is not triggered by texture of the fabric, but by how it breathes and regulates temperature.

Then there's the problem of clothing life span: polyester blends, no matter how soft they seem at first, become rough and scratchy and covered in hard, itchy pills after wearing them 10 or 20 times, whether or not they have been tumble-dried or even washed at all. (I tested it!) Linen and cotton become softer and more comfy the more you wear them, polyester but ESPECIALLY polyester blends become a constant stressor. Polyester blend t-shirts I used to love for their softness now feel bristly and irritating.

When I heard the word "eustress" I didn't care for it, because it felt more meaningful than the word itself could hold. I explored that concept, over the next couple years, kept having experiences that returned me to it. Eustress: moderate or normal psychological stress, interpreted as being beneficial. How silly. There was a something in that word, but the word was an inappropriate enclosure for the something.

I made my own doctor's appointment and went to it. This was the hardest thing I did that year. It was a new kind of hard. I had always thought I would feel the sickening tightness of forcing, the nausea of silencing my body and my feelings to comply with orders from another person. That was the essence of my medical experiences throughout life: coercion, lack of autonomy, shame, being demeaned and belittled. The trauma resisted being treated as an irrational fear to be pushed down and ignored, so I accepted it. I released the werewolf gnawing on my guts and let the wolf-part of me decide how medical professionals would be allowed to speak to me and to touch my body. I wrote down these boundaries, brought them to the appointment, and walked like an apex predator. And it worked. That fall, I got my flu shot for the first time in my adult life. No crash of adrenaline, no trapped, agonizing panic.

A new kind of hard: not the hard of a dog in a cruel experiment being shocked with electricity no matter what it does, more like the hard of a sled dog running as fast as it can, a bloodhound latching onto a scent, a herding dog weaving and dodging to maneuver the sheep into their pen.

That's how I feel when I'm out, somewhere I probably shouldn't be, exploring some woods or a neglected hay field, searching for plants. You can discover anything in the places no one looks: little pockets of biodiversity, rare species, ecosystems thriving under the mercy of being forgotten. I feel...focused. Locked in. Perfectly stimulated by my environment. I'm good at what I'm doing: good at navigating thickets and clambering over rocks, wading through weeds and mud and weaving through brambles, observant, sharp-eyed, and I know what I'm looking at, where almost nobody else does. Swamp milkweed. Smooth carrionflower. Lyre-leaf sage. Alsike clover. Knowing them all by name is like a sixth sense, a power to move through a higher dimension. A world invisible to others becomes known to you.

Sometimes I feel this way when I'm writing, or rereading my own writing. Damn, I'm good. Sometimes I feel this way when cutting kudzu or invasive bamboo in the forest at work, tying them into a bundle and using my strength and stamina to drag them back to the nature center where they can be made useful in crafts and projects. Sometimes I feel this way when walking, covering ground between A to B, cooled by the breeze through my comfy linen pants. I'm a machine, a persistence predator, an animal doing what it evolved to do. Solving a chemistry problem and realizing I understand it. Pulling off a tough platforming section in a video game. That intoxicating feeling of strength and efficacy.

The counterpart of eustress is distress, the usual association of the word "stress." That's why eustress is hard to wrap your head around, because you imagine the feeling of being overwhelmed and powerless and try to come up with a version of that that's good and enriching (you can't). Insight arrived after that doctor's appointment, when I experienced the crucial ingredient of feeling powerful, not powerless. Then I thought of other times when I felt powerful, when I felt challenged but also engaged, stimulated, maybe even exhilarated.

Another word for this feeling might be mastery. It is good for us, I think. Not just to experience mastery, but to be exposed to it. Watching Simone Biles perform gymnastics makes my brain light up with pleasure, recognizing that I am witnessing pure excellence. Music, art, athletics, films, dance. Wow! That's excellent. Wow! Such mastery of the craft! Wow! So much practice and training! It is amazing how many things a human being could potentially become excellent at.

It's the same when watching a creature behave as it evolved to do, showing excellence within its niche. A tree swallow looping and diving, bumble bees pollinating flowers, a deer leaping gracefully. Wow! Millions of years of evolution, a creature thriving and excelling. I felt this when seeing a soft-shell turtle next to the road sprint into the creek and dive beneath the water as I approached. I didn't know a turtle could move that fast. Wow! What a weird-looking creature- but it's excellent at being the thing that it is.

Humans are adaptable, incredibly so. We can choose the thing that we are. We can be a lot of things. And we can be excellent at them. And no matter what it is, whether swimming or rock climbing or singing or dancing or worm charming (it's a real thing, look it up), there can be that glowing hum of pleasure at being good at it. Or watching others be good at it. That feeling can be a form of guidance. Okay, you're good at it...how does it feel to be good at it?

Are you challenging yourself enough? Are you pushing yourself hard enough? Maybe that's not the right question. Maybe instead it's: Does it feel good to be good at it? When you're doing less than your potential and not growing, the activity would probably cease to be stimulating. Eustress has two opposites: distress and boredom.

Of course it's bad for mental health when things are not effortful enough. That's why zoo animals need enrichment, and even pets can benefit from puzzle toys and ways to "earn" their food and treats. If things are effortless, then you don't experience effort leading to results, and that is a lot like being powerless. Whereas if you have the opportunity to expend effort and focus towards a result, getting the result makes you feel empowered.

Maybe this is one of the purposes of play: to psychologically recover from coerced effort, fruitless effort, or lack of opportunity for effort and reward, by rehearsing scenarios where a creature can feel effective and masterful doing something. From that perspective, play is a way of getting your healthy dose of eustress.

There can be a costume contest, and the more Code violations, the more points you get. The judge is a drag artist done up like a caricature of a Hays-era censor.

@diamondot speaking for myself, i just decided to learn it one day a few years ago (i had a viking phase ok) and simply started with it. It's surprisingly easy since all the info is available on the net. Honestly, i don't remember where i started since it has been so long ago and now i just browse pinterest for patterns alone. Google tablet weaving or card weaving (same thing, different names) patterns and some basic explanations and yt vids for how to turn and weave the stuff. Things like

S and Z threading are there for a reason, so mind your card orientation. Start with some easy pattern like simple wave or diamonds above, 6 - 10 cards are good for your first project. Don't lose hope in initial stage. Streching and threading all that yarn can take anything between 20 minutes and 3 hours depending on how big is the pattern and how skilled you are. Since you need some lenghts to secure ends and to turn cards, use about 40 cm more than wished lenght of your final product. Secure lose ends after threading through cards so you won't end with a bundled mess. Streching/knotting them to something is one way. Taping each card threads together or using weights (check pictures below) is another way (good only for shorter stuff though). Cards could be made out of anything as long as they have smooth edges and rounded corners. Cardboard, thicker plastic sheet, literal cards cut into squares with holes punched through them, whatever. These are mine 2 decks, minus cards i am using atm.

When you start weaving and pattern looks like a total mess, try turning cards in opposite directions. It usualy solves the problem (all that forward/backward can be a bit tricky and mirroring motions/patterns/card orientation can be confusing at first seemingly messing all your work even though you are doing everything right technicaly, just in opposite order/direction). Don't lose your hope. I still manage to mess up like first 5cm of every other work i start. It's not an issue as that start usualy gets cut off anyway (the tension is not right for at least first 4 rows, aka 1 full card rotation, until all threads go up and down at least once no matter what you do. Don't sweat it). You don't need any fancy startup either. Historicaly, people used to weave like this and this and this:

I just strech the thing between 2 chairs myself. Door knobs work as well and so does staircase railing. Wherever you have some space. Long hair clips are your friend, especialy when you are done with weaving for the day and you don't want stuff to tangle

This website is where I learned, twenty years ago while u was intending on Sturtevant Wi.

These books are both great, Collingwood is more comprehensive, but harder to just pick up and weave from.

The thing is that the technique looks complicated due to the fact that there is 100 something and that number alone is scary. But. Actually several buts.

But number 1 - the technique is OLD. Meaning - while being somewhat tedious just like any other textile craft, it has been used and learned for a long long time and there's plenty of resources (check out links above or any youtube video explaining the process) of varying difficulty from complicated af to easy peasy lemon squeezy with closed eyes

But number 2 - there is only one core principle/step you need to understand and that is when some threads go from up to down or from down to up (aka when they cross), you need another thread going in between so they won't simply snap back again. That's it. That's the basic principle behind every weaving ever. What card weaving does compared to standard weave is that instead of a single thread going up and down in the single row, you get 2 or 3 or 4 or 6 or whatever number of threads your pattern calls for in the same row

But number 3 - the number of rows = number of cards. Simple as that. Cards turn around to make a cord like when you are twisting 2 or 4 or whatever numbers of threads to make a rope. If some of those threads have different colours, you get a repeating pattern.

But number 4 - card orientation or S/Z orientation or whatever other fancy name for the twisting direction simply means that if you turn all your card in the same way at the same time, which one of them will make the twisted rope in this / angle and which one will do that in this \ angle. That's it. That's the whole mystery between S/Z threading.

But number 5 - you can start with as little as 4 cards to make a custom set of shoe laces or a key strap or whatever and call yourself a weaver. Because you did that. And it was nice. And it was easy. You just turn and thread and turn and thread and then you keep repeating this while watching a movie or something. There's no need for the math finals level of concentration here.

But number 5 - no one, literally NO ONE starts with a pattern like this

No. Everybody starts with something like this

Keep it simple, keep it easy, make 10cm and be done if you want to. It's perfectly fine.

But number 6 - you don't need any fancy items for starting. No hooks, no needles, no loom, no anything. If you have 2 balls of yarn in different color or some remains of your old cross stitch project or whatever and some card-like stuff you won't be sad for making holes in it, you are all set. Back side of the sketch pad is good. Poker cards cut to squares are good. A sturdy enough sheet of plastic is also good. You remember that old pexeso pairs stack you didn't touch since you were 9? Guess what!

beastie boys - 3 mc's and one dj

cabbage - uber capitalist death trade

TO TREAT ME LIKE YOU DO

Relax and Sleep