no one i love like that old bitch elder

Back then, we began building Ellipsus out of a simple belief: writers deserve a place to create, collaborate, and share their work without handing over their words, their data, or their creative process to bad actors and Big Tech—a promise that matters now, more than ever.

Nearly 600k writers and counting are writing on Ellipsus because of this promise. We see everyday how writers are rejecting Big Tech's data mining model in favor of tools that respect user privacy and reflect our values.

We’re a small full-time team building, maintaining, supporting, and improving the tool every day. And to keep doing that sustainably—without compromising the promises that brought people here—we’re introducing Ellipsus Plus.

Plus is a set of optional features on top of free Ellipsus, designed to help fund the continued development of Ellipsus for everyone, free and paid; while helping us stay independent, ad-free, and working to improve the tool well into the future.

That means the Ellipsus you know is staying free: you can keep writing with unlimited documents, drafts, collaborators, and core features. Free Ellipsus will continue to receive updates, improvements, and new features too, including major work already planned (like offline syncing and native apps).

Plus features have been designed alongside community feedback, our pricing shaped by our users around what felt fair and sustainable.

Every Plus subscription leads to ultimate ownership of the tool. Not metaphorical ownership, but real ownership, including all future updates to the Plus plan. No endless subscriptions. Once you’ve paid, it’s yours. Really.

Our introductory Plus features are designed to be fun, creative, practical, and help you get the most out of the tool! We really hope you enjoy them. Here’s a quick overview:

Custom themes

Make your writing space feel like home with custom themes! Use any colors, gradients, images, or .gifs you love. Share with friends and readers. The choices are infinite.

Writing Insights

See insights into your writing process and spot patterns faster across ten AI-free metrics—like vocabulary diversity, sentence length, sentence rhythm, word frequency, and more. Writing insights are opt-in only, and run on local data, so your text never leaves the editor. 

Customizable Snippets

We all love snippets! Now you can give your words an extra personal touch. Customize your snippets with media backgrounds (GIFs, images), fonts, text colors, and custom themes—you can even add byline credits for authors and characters!

Emboss

Emboss is our AI-free proof-of-work layer for human writing. Show your readers the time, labor, and love that went into your work. Instead of relying on unreliable “AI-powered” “verifiers” that judge a piece after the fact, share your writing journey, with authorship metrics that help inspire trust. You can also show how your work evolved with snapshots of your version history. Emboss is fully opt-in.

We hope you’re as excited about Plus as we are! Try Plus free for 7 days, no payment required. You can read more (and sign up!) on our Plus page.

Again, there’s tons more to come, and we can’t wait to build it for you. Free or paid, Ellipsus is going to keep getting better. Thank you for your support.

Have questions about Plus? We’re hosting an “Ask the Team” doc where we’ll be answering your burning questions. Please make comments there! Now please, go forth and explore!

Peter Pan edited by Anne Hiebert Alton (2011)

(sorry to interrupt joke post but) this is true!

Children not clapping did happen too, (and some were even expected to have hissed, which was later written into the 1928 playscript and 1911 novel). But my all time favourite anecdote about it is from Pauline Chase (who played Peter)'s intro to Peter Pan's Post Bag 1909:

Children love to clap their hands at the play because then they feel that they are really part of it, and you can see them holding their hands poised ready to seize an opportunity. Their great chance is when I ask them to clap their hands if they believe in fairies, and so save Tink's life. But they are very wrathful if any one claps who has the reputation of being a cynic, and once there was quite an uproar in the front row of the dress circle because of a girl who clapped. Those about her pulled down her arms angrily. "How dare you clap," they cried, "when you know you don't believe in fairies!" There was one dreadfully hard-hearted little boy who came to the theatre not to clap. That was his object for coming, and he came round "behind" to tell me so in the middle of the play. His teeth were firm set. "I won't clap," he said doggedly; "I'm not going to clap." And when the time came he didn't clap; above the clapping of all the others I could hear him shouting from a box, "Peter, I'm not clapping."

Not only will you get to see the hilarious names of these works but usually a short story and a detailed look at his work progress!

It is one thing to be able to teach effectively, and another to manage a variety of different individuals needs while maintaining engagement. Every skill that Grace uses in his meeting of Rocky, and building a relationship with him, whether he remembers or not, are skills a good educator and mentor uses.

To not assume ill intent. To approach first with curiosity. To explain difficult concepts in a palatable way without condescension or malice. To empathize with one's situation and acknowledge how it may shape one's responses. To exercise patience. To adapt and shift gears in the face of uncertainty. To remain calm in the height of stress and remain a leader.

Grace as a scientist yes, but as a teacher, maintaining an openness to not only work with Rocky, but to also embrace his differences and utilize his strengths to find creative solutions that benefit both of them.

History is fraught with disputes and wars driven by ignorance and sustained by fear of unique cultures and experiences that are different to our own. It is practically in our DNA to reject or fear that of which is different to us, and so it is not weak to trust or to be kind. It is harder to be these things, because the opposing forces come so effortlessly.

Grace's inclination toward 'flight' instead of 'fight' is not an indicator of weakness. It is preservation. It is learned behavior. To take a step back, recalibrate and approach again. You do not win students over by being a fearless dictator. You win them over by treating them like people, and acknowledging where you yourself have room for growth. Ryland Grace is a coward for many reasons that define his narrative, but being trusting and kind are not among them.