The dragon. Fictitious & symbolic creatures in art. 1906.Â

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The dragon. Fictitious & symbolic creatures in art. 1906.Â

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i just know colette & the whole gay girl community of zeven zolia were crying into their pillows when they found out pickman left
#‘she probably got back with an ex’ ‘they always do’ the zevenzolia wlw lament#little do they know Pickman is too enthralled by TRAINS#iconic tbh (via @scholarschism)
its not reccomended amd probably not legal but in a pinch a coyote can be your plus one to most events
the thing is, im always interested in The Paperwork. whenever The Characters moan and groan about The Paperwork and whenever it's left unspecified what The Paperwork entails i go aw... The Paperwork... u dont deserve this attitude, The Paperwork... im sure you're very interesting and important... this is because i like my job at The Paperwork factory and because i like homework and it's also because The Characters often hold positions of power attained through superhuman abilities and enforced with violence and i know that The Paperwork is there, aspirationally, to document their actions and protect people. from institutional neglect and from The Characters. when The Characters ignore The Paperwork to fuck each other on The Desk i think less of them for it. i do.
i made this post offhandedly, but resentment/dismissal of The Paperwork is a trope from procedural fiction and commercial sff that is really really common in fanworks bc it makes for an easy shorthand when u don't want to research or invent the details of a job, and i do seriously want to ask everyone to get skeptical of it. it functions as part of a broader narrative type of the ultra-talented Maverick, usually law enforcement or pseudo law enforcement (e.g. a monster hunter, a status-quo-enforcing time traveler, a man in black, a moral mercenary, etc.), whose ability to police the boundaries of Civilization ("normal," defined by hegemony, Flawed But Worth Preserving!) and protect a homogenous Public (white, heteronormative, bourgeois, documented, "law-abiding," "innocent," helpless!!) is limited not by his energy or ability, but by forces (small-minded, foolish, persnickety, overcautious, sexless, dull, effeminate!!!) of Overhead, from whence comes... The Paperwork.
The Paperwork might be generated by administrators, journalists, lawyers, judges, civilian oversight committees, the village elders or the intergalactic legislature, depending on the story. and who benefits from us telling each other stories that belittle & villainize those professions while lionizing The Maverick? "if only The Maverick were given unlimited resources, unlimited access, unlimited privacy in his operations, and unlimited use of excessive force, he would be able to protect The Public (and find love! maybe on The Desk)." you see it, right? this is how copaganda will get in your head.
Tampopo (1985) dir. Juzo Itami

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Hey…. Hey… Characters covered in blood, okay? You remember characters covered in blood?? You used to love characters covered in blood
Declan's Corrective: Um. Alright, uh. This one doesn't have a name, yet. [clears throat]
When I was young I saw my father on Tuesday afternoons
A tray of fruit and a cup of juice, and little else between us
In search of more one week I thought I'd bring some questions to him
Because I knew so little but I knew he answered questions
My head was filled with textbook descriptions and encyclopedic depictions
Of places I'd hoped he'd seen in ways that go beyond curt summaries, white indices, quick glossaries
And dreamed he'd have some deeper knowledge, real knowledge,
Dirt under fingernails, the smells they don't write about
And people with names and ugly faces
And places not like the ones I saw on broadcast news
So I put my juice down, and I asked him what the world was like,
The real world, far away from the one out my window, on my wall, in my mind
The world I didn't have words for yet
Tell me what it's like
And my father said I knew all the places worth knowing
But I decided he was wrong
Tell me anyway, I said
And he said there was only here and there and here was all I needed
Tell me about a place you loved
And he said the house he grew up in always had dried flowers
Tell me about a place I haven't been
And he said there is a place
A terrible place
Where they worship gods
Have no place for laws, even the law of gravity
And there are no real people there and there are no real names and the flowers never really dry
And he looked me in the eye and said,
The Twilight Mirage is a place of blue bread and white strawberries.
Blue bread, and white strawberries,
Blue bread, and white strawberries,
And I didn't understand,
Not because I hadn't seen mold,
But because I hadn't yet learned
To make a meal of the world
they just added sparkledogs to the kennel club registry
they carried a generation

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I feel like a horse with no name is probably the best song in the world. Not even my Favorite song just the best
He’s literally just telling it like it is
Sighthound illustrations by Raymond S. Pease
The Hunting Dogs of America, 1964
Arugula is some crap they found on the ground for real
thats because its plance. there are others as well

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there was an incident at work today
"you can jack off you can eat grapes all else banned" is kind of the post of the summer because literally wtf else are you supposed to do once it’s 30°C outside