Guy Debord, Cannes, villa Meteko, avant 1950
todays bird
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KIROKAZE

#extradirty
The Stonewall Inn

bliss lane
TVSTRANGERTHINGS

Discoholic 🪩
occasionally subtle
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let's talk about Bridgerton tea, my ask is open
cherry valley forever

pixel skylines
Sweet Seals For You, Always
almost home
Not today Justin
PUT YOUR BEARD IN MY MOUTH

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The Bowery Presents

Love Begins

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@wildboten
Guy Debord, Cannes, villa Meteko, avant 1950

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Do you know it? You must know it. Not pain but what lies beyond pain.
— Sam Munson, The Sofa
“The effort of expression has a bearing not only on the form but on the thought and on the whole inner being. So long as bare simplicity of expression is not attained, the thought has not touched or even come near to true greatness… . The real way of writing is to write as we translate. When we translate a text written in some foreign language, we do not seek to add anything to it; on the contrary, we are scrupulously careful not to add anything to it. That is how we have to try to translate a text which is not written down.”
— Simone Weil, in a letter to Gustave Thibon
"Велика ріка Хєнь-Юань" by Ukrainian band Цукор — Бiла Смерть (Cukor Bila Smerť), off their 1990 album Манірна музика
TOMORROW IS MY BIRTHDAY.
It may be the last birthday of my life.
I love you all. Please don’t forget me.
Thank you to everyone who has stood by my side throughout this war in Gaza.
Leave a birthday gift here. Maybe your kindness will make tomorrow a little brighter for me and my family.
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The discourse
confused? look up "stfu bitch Ⓐ" to learn more
“God breaks the heart again and again and again until it stays open.”
— Hazrat Inayat Khan
It would be absurd to go to war against power in general. On the contrary, certain types of politics of power, certain types of arrangements of power, certain uses of language, notably national languages, are normalized in the context of an historical situation, which implies the seizure of power by a certain linguistic caste, the destruction of dialects, the rejection of special languages of all kinds -- professional as well as infantile or feminine--I think that is what happens. It would be absurd to oppose desire and power. Desire is power; power is desire. What is at issue is what type of politics is pursued with regard to different linguistic arrangements that exist. Because -- and this seems essential to me -- capitalist and bureaucratic socialist power infiltrate and intervene in all modes of individual semiotization; today, it proceeds more through semiotic subjugation than through direct subjugation by the police, or by explicit use of physical pressure. Capitalist power injects a microfascism into all the attitudes of the individuals, into their relation to perception, to the body, to children, to sexual partners, etc. If a struggle can be led against the capitalist system, it can only be done, in my opinion, by combining a struggle -- with visible, external objects -- against the power of the bourgeoisie, against its institutions and systems of exploitation, with a thorough understanding of all the semiotic infiltrations on which capital is based. Consequently, each time one detects an area of struggle against bureaucracy in the organizations, against reformist politics, etc., one must also see just how much we ourselves are contaminated by, are carriers of, this microfascism.
Felix Guattari, "Desire is Power, Power is Desire" from Soft Subversions, pg. 19-20
Miguel James (translated by Guillermo Parra)
Arnold Böcklin , The Silence of the Woods , 1885

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Some fake things that aren't real are low key really importsnt
Ukrainian farmer hauling away a downed Russian Shahed attack drone with his tractor.
So There's This Open Wound At The Heart Of The Text
Aurora Consurgens (att: St. Thomas Aquinas or “Pseudo-Aquinas”)
f. 34v: Black Female Angel
Germany (c. 1420s)
Parchment Codex with Watercolor Miniatures, 20.4 x 13.9 cm.
Zürich, Zentralbibliothek.
This is one of those manuscript miniatures that is so beautiful and strange, it’s hard to believe it’s really as old as it is. Aurora Consurgens is an alchemical treatise; a commentary on the Latin translation of Silvery Waters by Muhammed ibn Umail at-Tamîmî (Senior Zadith), attributed first to Saint Thomas Aquinas and later attributed to “Pseudo-Aquinas”.
The miniatures are unusual not only for their quality, but also for the fact that they’re tiny watercolor paintings on the parchment codex. The whole text has been digitized here, and you can read like you were holding it:
*ETA*
The link has a photo with flash in which you can see the gilded portions a bit better, as well as the ability to zoom in to see the details. For those who were curious, inside the Angel’s body is a sheathed dagger and a coiled serpent:

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Raeda Saadeh
'Who will make me real?' , 2003 Palestinian artist
Unica Zürn - Portrait of an Insinuation, 1958