…you’ve wasted so much of your life
Sitting indoors to write poems. Would you
Do that again? I would, a thousand times.
— Robert Bly, from Ravens Hiding In A Shoe
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trying on a metaphor
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todays bird

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Xuebing Du
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let's talk about Bridgerton tea, my ask is open

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…you’ve wasted so much of your life
Sitting indoors to write poems. Would you
Do that again? I would, a thousand times.
— Robert Bly, from Ravens Hiding In A Shoe

Anya is live and ready to show you everything. Watch her strip, dance, and perform exclusive shows just for you. Interact in real-time and make your fantasies come true.
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Nader Alanqar, Beautiful One (Iman) Part One Middle Eastern; Palestine, Gaza, June 2026 Digital smartphone photographs
Donate to support his father's cancer treatment
Joanna Klink
Also s/o to my guy Luigi. It was and always will be the right thing to do.
Gordon Parks, Invisible Man Retreat, Harlem, New York, 1952. Photograph by Gordon Parks. © The Gordon Parks Foundation, courtesy of the Gordon Parks Foundation and Jenkins Johnson Gallery.

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Bruce Nauman | Human Nature/Life Death/Knows Doesn’t Know | 1983
happy pride month to girls who are boys who like boys to be girls who do boys like they’re girls who do girls like they’re boys!!
i’m like if a pervert was a sweetheart
Carol Rama
Contender to be one of the best anecdote ever said

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“To deconstruct a text is to unpack the meanings that history and the language have packed into it, with particular attention to those meanings that challenge those elements that ideology has made appear self-evident.”
— Samuel R. Delany, “Neither the First Word nor the Last on Deconstruction…”
Jean Genet, from Fragments of the Artwork
Maurizio Cattelan
Mother, 1999
digital c-print, 62 x 50 1/2 inches
For the Venice Biennale in 1999 Cattelan produced a performance of a rare dramatic power. Numerous times during the three opening days, a fakir allowed himself to be completely buried beneath some sand. Only his hands remained visible, poking out, immobile and clasped. The fakir was merely replicating something that is a common practice for his native land, within a setting utterly different from its original context.
Audrey Wollen

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Martin Parr - Morelli’s Cappuccino Bar, Broadstairs, England, 1986
Lauren Crazybull. For the moment, 2026.
oil on canvas