fan of many colors

And then we get to the shame that is NYC schools. Fun fact for all of you out there, existing schools in NYC have NO ventilation requirements. 0. Zilch. Literally nothing. So long as the windows are big enough, they are considered "naturally ventilated" meaning that if you want fresh air, just open a window. Ignoring all the energy this wastes, no one does it outside of a few months a year when the weather is nice. And once again, I've seen political will for modernizing school HVAC wilt under the staggering costs of ventilating school. New ventilation requires more heating & cooling which cuts into budgets. Plus the costs for installation can climb sky high. Another fun fact about NYC schools, they're old. And you know what that means! ASBESTOS!!! EVERYWHERE!!! Thankfully this cancerous wonder material is harmless until it's disturbed meaning if it's safely locked away inside the walls, it poses no threat. That is until you try and cut a hole in that wall/ceiling/floor for new pipes and ventilation. Then you not only need to close the school but pay a fortune in remediation, transportation, and disposal of hazardous materials.

Ultimately the problem of solving ventilation in school is not a simple matter of political will, but a potentially trillion dollar problem that would require an investment in our children's health and safety on a scale never before seen. And none of this touches on all the other parts of our built environment from offices to housing to hospitals. Almost all of them need constant investment to maintain a healthy environment.

The good news is WE HAVE THE TECHNOLOGY. None of these problems are particularly hard to solve. Plus this gives us a prime opportunity to reduce our carbon emissions by switching to new, better technology. What we need is to collectively make the decision to accept higher taxes at every level, from the national government down to the local school board, and to invest that money in the health of our people.

And we knew. During lockdown, the legislature tried to allocate over $200M to school HVAC and promptly realized that was a drop in the bucket compared to the scale of the problem. There are over 2000 schools here. Even taking out recent(ish) renovations and new construction, that means roughly 1100 need upgrades. Do that math.

The Chen School of Health at Harvard has a whole section of the website on how ventilation affects health. But finding the money to fix a problem at this scale, especially when there are a thousand other very loud, large problems, well, like prev said.

Keep using your brain and trying that hard thing no matter how foggy. Feel stupid! It's ok! I promise you are not stupid. I promise your brain will appreciate it. And that with time it will be valuable that you tried.

It's so easy to lose a whole week to brain fog. But your brain and body don't just stop existing that week (though it can feel that way). It's so important to try to incorporate puzzles anyway. Cook a meal from a scratch, do a jigsaw, the wordle, sudoku, use your other hand, learn a new card game, watch a brand new show, do simple math equations, write words backwards, learn a new language (or even just random phrases from a few), play a podcast, read a fun article or magazine, try a new creative project. Something! To help you feel better longer and keep your brains synapses synapsing.

Find a way to push yourself into it. Ask a friend to do it with you, set a timer, build it into your routine, have a bunch of fun games on your phone, puzzles by the bed, set your google to open straight to wordle.

TO CLARIFY: neuroplasticity is magic. And CONTRARY to prior belief it does not just stop after like 25. The brain can recover in exceptional ways so if you feel behind, or feel like you lost so much of what you knew due to a deep spell of illness or depression or injury; it's never too late. Never too late to nuture your brain to a better state of health.

I explained very clearly to the manager my issue with the meat section not having the price tags listed, and they claimed it was only going to be for the meat, since meat is by weight, and the price of each item is printed on the packs of each item.

Sure. That’s how they get their foot in the door. Fast forward not even two weeks, and here we are:

Bar codes. No prices, no item descriptions. No price stickers on the individual items. Heck, not even the name of the item that is SUPPOSED to be there.

No. The only way to see the price is to scan it on your phone app, which is also recording what you looked at recently, as a way of gauging what you might be looking for in the future.

So here’s what we’re gonna do gang:

Every time you go into a store that has implemented these price-less tags:

Take 1-3 items up to the cash register. Ask the cashier for the price, or hit the price check item on the self checkout, which will likely call over the attendant.

Express that you didn’t actually want it, you just couldn’t see on the shelf how much it was.

POLITELY, AND WITH A THANK YOU FOR THE PRICE CONFIRMATION, Give the items to the cashier or attendant to put back.

When they inevitably try to push the app, politely decline. If pressed for why not, say you don’t want to have to carry your phone in-hand the whole time you are shopping in order to see how much things cost. (Not having cell service or data to use the app is NOT a valid excuse, as stores already often have complimentary WiFi AND more stores will provide WiFi rather than give up on this push for surveillance pricing)

If it’s a shelf-stable item, the cashier will have to set it aside, taking up room in their limited operating space, and eventually pass it off to someone to put in a holding area to put back later. If it’s a fridge/freezer item, it might have to get tossed due to food product sale regulations.

In either case, you are making it a pain in the ass for them to have these digital bar codes. Tie up the checkouts. Give the employees more busywork that the company has to pay them to do. Hurt their bottom line having to toss the pint of ice cream you carried around in your cart for 20 minutes before giving it back to the cashier.

Fire Lord Zuko waiting until the day he reaches the age of majority to pass this law, lest anyone think he is a coward

Zuko fights it for them.

Which, especially in more rural towns (where Agni Kais are less of a public event and more of a fast and violent duel) is terrifying because you challenge your neighbor’s kid over a stolen chicken-fish and all of a sudden the Fire Lord is showing up???

Firelord Zuko: *wakes up in a cold sweat near midnight*

It is the most embarassing fight of the man’s life.

Per the rules, Aang only uses firebending. But Aang firebends like an airbender… fluid motions, dodges, never a direct attack, just letting the man exhaust himself while asking questions that can either be answered to look like an asshole or ignored to look like an ass.

reasons for this:

basically TvTropes breaks down stories mechanically, using a perspective that’s not…ABOUT mechanics. Another way I like to put it, is that it’s an inductive, instead of deductive, approach to analyzing storytelling.

like in a literature or writing class you’re learning the elements that are part of the basic functioning of a story, so, character, plot, setting, et cetera. You’re learning the things that make a story a story, and why. Like, you learn what setting is, what defines it, and work from there to what makes it effective, and the range of ways it can be effective.

here’s the thing, though: everyone has some intuitive understanding of how stories work. if we didn’t, we couldn’t…understand stories.

TvTropes’s approach is bottom-up instead of top-down: instead of trying to exhaustively explore the broad, general elements of story, it identifies very small, specific elements, and explores the absolute shit out of how they fit, what they do, where they go, how they work.

Every TvTropes article is basically, “Here is a piece of a story that is part of many different stories. You have probably seen it before, but if not, here is a list of stories that use it, where it is, and what it’s doing in those stories. Here are some things it does. Here is why it is functionally different than other, similar story pieces. Here is some background on its origins and how audiences respond to it.”

all of this is BRILLIANT for a lot of reasons. one of the major ones is that the site has long lists of media that utilizes any given trope, ranging from classic literature to cartoons to video games to advertisements. the Iliad and Adventure Time ARE different things, but they are MADE OF the same stuff. And being able to study dozens of examples of a trope in action teaches you to see the common thread in what the trope does and why its specific characteristics let it do that

I love TvTropes because a great, renowned work of literature and a shitty, derivative YA novel will appear on the same list, because they’re Made Of The Same Stuff. And breaking down that mental barrier between them is good on its own for developing a mechanical understanding of storytelling.

But also? I think one of the biggest blessings of TvTropes’s commitment to cataloguing examples of tropes regardless of their “merit” or literary value or whatever…is that we get to see the full range of effectiveness or ineffectiveness of storytelling tools. Like, this is how you see what makes one book good and another book crappy. Tropes are Tools, and when you observe how a master craftsman uses a tool vs. a novice, you can break down not only what the tool is most effective for but how it is best used.

In fact? There are trope pages devoted to what happens when storytelling tools just unilaterally fail. e.g. Narm is when creators intend something to be frightening, but audiences find it hilarious instead.

On that note, TvTropes is also great in that its analysis of stories is very grounded in authors, audiences, and culture; it’s not solely focused on in-story elements. A lot of the trope pages are categories for audience responses to tropes, or for real-world occurrences that affected the storytelling, or just the human failings that creep into storytelling and affect it, like Early Installment Weirdness. There are categories for censorship-driven storytelling decisions. There are “lineages” of tropes that show how storytelling has changed over time, and how audience responses change as culture changes. Tropes like Draco in Leather Pants or Narm are catalogued because the audience reaction to a story is as much a part of that story—the story of that story?—as the “canon.”

please note that yes many of these are concepts that exist elsewhere and a few are even taught in fiction writing classes but TvTropes just does an amazing job at displaying the range of things that can be done with them

legitimately so much of the terminology I use to talk about storytelling, and even think about it in my own head, i learned about from TvTropes

Willing Suspension of Disbelief

Watsonian vs. Doylist

Trope Tropes, for all the ways tropes are used, deconstructed, subverted, and played with.

The Oldest Ones in the Book, which is basically my favorite thing on the entire Internet

Punk Punk, for -punk subgenres

Sliding Scale of Silliness vs. Seriousness, Sliding Scale of Idealism vs. Cynicism

The Weird Al Effect is a fun one

Chekhov’s Gun, Chekhov’s Boomerang, Chekhov’s Skill, and further variations

Law of Conservation of Detail

Law of Conservation of Normality

Anthropic Principle

Word of God, Death of the Author

Sliding Scale of Fourth Wall Hardness

Mohs Scale of Science Fiction Hardness

Genre Savvy

Flashbacks and Chronology breaks down all the ways you can handle chronology in storytelling

Show, Don’t Tell is a very good breakdown of what is showing, what is telling, and how both can be used effectively.

Lampshade Hanging

Noodle Incident is just fun imo

Genre Title Grab Bag

Fridge Horror

Rule of Cool, and also Cool of Rule

The Smurfette Principle

The Hays Code - not a trope but a very good breakdown of how the Hays Code affected storytelling in film