you have to be careful reading too many things that are good/smart/well-written bc then you encounter something that isnt and you get confused like ? why didnt they just make this good ? were they stupid
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Academic articles from authors using large language model are creating an ecosystem of fake research that threatens human knowledge itself.
“There have been lots of AI-generated articles, and those typically get noticed and retracted quickly,” Heiss tells Rolling Stone. He mentions a paper retracted earlier this month, which discussed the potential to improve autism diagnoses with an AI model and included a nonsensical infographic that was itself created with a text-to-image model. “But this hallucinated journal issue is slightly different,” he says.
That’s because articles which include references to nonexistent research material — the papers that don’t get flagged and retracted for this use of AI, that is — are themselves being cited in other papers, which effectively launders their erroneous citations. This leads to students and academics (and any large language models they may ask for help) identifying those “sources” as reliable without ever confirming their veracity. The more these false citations are unquestioningly repeated from one article to the next, the more the illusion of their authenticity is reinforced. Fake citations have turned into a nightmare for research librarians, who by some estimates are wasting up to 15 percent of their work hours responding to requests for nonexistent records that ChatGPT or Google Gemini alluded to. (aph)
This is why the best practice in research if you're citing something in a paper that is itself cited, you go back to the original paper and cite that after you've checked to make sure that's what the paper says.
the most unrealistic part of the iliad & odyssey is actually every single time they talk about a hecatomb of cattle like its nothing. 100 cows? in this collapsing late bronze age economy? Where Are You Getting These. Who’s Your Cow Dealer. Can I Have Their Address
#it's very much a fantasy of abundance arising out of an iron-age world in which cattle are prized and scarcer than they used to be #and where there's a memory of a more centralized world several centuries earlier when one man COULD command vast amounts of cattle #but at the time the iliad and odyssey were being ''''composed'''' or whatever it was a pretty goat/sheep-based world #which is to say: it has less to do with the bronze-age-collapse setting of the poems than their post-collapse performance context #something to be said for how the odyssey sets up the wicked goatherd melanthius vs the good cowherd philoetius and good swineherd eumaeus #there's a clear narrative preference for larger animals and the people who deal with them #which reflects what the audiences of the odyssey idealized vs what was actually their reality #the iron-age homeric audiences are NOT PLEASED about being a more goat/sheep based society! they long for the days of cattle! via @finelythreadedsky
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i had a dream that time travel was invented and too many people choose to travel back in time to save the titanic from sinking (the question of whether unsinking of the titanic deserved so much attention in the face of human history was the subject of both heavy academic and online discourse), which caused a rift in the space-time-continuum that led to the titanic showing up indiscriminately all over the world’s oceans and sea in various states of sinking.
this caused a lot of issues both in terms of fixing said space-time-continuum and in terms of nautical navigation, and after a long and heavy battle in the international maritime organization it was decided that the bureaucratic burden of dealing with this was to be upon Ireland, much to their dismay. the Irish Government then released an app for all sailors and seafarers so they could report titanic sightings during their journeys, even though they heavily dissuaded you from reporting them given the paperwork it caused.
anyway i woke up with a clear image of the app in my head and needed to recreate it for all of you:
It's freaky how the brain will just plasticly learn novel motor output interfaces on the fly. It's almost like instead of hard coding a control scheme for anatomy that changes every few million years the strat that brains went for was to be openly reconfigurable to fit around whatever its nerves seem to be hooked up to via observed feedback.
I think they've done tests on this by getting people to pilot novel bodies in VR. But you don't tend to notice it day to day until something weird happens like just now. I was reading a paper book and it had a line of text blacked out as if redacted. Instinctively I go to move my cursor over the black line to see if I can read any text if I highlight it.
Except it's a book and not my computer screen, so the cursor my brain thinks it's moving across my field of vision in front of me doesn't exist. At the same time, my right hand is making a bunch of small involuntary movements next to me. I didn't intend to move it and didn't even notice it was moving until I saw it with my eyes. What I intended to move was my Cursor, something that my brain had learned to understand that it has, and the way it moves this is by actuating the muscles in my right arm, an action that is entirely disconnected from any intent to move my arm, which is a different thing.
I love being a pattern atop this eldritch mess of neurons, it's great
there's a common idea that in the olden days all disputes were resolved through violence, but even in settings where that was true, people would still sue each other about it.
the thing about dairine is that she is a very angry person. angry and impatient and proud. they are not very pretty emotions but they are extremely real.
my thesis in guarantor is that anger is the thing that dairine and roshaun have in common. it's the thing they recognise in each other and also a thing they can express with each other. for roshaun, because of his position and his power he doesn't have anyone on his own planet he can truly show that side of himself to. and dairine at that point is trying to be good and not be a problem for her dad and sister - and not really succeeding - and he's someone she can take it out on.
so that in recognising each others' anger they are able to be more truly themselves together and also, ultimately, to let go of some of that anger.
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The researchers emphasize that this does not mean microplastics are not a real problem.
“We may be overestimating microplastics, but there should be none,” said McNeil, senior author of the study and U-M professor of chemistry, macromolecular science and engineering, and the Program in the Environment. “There’s still a lot out there, and that’s the problem.”
Clough added, “As microplastic researchers looking for microplastics in the environment, we’re searching for the needle in the haystack, but there really shouldn’t be a needle to begin with.”
ok so, I approached my local library with a proposal to donate a mural as a way to A: build portfolio/gain practical experience and B: give back to a beloved public institution. The director was very enthusiastic about it and i've been working on it since the beginning of March. Come with me as I endeavor to paint what is in all honesty an excessive amount of birds
I wanted the birds to look like they were actually in the space so first thing after doing the draft was to do a lighting study
after that I covered the walls in letters in lieu of a projector/vr headset bc i have neither of those :) Then i take a picture of the section of wall and superimpose the lineart over top of it so I can pencil in the lines
et voila
and that was a whole week on it's own so next comes the paintin' >:)
my chains are broken i am FREE. although i did have a great deal of fun with this, the barring on the wings itself took me like four days and i am READY to move on
this was a week and a half of continuous work so please excuse me for getting a little emotional in the bg 🙏
BIRD NUMBER 10!!! The Male Mallard Duck, Anas platyrhynchos
the male and female ones are gonna be posted separately bc they're taking a lot longer lol but yea! super happy i was able to capture the iridescent green of the head, i found metallic green and blue paint at a craft store that really made his head POP. it looks better in person i promise
ALSO!! As this is the 10th one, BIG announcement. The end is in sight!!!!! I plan to finish within the next 3 weeks and there will be a small dedication ceremony/ unveiling happening at the library to commemorate its completion on the 16th of May. If you live in the Western New York region and want to check it out for yourself shoot me a dm!
Also thank you everyone for your kind words and support throughout this whole process, it's been a genuine treat thinking there are potentially thousands of you out there cheering me on while I paint this 🥹
we're movin right along with bird numero 11!! The lady Mallard!! Anas platyrhyncos
the 16th is looming in the distance so i'm trying to get thru these as quickly as i can so i can have as much time for the GBH as possible. i still need to do the names next to all of them so i've got about a week and a half to finish everything which is GREAT because i have adhd and nothing gets my ass in gear like a fuckin deadline, let me tell you
power couple that they are, here's bird number 12 and 13,
the Northern Cardinals, Cardinalis cardinalis
and NOW that they are complete, ITS GO TIME, in the next five days (library's closed for mother's day 😭😭) i need to have the GBH fully rendered, the names of the birds vectored, weeded, masked, applied to the wall, and then painted, plus additional cattails throughout. I may be able to get away with just getting the GBH done in time for the unveiling and then just have the names and cattails added later, but i'm gonna really try to get it all done in time. BUT, i have a plan. Part of why i take so long on these is because i really am just figuring it out as I do it lmao. there have been many a time where i am sitting on top of the ladder googling "how to paint birds" but I think if i take the time tomorro to do all that figuring out how to approach it beforehand, this will go a lot faster. I may also recruit some of my artist friends to help with the placing of the names... hrmm we'll see.
Anyways, shout out to the librarian who tracked down exactly the thing i needed so i could figure out where to place the highlights in my birds eyes, ur the real mvp
thank you to everyone who reached out or got excited about this project, it genuinely gave me the fuel i needed to keep going. In total, the 480+ total hrs it took me to cover this wall pales in comparison to how long its expected to spend on there, hopefully imparting a sense of beauty and love for the natural world to the next generation and here's hoping i'm only getting started with these.
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“I want you to do this with me for one month. One month. Write 10 observations a week and by the end of four weeks, you will have an answer. Because when someone writes about the rustic gutter and the water pouring through it onto the muddy grass, the real pours into the room. And it’s thrilling. We’re all enlivened by it. We don’t have to find more than the rustic gutter and the muddy grass and the pouring cold water.”
— Marie Howe, Boston University’s 2016 Theopoetics Conference (via mothersofmyheart)
I ask my students every week to write 10 observations of the actual world. It’s very hard for them.
Ms. Tippett:
Really?
Ms. Howe:
They really find it hard.
Ms. Tippett:
What do you mean? What is the assignment? 10 observations of their actual world?
Ms. Howe:
Just tell me what you saw this morning like in two lines. I saw a water glass on a brown tablecloth, and the light came through it in three places. No metaphor. And to resist metaphor is very difficult because you have to actually endure the thing itself, which hurts us for some reason.
Ms. Tippett:
It does.
Ms. Howe:
It hurts us.
Ms. Tippett:
You naming something.
Ms. Howe:
We want to say, “It was like this; it was like that.” We want to look away. And to be with a glass of water or to be with anything — and then they say, “Well, there’s nothing important enough.” And that’s whole thing. It’s the point.
Ms. Howe:
It’s the this, right?
Ms. Howe:
Right, the this, whatever. And then they say, “Oh, I saw a lot of people who really want” — and, “No, no, no. No abstractions, no interpretations.” But then this amazing thing happens, Krista. The fourth week or so, they come in and clinkety, clank, clank, clank, onto the table pours all this stuff. And it so thrilling. I mean, it is thrilling. Everybody can feel it. Everyone is just like, “Wow.” The slice of apple, and then that gleam of the knife, and the sound of the trashcan closing, and the maple tree outside, and the blue jay. I mean, it almost comes clanking into the room. And it’s just amazing.
Ms. Tippett:
In some basic level, what they’ve done is just engage with their senses.
Ms. Howe:
Yeah, and have been present out of their minds and just noticing what’s around them, which is — we don’t do. And again, not to compare it to anything. They’re not allowed. And that’s very hard for them. And then on the fifth or sixth week, I say, “OK, use metaphors.” And they don’t want to. They don’t know how. They’re like, “Why would I? Why would I compare that to anything when it’s itself?” Exactly. Good question.
So then you think, why the necessity of a metaphor? Why do you have to use a metaphor now? Not just to do it to avoid it, but to do it to make it more there. And it’s very interesting.
The words and silences we live by. The rituals that sustain us. The poetry of ordinary time.
blakekathryn
tangentwithtanner
