I wish they stayed like that for the whole year đ¸đź
we're not kids anymore.


â
styofa doing anything

Origami Around
cherry valley forever
Sade Olutola
I'd rather be in outer space đ¸
Jules of Nature
noise dept.
Xuebing Du
Mike Driver
Cosimo Galluzzi

pixel skylines
he wasn't even looking at me and he found me

@theartofmadeline

shark vs the universe

JBB: An Artblog!

JVL

ellievsbear

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@verysongof
I wish they stayed like that for the whole year đ¸đź

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wips
Let's ambush mama! đź
"Why do Pallas cats always look grumpy?"
"Pallas kittens."
The sheer roundness of this kitten must be admired.
âA CloisonnĂŠ Vase Mark of the Hayashi Kodenji Workshop, Meiji Period (late 19th century) Worked in various thicknesses of silver wire and coloured cloisonnĂŠ enamels on a dark blue ground with a maple tree surrounded by a profusion of flowers including chrysanthemums, irises, wild pinks and grasses, the foot with floral lappets, the neck with a band of geometric pattern, silver rims.â
Karoline Albertine Julie, Countess von Schlotheim and von Hessenstein (1788) by Wilhelm BÜttner. Gemäldegalerie Alte Meister, Kassel.

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we simply have to hold on to the belief that we will live to see a world in which every driver on the road knows how to execute a zipper merge
Nordkirchen Castle, North-Westphalia, Germany
Gold, opal and enamel brooch ca. about 1900
Maker: Marcus & Co., New York
Antoine Emile Plassan - A tasty treat (1873)

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Stargate SG-1, 02.06 Thor's Chariot
The transformation of into âQu'ils mangent de la briocheâ into a more serious social and moral anecdote, with and without the 19th-century integration of Marie Antoinette into the equation, is interesting.
In the context of the original work, itâs not used in a serious or moralistic context. Its usage is casual and the context is⌠well, very Rousseau.
Itâs part of a section where Rousseau is talking airily about his âadventures,â in particular a period of time in which heâs stealing bottle upon bottle of wine from his (in his own description) generous employers (he was hired as a tutor) and he just, yâknow, has to have bread with wine, he canât fathom drinking all this stolen wine without bread. As one does.
But heâs a gentleman and he canât fathom the idea of someone like himself being so lowly as to go into a simple bread shop personally to buy a loaf of bread. Unfortunately, he canât send the employerâs servants, either, or even his own lackeys, because theyâll find out heâs stealing wine! What is he to do!
So he recalls the âadvice of a great princessâ told about the people having no bread (âThen let them eat briocheâ) and lightning strikes! Itâs not too beneath him to go personally into a high-end shop to get brioche, and he can have that with his stolen wine. But even then he writes about how he would walk by many different storefronts and only go inside if there was one person working and only if that person had a âgood countenance.â
Because when youâre buying expensive brioche to go with your stolen wine so that you donât have to be seen entering a bread shop, itâs good form to be choosy about who youâre buying said brioche from.
Was Rousseau being intentionally meta here? Given the context and the overall language, I highly doubt it. But thereâs something unintentionally fascinating about this phrase, eventually (and still today) being used as a classic example of a person of privilege maliciously or ignorantly not understanding the plight of the poorâwhen it derives from a passage where Rousseau describes the terrible conundrum of hiding out in his apartments with stolen wine, agonizing over how he can get bread because heâs a gentleman and therefore above going into bread shops, then finally deciding to buy luxury bread so he can hole up in his rooms, drink wine, and eat brioche while reading books in his leisure time.
DONâT become even a casual nerd about historical fashion because youâll start looking at pseudo-medieval fantasy and going âthat jacket and those breeches are 200 years apart and reflect extremely different social movementsâ and âoh no they were NOT making shirts like that prior to industrializationâ and âa fly front? in MY ~1500s???â
Red Fox/rÜdräv. Värmland, Sweden (6 June 2026).
Richard Claremont (Australian), Lights After Rain, 2025, Acrylic

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