So, very unfortunate news. I actually received a follow up in the mail, too.

Need to read about trigger warnings? Please click the whimsical dog icon for more information!

there are still timestamps available for warnings on those same triggers for those same properties. just bc there's a paywall on something doesn't mean other comments and timestamps can't be posted or read for free on that property or that trigger.

see here:

i don't have an account and haven't paid for anything on the site, so all of those comments are what i'm seeing for free.

i had to search and search to find anything that had paywalls, and had to resort to looking at The Substance, as referenced here. i've been using the site regularly since the op posted and have never organically encountered a paywall on anything, including on very popular properties.

i don't see any reason to stop using the site--everything is still available for free. they just have added another way for some ppl to choose to pay some $ (in addition to ads), since this is a completely free service, and no website is free to maintain.

He thanked me for my feedback when I expressed confusion and concern about the paywalled comments being mixed in with the free comments, and has since updated the site to make them clearly distinct, along with a preview of what the paid comments look like:

My brother: TWO WEEKS? Holy shit.

Surgeon: Well, consider this.  She and I just had a knife fight.  And I won.  Because she was asleep during it.  

And after getting over my initial (rather emotional) response, I wanted to reply properly, and explain just why that hit me so hard.

So back around twenty years ago, the internet cosplay and costuming scene was very different from today. The older generation of sci-fi convention costumers was made up of experienced, dedicated individuals who had been honing their craft for years.  These were people who took masquerade competitions seriously, and earning your journeyman or master costuming badge was an important thing.  They had a lot of knowledge, but – here’s the important bit – a lot of them didn’t share it.  It’s not just that they weren’t internet-savvy enough to share it, or didn’t have the time to write up tutorials – no, literally if you asked how they did something or what material they used, they would refuse to tell you. Some of them came from professional backgrounds where this knowledge literally was a trade secret, others just wanted to decrease the chances of their rivals in competitions, but for whatever reason it was like getting a door slammed in your face.  Now, that’s a generalization – there were definitely some lovely and kind and helpful old-school costumers – but they tended to advise more one-on-one, and the idea of just putting detailed knowledge out there for random strangers to use wasn’t much of a thing.  And then what information did get out there was coming from people with the freedom and budget to do things like invest in all the tools and materials to create authentic leather hauberks, or build a vac-form setup to make stormtrooper armor, etc.  NOT beginner friendly, is what I’m saying.

Then, around 2000 or so, two particular things happened: anime and manga began to be widely accessible in resulting in a boom in anime conventions and cosplay culture, and a new wave of costume-filled franchises (notably the Star Wars prequels and the Lord of the Rings movies) hit the theatres.  What those brought into the convention and costuming arena was a new wave of enthusiastic fans who wanted to make costumes, and though a lot of the anime fans were much younger, some of them, and a lot of the movie franchise fans, were in their 20s and 30s, young enough to use the internet to its (then) full potential, old enough to have autonomy and a little money, and above all, overwhelmingly female.  I think that latter is particularly important because that meant they had a lifetime of dealing with gatekeepers under our belts, and we weren’t inclined to deal with yet another one.  They looked at the old dragons carefully hoarding their knowledge, keeping out anyone who might be unworthy, or (even worse) competition, and they said NO.  If secrets were going to be kept, they were going to figure things out for ourselves, and then they were going to share it with everyone.  Those old-school costumers may have done us a favor in the long run, because not knowing those old secrets meant that we had to find new methods, and we were trying – and succeeding with – materials that “serious” costumers would never have considered.   I was one of those costumers, but there were many more – I was more on the movie side of things, so JediElfQueen and PadawansGuide immediately spring to mind, but there were so many others, on YahooGroups and Livejournal and our own hand-coded webpages, analyzing and testing and experimenting and swapping ideas and sharing, sharing, sharing.  

I’m not saying that to make it sound like we were the noble knights of cosplay, riding in heroically with tutorials for all.  I’m saying that a group of people, individually and as a collective, made the conscious decision that sharing was a Good Things that would improve the community as a whole.  That wasn’t necessarily an easy decision to make, either. I know I thought long and hard before I posted that tutorial; the reaction I had gotten when I wore that armor to a con told me that I had hit on something new, something that gave me an edge, and if I didn’t share that info I could probably hang on to that edge for a year, or two, or three.  And I thought about it, and I was briefly tempted, but again, there were all of these others around me sharing what they knew, and I had seen for myself what I could do when I borrowed and adapted some of their ideas, and I felt the power of what could happen when a group of people came together and gave their creativity to the world.

And it changed the face of costuming.  People who had been intimidated by the sci-fi competition circuit suddenly found the confidence to try it themselves, and brought in their own ideas and discoveries.  And then the next wave of younger costumers took those ideas and ran, and built on them, and branched out off of them, and the wave after that had their own innovations, and suddenly here we are, with Youtube videos and Tumblr tutorials and Etsy patterns and step-by-step how-to books, and I am just so, so proud.  

So yeah, seeing appreciation for a 17-year-old technique I figured out on my dining-room table (and bless it, doesn’t that page just scream “I learned how to code on Geocities!”), and having it embraced as a springboard for newer and better things warms this fandom-old’s heart.  This is our legacy, and a legacy the current group of cosplayers is still creating, and it’s a good one.  

OP also invented armsocks.

Protagonist now remembers key facts about important people. He no longer develops convenient amnesia between cutscenes.

Protagonist now has a cooldown on certain adverbs. Adverbs have been buffed by 30% to compensate.

Developer note: Adverbs are important to writing but they are sometimes overused. This change keeps adverbs relevant while encouraging the use of adjectives and verbs.

The horse now has a name.

Solved a glitch where supernumerary limbs would sometimes emerge during complex physical interactions.

Should no longer display “[insertnamehere]” during conversations and narration. All of such occurrances have been replaced with the appropriate tags.

Conversation continuity has been improved. Characters will no longer inappropriately respond with lines from previous iterations of the narrative.

All references to “Event A” have been purged to reflect changes in narrative structure.

Paragraphs which contained two or more instances of the same adjective have had their adjectives updated to accurately reflect a player’s vocabulary inventory.

Minor time traveling issues have been resolved, all characters should now exist in the same tense.

Punctuation has been improved. Commas have been reduced by half.

Characters sighing has been reduced by 30%.

Characters looking at things or people during conversations has been reduced by 40%. To make up for this, characters thinking about the conversation has been boosted and descriptive narrative has been added.