Current Interests: Fallen Order, The Locked Tomb, IWTV, Shameless, Crafting, Writing, and a Mishmash of other things. Post too much even for the post too much website. Shunting my news anxiety over to a side blog so trying to keep all depressing news off this blog and will do my best to tag.
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The morning my mom died, we left the hospital and didn't know what else to do but go get breakfast at a McDonald's. We shuffled in like zombies. We were pretty shell shocked after everything we'd been through. And because of that, I guess the three of us were kind of struggling with getting our drinks and napkins and carrying our trays of food. I couldn't even tell you how we struggled with such a simple thing. We were just lost in thought, I guess. All I really remember is this little old man, a complete stranger, helping us bring our trays to the table. We didn't even ask for help. He just did. It was so weird because it was like he knew what had happened. I never got his name. The whole interaction couldn't have lasted more than 5 minutes. But I can still see his face.
I dont care if you think people are fundementally selfish. I choose to believe people are good and even if i get taken advantage of im going to do my part to make the world fair and kind
Hey if you See This can you reblog this or comment on this with a character you headcanon as aromantic, asexual, or both. It can be canon it can be founded on absolutely nothing I just need more aroace stuff on here #yay
Over 30 actors, filmmakers, and close friends recount how Steven Spielberg infiltrated Hollywood and helped the Movie Brats take over.
Scorsese: George came out of West Coast avant-garde cinema and his first picture, THX-1138, was quite abstract and haunting. But he and Steven were united on a different level. They both loved the idea of movies as immersive experiences.
Harrison Ford, actor: George and Steve are like brothers from a different mother. They’re effortless with each other.
Hanks: The scene in Jaws when they’re comparing scars and their broken hearts, and it’s those great actors, Richard Dreyfuss and Roy Scheider and Robert Shaw. That kind of camaraderie — I don’t know that Steven’s had that with other men outside of the director community. He gets together with Francis and Marty and Guillermo del Toro and all those guys, and he’s in the warm embrace of like-minded male companionship. I think he yearns to have that. Look at the relationship between Dreyfuss and François Truffaut in Close Encounters. There’s even a great scene in Jaws when Scheider is just sitting with his son and his son starts doing imitations of him at the dinner table.
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Lucas: He was trying to get E.T. off the ground, and I said, “I’ll pay for that. I’ll produce that.” He said, “Well, I’ve got to take it to Universal because I have a contract with them.” Before that, he was going to do it for Columbia, which produced Close Encounters, but they said, “That’s a children’s movie! Nobody’s going to go see a children’s film.” I said, “Well, that’s nonsense. Star Wars was a children’s film, and everybody went to see it.”
Kennedy: One morning, he goes, “We should find somebody who’s written more children’s stories.” And I said, “Well, Harrison Ford is going out with this girl, Melissa MathisonMathison later wrote Frank Oz’s The Indian in the Cupboard, Scorsese’s Kundun, and Spielberg’s The BFG. , who wrote Black Stallion.” She was there on set with us during Raiders. She responded right away to what it was we were trying to do. In between shots and on weekends we met with her and talked with her about the story. Melissa ended up turning in a first draft and Steven said, “This is the first time this has ever happened to me. This is a shootable first draft.”
Ford: E.T. developed very much around our kitchen table. As she was writing, our kids were involved in Dungeons & Dragons games with some of the Raiders cast.
Kennedy: Melissa was a phenomenal partner to Steven. Melissa had kids at the time. Steven didn’t. So, she was bringing that sensibility to it.
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He knows where that leverage is, where that pressure needs to be applied. As an actor, you are being placed in the perfect position to say the lines, “The list is life. The list is an absolute good, and all around its margins lies the gulf.” As you turn your head, Janusz will shift focus from Liam to you halfway through that line, and it will hit the audience’s retina forever.
Kennedy: It’s the only time I’ve ever seen this happen with Steven: I ended up having to take over the postproduction on Jurassic almost entirely because he was so immersed in Schindler. He couldn’t compartmentalize the way he had before.
Kamiński: We were doing Schindler’s List, and he was having satellite transmission to look at the Jurassic effects, which was totally surreal.
Koepp: He said that it was kind of a blessing sometimes, in that he’d had these incredibly intense days on set and then he’d come home and look at effect shots for several hours of dinosaurs running around. It was actually a great place to park his mind for a while.
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Anyway the real questions I'd like to ask allo people in fandom in an attempt to get them to understand maybe a little bit why aro and/or ace fans feel so upset and lonely all the time are:
Do you have any aro/ace headcanons? Are they of main characters? Your favorite characters? Characters you even like?
When was the last time you read a fic that featured an aro/ace character? Did you bookmark it? Did you leave a comment? Have you ever put one on a reclist?
Have you ever participated in a genfic exchange? Have you ever considered that things like exchanges rely in part on having a certain number of participants, otherwise assignments won't work?
Have you ever had your art tagged with the name of a ship you didn't personally like? How did that make you feel? Have you ever thought about the fact that other people might feel the same way? Maybe even about the ships you do like?
Bonus hard round:
Have you ever considered what kind of a message it sends to say "Just let me make write stories/make art/reblog posts about the things I like!" and to then exclude an entire group of marginalized people from "The things you like"
guys i cant stop thinking about the Robin Williams film The Birdcage and how its considered a comedy. THAT SHIT MADE ME CRYY.
Albert and Armand are willing to change their entire life to bend to the will of their PRICK of a son. they love him so much and at NO POINT in that movie does he show any appreciation for his LOVELY PARENTS. and dont even get me started on agador, he TELLS val that he will fall if he wears shoes and that he cant cook and then when both of those things prove themselves true val has the audacity to be pissed off.
AND THE FACT THAT VALS FIANCE COULD CARE LESS IF HE HAS TWO DADS. why are we trying to impress these fucking conservatives, who gives a fuck.
and when armand and albert get their palimony agreement bc they cant get married. ILL SOB.
"What does it matter, take it all! im 50 years old and theres only one place in the world i call home and its because your there. so take it, what difference does it make if i say you can stay or you say i can stay? its ours." OH IM A WRECK. dont hit me up, im sobbing.
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I took my little brother (autistic, mostly non verbal) out and he was using his voice keyboard to tell me something, and this little boy (maybe 4 or 5?) heard him and asked me "Is he a robot??" I tried to explain to him that no, he isn't a robot, he just communicates differently, but my darling brother was in the background max volume "I am robot I am robot I am robot I am robot"
My little brother insisted if I was going to post about him, he wanted a cut of the "profits". When I explained to him that Tumblr isn't monetized, and is pretty pointless, he and my older brother pointed out that he'd still be bringing me "fame and notoriety" if the post got "big". So we agreed, if the post hit 10k notes, which seemed extremely farfetched and silly at the time, I'd take my little brother out for sushi (his favorite food) and let him eat as much as he wants.
I guess God wanted the little robot to enjoy some sushi 🍣 🥲
I don't need all my characters to be of pure heart, I believe more complex characters make more intersting stories. And Abel is written to be likeble (I think), yet there is something annoying.
Maybe beceause the author herself makes a very strong devision between the characters we are suppose to dislike (the clan) and the ones that she want us to like (Abel, Cissy, Barney). I feel she gives Abel a bit too much roughness, but then wants us to forget about because Valancy is happy there. I think Abel would be perfectly well written character if whole book wasn't build for us to choose sides.
I'm going to throw a bomb here - Mrs Friderick at least kept her daughter alive.
I realize I'm looking at all this from a modern lens, but it's hard to forgive him complacently smoking his pipe in the corner of the same room where his daughter with her destroyed lungs is trying to breathe.
It’s not great that he comes home drunk and rowdy enough Cissy and Valancy have to lock the door.
“He generally came home at nights—always very late and often very drunk. The first night they heard him come howling into the yard, Cissy had told Valancy not to be afraid.
“Father never does anything—he just makes a noise.”
Hmmm side eye. I bet he does or had thrown things. And they kinda imply he’s too old to get frisky with Valancy but he might have a decade ago.
And when Cissy was a small motherless child? Dad’s at work all day and drunk all night. That would have been so frightening for her, given her general meekness. Abel is charming but he also sucks.
Like Cissy is 26 and dying… and he can’t be bothered not to track dirt all over the house? Perhaps he could cook her a meal but instead she is alone and has to get up and make lunch for herself. It’s not so hard to leave her a stew or sandwich 🥪
“It had been so terrible—the long, lonely days and nights with no companionship save those dreadful old women who came to work. Cissy had hated and feared them. She clung to Valancy like a child.”
I feel like Abel had some options he could have pursued. Up the wages and get someone less terrible for Cissy? Hire a young nurse fresh graduate from college who isn’t local and won’t know all the gossip? Eat some humble pie for three months and go to church so someone will come help your only child on her deathbed?
the Murderbot situation (killer robot attempts to integrate into a nonviolent communalist utopia, but somehow always ends up shooting a bunch of people) is on some level kind of symbolic of Martha Wells's writing (old sci-fi/fantasy from the long and venerated tradition of evil races and boss battles, now writing for the new sci-fi of cozy cottagecore settings and talk-it-out conflict resolution, yet always wraps up the finale with a big shootout)
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seeing people say "this trope has been done to death" as if that's ever stopped anyone from eating bread. BREAD HAS BEEN DONE TO DEATH FOR LITERALLY THOUSANDS OF YEARS AND WE STILL WANT MORE BREAD. write your chosen one AU. write your coffee shop meet-cute. write your 47th iteration of "there was only one bed" because guess what??? we're still hungry.
yousharknotpass
turnnoffyourmind
janainaart
areudirty
origamiaround
theartofmadeline
dededos
