Abby Spinach

August 2026

New York Times bestselling author T. Kingfisher returns to the charming fantasy world of Swordheart in this delightful and unexpected new romantic adventure.

Learned Edmund, a disillusioned scholar, is transporting yet another precious relic from one stuffy temple to a different stuffy temple. Another great adventure for the ages…

But when Edmund is set upon by bandits, in desperation, he breaks the cardinal rule and grabs for the relic, an ancient sword. To his surprise, instead of unsheathing a rusty, ancient weapon, an alarmingly handsome man appears, wielding daggers of blue steel and cutting the thieves down.

This man is the Dervish, an immortal warrior who’s been trapped for centuries in a sword of enchanted steel, and is angry as hell about it. He hates the curse that put him there, and he wants to hate Edmund, just as he has hated every wielder before him.

But like…I always read italics in a different tone like they’re thoughts. It seems quieter than using normal quotations which makes what they say look less significant on the page than other character’s dialogue.

I really don’t think my audience needs me to use completely different punctuation around a mute character. There’s no need to act like they’re speaking a different language since their muteness isn’t a focal point in the story.

You can add little things for emphasis though, like how fast or flippant a sign is given, also a lot of our “punctuation” is in facial expressions, so wild looks is kind of normal. Also messing up signs and just.. pushing them aside. Like, you mess up a fingerspell and just take both hands and shove the air in front of you to your side, people who sign eventually end up doing this for other things, like a “forget it” motion. It’s like a “wave it off” gesture.

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