Abby Spinach

Post-A Civil Campaign, it feels like the character of Ekaterin just disappears into the background as Miles’ spouse and partner. She’s talented, competent, highly-regarded, beloved…and has very little personality or active role left. It feels strange to me, because it seems like one of the things hinted at in A Civil Campaign is that Ekaterin is learning exactly who she is and exactly where her boundaries are. And then it never really seems to come into play again, which seems like a missed opportunity. From a writer’s perspective, it makes sense because having Ekaterin’s perspective continuously in tension with Miles’ would have forced the subsequent books into having two protagonists all the time.l, but the way Ekaterin disappears still bugs me.

Here’s the passage from A Civil Campaign that got me thinking about this. The context is that Kareen is sick of being treated like her opinions are childish:

“There's something to that in both directions," said Ekaterin mildly. "Nothing is more guaranteed to make one start acting like a child than to be treated like one. It's so infuriating. It took me the longest time to figure out how to stop falling into that trap." "Yes, exactly," said Kareen eagerly. "You understand! So—how did you make them stop?" "You can't make them—whoever your particular them is—do anything, really," said Ekaterin slowly. "Adulthood isn't an award they'll give you for being a good child. You can waste . . . years, trying to get someone to give that respect to you, as though it were a sort of promotion or raise in pay. If only you do enough, if only you are good enough. No. You have to just . . . take it. Give it to yourself, I suppose. Say, I'm sorry you feel like that, and walk away. But that's hard.” Ekaterin looked up from her lap where her hands had been absently rubbing at the yard dirt smeared on them, and remembered to smile. Kareen felt an odd chill. It wasn't just her reserve that made Ekaterin daunting, sometimes. The woman went down and down, like a well to the middle of the world. Kareen bet even Miles couldn't shift her around at his will and whim.

I try not to make sweeping statements but I think there’s a case to be made for bernini as the greater sculptor there’s ever been.

here’s his bust of costanza bonarelli

here’s apollo and daphne from the front, where she’s mostly human

from the back, where she’s mostly tree

and details

Insanely detailed feet with veins from “Aeneas, Anchises, and Ascanius”

Another foot from the same statue because a) he textured underside of the foot and the folds of skin in the arch and b) can you see the light coming through the thin marble between the toes?

One of the mouths of Cerberus from “The Rape of Prosperina”.

Prosperina/Persephone’s facial expression and HAIR TEXTURE

Hades’ hair as well - this man was entirely too good at making CURLS out of ROCK.

A (poorly lit) close-up on the tree textures from “Apollo and Daphne”.

Hand, sling, and rock from “David” which I think deserves to be at LEAST as well-known as Michelangelo’s. Saw them two days apart and I prefer Bernini, honestly.

Facial expression from “David” - I just love the character in this so much.

Kind of a weird angle but look at the texturing on the sling pouch!!!

We also got to see one of Bernini’s earliest works (possibly his very first) in the Uffizi; it’s not currently on display, unfortunately, but look at this:

Forgive the poor photo quality but. He was 14 when he carved this. FOURTEEN.

Man was a straight-up wizard.

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–Darth Vader apparently said, “If I had to have the entire goddamned ocean dropped on me, I’m not fixing that shit, and we’re leaving it exactly the way it is, so the rest of you shitstains can experience the same fucking thing, because if I have to suffer, so do the rest of you.” And that’s exactly what happened five years later.