Soap

good night blog

good night killer in the fog

good night asks

good night posts

So someone offers to let Toph touch their face

But being Toph, she is sick of merely explaining, again, that Blind People Don't Want To Paw Your Greasy Face

So she just makes them eat dirt instead

#( #prev: #You going to explain colors to me next? Because can show you brown #) #toph: *earthbends their face into some rock* #sokka: that's gray actually #toph: *earthbends sokka into the same rock*

⚪ Male

⚪ Female

🔘 Writer

Looking for

⚪ Boyfriend

⚪ Girlfriend

the first result isn’t always the one you’re looking for but when you press enter it’ll give you a ton of words related to your query that’ll probably have what you’re wanting, or something better

here’s some examples:

FIRST TRUE COLOR PHOTO OF AN ATOMIC NUCLEUS!

FIJMU News 10-19-21

Today, the world's most powerful microscope has photographed in real color the core of a single atom. The nucleus of an atom is like the delicious yolk of a hard boiled quantum egg, containing protons and neutrons (red) as held together by gluons (tan filaments). All known substances are made of atoms with nuclei like the one seen above.

The atom used was a Thulium atom because of its highly photogenic traits, bright coloration, and nice atomic number. According to microscopy professor Minnie Lewker, "Atoms have been photographed before but never in real color. They usually look almost like waves of light and dark instead of real, tangible objects as they are."

The same microscope team was also able to take the first known photograph of an electron:

It’s particularly embarrassing in comparison to the original material, as with digital/modern technology, you can literally see how the shot looks while you’re shooting.

This should’ve also been sorted in comp and fixed well before distribution.

As already pointed out, the lighting values have no depth to them, thus creating a very flat scene (this is one of the first design principles we are taught in design for animation/film- if I had handed in a lighting shot or concept anything like this, I would’ve failed the module).

If you take the shots and put them into greyscale, you can see this a lot clearer.

In the original Halloween shot, we can see a high range of value (how bright or dark something is)- the lighting is brightest on Jamie Lee Curtis, the viewer’s eye is drawn to her first- we can see her emotions clearly and gain sympathy for her character. Then we are drawn into the darkest value, creating dread, and this is fulfilled and heightened with the contrasting (and next highest) value of Michael’s mask.

In the modern shot, all the values are within a similar range (mid-greys), and there is no proper depth in value- making the tension within the shot fall flat (not ideal for horror).

In fact, the highest value in this shot is the fire in the background- which is where the eye is drawn to first. The background. Not the action. So instead of feeling empathy or dread, we are focusing on the wrong details.

And yes, while it could be said from a film analysis POV that the flatness of the shot ‘puts the characters on the same fighting ground/level of power in the shot,’ I’m not going to give them the benefit.

To top it off, the use of colour in the modern shot highlights the errors in lighting. Whilst sharing the blue/orange colour scheme of the original shot, everything is blue except the one area of contrast, the orange fire. So once again, we are drawn to none of the action and instead the background.

With a very small edit in compositing and lighting to match the original Halloween, the feeling (and focus) of the shot is completely changed. The shot has higher contrast and range of values- the focus is on Curtis, while Michael feels more foreboding in the darkness. The contrast puts the characters on opposite sides- good vs evil, telling a narrative in contrast to the unedited shot.

These effects could’ve easily been achieved by adding a key light on Curtis and rim lighting on Michael in production, and if necessary, editing value depth in comp to enhance the raw footage.

It is absolutely immoral, completely counterproductive to the goal of learning things, and turns out incredibly subpar work.