Just so weโre all clear on where I stand: Black lives matter, trans women are women, trans men are men, nonbinary people are beautiful, asexual/aromantic folks have a place in the LGBTQ community, Queer is not a dirty word, and being โanti fascistโ is a moral position, not a political one.
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Reblogging 12 Mch '26 for the update (see the end...)
These panels from April this year (2025) show a cheerfully sexual woman. But when we first meet Joyce, she has massive anxieties about sexuality and she's phobic of things like mixed food - and showers are also really gross, only to be approached in full PPE.
College dorm life throws a lot of disparate people together in an intimate setting, and a shared bathroom opens up all sorts of possibilities for interaction and character growth. And so I wonder if the shower strips will tell us a something about Joyce's development? Let's find out.
Sexy Nudity? That first shower strip contrast's Joyce's over-clothed figure with two lightly-clad ladies. But this is the only time that a strip hints that Joyce fears being seen (or seeing) other women. I think her lady-loving is so deeply buried beneath her much more overt (and therefore scary) lad-lusting that she doesn't really register the bathroom as a potentially sexual scene at first, and this is confirmed at the end of week one when she meets Billie and immediately suggests they be shower-buddies.
The fact that Billie later is one of the first woman for whom Joyce has overt sexual feelings doesn't mean there's not sexual subtext here, just that it's not registering for Joyce.
Hair. Joyce loves hair - on Sal. On the shower floor - it's an issue.
And again a couple of weeks later...
But Joyce is an activist type of gal; the very next day we see the first of her attempts to deal with the situation:
It's laughably inadequate, but it's a glimpse of the girl who WILL find a way - somehow.
The arrival of best-friend and very out lesbian Becky introduces two new dynamics. The first is the extent of Joyce's courage and dedication to her friend; she loves her so much she braves the worst of shower stalls:
The second is that Joyce begins to think about how things might feel for someone sapphic:
Which is a chance to affirm Becky, but also an indicator that Joyce's friendships will make her more open to different experiences and perspectives.
However, it's roommate Sarah who unlocks the sexual potential of showers for Joyce when she returns to their room to find the naive Joyce swinging her vibrator around like a light-sabre. Her response conjures certain images - and associated shame - for Joyce once she's nude.
Meanwhile the hair gags (and potential solutions) continue
Underlining the depths of Joyce's dysfunctions, but also Sarah's cranky kindness:
And Joyce's half-baked ingenuity. Which leads us too...
And here's the real payoff for the 'Showers are horrible and grimy' story thread. Carla is kind. She later reveals that (pre-cannabis) she was also an intensely picky eater and empathises with Joyce - maybe a motivation for her here? The new shower shoes also give Carla an excuse to nickname Joyce 'Jugs' to differentiate her from (also 5'4", blonde, glasses-wearing) Dorothy. Shower strips provide opportunities for Joyce to connect in meaningful ways with her dorm-mates.
The next book includes a slipshine pornographique set in the showers, teased on the main site with this image:
Showers can be sites of sexiness, and many of the shower strips that follow take some cues from this - a chapter later there's a strip (named 'Showering'!) in which Becky carnally contemplates Dina in the showers. Joyce gets a parallel arc in the next chapter:
In Joyce's mind, showers are becoming sexy places. Intriguingly this story arc concludes with Dorothy strongly challenging Joyce to stop denying her sexual feelings.
But not just sexual feelings. Other feelings come up in the shower; they're places of vulnerability.
And there's Joyce, continuing to lead with her patented blend of kindness and awkwardness.
The books on this side of the time-slip are much more focused on Joyce's emerging sexuality than those prior, where it was overall socialisation in the secular world that she was struggling with. And though her neuroses are old hat by now, we still get this strip...
Keeping the gag going in a minor key - but also reminding readers of this particular neurosis as it sets up these strips a few chapters later:
Remember that Joyce who waddled into the shared bathroom swaddled in every garment she owned? Who couldn't bear the thought that she might think sexually about other people? She's gone. This Joyce, neurotic or no, is able to not only enjoy her own sexuality, but to be open about it with someone she finds intimidating. Because at heart, she's not her neuroses - she'll connect with anyone to grow and to learn. Dorothy has taught her how to love herself more, to enjoy being sexy, and so we get the Joyce who gets clean to get filthy... with Dorothy.
(ETA) And here's hoping that today's strip is the precursor of another Slipshine... though maybe not too slippery in the interests of health and safety!
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the first two are my poor attempt at drawing in Jc leyendeckers style, the others are farcilified versions of Van Gogh paintings and the last ones are inspired by gustav klimt
Foreigners will never understand how someone like Rawhide Kobayashi would immediately become a beloved local fixture in whatever small American town he ended up in.
every single time someone pulls the "How would you AMERICANS like it if someone came to AMERICA and" reversal, the answer is always "we'd fucking love it"
I just Googled the Swedish-Japanese guy in the OP, and according to this interview, his Japanese name was given to him by the master gardener he was apprenticed under:
โThe family name โMurasameโ was given to me by my master. The given name โTatsumasaโ is a combination of โdragonโ (tatsu), the [zodiac] year when I was born, and one character from my masterโs name,โ says Murasame."
So I think maybe it's less like naming yourself 'Brandon McFreedom' and more like moving to the states to work under a veteran car mechanic named Bud McLean, and then having him turn to you after a few years on the job, and say "Son, it's time for you to become an American so you can open up your shop. And when that day comes, I think the world should know you by a new name: McLeo GM Corvette."
The biggest indicator of tumblr's decline and increased anglification in the last half decade or so is that no one's sharing shit like the entirety of the hot pickle girl video anymore
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theo van gogh was the one who suggested that his older brother vincent start seriously painting. as soon as theo was gainfully employed he gave vincent around 15% of his own yearly salary for art supplies, lodging, and food. about 2/3rds of vincent's surviving letters were to theo (including vincent's earliest and last letters), all of which were found stored in theo's desk. theo's child, vincent willem, was born on january 31st, 1890, and vincent was so delighted by his nephew that he painted almond blossoms for him. vincent shot himself half a year later on july 29th, 1890. theo's distress at his brother's death worsened his syphilis symptoms and he died half a year after his brother on january 25th, 1891 (four days before vincent willem's first birthday). theo was reburied next to vincent in auvers-sur-oise at the request of theo's wife johanna.
And that love lived on Theo's wife, Johanna, who was the one who pushed for the preservation of Vincent's paintings. Johanna who made sure that her husband's beloved brother would not be forgotten. Johanna who fought tooth and nail so that Theo and Vincent would never be forgotten. Johanna who carried the family legacy, who made sure that the works of Vincent would be kept in her possession. And then Vincent Willem, named for a uncle so loved, carried this legacy and founded the Van Gogh museum in Amsterdam.
The van Gogh family history is deeply interwoven with love. It was the love of a brother that gave a young man the courage to paint and the resources to do so. It was the love of a woman for her husband and her husband's beloved brother that made that story known. And it was the love of a nephew, who was so deeply loved even if for such a short time, that made it possible for the world to know Vincent van Gogh.
no animal was harmed during the making of this video. not one. for the few minutes that we were shooting film, the guns of each hunter fell silent. the industrial bolt throwers observed a moment's peace and the jaws of every predator hung softly open. no fish bit any hook and the bait worms held off on drowning only until the cameras stopped. the tails of ruminants ceased to flick just as their attendant flies, in unison, landed on their flanks to catch their tiny breaths. a spider instantly stopped winding silk around a wasp, patiently waiting for the caesura to end. a young veterinarian paused with the syringe in their hand. somewhere, a colicky baby stopped biting its mother's nipple and nursed happily for the very first time. we're sorry. we're sorry it couldn't have been longer. we didn't know this would happen.
imagine. That is literally a really complex math equation, and then hardware built to enact that math equation with EXTREME precision.
Dude, if i was on that thing? i'd be checking the whole time, like, "hey, so, are we still exactly where the math said we should be? going the speed everyone predicted? okay, coolcoolcool. uh. How bout now?"
hold on, hold on. Our earth, okay, is following our sun, right, so we're doing this through space
and they are doing THAT slingshot and return maneuver while everything is doing what the gif shows, only the distances are unimaginably vast. And they are just. In a fancy tin can that we exploded up off the earth into space on the strength of our certainty we understand some very complex physics equations.
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