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Disclaimer: this is not a proper transcription nor the full recipe, just a basic ingredient list I got off the original TikTok’s comment section with some additions by me

Main Ingredients

- 5 stems of Gai lan or Broccolini

- Thin strips of beef or any protein you want (she uses shrimp in another video, follow your heart)

- Flat rice noodles

- 5-6 Big cloves of garlic (follow your heart)

Meat

- Coated in cornstarch and baking soda (appears to use about the same amount of both. Enough to fully coat meat)

- Coated in neutral oil and soy sauce (enough to fully coat meat)

- Seasoned with garlic powder and white pepper (follow your heart)

Sauce

- 3 Tbsp Soy Sauce

- 2 Tbsp Dark soy sauce

- 2 tsp Fish sauce

- 1 Tbsp Oyster sauce

- 2 Tbsp White Vinegar

- 2 tsp Sugar

- 1 tsp chicken bouillon

The defeat of the wizard who made people choose how they’d be to be executed

The woman who raised the changeling alongside her biological child

Cinderella finding Araura (and falling in love)

The God of Arepo (graphic novel 1 / 2 / 3) (ebook)

The Monster of Sentan

The Witch’s Cat

Raise Both Children

Stabby the Roomba (honorable mention)

Cinderella Marries the Prince (comic)

My Arch Nemesis Cynthia

Pirates and Mermaid

Eindred and the Witch

The Demon King

The Cornerwitch

Grandmother Beetroot

Apocalypse Daycare Worker

Grandmother Accidentally Summons a Demon

New Year Saga

A Story About Changelings

Ranger in the King’s Forest

The Difference Between a Hare and a Rabbit

24. The Queen with Three Cursed Children

25. Tiny Dragon with one coin hoard

26. Haunted house

27. Shark hero was about to go rogue

28. Grandma lives in the woods comic

29. A Different Aftermath comic

30. Battery (microstory but I love it so much)

31. It’s A Date comic

32. Supervillian kidnaps rival’s kid and they want to stay

33. Narrative Town

34. I have been hired to clean the wizard tower comic

35. Robot Apocalypse

36. The Statues That Do Not Weather

37. Kushiel

38. Tooth Fairy

39. Alien abduction

40. Felonious wish-granting

41. When humans met actual space orcs

The most important safety tips in this video:

1 - Never trust a jack to support a car (do not work on or get under a car supported only by a jack; that is why he says to put the flat tire under the frame while you put the spare on) 2 - Don't put a donut spare on the front of your car, take the good tire off the back and put it on the front, then put the donut on the back (If you have a full-size spare, it is fine to put the full size spare on the front - a donut spare will be much smaller than your regular tire, so it should be very obvious if it's a donut).

If you've never changed a tire before I strongly recommend getting out your spare, jack, and wrench and practicing taking off your tire and putting it on in a safe, low-stakes, non emergency environment. Take half an hour some time to make sure the parts are all where you need them to be, that you know how to remove the various covers and equipment, etc.

Alright so if you’re a writer then you’ve probably familiarized yourself with plot…and the structure it provides to a novel. There are countless articles online on “how to plot a novel” or the like. Which is fantastic for you writers because it’s at a fingers reach from us. Not so great when there’s about…a billion ways one can go about plotting a novel. It can seem daunting and overwhelming and more important confusing! 

I want to break down this massive task bit by bit. Starting with the very bare bones and working into more detailed parts. Making it more manageable.

 Now, I know some of you might roll your eyes and say I know all there is to know about plot. I was you. I went into every workshop and craft class thinking the same thing. And yet, when I started plotting my recent WIP ( The Cost of Defeat ) I realized I didn’t know jack. I thought every story I ever wrote would adhere to my system of structure because of sheer will and blunt force. Yeah wrong.

It wasn’t until just recently I started diving into the structure ( because I like pretty diagrams and being organized way more than I should) that I discovered there are a lot of different Plot Structures out there. No one bothered to ever teach me let alone discuss these things. My mind was blown. 

Some worked better for me than others. Some mesh better together than others. It’s all about experimenting and figuring out what works for you. And I’m hoping that this will also help others, or at least give a jumping off point. Now it’s not a whole list ( there’s a lot of elements that I could probably talk about by themselves) but it’s a good overview of the popular ones that reoccur a lot.

1) Freytag’s Pyramid

Freytag’s pyramid is the most basic plot structure I know. It’s the one we’ve all seen in school when we start learning about story structure and analysis.

This bad boy is the simplest plot structure used to dissect and understand Greek and Shakespearean Plays. 

Pros     x Simplistic. Makes it easy to understand      x Great for those just starting ( or those who want to understand film and literature analysis.     x Great for AP Literature/Comp papers

Cons     x It creates simple stories     x Not super awesome for modern novels or anything longer than about 25K words

Uses     x Children’s Literature. Picture books mostly. Children are still learning to understand things like conflict effect on characters and having such a long falling action allows for that.     x Short Stories. Since short stories are compact for punch, this structure allows you to get the most done without boring the reader in 25K words or less.   x Analysis. This structure is the easiest and most common to apply to plays, film, tv and even in classic literature. It’s a great way to dissect plot and events in order to better understand the pieces working parts 

Examples: Shakespeare's Hamlet and Romeo and Juliet                    Sophocles’s  Antigone                    Henrik Ibsen  A Doll House

2) Three-Act Structure

The Three-Act Structure is probably the most known. We all know this intuitively as storytellers. Everything needs a beginning middle and end, after all.

This structure is very similar to Freytag’s Pyramid but adds elements that beef up and create points of interest. Obstacles, for example, add conflict and build up suspense for the climax. It’s also important to note that the falling action and resolution is much more compact.

Pros    x  basic building block for all good stories    x  Roadmap-like so you can be systematic about things    x  Good “big-picture” visual

Cons    x  Pacing is super important for this    x  Bit rigid and formulaic

Uses     x  Literally anything. Because it’s versatile it works on  a plethera of stuff, let your imagineation run wild.     x Film analysis. This struccture is like the holy grail in almost any film class ( sometimes they call it the four act structure)

Examples:  Sir Arthur Conan Doyle Sherlock Holmes                    Alfred Hitchcock’s  Vertigo                    Jane Austin’s Pride and Prejudice

3) The Fichtean Curve

The Fichten Curve Is really unique in that it starts right with the rising action. There ain’t no time to build up or nice slow introductions, you’re dumping the readers right where it hurts. But you make up that lost time with the small bits of exposition

This is one of the most popular plot structures for modern novels.

Pros     x  A lot of opportunities to ramp up the stakes, bit after bit     x Good for pacing     x  Great for Overcoming Monster & Quest stories     x Translate over almost any genre

Cons     x Not a lot of time to slow down, breathe     x Not suited for Voyage and Return, Comedy or Rebirth stories

Uses    x Thrillers/Mystery novels. You need something to keep readers in the story, chomping at the bit. here’s the plot structure for you.    

Examples: Max Brooks’s World War Z                  

4) Plot Embryo/Hero’s Journey

The Hero’s Journey is also super common in the literature (namely western literature) With this plot the protagonist ( the hero of hero’s journey) undergoes a literal or figurative death-like transformation that changes him. 

The protagonist must venture from one state into another. To take it a step further there’s a variation called the Ploy Embyro. Dan Harmon takes the hero’s journey a bit deeper and modernizes. [ here’a great video on it by youtuber Rachel Stephen x] 

As you can see, the Hero’s Journey and Ploy Embyro are both cyclical. This baby comes full circle in both plot and character. They have similar plot points. But if I were to gush about this the post would be waaay longer than it already is. This is one of my preferred methods because it just makes sense for me and allows me to have some freedom and wiggle room while still adhering to the 3 acts.

Pros     x Character development holla, cause this is where it’s at.     x Visually appealing     x  Simple 8 point outline ( for those who might not enjoy long-winded outlines)     x  Works alongside A beat sheet ( if you use that sort of thing)     x  The holy grail for myths.

Cons     x Overdone ( but it doesn’t have to be a bad thing)     x Not suited for those who really detailed outlines

Uses     x Adventure Stories. It is all about the adventure and journey with this     x Myth Retellings. I mean it’s based on the myth structure of the Odyssey and the like so it makes sense

Examples: Harper Lee’s To Kill a Mockingbird                    Rick Riordan’s The Lightning Thief                   J. R R. Tolktien’s The Hobbit

5) In Media Res

A literal translation to “In the Middle”. This plot structure dumps you right in the middle of the story.  Think if you were to open a story on the second of third crisis/pinch point. there’s still a lot of upward trajectory to go before the climax.

Don’t confuse this with simply opening a story mid fight/action. Media Res starts well deep into the story itself, close to the climax but with enough room you can still build up to it.

Pros     x High Actions     x Simple and fun to play with     x A good use for flashbacks     x Hell of a hook for readers

Cons     x  Can be confusing for reader’s if not done right     x  No build up     x takes some finessing to get just right

Uses      x Mysteries. This is a great plot if you want to start a story perhaps where the killer has already committed the murder.    x Epic Poems. Maybe you wanna write the next epic poem, this is great for that.       Examples  John Milton’s Paradise Lost                    Homer’s Illiad                    George Lucas’s  Star Wars 

Now I could go on and on but this monster of a post has carried on long enough. If there’s a certain structure you’d like me to go into more detail about feel free to leave a comment on this post and I’ll be sure to add it to my line up!! As always happy writing/creating!

https://rjalker.tumblr.com/post/178286441229/all-the-animorphs-books-in-the-proper-order

- Pinacoteca di Brera - Milan *

Brera is the art academy of Milan and the most iconic museum, which contains Italian artworks from the renaissance to modernity including various masterpieces. I also recommend visiting it in person because the neighborhood of Brera is the art district of Milan and it’s really pretty although having lunch there in slightly overpriced, but then what isn’t (really if you are in Milan skip the touristy food places, have Chinese or Japanese, trust me). There’s also a lovely little botanical garden tended to by the botany students. Long story short when you come to Italy visit Milan instead of overcrowding Venice.

- Museo del Novecento - Milan *

This is a stunning exhibition and you also should go there (it’s in Piazza Duomo you can’t miss it) but in the meanwhile visit the website, that contains a selection of masterpieces. They opened a few years ago and it was free to visit for a while as a gift to Italian people, which was really nice of them. It’s not expensive now either and it contains a lot of works by very important artists of the XX century so it’s very worth it.

- Museo Poldi Pezzoli - Milan

Can you believe I’ve never been there? But there’s a lot of stuff in there. The website is not complete yet apparently, but there’s already some interesting things already, including little Japanese sculptures that now I want to go and see.

- Pinacoteca Ambrosiana - Milan

Leonardo, Botticelli, Caravaggio, Raffaello, Tiziano… they’re also digitalizing ancient manuscripts, and there’s also a fuckton of drawings and manuscripts by Leonardo. [Everybody liked that.] I fucking need to go there.

- MAUTO (Museo dell’Automobile) - Turin *

Guys. This is so fucking cool. “But I don’t like cars” you might say. Yeah, me neither. But the ancient cars are so fascinating. If I remember correctly there are also things such as the driving license of the first ever woman in Italy to get a driving license. Visiting the real place is better because the halls are very well done so if you happen to be in Turin drop by.

- Museo Egizio - Turin *

Listen this is the biggest Egyptian museum outside of Egypt and it’s awesome, although the site is sort of confusing but I’m pretty sure there are digitalized resources so if you’re into ancient Egypt try it. Right now the museum contains a temporary exhibition called Archeologia Invisibile (invisible archaeology) and it’s possible to make a virtual tour of the exhibition which is really cool. It focuses on methods and techniques used to study mummies and other kinds of artifacts. Just click on the link and you’re yeeted inside the exhibition.

- Musei Reali - Turin

Actually a group of museums, there’s an online catalogue. There’s a museum of antiquity, modern paintings, even the royal armory (armeria reale). Yeah there’s swords. You can study the blade now.

- Palazzo Madama - Turin

An array of Italian art through centuries.

- GAM - Turin

The gallery of modern art. Weird stuff. Memeable.

- MAO - Turin

Sick of Italian art? Yeah, understandable. Then it’s time for the museum of Asian art! Stuff from all around Asia, from the Middle East to Southeastern Asia. I want to go there. Let me go there, virus.

(Palazzo Madama, GAO and MAO also offer virtual tours with Google Arts and Culture but idk how that works. Links here, under “scopri”.)

- Galleria degli Uffizi - Florence *

The Uffizi Gallery is the quintessential Italian art museum and you really want to check it out. If you visit it in person, make a booking, queues are infinite. (People with disabilities skip the queues in all these museums though, if you are disabled and intimidated by these places with superqueues don’t be, just approach the personnel and you have the right to just get in.)

- Galleria dell’Accademia - Florence *

You might have heard of a lil statue called David by Michelangelo. Yeah, it’s there. But there’s also other things, although since the David is so famous no one really cares about those. Give them some love.

- Actually there’s an online catalogue of most museums in Florence, several of which sound super interesting, but it says they’re having technical problems and the picture don’t load. Maybe save the link, forget about it, and then after some time discover it again, idk. Or consider visiting Florence in person after the coronavirus goes away, I guess. Do yourself a favor and save up and get a real Florentine steak.

- Gallerie dell’Accademia - Venice

I have been in Venice for half a day and just a little tip: you (or someone that travels with you) are in a wheelchair? Consider making a plan for visiting Venice that includes this: go in fact somewhere else. In the meanwhile visit this site, although I can’t figure out how to turn it into English, but I’m sure you can handle a little Italian.

- MUVE - Venice

Actually it’s possible to make a virtual tour of various museums/palaces in Venice with the Google Arts and Culture project, which sounds great. You figure out how it works, the link should explain. I’ll do it myself one of these days.

- Peggy Guggenheim - Venice

XX century artworks, including some by the most famous artists like Picasso, Magritte, Dalí, Kandinsky etc etc.

- Musei Vaticani - Rome *

Did I call the Uffizi the quintessential Italian art museum? I stand by it, but. I mean. The Vatican Museums, you know? It’s a place you should visit at least once in your life. All of Rome actually. They say it’s too big and chaotic but don’t listen to them, listen to me, you must visit Rome when you can. Ask someone for tips on where to eat that is not a tourist trap, and you’re fine.

- Musei Capitolini and all the civic museums - Rome (at the top of the page, click on “all the museums” and you see a whole list, for each museum you can visit the collection)

All collections online, by rooms or subject. The Musei Capitolini is the main museum in Rome except the Vatican, but I also recommend the Centrale Montemartini which is a collection of ancient artifacts located in a repurposed thermoelectric center, which must be fascinating to see in person. I’m planning on visiting it the next time I’m in Rome. (I’ve only been twice, briefly, okay.)

- Museo Ebraico - Rome

It’s located by the Tempio Maggiore, in the neighborhood that was the Jewish ghetto in Rome. There are many other Jewish museums in Italy but I have been right outside this one. It was closed though.

- Galleria Nazionale d’Arte Moderna e Contemporanea - Rome

Apparently the largest gallery of contemporary art in the galaxy or something. Worth checking out I think.

- Galleria Nazionale Barberini Corsini - Rome

This contains some super famous paintings, by Caravaggio and others.

(There’s like 285375 museums in Rome I can’t check all the websites but I’m pretty sure I checked the major art ones.)

- Museo della Resistenza - Bologna

Feeling like nurturing your antifascist spirit today? Good.

- Museo Archeologico Nazionale - Naples

Good pictures, very interesting stuff. Statues, mosaics, epigraphs, and so on.

- Museo di Capodimonte - Naples

Very interesting although I don’t think you can browse the site in English. Then again it’s mostly pictures, so.

There’s literally a billion museums in this country and some have very confusing websites which are giving me a headache so I’ll stop here.

A few outside of Italy I can recommend:

- Archaeological Museum - Athens *

I was there and we had a slightly eccentric guide and it was very interesting.

- Museo del Prado - Madrid *

Physically, it’s huge and the halls are numbered in a confusing way that forces you to back and forth and by the end we were exhausted. Maybe online it’s less vexing…

- Museo Thyssen - Madrid *

I loved this museum. Loads of famous artists and interesting stuff.

- Museo Reina Sofía - Madrid *

Yeah we had a lot of time to visit museums in Madrid. This is where the Guernica painting is, you might have heard of it.

- Musée d’Orsay - Paris *

Awesome museum, they have those in Paris, what can you do. I haven’t visited the Louvre because we didn’t have the time, but it also offers an online tour.

- National Gallery - London *

Lots of Italian artworks, actually, and more.

- British Museum - London *

Well, there’s everything from everywhere, because of reasons.

Being older now and having an art job it’s…kind of essential. 

So: a quick primer for those of you who are like ‘ok but how do i actually go about doing this warmup thing.’ 

1) you may be tempted to do ‘a warmup drawing’ which is just a drawing that will take longer than it needed to and probably be frustrating and kind of bad because you didn’t warm up first. It’s tempting but always a trick your brain is playing on you! Do not trust! 

2) warmups will vary based on what feels good to you/what task you’re about to do/what motor skills you want to practice. That being said, some good standbys:

a) circles. Just a whole page of circles on whatever drawing surface you’re going to be using, whether that’s your tablet or your sketchbook or a drawing pad on an easel. For these circles you should make sure that you’re drawing from your shoulder and not your wrist. In fact, you want to be drawing from your shoulder rather than your wrist most of the time! forever! your wrist is delicate please preserve it! 

In order to ensure that you’re drawing from your shoulder, when you’re holding your pencil or whatever drawing tool you’re using, the only part of your hand that should be touching the drawing surface is part of the last two fingers–some people prefer the finger tips, but I tend to favor the first knuckles. Either way, the fingers should really be ghosting over the surface, providing guidance rather than support. 

I usually start with big circles and then go to smaller circles and lines of ellipses, and then try to fit circles and ellipses inside other shapes i’ve already drawn as a precision exercise, but i don’t do that unless i’m feeling loose

b) spirals! i don’t always do spirals, but if i’m stiff and the circles just aren’t cutting it, spirals are a good fall back. I start from the center and work outward, going both clockwise and counterclockwise until i feel comfortable with the whole range of motion. Some people really care about getting perfect spirals but for me it’s all about making sure i’m comfortable with how i’m moving so who really even cares about how the spirals look. Not me! 

c) lines! straight lines! in parallel! i do a mix of vertical, horizontal, and diagonal. These are often more from the elbow than the shoulder, especially if I’m working on a smaller surface. For this exercise, I recommend holding the drawing tool perpendicular with the surface

d) connect the dots. This is a precision and accuracy exercise and takes two forms. The first is to draw two dots and then draw a straight line between them. The second is to draw three dots and draw the curve that connects them. This sounds a lot simpler than it is in practice. Take time to ghost over the line you plan to draw before actually committing to your line. (I don’t always remember where I picked up my warm up exercises, but I’m pretty sure I got this one from Scott Robertson. His how to draw and how to render books are very technical but also accessible and worth checking out)

e) cubes, spheres, cones, and cylinders. These help get your brain into a more volumetric space. I draw multiples of each, rotating the forms around, and I’ll often take the time to do some rough shading on at least a few of them

f) spidermans! This one is really good if you’re going to be storyboarding or working on dynamic poses. Just fill a page full of spidermans doing all sorts of acrobatics. 

g) beans. I don’t do beans too much anymore, but I know a lot of people like it so I’m mentioning it here. Fill an area with different size bean shapes without lifting your pencil off the paper. 

h) short medium and long line repetition. draw a short, medium, and long line on your page, and then draw directly on top of them 8 to 12 times, doing your best to exactly trace what you’ve already drawing. Repeat with a wavy line. I’m bad at this one, which means I probably need to do it more. 

And there are lots more options too! Hit up youtube to see what other people recommend, put together your own go-to list, mix it up when you’re getting bored, etc. 

This is a long list, I know, but I usually don’t take more than 10 to 15 minutes to warm up, and I can warm up one handed while I’m drinking coffee, so, multitasking hurrah. 

Sometimes I’ll advance to a precision warmup and find that I haven’t loosened up enough yet; it’s totally ok to go back to an earlier exercise! Also, all of this has the added benefit of kind of ritualistically getting you into the drawing mode so even if I’m not feeling it before I start, by the time I’ve gotten to the end I’m usually Ready For Drawin’. Brain hacks. 

MALE HEAD LIGHT REFERENCE TOOL by William Nguyen

idk if anyone will find this useful, but this is how i go about planning my stories. i mostly write fantasy, so that’s what this is most applicable to. but it could work with other genres too.

so there’s three major components to a story: the characters, the plot, and the world. creating them individually is the easy part, but they all connect and affect each other in different ways. (like you can’t have a character who loves peaches and eats them every day if they live a peasant in a region that doesn’t grow peaches, for example.)

so i created a cheat sheet to help connect all three components together.

1) the world creates the characters.

this is related to the peach example above. the characters should be a direct result of the environment they grew up in and the environment they currently live in.

2) the characters are limited by the world.

also related to the peaches. characters can’t do anything outside of what the rules of their surroundings and universe allow, such as eating peaches when they’re not available. this also applies for magic users. they can’t have unlimited magic, so keep in mind what you want out of both the characters and the world when creating magic systems.

3) the characters carry the plot.

we’ve all heard it before: “bad characters can’t carry a good plot. good characters can carry a bad plot.” but we all like a good plot anyway. try to make sure you’re not giving your characters too heavy or too light of a plot to carry.

4) the plot pushes the characters.

if nothing in the plot happens, your characters will remain static forever. if you struggle with plots, try starting with what character development you want to happen, then go from there.

5) the plot depends on the world.

you can’t overthrow the evil government if there isn’t one. think of what your world needs most and what your plot is centered around, and fit those two together.

6) the world is changed by the plot.

even if your plot is centered around something most of your world would call “insignificant”, the world will still experience some change from the plot. either the evil government will be gone, or maybe that one teacher is now way more careful about keeping an eye on the test key. either way, the world will be different from now on.

final note: usually people will be able to write one or two of the components with ease, but don’t know where to go from there. i personally can’t write plots, but thinking this way has really helped me actually make a story out of the world and characters because i looked at what i needed from what i had. i really hope this can help you too! happy writing!

tl;dr this is a cheat sheet to help anyone who struggles with writing one or two of what i consider the three major components to a story.

The ONLY WAY to combat the lack of funding in arts education is for professionals to take a few hours a week to share their skills for FREE, to empower and encourage the next generation of artists. THIS IS WHAT THE INTERNET IS FOR. Here’s 200 tutorials: