Big Jack
Pet Foolery, #93

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@dr-dendritic-trees
Big Jack
Pet Foolery, #93

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It's my cat's birthday (anniversary of me getting him) so I told him the story of his life while petting him real good
Highlights include:
For your first two years (when you were small) you lived in a foster home with people who raised you into a very polite young man. Two is like you plus me, that's what two is.
Some people adopted you before me and they called you Timmy (which is a stupid name) and they returned your ass almost immediately because you were so annoying at that age.
Like think about how annoying you are right now at seven years old, but way worse.
I'm better than them though, I don't call you Timmy and I wore earplugs to bed for three years because you love to scream at bedtime. Earplugs are like when I roll over and go back to sleep even when you are yelling so so so loud.
I got you at a time in my life when I was really sick (being sick is like when I'm up late because I'm throwing up and you are a very handsome good boy who sits with me) and they had to put me asleep for a procedure. A procedure is like what happened to you when they put you asleep and took your balls away.
Now you've lived with me for five years. Five is like the number of toe beans on one of your feet. When I clip your nails five is when we're halfway done. But we're hopefully not even halfway done with how long we get to be together. I'm gonna have to figure out new ways to help you count.
Actually I've decided this is a poem
Working on baby's first chain-plying! I looooove how round the three-ply yarn is but this technique feels like it would be a LOT easier on a wheel
I got the hang of it 👍
Oh my god how did you do that! I cannot figure out chain plying on a drop spindle even a little bit!
Idk how helpful this is, but thinking about the chaining and the spinning as separate processes helped it to click for me! Instead of trying to do both at the same time, I'd park the spindle and get a chain as long as my arm could reach, then go back and add the twist. When I was struggling at the beginning I know @batbetbitbotbut mentioned that he knows someone who does the chaining as they wind their plying ball, so that way you can do all the chaining at once and then spin twist into it after. You could probably get more consistent chains that way; with the method I was using there was definitely more variation in size since you keep starting and stopping, but they blend into this wool well enough that I don't really care.
I wish you luck with any future chain-plying adventures!
Working on baby's first chain-plying! I looooove how round the three-ply yarn is but this technique feels like it would be a LOT easier on a wheel
I got the hang of it 👍
Oh my god how did you do that! I cannot figure out chain plying on a drop spindle even a little bit!
The chaos that is feeding my quails some live mealworms.
They only get a few now and then as a treat, but they absolutely love it.

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recollections
He noticed a distinct divide, though, in that the older goblins seemed to deal primarily in silk ... Silk was produced in Thu-Athamar and had been the bedrock of the Ethuverazhaise economy for so many centuries it was practically respectable. ... She was puzzled but cooperative, and ended up enlisting the help of the gentlemen on her other side, a silk merchant who had been a sea-trader in his youth - possibly a pirate, if Maia understood the nuances of the conversation correctly - and who knew all about spices and gems and lion-girls and other exotic things that rarely made it as far north as the Ethuveraz.
When I read this the first couple of times, I think I misunderstood how this trade relationship worked and assumed these merchants were importing into the Ethuveraz. But that's not right. These are exporters, here to buy silk and various industrial goods.
I am not a historian, so my understanding of this part of real world history is from high school, supplemented by a handful of books about the spice trade. But my very basic understanding of how this played out in real life factory goods were concurrent with colonialism (don't ask me about cause and effect I don't know) and real world flow of trade that I learned was that silk and tea and spices moved towards Europe (in the worst possible way as they were being extracted by colonizing nations) and manufactured goods were sent back from Europe (still in the worst way possible with mercantilism).
But the set up in the Ethuveraz seems to be silk and manufactured goods go out, spices go in, and everyone seems to have tea about equally (iirc both Ethuverazheise and Barizhaise teas are mentioned in Cemeteries). And these countries seem to be on basically even footing.
I don't have anything interesting to say about this, in the historical sense I'm basically just throwing it out as bait in the hope someone better informed will be irritated enough to come and explain properly.
On a writing level though, I love this as a use of the secondary world setting. I like steampunk, I do, but when you write steampunk set in alternate versions of Europe (which is most of what I've encountered), the colonialism is there. The author can choose to address it or not, and they can do it badly or well but its always lurking. But the Ethuverz isn't a real country and it doesn't have a real analogue so I can just enjoy speculating about public health policy in peace.
Thank you @ilacatz for fixing my silk timeline.
I went back to my original fiber history books (The Golden Thread by Kassia St. Clair and The Fabric of Civilization by Virginia Postrel), to see if I could de-confuse myself about silk!
Neither of them covered the transport of silk into Europe, so I clearly need another book but I come bearing interesting silk facts.
I couldn't find the specific silk plague that was connected to the development of rayon but I did find a silk plague connected to the development of microbiology! A guy called Agostino Bassi identified the cause of a specific silk work plague as a fungus microscopically, and developed an infection control protocol to stop the spread. His work was then developed by Louis Pasteur.
Here are some other weird silk facts I found while I was skimming, because silk is a deeply weird substance.
Silk is a filament, so structurally, more like synthetic fibers than other natural fibres.
An intact silk worm cocoon is a single silk strand, so really good silk, isn't spun its reeled. There is also spun silk, but its lower grade because its made from damaged cocoons.
This is actually really important, because the machinery used to reel silk directly gave rise to firstly, the spinning wheel (wheels were only invented once, in China, and they double the rate thread can be produced at) and big industrial reeling machines (in Italy). The spinning wheel is also the origin of the drive belt, which is used in, among other things, motors.
Silk was used to pay taxes, a lot of small scale sericulture was historically, literally done to pay taxes.
There's a bunch of modern research using an ultra purified version of silk to make surgical mesh.
I don’t have any reeled silk but this is silk I am part way through spinning just in case anyone hasn’t seen how shiny it is.
He noticed a distinct divide, though, in that the older goblins seemed to deal primarily in silk ... Silk was produced in Thu-Athamar and had been the bedrock of the Ethuverazhaise economy for so many centuries it was practically respectable. ... She was puzzled but cooperative, and ended up enlisting the help of the gentlemen on her other side, a silk merchant who had been a sea-trader in his youth - possibly a pirate, if Maia understood the nuances of the conversation correctly - and who knew all about spices and gems and lion-girls and other exotic things that rarely made it as far north as the Ethuveraz.
When I read this the first couple of times, I think I misunderstood how this trade relationship worked and assumed these merchants were importing into the Ethuveraz. But that's not right. These are exporters, here to buy silk and various industrial goods.
I am not a historian, so my understanding of this part of real world history is from high school, supplemented by a handful of books about the spice trade. But my very basic understanding of how this played out in real life factory goods were concurrent with colonialism (don't ask me about cause and effect I don't know) and real world flow of trade that I learned was that silk and tea and spices moved towards Europe (in the worst possible way as they were being extracted by colonizing nations) and manufactured goods were sent back from Europe (still in the worst way possible with mercantilism).
But the set up in the Ethuveraz seems to be silk and manufactured goods go out, spices go in, and everyone seems to have tea about equally (iirc both Ethuverazheise and Barizhaise teas are mentioned in Cemeteries). And these countries seem to be on basically even footing.
I don't have anything interesting to say about this, in the historical sense I'm basically just throwing it out as bait in the hope someone better informed will be irritated enough to come and explain properly.
On a writing level though, I love this as a use of the secondary world setting. I like steampunk, I do, but when you write steampunk set in alternate versions of Europe (which is most of what I've encountered), the colonialism is there. The author can choose to address it or not, and they can do it badly or well but its always lurking. But the Ethuverz isn't a real country and it doesn't have a real analogue so I can just enjoy speculating about public health policy in peace.
Thank you @ilacatz for fixing my silk timeline.
I went back to my original fiber history books (The Golden Thread by Kassia St. Clair and The Fabric of Civilization by Virginia Postrel), to see if I could de-confuse myself about silk!
Neither of them covered the transport of silk into Europe, so I clearly need another book but I come bearing interesting silk facts.
I couldn't find the specific silk plague that was connected to the development of rayon but I did find a silk plague connected to the development of microbiology! A guy called Agostino Bassi identified the cause of a specific silk work plague as a fungus microscopically, and developed an infection control protocol to stop the spread. His work was then developed by Louis Pasteur.
Here are some other weird silk facts I found while I was skimming, because silk is a deeply weird substance.
Silk is a filament, so structurally, more like synthetic fibers than other natural fibres.
An intact silk worm cocoon is a single silk strand, so really good silk, isn't spun its reeled. There is also spun silk, but its lower grade because its made from damaged cocoons.
This is actually really important, because the machinery used to reel silk directly gave rise to firstly, the spinning wheel (wheels were only invented once, in China, and they double the rate thread can be produced at) and big industrial reeling machines (in Italy). The spinning wheel is also the origin of the drive belt, which is used in, among other things, motors.
Silk was used to pay taxes, a lot of small scale sericulture was historically, literally done to pay taxes.
There's a bunch of modern research using an ultra purified version of silk to make surgical mesh.
“they never explicitly looked at the camera and said ‘i am experiencing immense grief’ so how was i supposed to know??” i don’t know what to tell you, man. if a story doesn’t spoon-feed you the character's internal emotional state like a jar of mashed peas, you guys just willingly starve. subtext is not a myth, i promise it won't bite you.
He is the best. He is the softest and cutest and most loving boy.

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i feel like emotionally TGE is in the Escapist Magical School genre
i read a lot of these types of books as a kid and they generally go somewhat like this:
protagonist leads a miserable life either as an orphan, in an abusive household, or both. one day, however, protagonist suddenly is revealed to be Super Special and they have to leave their home to go to The Magic School. at magic school they are an outsider and are probably resented for their Super Special Status, however they gradually manage to make friends with the other magic school outcasts and also solve the plot
these are coming of age stories, centered on young protagonists who have faced a lot of adversity. there are often themes of generational trauma, elders being fallible, and learning responsibility. the central power fantasy revolves around being so Super Special no one can hurt you anymore
TGE plays with all of these, and in particular refuses to let all the trauma just be backstory, and drags it into the main narrative focus. it's a more grounded and adult take on the tropes of the genre, but very much in conversation with it even though it's lacking almost all of the set dressing
I think a fandom becomes more interesting when people are allowed to explore uncomfortable ideas instead of pretending they don't exist
tethmada estate perfec t size to put emperor in to stay! inside very soft and comfort emperor stay safely put emperor in tethimada estate. put emperor in tethimada estate. no problems ever in tethimmada estate because good fortress walls and support for emperor safety weak of big coup attempts. atethmada estate yes a place for emperor put emperor in tethimada estate can trust tethimada for giveing good love to emperor. friend tethimada.
bead neuron!
the thing about fiber art that nobody tells you about is that every single kind of fiber art is a gateway drug to other kinds of fiber art.

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I swear to god, if this book makes me look up organic chemistry reactions...
I take no responsibility for this, it is not my fault, I am blaming Katherine Addison.
On the other hand I have now learned that fluoxetine was originally derived from diphenhydramine, and that's neat.
Someone who likes organic chemistry (an alien from space presumably) should write a nice easily accessible book about the relationships between these things because I like to know them, but my god trying to divine them from wikipedia is a bad activity.
I swear to god, if this book makes me look up organic chemistry reactions...
I take no responsibility for this, it is not my fault, I am blaming Katherine Addison.