Pure Mess

no dude it's so cool how attached you are to that character who is singled out and ostracized due to the external monstrousness that clashes with their internal spark of humanity. and i love how drawn you are to themes of horror and love, nature versus nurture, otherness, isolation, and the abject. i bet you have normal feelings about your own personhood

white europeans love to pretend like the united states and europe aren’t two cheeks of the same ass

call me terminally academia-brained but i do think a lot of the fun of character analysis is figuring out how to build a compelling argument for a particular reading using lines of evidence from canon as well as meta/intertextual support

and you could say that what i’m saying here is basically “a lot of the fun of doing character analysis is doing character analysis” but let’s be real a lot of fandom character analysis is pretty heavily vibes-based. and i think that’s where i really chafe up against the traditional thought-terminating fandom attitude of like, everyone’s opinions hold equal weight and any interrogation of that is inherently hostile. because i think it’s fascinating to dig into where others are coming from in terms of their views on characters or dynamics or whatever, especially when they differ significantly from more commonly expressed views, and part of that digging is asking people okay what parts of canon are you drawing from to support your opinion? what parts of canon are you disregarding or downplaying? how does this argument hold up in the light of how race, gender, class, ability, etc. operate both in the piece’s in-fiction and real world contexts?

I feel like a lot of people get "All Art is Political" confused with "All Art is made with Political Intentions" which is not the same.

There’s an emotion only unlocked when you live in a house with multiple stories. I call it “the stair emotion” and it’s when you realize the object you need is on the other side of yet another trip up and down those goddamn stairs. It’s the closest I get to transcending the desire for material goods. Maybe I don’t need that notebook. Maybe I don’t need anything.