Trying to create..... (studyblr/art)

don't do this. don't use genAI. even if your professors give you permission. even if they ask for it or suggest it. if they do anything short of directly requiring it (and I weep, because I've already seen assignments that require it) don't touch that crap. if they do require it, stick it to them. be as maliciously compliant as possible. be a nightmare.

I know it might sound easier right now -- just plug in your assignment and get the answers. you don't care about this class anyway, it's not for your major, you don't see the value of the assignment.

but for your own sake, for the sake of your education and mind, and for the sake of the future world we want to have: learn the stuff. you are not as stupid as the corporate bizzaro kings who want to rule the world think you are, so don't give them reasons to believe it.

and odds are good genAI is gonna give you corrupted info anyway -- more and moreso as the machines cannibalize themselves.

Hypnotic suggestions from being mind controlled persist after the controller’s death, causing the victim to occasionally take actions to support the cause of a mind flayer cult that no longer exists.

Repeated demonic possession has left the patient with permanent gaps in their soul’s defenses, causing them to immediately get re-possessed if they go outside a consecrated area.

Post-resurrection trauma as the revived soul remembers an unpleasant afterlife.

Curse of bad luck - makes any small illness or injury potentially fatal if not treated with anti-curse in addition to anti-infection procedures

Magical reliance on a magical or nonmagical substance - can have any number of side effects

Repeatedly being drunk by vampires can cause an increase in blood production and therefore high blood pressure and related ailments. Can be treated by blood letting.

There’s a lot of hybridization happening in a lot of fantasy settings, and that’s just asking for a lot of people with weird half-dragon genetic disorders. Works out fine for some people, not so much for others.

Parasitized by (insert creature here). If you don’t take the correct precautions to keep it dormant it will continue to spread and eventually hatch out/transform you.

Repeated contact with the undead has left you open to their influence - leading to hearing or seeing things that other mortals can’t, which can distort or distract from more mundane concerns.

Alternately to being more vulnerable to intrusion, one’s soul can form a scar that makes helpful magic more difficult to take in.

Sleep disorders that make one fall into an impenetrable sleep at a specific trigger, or to do so for years at a time.

Out of phase with 4D space, one’s body not connected to itself or anchored in place/time in the usual way. There could be a consistent two hour gap between the things you hear and what has happened, you might clip into the floor as if it was in a different place for you, or you might slide through the material plane in cross section.

Intermittent intangibility.

Split into two people, each with only half your traits.

the forgotten dread: memory modification magic has caused the subject’s conscious mind to forget some past trauma, but their subconscious still remembers, causing them emotions that they cannot explain or justify ranging from mild discomfort to blind panic when presented with triggers related to the aforementioned trauma. often encountered in cases where the subject has paid an unscrupulous mage to make them forget their past as an ill-advised alternative to therapy.

Psychically Transmitted Memories: the subject’s mind has been linked to another person’s and, although the bond has since been severed, they have retained memories or thought patterns from the other person that are difficult to distinguish from their own.

Negative Life Syndrome (previously “False Life Syndrome”): seen most often in cases when the subject is exposed to dark magic while in the womb, Negative Life Syndrome leaves the subject’s life energies tainted by undeath without making them truly undead. common symptoms include intolerance of radiant magic, aversion to sunlight, and the inability to set foot on hallowed ground; rare symptoms include healing from negative energies, sudden necrosis, and the desire to eat flesh or drink blood of living beings.

lycanthropy

Awareness of too many dimensions makes it difficult to interact with just this one - either to keep track of conversations, or walk to specific locations without ending up on another planet instead

Telekinetic psychosis - delusions tend to physically affect those around you (but HIGH chance for ableism in this one!)

you have flare-ups where your skin tends to slough off and be replaced by some other substance

After sharing life energy with a dying loved one, you’re now both trying to survive off one person’s supply. Like chronic fatigue, but if your loved one gets too big of a bruise you won’t have the energy to get up until it heals

living in reverse

stuck at a certain age

supersenses lead to constant overstimulation

A SEAMSTRESS, in a historical sense, is someone whose job is sewing. Just sewing. The main skill involved here is going to be putting the needle into an out of the fabric. They’re usually considered unskilled workers, because everyone can sew, right? (Note: yes, just about everyone could sew historically. And I mean everyone.) They’re usually going to be making either clothes that aren’t fitted (like shirts or shifts or petticoats) or things more along the lines of linens (bedsheets, handkerchiefs, napkins, ect.). Now, a decent number of people would make these things at home, especially in more rural areas, since they don’t take a ton of practice, but they’re also often available ready-made so it’s not an uncommon job. Nowadays it just means someone whose job is to sew things in general, but this was not the case historically. Calling a dressmaker a seamstress would be like asking a portrait painter to paint your house

A DRESSMAKER (or mantua maker before the early 1800s) makes clothing though the skill of draping (which is when you don’t use as many patterns and more drape the fabric over the person’s body to fit it and pin from there (although they did start using more patterns in the early 19th century). They’re usually going to work exclusively for women, since menswear is rarely made through this method (could be different in a fantasy world though). Sometimes you also see them called “gown makers”, especially if they were men (like tailors advertising that that could do both. Mantua-maker was a very feminized term, like seamstress. You wouldn’t really call a man that historically). This is a pretty new trade; it only really sprung up in the later 1600s, when the mantua dress came into fashion (hence the name).

TAILORS make clothing by using the method of patterning: they take measurements and use those measurements to draw out a 2D pattern that is then sewed up into the 3D item of clothing (unlike the dressmakers, who drape the item as a 3D piece of clothing originally). They usually did menswear, but also plenty of pieces of womenswear, especially things made similarly to menswear: riding habits, overcoats, the like. Before the dressmaking trade split off (for very interesting reason I suggest looking into. Basically new fashion required new methods that tailors thought were beneath them), tailors made everyone’s clothes. And also it was not uncommon for them to alter clothes (dressmakers did this too). Staymakers are a sort of subsect of tailors that made corsets or stays (which are made with tailoring methods but most of the time in urban areas a staymaker could find enough work so just do stays, although most tailors could and would make them).

Tailors and dressmakers are both skilled workers. Those aren’t skills that most people could do at home. Fitted things like dresses and jackets and things would probably be made professionally and for the wearer even by the working class (with some exceptions of course). Making all clothes at home didn’t really become a thing until the mid Victorian era.

And then of course there are other trades that involve the skill of sewing, such as millinery (not just hats, historically they did all kinds of women’s accessories), trimming for hatmaking (putting on the hat and and binding and things), glovemaking (self explanatory) and such.

VOTING WORKS!!!

French people showed up, French people voted, turnout was higher today than it has been since 1997, and we kicked the far right to 3rd place

a week ago, the far right was the biggest party in France, we were slated for a far right parliament, prime minister, and government

this week, we voted against them en masse and we won!

VOTING WORKS!

you're up next in November! it's very rare we get to say this, but this one time, take example on the French! show up and vote!

enter Terms of Service, Didn’t Read: a website and a browser addon that streamlines the terms of service of many popular web services to be read by the tech sunday drivers.

It’s graded from A (great) to E (awful) and if you have the addon you have access to the info about the website on your bar

more medieval manuscript repairs

all from a miscellany containg thomas de chabham's "summa poenitentialis", southern germany (?), first half of the 13th c.

i highly recommend you back up any stories you have and any favorite stories/authors you'd miss.

here's how i'm doing it:

download calibre. it's an open source ebook reader. link here.

it has a plugin called fanficfare. download that here.

open calibre and go to the dropdown next to "Settings", and then select "Get plugins to enhance calibre"

Find and install FanFicFare (sort by title and scroll down to F to find it easier)

go to the dropdown menu next to the fanficfare icon in the top bar and select "Get story URLs from Web Page"

when prompted for a URL, you can post any URL that displays a list of stories, e.g. "https://archiveofourown.org/users/[username]/bookmarks?page=7" or "https://archiveofourown.org/series/[number]" or "https://archiveofourown.org/users/[username]/pseuds/[username]/works"

click "Yes", then wait for it to gather the metadata and download the stories (you can give it another URL to grab stories from once it's done with gathering the metadata if you want)

it will give you a little popup in the lower right corner once it's done, telling you how many it was able to download (usually all of them) and how many it didn't.

if it misses one or two, you can click to see the details and find out which one didn't get downloaded, and go back to the page you got it from and download those yourself if you want.

tell it to update your library.

voila! all the stories on that page are now backed up on your computer.

notes: it will skip any fics that are locked to archive users only (the ones with a blue padlock next to the author's name in the listing), and you'll have to go back and grab those yourself. if your whole account is under archive lock, i highly recommend unlocking it for the duration of the time it takes to grab and download them (a few minutes to a few hours, depending on whether you have <20 or multiple hundreds like i do lol) before locking them again.

What I'm getting from this is basically AO3s legal team are Copyright Law lawyers, but they don't have any Website lawyers. These are two different branches of laws to know, and the Copyright lawyers are playing a role they're not suited for.

These Copyright lawyers who are not equipped to be Website lawyers are the people the Trust and Safety team have to run all their decisions through. This is why your harassment cases and legitimate complaint forms take forever to process and more often than not they do nothing about it.

OTW who runs AO3 is systemically fucked, and are taking no steps to unfuck the process that allows extremely illegal non-fictional CSAM and racist conduct to grow and be preserved under their watch. And this is with them working with a surplus of donation money they could use to get real Website lawyers.

There's more in the thread I can't/don't feel the need to summarize. All statements are for what's considered feasible legal conduct of the organization and the site and NOT about content policing.

Go into Fanficfare > Configure Fanficfare > Select the personal.ini tab > edit personal.ini 

Scroll down to the password section (Probably don’t actually have to do this, but I am a neat freak) 

Paste this, replacing the generic with your login and password:

[www.archiveofourown.org]

username:youruserID

password:yourpassword

##default is false

is_adult:true

(that's not to say you shouldn't back up your own fics, or save copies of other people's fics for personal use, it's always a good idea to have backups)

the linked thread is discussing institutional problems with OTW's Legal and Policy & Abuse committees (although the latter primarily in the ways the thread's author believes they are being negatively impacted by legal)

It's primarily a conversation about the OTW having structural problems and being slow to react/change when needed, but three accusations of specific breaches of the law which could get the OTW into trouble are made:

That the OTW does not retain works PAC identify as containing CSAM/CSEM for the legal minimum period of 90 days

That the OTW suspends rather than deletes the accounts of those identifies as being under 13 so that they can restore the account once the user is over the minimum user age, which is a breach of COPPA

Same as above, but this is a breach of GDPR

None of these could get AO3 taken down, and 2 of them are provably untrue

Systems have confirmed the first point is not true. While works are not retained on the archive for the 90 days, the archive keeps complete back-ups for longer than that, so the work can be restored if needed by the authorities. This is, as rahaeli points out, a pretty inefficient way of handling things, but being inefficient is not a breach of the law

Rahaeli corrects themself in their own thread when they realise that COPPA does not apply to the specific type of non-profit AO3 is, so that's moot

The GDPR point is slightly more complicated. I'm not a lawyer, but I work in the finance industry in the UK handling massive quanities of personal data, so I am required by law to be trained on GDPR.

Email addresses are not automatically personal data under GDPR. They can be, but only if they contain other personal information. So if your email is brony47@gmail, that's not personal data. If it's john.smith@company it is, because it contains your wallet name and employer. So, while it's fairly unlikely when dealing with AO3 accounts belonging to under 13s, especially as school issued emails are basically never wallet names because they just deal with too many people for that to be sustainable, it is technically possible that retaining this info is a breach of GDPR.

However, even if AO3 was found to have breached GDPR, that would not result in the website being taken down with no warning or fics being purged. That's not how any of this works.

AO3 would face fines (I don't actually know how those fines work for non-profits, since they're usually a % of annual turnover - I assume donations would be treated as turnover for the ICO's purposes, but I may be wrong about that).

It's possible that fine could be steep enough that the archive couldn't meet server costs and would ultimately need to shut down, but the ICO do not possess the ability to shut the site down, and AO3 owns its own servers so if the worst happened and the archive shut down, they would have plenty of time to warn people. It would not just vanish, that's not what the ICO does.

(The specific affected account would be need to be deleted, but since it would already be suspended and invisible to users, that would not affect any end-users)

(Also the entire process of it going through the ICO and being debated to get to the point of the fine would probably take at least a year, this is a massive pan-european beauracratic body, it is not famous for its efficiency)

None of this is me saying rahaeli doesn't have valid points, or that reform isn't needed, generally I agree that it is, and I think rahaeli's suggestions about what to change sound reasonable, although I'm not an expert and not on either of the affect teams, so that's just some rando's opinion.

But the this post is not about that, this post is about people worrying about the archive being taken down, and again, that is not what is going on here!

And it’s flabbergasting because it’s from 1888, Jacquard machine, IT USED PUNCH CARDS to weave these intricate pages … something like 400 weft per near square inch … IT looks like a page of textured paper, but it’s not, it’s entirely SILK … F*CK …

BUT this is the item btw

“The Analytical Engine weaves algebraic patterns, just as the Jacquard-loom weaves flowers and leaves.”

– Ada Lovelace, 1843

Babbage was using it to add numbers. Lovelace went further and suggested that anything one could represented by numbers, such as music, could then be manipulated, transformed and generated (“woven”) according to equations, algorithms and steps programmed in by punchcards in the same way the looms made repeating patterns.

!20 years later, the computers in the Apollo spacecraft that took astronauts to the moon were given “rope-core memory”: fabric-like networks of wire hand-woven by women recruited from textile factories, because it was the most information-dense and durable way they had to store information and computer instructions (far higher density than transistors) at the time.

This region is almost directly opposite the milky way core, so we're looking towards one of the outer arms of the milky way. There's way too many stars to count individually, but I counted the stars in a few 100x100px quadrants, and I estimate that there's somewhere between 500,000 and 800,000 resolved stars in this photo.

There's also a number of dim galaxies visible in the background, so we're really looking straight through the arm. I highlighted a few of the brightest ones on the right side of the image (there's probably more that I missed):

Higher res crops under the cut

It has scenes from aesop's fables! Cherubs doing things! Beheadings! Greek muses! Little farm people! Intricate floral pattern! Goth stained-glass window like patterns! Fun little corner pieces! Eeeeeeeeeeeeee

https://www.antiquepatternlibrary.org/html/warm/C-TT008-180.htm

so, let’s see if i can explain this the same way that i learned. read a sentence out loud. you come to a full stop when you hit the period, and you take a normal, breath. but, when you hit a comma, you take a slightly longer pause. and when you hit a dash - you take an even longer pause. 

this is a natural rhythm that we pick up when we’re first taught to read; we do it without even thinking. but when you start to think about it, you realize that it can become a tool.

think of your heartbeat. a period is badump. a comma is badump-dump. and a dash is thump badump. one breath. a longer breath. two breaths.

that means what you read automatically affects the rhythm of your breathing and your heartrate. which means that you can control the amount of physical tension your reader feels… by altering your punction and your sentence structure.

for fast paced scenes, you use short sentences. a lot of hard stops. mostly periods, with just a few comma’s thrown in for the full breath. your reader’s heartrate accelerates. their breathing is slightly and unintentionally, on their end, quicker. you hit the dramatic ending of the scene - and your reader’s body phsyically feels the gasp, the breath of fresh air, of these longer sentences.

now, read that paragraph again ant take note of your natural pauses, and how it subtly affects your breathing. 

the same thing can be said of comma’s and dashes. while they can be used as a breath of fresh air, they can also cause a new line of tension as they lead your reader to hold their breath. during this section, you should use longer sentences; breaking up the harshness of the pauses by using variations of punction. read this paragraph out loud from the start and take note of how long you go between pauses and full breaths. 

and then, comes the biggest trick.

the hard stop.

the paragraph.

because while the periods, commas, and dashes are variations on a short stop, the paragraph is a hard stop. you take a full breath. you pause for a moment, then move to the start of the next paragraph.

which means you can create an entirely new sort of dramatic tension. read the sentences that are in bold. see how you take a naturally longer pause at the end of each paragraph?

see how it makes you feel? 

how it makes you breath different? 

how doing it once, twice, or three times creates a different line of tension? 

this little magic trick can be used to cause a reader’s heartrate to speed up during a fight or chase scene. it can be used to cause their breathing to slow down during moments of dramatic tension, sorrow, or softness. and it can be used to create hard breaks that add a new level of physically felt emphasis to your written work.

My brush pack is finally done!

Download it via dropbox: Link

assuming that you mean my posts about the 5e monster manual entry for orcs and how insanely racist it is--by happy coincidence i have a bunch of sources about this strewn haphazardly across my browser so i'm happy to answer this.

so we will start with this. the words 'tribe' and 'chief' are deeply, deeply racialised. they have been used throughout colonial (and well into modern and present-day!) history to describe groups of indigenous peoples across the world—with implications of 'primitive' people and societies within the Western myth of linear societal progress. europeans have nations and kings--africans and native americans have tribes and chiefs. the 'tribe' is not a neutral concept--it is a concept that was constructed by europeans in positions of global military domination over a century to justify a narrative about the linear progress of civilization to justify domination [1][2]. of course, it's not just the use of the words 'tribe' or 'chief' but their deployment here in the context of what is obviously supposed to be a 'primitive' method of of government--the 'orcish tribe' is inherently violence, a 'savage' society entirely built on "bloodlust" and "fear"

regis stella puts it much better than i could in this account of an early 20th-century travel memoir in Imagining the Other: The Representation of the Papua New Guinean Subject

while we're on this point i figure i'll add all the other language around 'savagery', 'inherent bloodlust' and so on in the monster manual here to further illustrate my point: it's all quite rote and repeats itself a lot.

now, wait, waiiiit, wait a second. wait a moment. hold up what was that last thing

oh thats not good. having to explain why this is racist feels a little like having to explain why its bad to hit people with hammers but i'll do it anyway: the comparison of real-life 'tribes' of people to insects, vermin, and pestilences is a very real element of genocidal rhetoric--from the holocaust [3] to the rwandan genocide [4]. what is the implied correct societal responose to a tribe that is 'like a plague?'

finally, this is the part that made me say "holy fucking shit this is in the 5th edition monster manual?" because it is pure undiluted gygaxian eugenics shit. first of all, the narrative of the ever-swelling horde, the indigenous or Asian people as an undiffernetiated mass of amorphous Other, is an old one and one that's been used to devalue the lives of people of colour and justify violence against 'the horde'. but the part that's absolutely jaw-dropping is the use of the tropes of reproductive racism--the narrative of Black and indigenous hyperfecundity is also an established racist trope, one which was instrumental in the forced sterilisation of Black and Native women in the USA [5] and now manifests itself in the "great replacement" demographic anxieties of modern racism [6] -- think of White Genocide conspiracy theories and the 14 Words. and of course that is to say nothing of the fact that is made very clear and reiterated (and mechanicised in the form of the Half-Orc player race!) that WotC wants to be very clear about how much orcs "readily crossbreed with other races". this is miscegenation anxiety, plain and simple--somethign else stella talks about.