Andrea / CuriousCat

The world is oftentimes such an ugly place, but sometimes it can be so beautiful.

Like, when two choirs, one from Croatia and the other from Zimbabwe, met on the opposite sides of a Lisbon subway station and both sang to each other.

I unfortunately do not know what the Zimbabwe children choir sang to them (although it was so beautiful), but the Croatian klapa Kastav sang 'Kuća puna naroda' (a house full of people).

And let my reward be a house full of people, my life, give me a voice, so I can embrace you with songs.

congrats! Now you have a motif! A recurring theme! A focus for your art! Something to haunt you!

Seventeen still lives of dandelions? Three hundred poems about grief? A sketchbook dedicated to your grandmother’s house? Two books trying to unravel the complexities of familial relationships?

An early exploration of the themes Hokusai would keep coming back to is Spring in Enoshima, done in 1793 when he was 33. The wave is small and there are no boats, but Mt Fuji is clear in the background, and Enoshima is in Kanagawa, so we are clearly beginning to work towards something here.

A second pass, eleven years later in 1803 when he was 44. The title of this one begins to get more familiar: The View of Honmoku Off Kanazawa. It has a towering wave over a smaller boat, but Mt Fuji is not present, and the boat is considerably larger and has a sail. But the feeling of danger in the wave and the smallness of the boat are here, and of course the general composition is definitely recognizable.

This is A View Of Express Delivery Boats, done in 1805, merely two years later at age 46. Here we find the wave and the boats almost exactly as we'll find them in The Great Wave Off Kanagawa, though Mt Fuji isn't present, and the location is uncertain. And it's a good picture! The wave is threatening, the boats are small -- but the feeling of "ocean" isn't really there yet, is it? It's unlikely this picture would have become a classic for the ages. But that's okay, there's still time.

And here we have it, a full 26 years later, done by Hokusai in 1831 at the age of 72. The Great Wave Off Kanagawa, one of the most recognizable pieces of art in the world. The boats are there, the mountain is there, the wave is there, and the FEELING is there. He did it! He reached the apex of his ongoing motif and theme!

Or did he? Because the whole point of a motif is not that you're striving to get to the perfect version of it, the one idealized image you carried in your head all along, and when it is done, you are also done. Hokusai is on record at the age of 73 saying he'd only just begun to feel like he was learning how to draw things properly, and that "if I keep up my efforts, I will have even a better understanding when I was 80 and by 90 will have penetrated to the heart of things. At 100, I may reach a level of divine understanding, and if I live decades beyond that, everything I paint — dot and line — will be alive." He had drawn The Great Wave, but he didn't believe he was finished -- he thought that he was still just beginning to get started.

And he wasn't finished with his ocean motif, either. Please check out his Mt Fuji At Sea, done in 1834 at the age of 75.

I've talked in the past about how Hasbro's efforts to deceptively market Dungeons & Dragons as universal entry-level game have fostered a culture of play in which any appearance that D&D isn't a universal entry-level game is regarded as evidence that you have a "bad GM", and how, in order to avoid being a "bad GM", it's necessary to treat it as a normal part of the GM's responsibilities to constantly monitor the outputs of the rules and quickly paper over any gaps between the game the rules want to produce and the game the group wants to be play, like a cartoon train conductor frantically constructing the very tracks along which the train they're conducting is riding.

The trouble is that most players aren't stupid, and readily see through the act. They (correctly!) observe that the particulars of the rules don't actually seem to matter all that much, because most of the desired experience of play is the product of the GM's constant interventions, rather than the product of interpreting the outputs of the rules – but instead of identifying this as a problem, they conclude (again, quite reasonably, as they've probably never seen it done differently) that this is what tabletop roleplaying is. The GM merely pretends to be moderating a game; in truth, they're a pantomime-leader whose job is to maintain the illusion that we're playing a game with rules, when in fact what we're really doing is guided improv theatre.

And of course there's nothing wrong with guided improv theatre – it's a fine pastime, and one I've enjoyed myself on many occasions. However, it does put folks who really do want to play a game in a bind, because now there's this insurmountable communication barrier. You can say "I want to play a game, and these are the rules of that game", and receive what seems to be enthusiastic agreement with that premise; however, a significant portion of the people expressing that agreement think they're participating in a bit of kayfabe, like very dedicated professional wrestlers who stay in character even outside the ring.

Critically, nobody is necessarily acting in bad faith in this equation. The folks who don't bother to learn the rules because they think games aren't real mostly aren't fucking with you on purpose; they honestly thought they were yes-anding your improv prompt by pretending to care about the mechanics of play, and when they discover that you really do expect them to do all that fiddly dice math, from their perspective it genuinely looks like you were the one misleading them. It's just a fucked up culture of play garbling all the signals in both directions.

🏳️‍⚧️ TRANSGENDER DAY OF VISIBILITY 🏳️‍⚧️

The FDA is considering a petition to make all trans women on estrogen enroll in a registry as a condition of our prescriptions.

If you are in the United States, you have the power to comment on this proposed regulation. The instructions for doing so, and more about the petition, are here. I just left a comment, and it took two minutes. You can do so anonymously.

The petition is bad for other reasons too. It blatantly singles out transgender women and asks for mandatory psychiatric gatekeeping of lifesaving gender affirming care.

right now there are 61 comments on the petition and all are in support of it. Being one of the voices that pushes back is the easiest thing in the world.

If you don't like those posts about how everyone on this website doesn't care about trans women, and wouldn't lift a finger to save us from genocide, here's your chance to prove them wrong.

“Where did the potatoes come from?” does NOT mean “Give me an exhaustive ethnobotanical history of your crops!”

It’s a shorthand for asking if you are taking a western imperialist worldview for granted in your worldbuilding (and reacting with hostility when a hypothetical reader interrogates that). Are you buying into a particular cultural mythology of Ye Olde Fantasy Europe by having the norms and resources available to your setting be those of a white supremacist revisionist fantasy? Why does your society have the culture of an extractive colonial empire if they have no imperialist interests?

you play it while walking around with friends and if you see something and don't know what it is or wonder why its there, you stop and point and say Hey What Is That Thing. and everyone speculates about it. googling it is allowed but preferably after spending several minutes guessing or asking a passerby about it

weird structures, ambiguous signs, unfamiliar car modifications, anything that you can't immediately understand its function. eight times out of ten, someone in the group actually knows, and now you know!

a few examples from me and my friends the past few weeks: "why is there a piece of plywood sticking out of that pond in a way that looks intentional?" (its a ramp so squirrels that fall in to the pond can climb out) • "my boss keeps insisting i take a vacation of nine days or more, thats so specific" (you work at a bank, banks make employees take vacation in long chunks so if youre stealing or committing fraud, itll be more obvious) • "why does this brick wall have random wooden blocks in it" (theres actually several reasons why this could be but we asked and it was so you could nail stuff to the wall) • "most of these old factories we drive past have tinted windows, was that just for style?" (fun fact the factory owners realized that blue light keeps people awake, much like screen light does now, so they tinted the windows blue to keep workers alert and make them work longer hours)