Hello! So a while ago, I mentioned a resource guide for asexuality in science fiction. It includes resources for information about asexuality, asexual creators, non-fiction, fiction databases, fiction, writing asexuality, and writing sci-fi. There's a decent amount of aromantic resources included too bc a lot of resources included both. Also, there's a wide variety of types of resources:
Come and check it out! Both high and lower quality versions included:
Asexuality in sci-fi: a resource guide - Google Drive
(Tagging a couple of people who said they were interested, sorry if you didn't want to be tagged: @snowshinobi @studyofwhump)
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Pinhegg, created by Francesco Capponi, is a pinhole camera crafted from an eggshell. The βcameraβ is only good for one shot and must be sacrificed in order to reveal the image.
Pinhegg, created by Francesco Capponi, is a pinhole camera crafted from an eggshell. The βcameraβ is only good for one shot and must be sacrificed in order to reveal the image.
Masterlist Of Black Focused Resources: Art And Writing Addition (1)
Good Skintone Coloring Tip
More Skintone Tips
Skintones And What To Do For Black Characters
Coloring Scars On Dark Skin
Skintone Sheets
How To Draw More Accurate Blush On Dark Skin
Coloring Tips On Palms
Skintone Tutorial
Lighting Dark Skin, Part One: Color and Identity
Lighting Dark Skin, Part Two: Lighting a Flat World
Skintone Coloring Tips
Coloring Skintone
Skintone And Black Features
Humanae
How To Paint Dark Skin
Naylissah
The Mightyz0
Tip For Picking Darker Skintones
How To Draw Dark Skin
Tip For Drawing Vitiligo On Dark Skin
Tips To Get Facial Features To Pop On Darker Skin
Kupa's Guide To Skintone When Using a 3D reference
How To Avoid Whitewashing Undead Characters Of Color
Lips Tutorial
Guide On Drawing Biracial Characters
Creating Black Characters
Tips On Drawing Black Lips
How I Draw Lips
Drawing Black People 101
How To Draw Black People
Important ideas to consider when creating characters who are Black and Indigenous people of color
Rendering Dark Skin
Anti-Whitewashing Tutorial For Pale & Pastel GIFs
How Not To Whitewash Screencaps
A Guide On Coloring Poc In Edits
How I draw Black Hairstyles!
Five tips On Drawing Black Peopleβs Noses
How to Draw Black People Part 1 (Intro) | All of the Basics
Tips For Coloring Black People | How to Draw Black People
How to Draw Curly Hair | How to Draw Black People
Why Black Artists and Creators are Important
How to Draw Black People with Copics/Alcohol Based Markers
How to Draw Black People Part 5 | Nose and Lips
How to Draw Headwraps | How to Draw Black People Part 6
Whitewashing In Art And How Colors Work
Quick guide on coloring deeper skin tones
Coloring palms
Let's not have history repeat itself | Skin Tutorial 2025
[Tutorial] How to Draw Black Anime People - Part 1
What is Racial Caricature?
How To Design Black Hair
How To Critize A Black Character While Avoiding Racism\Bias
Why The Disposable Black Girlfriend Is A Problem
How the βAngry Minorityβ Trope Gaslights People of Color
The "Undateable" BIPOC Co-Star
Black Hair Pack! | Black Hair! 2 | Black Hair! 3 - CLIP STUDIO ASSETS
How to Render Dark Skin
Oil painting process
Dont be afraid of Dark Skin
Painting Dark Skin Tones
Anatomy: Skin
Skintones for POC companions in Dragon Age
How to draw lips for Black/Dark Skinned people
This is what colorism in media looks like
white authorsβ¦.can we stop the bad POC rep in fiction
Why Black Villains Matter
The Sassy Black Woman Trope
Something I've noticed among us as a collective is how common it is to have a tooth gap. It's a cute feature! It's a personal choice to have braces, but regardless still be proud of it. You couldn't stop me from smiling in all my tooth gap glory when I was a kid. I got braces myself in my early teens, but I still look at my childhood pics with fondness and pride of my smile.
While it's sought after by many people in African countries, the tooth gap is often looked down upon in Western nations.
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...and how you can be an ally by getting in its way.
Why anti-black racism in the whump community is about to get louder:
First off, we have a very exciting new event coming to the whump community: the Black Whump Blues @black-whump-blues. This two-week writing event is a celebration of Black characters in whump, and a chance for Black whumpees to have their moment in the spotlight.
A whump event set in late November/December to celebrate Black whump creators and whumpees in our community!
This event is built on positivity, inclusion, and all the whumperfly-inducing hurt and comfort that we celebrate across the community.
Sami, the host of the event, has spoken on all the things it wants to see Black whumpees put through. The message is perfectly clear: it wants Black whumpees treated with the same enthusiasm and compassion that we expect with everyone else.
Naturally, this makes the anti-black racists lurking in the community irrationally angry.
We had our first racist tantrum from someone in the whump community a couple of days ago. There will probably be more.
This isn't a fluke. Any time that there's a celebration of other cultures and identities, bigots push back. It's the same mechanism that leads to homophobes and transphobes throwing tantrums every Pride Month, and misogynists having meltdowns over women's... well, everything.
We all know how other bigots come creeping out of the woodwork: it's no different when it comes to matters of race and representation.
This event is a celebration of diversity, and is explicitly open to Everyone who wants to respectfully participate. It is also an excuse that the worst of us will use to harass Black members of the whump community, to spew hatred toward Black characters, and let their racism out into the open.
That's where you come in. You, the non-black person reading this π«΅, have just one task: you are going to become a shield.
Black characters and their place in the whump community:
Whump as a genre is notoriously hard to define. It has many, many different facets, and encompasses so many variations of its own themes. But whether it's tooth-rotting fluff/comfort, violence, sick fic, environmental whump, all-hurt-no-comfort, or any other of the hundreds of variations whump can take on, there is one underlying theme across all of them:
Whump, as a genre, is defined by its compassion for the victim.
For as much as we put our whumpees through, our stories are always defined by their focus on the person behind the suffering.
Our fiction grapples with darker topics, taboo subjects, and the deepest lows that a character can sink to. But always, always, we do so with respect for the trauma these things cause, and the complicated mess that comes of surviving.
That is the reason why so many survivors of abuse, neglect, and trauma flock to the whump community: this is where we can see ourselves and the things we endured reflected back to us, with characters being shown the sympathy we don't often receive in person. This is why we turn to whump when we're feeling down, why we find so much catharsis and escape in whump, and why there is so much satisfaction in Hurting The Character. It is because we are treating their suffering with the weight it truly deserves.
Once you understand this, every argument in favor of keeping characters of color out of whump falls apart completely.
Many people shy from writing whumpees that aren't white, because of discomfort around the idea of inflicting suffering on characters of color. Racialized minorities are disproportionately the victims of violence and trauma in real lifeβthe argument usually goes that we "don't want to make them see that in fiction, too."
This is where we're getting it wrong. We're not sparing Black people by excluding them from our writingβwe are depriving them of the stories that treat them and their pain as deserving of our compassion.
Like @amonthofwhump recently said, "Black characters are often underrepresented, sidelined, stereotyped, or excluded from whump spaces altogether." They deserve to be, "...allowed to inhabit the full range of fictionβincluding dark, painful, complicated storiesβwithout their presence being reduced to a political contradiction."
Black people, and all people of color, deserve to see themselves reflected in whump. They deserve to see people like them shown the softness and understanding that this entire genre is built around.
If you listen to Black members of the whump community, they will tell you this themselves. They have told us exactly what they want to see more of in terms of representation, talked about how to navigate complicated subjects like the BBU, pointed us toward what to steer clear of, and spoken on why representation in whump is important to them.
What we have to do is listen.
Across the whole of the whump community, whumpees overwhelmingly consist of queer, cis, perisex, white men. We are beginning to successfully change this, with intra-commmunity movements like lady whump and genderqueer whumpees finally gaining some traction.
This event, Black Whump Blues, is the next facet of that progress. This is a celebration of Black characters and diverse racial representation in whump. Black members of our community deserve to see themselves, and characters like them, treated with the same respect shown to their white counterparts.
But Wick, even knowing all this, I'm still uncomfortable with the thought of Black characters getting hurt. Something about it feels wrong.
There's every chance that your discomfort is rooted in sympathyβbut it's going to require some introspection to get it pointing in the right direction. Trauma is still happening to Black people out in the world, whether you write about it or not. Refusing to acknowledge racial minorities in fiction doesn't erase anything, it just leaves the survivors isolatedβeven from the community that should understand their struggle better than anyone.
This is a good chance for you to see what Black representation in whump should look like. It's an opportunity to follow Black creators, and to learn what they want to see. Listen to them, and believe them at their word. As always, remember: discomfort β truth.
But Wick, I don't know for sure how to identify racism when it happens, and I'm afraid of calling out the wrong person, even if I do see something questionable:
Okay! Then your focus should instead be on supporting Black writers and characters, and celebrating the Black Whump Blues event itself. Spend your energy uplifting their voices, and showing every ounce of enthusiasm you can for Black characters. Your role in the shield is to make joy louder than hate.
Ways you can show your support:
Priority Number One: Your love for Black community members is more important than your anger towards racists. Do not lose sight of this: you have to care for the people being hurt more than you hate the people who are hurting them.
Be outspoken in your support of Black whump. Share your enthusiasm the same way you would for any other whump event. Share updates, engage with the creators who participate, and show your love for their characters. Be LOUD about it! Spread the word! Do not let bigotry overshadow joy. This event is going to be wonderful, and your focus should be on celebrating it.
Black members of the community are the experts on Black representation, and the best resource on what whumping Black characters should look like. Amplify their voices. Learn from them.
If you're not comfortable writing a Black character for this event, that's okay! Instead, you can focus on supporting the people who are comfortable participating. Read, comment, and share their work! That's just as much a part of this as the writing itself.
If you DO want to participate, do your research! Although it's not whump-specific, Ice has a fantastic, in-depth guide on Creating Black Characters. There's even a chapter on violence in fiction, where you can learn about what to avoid in your writing. Sami is collecting resources and guides on the @black-whump-blues page, and will be adding more as it goes. @whumppets also has a fantastic archive on the same topic.
The purpose of fighting bigotry isn't to punish the bigot. It's to keep them away from the minorities they're trying to hurt, and to make it abundantly clear that their behavior isn't welcome in the whump community.
The people who expose themselves as racists may very well be your friends. You may have been mutuals for years, and not seen any hint of this before. The instinct to defend them may be strong, and the instinct to ignore it even stronger. So you have to ask yourself the hard question:
Are you okay with knowingly being friends with a racist?
Only you can answer that. I sure as hell know my answer.
Protecting Black Members of the Whump Community from Racism
Recognizing racism, and watching for red flags:
This event is going to send some members of the community into a shit-fit. You and I are going to put ourselves between them and the Black creators that they're trying to hurt.
There's a big difference between someone asking questions with good intentions, and someone being an obtuse asshole.
The main difference is whether or not they're listening. Someone who is sitting down and truly hearing what Black creators have to say can still ask clarifying questions, provided they're ready to accept the answers in good faith.
Someone who starts bad-faith arguments, ignores the answers they're given, tries to make the celebration of Black characters out to be an act of ~reverse-racism~, or harasses Black creators for wanting to be included? Now that's something else entirely.
How will you know the difference? The simple answer is that, at first, you might not. Not on your own. Learning how to spot racism can take practice, especially in cases where it's not as clear-cut as someone using racist slurs outright.
Let's put this in a more familiar context: Can you tell the difference between when a guy is asking clumsy, but well intentioned questions, and actually listening to the answersβversus when his comments are thinly-veiled, misogynistic bullshit? Can you tell the difference between him trying to understand, and simply arguing because he doesn't want to listen?
When you can't tell the difference for yourself, who do you look to? Do you take the guy and his male friends at their word when they say that she's βblowing things out of proportion just to be a bitchβ? Or do you listen to the women involved, and believe them when they tell you that harassment has a pattern?
Minority groups have a lot more experience determining when someone is being bigoted toward them than outsiders do. They also have a lot less incentive to lie about said harassment, given that they're less likely to be believed in the first place.
Your job is to believe them.
When it's best not to speak:
White people chiming in is not always needed. The hardest damn thing to get through our headsβeven those of us with only good intentionsβis that not every situation needs our two cents.
If you're not sure whether or not something is racist, you don't need to write your own response. What you do instead is:
LISTEN to the Black people involved, and actively hear what they're saying. Slow down and read things multiple times if you need to.
AMPLIFY their voices, by sharing their words without adding your own.
BELIEVE Black people about their own experiences, and treat them as the authority on anti-black racism.
Defending Black people doesn't always mean coming up with a new argument. Far more often, it means showing outspoken support for a response they already made. That can look like:
reblogging Black people's posts without making ANY tags/additions β this is The Thingβ’ we most often see Black people asking us to do more of! This should be your default!
making brief comments of support β βwell said!β / βyou clarified XYZ really well!β / βthank you for making such a thoughtful response!β / βohh, okay, I understand __ better now!β
not letting assholes pretend they haven't already been shut down β βZYX already answered your question, now you're just being willfully ignorantβ
Okay, what I just saw was definitely racist. What do I do about it?
You have a few different options. You should always follow Priority Number One, but following that, you have the option to:
- Block the racist. Some people aren't worth your time. Blocking them is a simple way to cut them out of the community, while keeping the overall focus on positive aspects of the event instead.
- Amplify the voices of the Black people who have already responded. I guarantee they said it better than you couldβshow your support by giving them the final word.
(The single least helpful phrase in the world is, "As a white person, I..." βNo. Ah-ah. Hit backspace.)
- Racists will often try to hide their tantrums in the comments section of posts, hoping that the only people to see it will be the Black users they are harassing (*cough* @caffeinefafnir *cough*). Unfortunately for them, the screenshot function works juuuust fine.
These people know perfectly well that if their racist tirades get seen by their peers, the whump community will cut them out like a tumor. If they are persistently making an issue of themselves, then sometimes they have to learn this the hard way.
However, call out posts seldom lead to net good. Dragging a racist comment into the spotlight isn't something you should be doing unless you are COMPLETELY sure of what you're talking about, and your other options (including telling the racist to fuck off) have been exhausted.
However, I know perfectly well that I am writing this on Tumblr Dot Com. That said, there are four rules that YOU MUST FOLLOW if you're considering a call out post:
In private, give the Black creators involved the chance to veto any form of call out. Sometimes they simply don't want for one racist jackass to take away from the joy of the event as a whole. If they tell you to leave it be, then leave it be.
Don't start a fight and then expect Black creators to finish it for you. If you're going to put someone in the spotlight, you better be prepared to handle it on your own. Your role is to shield Black people from the racist, not the other way around. β [ Yes, this includes instances where you got βapprovalβ from the creator(s) you spoke to in step one! Even when the racist pressures you to throw them under the bus and 'prove you had permission', you KEEP THAT SHIT TO YOURSELF. Protect the Black creatorβs privacy: don't pick a fight and then cry that βthey told you to do itβ when things get ugly. If you call someone out, you do so knowing you're on your own. If you aren't willing to accept that responsibility, you're going to do more harm than good. ]
Make it a separate post, rather than adding it in the reblogs of an event post. Keep any negativity separate from the main event.
Tag for racism / anti-blackness / slurs, so that Black creators can avoid seeing it unless they choose to.
Don't bring up anything you can't prove in its entirety, don't leave out context (especially if that context doesn't work in your favor), and don't go digging for βmore dirtβ. It's one thing to shine light on something someone has already said on a public forum, it's another thing entirely to try to dig for worse. The point is not to paint this person in the worst light you can, it's to make them live with the consequences of exactly what they already said.
For the most part, knowing they will be held accountable to the entire whump community is enough to make racists think twice. In the rare case where there really are Just That Stupid⦠well. The rest of us can see them out.
All this said, don't just abandon the Black members of our community to handle racism alone. If you have racial privilege, and if you know what you're talking about, then use it. Back them up. Be there for them.
Always, ALWAYS, remember Priority Number One. The joy of Black people is always more important than the persecution of racists. Don't let the overwhelming positivity of this event get overshadowed by the shittiest person in the room.
Conclusion
This event is a big next step towards diversifying stories within the whump community. It is about integrating Black characters into all the roles that have historically excluded them. It is about acknowledging their personhood, and treating them with the same enthusiasm we show all our other whumpees.
It is also about bringing Black creators into the core of the community where they belong. The Black community members we have are few and unspeakably precious. They deserve our respect, our protection, and every ounce of our support. They deserve to see themselves depicted with every bit of humanity and sympathy that we show our own reflections.
Compassion is the heart of everything that whump is. Use it for good.
The Black Whump Blues is going to be an incredible event, and I cannot wait to take part in it <3
A whump event set in late November/December to celebrate Black whump creators and whumpees in our community!
using "what were YOU doing at the devils sacrament" to mean "yeah i made an embarrassing reference but you understood it which is also embarrassing" is very funny to me
my favorite part is that absolutely nobody says this except here. so if you use it in public, it's a dead giveaway that you spent the last ten years on tumblr. but then again, they recognized it, which means they were at the devil's sacrament
I tested this theory in the wild the other day at work. I was on a call with my department lead and a few other folks and I replied to an email the DL had sent me, thinking that, because he was on this call, he wouldn't notice when I sent it and would not catch me multitasking.
However, he replied to said email within five minutes, asking a question that required an answer. So I answered and was like "Also, I was going to apologize for answering emails during this call, but I see we're both here at the Devil's Sacrament, so I don't think an apology is necessary."
I watched him read that on screen and try not to laugh. And then at the end of the call as everyone started saying goodbye, he goes, "Hey, MJ, I meant to tell you. I like your shoelaces."
And I looked straight into my camera, stone cold serious, and said, "Thanks. I stole them from the president."
And the rest of the team was like, "What...the fuck...?" before he abruptly ended the call for everyone.
So now my DL and I know this about each other. He could be any one of us.
My toxic trait is that I am far more interested in the socio-economic and geopolitical implications of ABO settings than the smut.
For example: I can't read any ABO AUs set in England or France because while I can suspend my disbelief far enough for a gender trinary set up, I can't suspend it enough to believe those two countries would still be distinct entities in a alternate history where Richard the Lionheart could have impregnated Philip II.
If there was a viable dynastic future with Richard, Philip would have climbed him like an oak and dragged him to the altar if he had to. It's a match that makes perfect sense from both their points of view: Philip gets Aquitaine back under French rule, the best general in Europe on his council, and a powerful check on the Angevins... then unexpectedly (after Henry the Young bites it) the entire Kingdom of England for his Capetian dynasty. Richard meanwhile gets to stick it to his father, secure Aquitaine's prosperity, and gets the leverage to start pushing for his mother's release. Then when Henry kicks the bucket Richard doesn't actually have to be King of England in anything but name: Philip can run the countries and unify the Crowns and what not while Richard runs off to go Crusading.
Plus they also like, loved each other and stuff and being able to get to be together long term instead of being torn apart by politics would have been cool. But I'm mainly obsessed with the historical and dynastic implications.
All this to say any ABO au set in England or France that doesn't have them united as a singular Anglo-Frank empire is doing it wrong.
The concept of A/B/O also introduces the question of what succession law would look like under a gender trinary. England historically used cognatic succession, where female scions and their descendants could inherit titles if there were no surviving males from the previous dynastβs line, whereas France used agnatic succession, where succession could only pass through male lines.
In this AU, itβs unlikely that an Anglo-Frank union could last due to differences in succession laws between the two realms. What would happen if an Alpha died without an heir? Would Betas be treated similarly to Alphas for succession purposes? Could succession pass through Beta or even Omega lines? Succession laws were quite difficult to change, with modifications to royal succession often resulting in civil and/or international wars.
So I see your A/B/O geopolitical hypothetical and raise you that while Philip WOULD climb Richard like an oak and bear him multiple viable heirs, the Anglo-Frankish Union wouldnβt last long due to differences in how the kingdoms would be inherited by the descendants of those multiple heirs. And with the complexities of succession laws in a gender trinary, the War of the Roses would only be more insane.
This is literally what the Schleswig-Holstein Question was about. Well, the βconflicting laws of successionβ bit, anyway. Not so much the ABO stuff. (But with the Schleswig-Holstein Question, who knows? Well, Lord Palmerston and two other people. But you see my point.)
What being on this site is like: every so often one of the flaming dumpsters floating by drops a fully realized academic paper overboard, and it floats over to you and you read it and it upends your understanding and revolutionizes your appreciation of a major geopolitical underpinning of European history upon which the very shape of modern civilization rests.
It's got medieval-style illustrations of Richard the Lionheart balls deep in Philip the Second, and they're thematically relevant.
My toxic trait is that I am far more interested in the socio-economic and geopolitical implications of ABO settings than the smut.
For example: I can't read any ABO AUs set in England or France because while I can suspend my disbelief far enough for a gender trinary set up, I can't suspend it enough to believe those two countries would still be distinct entities in a alternate history where Richard the Lionheart could have impregnated Philip II.
If there was a viable dynastic future with Richard, Philip would have climbed him like an oak and dragged him to the altar if he had to. It's a match that makes perfect sense from both their points of view: Philip gets Aquitaine back under French rule, the best general in Europe on his council, and a powerful check on the Angevins... then unexpectedly (after Henry the Young bites it) the entire Kingdom of England for his Capetian dynasty. Richard meanwhile gets to stick it to his father, secure Aquitaine's prosperity, and gets the leverage to start pushing for his mother's release. Then when Henry kicks the bucket Richard doesn't actually have to be King of England in anything but name: Philip can run the countries and unify the Crowns and what not while Richard runs off to go Crusading.
Plus they also like, loved each other and stuff and being able to get to be together long term instead of being torn apart by politics would have been cool. But I'm mainly obsessed with the historical and dynastic implications.
All this to say any ABO au set in England or France that doesn't have them united as a singular Anglo-Frank empire is doing it wrong.
The concept of A/B/O also introduces the question of what succession law would look like under a gender trinary. England historically used cognatic succession, where female scions and their descendants could inherit titles if there were no surviving males from the previous dynastβs line, whereas France used agnatic succession, where succession could only pass through male lines.
In this AU, itβs unlikely that an Anglo-Frank union could last due to differences in succession laws between the two realms. What would happen if an Alpha died without an heir? Would Betas be treated similarly to Alphas for succession purposes? Could succession pass through Beta or even Omega lines? Succession laws were quite difficult to change, with modifications to royal succession often resulting in civil and/or international wars.
So I see your A/B/O geopolitical hypothetical and raise you that while Philip WOULD climb Richard like an oak and bear him multiple viable heirs, the Anglo-Frankish Union wouldnβt last long due to differences in how the kingdoms would be inherited by the descendants of those multiple heirs. And with the complexities of succession laws in a gender trinary, the War of the Roses would only be more insane.
This is literally what the Schleswig-Holstein Question was about. Well, the βconflicting laws of successionβ bit, anyway. Not so much the ABO stuff. (But with the Schleswig-Holstein Question, who knows? Well, Lord Palmerston and two other people. But you see my point.)
What being on this site is like: every so often one of the flaming dumpsters floating by drops a fully realized academic paper overboard, and it floats over to you and you read it and it upends your understanding and revolutionizes your appreciation of a major geopolitical underpinning of European history upon which the very shape of modern civilization rests.
It's got medieval-style illustrations of Richard the Lionheart balls deep in Philip the Second, and they're thematically relevant.
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Hating on AI because it plagiarizes or makes bad art really undercuts the main purpose of AI being invested for in the first place; for surveillance and warfare.
for the lovely lovely deafies out there who want to get involved in direct action you absolutely 100% cannot ever bring a hearing aid or cochlear implant with bluetooth to any direct action. bluetooth devices all carry a unique signal that can be used to identify you if it's picked up at a direct action. go with a [more] hearing buddy and communicate in sign language. if you don't mutually know a sign language then come up with gestures. do not risk your freedom because you want to have your hearing aid/cochlear implant at the action. it's not worth it.
flock cameras are also now tracking bluetooth device signatures when you pass them. if you drive past a flock camera with your bluetooth-enabled hearing aid or cochlear implant, the flock camera knows you passed through
Wait I just realized this is gonna apply to all cgms and most if not all insulin pumps. Theyβre all Bluetooth devices, itβs essential to how they work
alternate scenario where the rebels continue to think the whole thing is a wacky coincidence and that Darth Vader has mistaken Luke for his actual long-lost son
decide this is too good an opportunity to pass up, send Luke in as an undercover agent
Luke ''''pretending'''' to be Darth Vader's son and faking going along w Vader's attempts to turn him to the dark side like yeah i love anger & hate let's do this. can you show me how you do that move where you throw people in the air with your brain.
he is secretly feeding information back to the rebellion all the time constantly
a number of Vader's underlings are pretty sure Luke is a rebel spy but everyone is too afraid of Vader to argue with him on it
Vader meanwhile is desperately trying to train Luke while keeping Palpatine from finding out his son is still alive. Luke wanders in while he's mid imperial conference call and gets tackled to the ground.
after a couple of months Vader decides Luke has had enough training for the 'we should kill the emperor and rule the galaxy together' speech
Luke (who has in a weird way kind of got to like Vader at this point) radioing the rebellion like guys call me crazy but i think we might be able to get this guy on side
Luke: okay dad hear me out. I reach out to the rebellion and tell them I've changed my mind and I wanna start working with them again. we enlist their help to take down the emperor. what do you think?
Vader: and then we rule the galaxy together as father and son?
Luke: sure
Vader: very duplicitous. i like it. once the emperor is dead we will of course crush the rebellion so we can reign unopposed.
Luke: well we can talk about that closer to the time
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a lot of people assume psychosis hallucinations are super intense all-consuming horror movie shit like the memes about the hat man or always horrible debilitating things that make you dangerous to be around
but in my experience 95% of my hallucinations are getting spooked by very clearly hearing someone knocking on my door or calling my name from another room or hearing footsteps walking behind me which are "just" my brain recreating the horror of an abusive childhood
i *have* gotten the "bugs crawling all over me" hallucination once or twice though and yeah that one is exactly as terrible horrible as it sounds AUGH
(not trying to put you on blast specifically, you're just a good example to jump off of)
media and pop culture hypes up psychosis a lot as The Worst That Can Happen out of sanism, so even when you try and filter that cultural bias out you still assume it's based on something
when, no, psychosis is actually very simple: it's just hyperactive pattern matching. it's your brain's signal-to-noise ratio being off balance, it's seeing images in random static. it's not always this special uniquely big thing, it's in fact quite mundane a lot of the time.
no one is immune to psychosis, it's not purely the realm of the insane. anyone is one bad night of sleep or one bad case of food poisoning or one bad fever away from being just like me on my worst days.
and this, indeed, is why solidarity with the insane is so important: you, yes you too, are just one bad day from joining us, and no perceptions of being a "temporarily embarrassed sane person" will save you from the oppression of the psychiatric institution.
Back in film school I had a part time stocking job that started at 6:30am, but sometimes I'd be out working on film projects until 3 or 4 in the morning and I'd get maybe a quick nap before work. One of the days I was tired but (assumed) functional, I heard a manager call me over from the next aisle, clear as day. Went over, no one there. Next aisle, found someone, not the person I thought had called me but similar enough voices I figured I'd guessed the person wrong. Not only did she not call me, she didn't hear anything. Aside from the quiet overheard music it was silent. But I knew someone had called me. It didn't feel like it came from inside my head because I heard it more in one ear than the other. In retrospect I was super fatigued and worried about getting reprimanded for moving slowly so part of me was anticipating a manager wanting to talk to me.
Sometimes your brain is so sure something is going to happen that when it doesn't it creates a false positive to validate itself.