Akira the Starlight Deer

Drawing basic facial expressions is not the hardest. Most people can draw a sad face, a happy face, angry etc., but making more multidimensional expressions is more of a challenge. I have gotten a lot of compliments on how I draw facial expressions, (specifically “angsty ones”) telling me that they are very dramatic and well… expressive! And there are actually only a few things I think about when I draw faces that take them to the next level, so I thought i’d illustrate them all here!

SUPER IMPORTANT TIP BEFORE WE START: Look at your own face when you draw faces. Even making the face when you are drawing (you don’t even have to look at it), will give you some sense of how the face muscles pull and where things fold and stretch, because you can feel it. You are the best reference when it comes to facial expressions!

Angles 

Draw the head in an angle that matches the expressions you want to make. It is not a requirement, but is going to add to the effect.

Symmetry vs asymmetry 

A face is rarely symmetric. Unless the face the character is making is 100 % relaxed or even dissociating, the eyebrows, mouth and facial muscles will have different placements of their respective side. This image shows the dramatic impact asymmetry has on a face: 

That’s the difference between a smile and a smirk!

The first one’s like “oh yeah?” and the second is like “oH YEAH??”

The “balloon squishing principle”

This is something I did subconsciously, and I didn’t know about until I made this tutorial. And this principle goes hand in hand with an asymmetric face. Basically, if you squish one part of the face, you need to even out the empty space by “inflating” the other part of the face so that it doesn’t appear shrunken. The picture hopefully explains it:

Teeth 

Don’t forget to add the gum when the mouth is open to its full potential!

Squinting and folding

Adding folds around the eyes when a character is squinting makes a HUGE difference. It makes a smile more genuine and a growl more intimidating. Adding folds to the face in general makes your characters more lifelike and ‘visually relatable’. Like, they look human, and less plastic or fake.

and so on..

Pupils and irises 

The placement of the iris and pupil in relation to the eyelids is very important! The less of the white you see, the more relaxed the character is. 

And then of course eyebrows and eyes go hand in hand!

Gestures, spitting, sweating… 

Adding more elements than just a face is key to making the character actually look like they are feeling what you want them to feel. Just the tiniest sweat drop adds to their anxiety, spitting adds frustration to their rage, slouching shoulders, waving hands, a double chin, extreme angles, the list goes on! Add whatever and see what kind of impact it makes! Does it do the trick? Great! Add it! 

Over exaggeration!! 

Remember that you can almost always exaggerate more. Don’t be afraid to do draw “too much” because you’re just experimenting. See what works and what doesn’t. What do you like to exaggerate?

Now that you know some theory, it’s time to practice!

Practicing!! 

The 25 Essential Expressions (a classic! I’ve done it multiple times)

And the one I do when I’m bored:

Fill a page with circles and fill them in with different expressions. Try and exaggerate as much as you can! 

This is mostly for experimenting. They are quicker to draw than complete faces, but the same rules should apply!

And that’s about it!

I’ve seen some posts going around on what not to write in fantasy, many of which amount to:

Don’t write evil kings.

Don’t write people who are evil for the sake of evil.

Don’t write bullies.

Don’t write villains at all actually.

Don’t write mentors.

Don’t let your characters learn how to do hard things on their own though.

Don’t write people on adventures.

Don’t write people fighting evil governments.

Don’t write any fantasy species ever written before.

Don’t write any fantasy trope ever written before.

Don’t write any fantasy plot ever written before. 

Just… don’t fucking write fantasy I guess??

And this is such utter bullshit, my friends.

We do need more originality and diversity in fantasy, but we don’t need to remove everything that fantasy is and has been in the process.

(Especially, especially, when diversity is being included in traditionally cishet white male protagonist fantasy stories.)

Maybe the chosen one with special magic powers and a royal bloodline going on a quest with a group of friends to defeat the evil king has been done before with a white cis man a thousand times over, but how many times has a black trans woman got to go on that adventure? 

Maybe elves and orcs have been written into the dust, but they still make great templates on which to tell stories with original twists, and there’s nothing about them that stops a good, emotional story from hitting you straight in the heart.

Maybe dragons have been done by every writer ever to write fantasy, but you know what? Dragons are fucking awesome, my dudes. Many readers are always gonna love them.

Maybe we have told the same fantasy stories over and over again, but every step you take away from the known template is a step you have to spend more and more exposition on before the reader will understand your original creation.

Hits close to home (Via)