Loumand fight asmr with @therealrashid

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@therealrashid
Loumand fight asmr with @therealrashid

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Kajillionaire (2020) x Excerpt from Screenplay dir. Miranda July
MEG STALTER: I also feel very jealous of whoever he works with next. And I said it's specific to us being a duo. So if I saw Paul with some funny fat girl, I would start to be sick to my stomach and I feel like I would start maybe not texting him back. Maybe I feel like I would be mad at him and I would feel like I would be upset with him and I would maybe start unliking some of the likes that I've given him online. PAUL W. DOWNS: If she's in another comedy duo, I am committing vehicular manslaughter. I am absolutely not even just saying…I am doing damage to the world. I'm upset. [x]
SHANEBOT from the very excellent fic leave your life open by @sexcromancy ! 🤖
thinking a lot about “what was your mother’s name?” and shane trying to learn more about their relationship…… shane asking ilya later, later, when they’re married, “what did your mother call you? did she have like, a nickname for you?” and ilya makes a little humming noise, his mouth tugged up at the corners, “ilyusha. it was mostly — a childish nickname.” and shane tests it on his tongue — “ilyusha. it sounds sweet.” but ilya gives a little bitter laugh, says, “after she died, my father and brother used it as an insult. whenever they wanted me to feel small, they called me that.” he says it so devoid of emotion, so matter of factly, that for a moment, shane isn’t sure what to say. in the end, all he can manage is, “that’s awful. she called you that because she loved you.” ilya smiles softly, shrugs. “is fine, now. no one calls me that anymore, so. is okay.”
but shane can’t stop thinking about it. he rolls it around in his head, such a sweet name for such a sweet boy. that night, he has ilya sit across from him on the bed, tells him to stay still. shane’s looking at him intently, brow furrowed, the lines of his face drawn tight, he’s so focused. ilya’s half laughing when shane takes ilya’s face in his hands, —“so serious my love,”— but the amusement dies in his throat when shane presses a kiss to ilya’s forehead, murmurs ilyusha, so quietly at first he’s sure he’s only imagined it. but then shane moves to the right side of his face, ghosts a kiss against the shell of his ear, ilyusha. again, beneath his left eye, ilyusha. his nose, ilyusha. his trembling mouth, ilyusha. his name from another life, a past of burned bridges, a childhood cut short.
“it’s a good name,” shane tells him when they break apart, ilya’s face still cradled in the haven of his hands. “she loved you more than anything in the world,” shane whispers, ilya shaking, shaking, shaking, two warm hands on either side of his face holding him together. “and so do i, ilyusha.”

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liv at the s3 premiere!
i need the kind of catharsis that comes from getting hit a lot then sobbing in the lap of the person who did the hitting
$ $ $
goodmorning this is your assigned shane of the day
when it is midday gmt and i know the shane of the day is coming soon

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i identify so much with this
"[T]he reason it’s written this way, in these snippets of time, is because that’s what they remember. Like, what do you remember about the day you were drafted? I remember standing next to Ilya. I remember the way he looked in that suit. I remember seeing him up there with his dad and wondering what his dad was like. And I remember not listening to my mom. And then, boom, what’s the next thing you remember? I remember not being able to sleep and I went to the gym and there he was. Like, all of their memories- it’s told in a language of memory, and sex is such a powerful part of the memory-scape of this thing."
ohhhh my goddd jacob on the language of sex and memory in heated rivalry
Just making use of my free will
Inspo🖼:The Meeting on the Turret Stairs
hollanov baby
JENKINS: I feel like the first 80–85 minutes or so of the film is the telling of a story where the characters are advancing in age: eight, ten, twelve years of age at a time in each chapter. So we’re rapidly building this portrait. For example, the two longest shots in the film are when Chiron is in the parking lot outside the diner. He pulls up in his car, gets out, puts on his shirt, combs his hair, and then starts walking across the parking lot towards the door. Then there’s the shot of the door’s bell ringing that shifts to a gliding camera shot. It’s a very Hou Hsiao-Hsien–influenced shot that is a camera movement perpendicular to the action in one continuous moment. Then there’s that close-up when Chiron sees Kevin’s face for the first time and then we match it. From that point on the character has been built and now the character has to finally make a choice. He must decide who he is going to be as the film shifts into real time. I think the diner scene really resonates with people because you’ve grown so accustomed to the character advancing through time but now Chiron has to sit there opposite someone who’s actually allowing [him] the space. The world is always projecting this idea of who a black man is while there is always the performance of black masculinity. You see Chiron dealing with that over the course of the film. Then he walks into Kevin’s home, the diner, and Kevin dominates that space but in a very tender way, a very gentle way. So, you’re right. This is when the cycle of questions begins but they are never asked aggressively and there’s never really a single or direct answer to these questions.
one step ahead: a conversation with barry jenkins

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the thing about dog shane is that hes ilyas dog with the tail plug in and the the mitts on and the muzzle on but he's also ilya's dog all the time.
he's ilya's dog when he's trying to anticipate all of ilya's needs and give them to him at the cottage and then waiting nice and still to be told what ilya wants next. he's ilya's dog even when they're having sex their regular way (by which i mean the d/s way) and he's following ilya's orders.
he's ilya's dog when he's letting ilya pet him and calm him down and let him stay on his knees when he's overwhelmed. he's ilya's dog when he's in the bathroom following orders for the sake of following orders and the reward isn't what he thinks he will get but what ilya wants to give him and is satisfying to him anyways.
when hes looking to obey an order and do it Perfectly Right Without Any Mistakes he's ilya's dog. when he's upset and snapping at ilya, trying to start a fight so that he can be muzzled, he's ilya's dog.
hes a dog hes literally ilya's dog.
everything is romantic ♡